A maritime mystery from Edward Marston, author of the bestselling Railway Detective series. New York, 1910. George Dillman and Genevieve Masefield have crossed the Atlantic Ocean numerous times in their capacity as ship's detectives. On those crossings they've had the pleasure, and in some cases the trouble, of sailing with very famous passengers. Dukes. Duchesses. Artists. Actors. Musicians. Royalty. But few names have quite the level of fame and fortune as their fellow traveller Sir Arthur Conan Doyle. Now aboard the Celtic, Dillman and Masefield have a particular stolen book to recover and an elusive fugitive to apprehend, but will the famous writer help or hinder them? Previously published under the name Conrad Allen, the Ocean Liner series is making waves with a new generation of readers.
From the internationally bestselling author of London and Sarum -- a magnificent epic about love and war, family life and political intrigue in Ireland over the course of seventeen centuries. Like the novels of James Michener, The Princes of Ireland brilliantly interweaves engrossing fiction and well-researched fact to capture the essence of a place. Edward Rutherfurd has introduced millions of readers to the human dramas that are the lifeblood of history. From his first bestseller, Sarum, to the #1 bestseller London, he has captivated audiences with gripping narratives that follow the fortunes of several fictional families down through the ages. The Princes of Ireland, a sweeping panorama steeped in the tragedy and glory that is Ireland, epitomizes the power and richness of Rutherfurd’s storytelling magic. The saga begins in pre-Christian Ireland with a clever refashioning of the legend of Cuchulainn, and culminates in the dramatic founding of the Free Irish State in 1922. Through the interlocking stories of a wonderfully imagined cast of characters -- monks and noblemen, soldiers and rebels, craftswomen and writers -- Rutherfurd vividly conveys the personal passions and shared dreams that shaped the character of the country. He takes readers inside all the major events in Irish history: the reign of the fierce and mighty kings of Tara; the mission of Saint Patrick; the Viking invasion and the founding of Dublin; the trickery of Henry II, which gave England its foothold on the island in 1167; the plantations of the Tudors and the savagery of Cromwell; the flight of the “Wild Geese”; the failed rebellion of 1798; the Great Famine and the Easter Rebellion. With Rutherfurd’s well-crafted storytelling, readers witness the rise of the Fenians in the late nineteenth century, the splendours of the Irish cultural renaissance, and the bloody battles for Irish independence, as though experiencing their momentous impact firsthand. Tens of millions of North Americans claim Irish descent. Generations of people have been enchanted by Irish literature, and visitors flock to Dublin and its environs year after year. The Princes of Ireland will appeal to all of them -- and to anyone who relishes epic entertainment spun by a master.
Edward Rutherfurd’s stirring account of Irish history, the Dublin Saga, concludes in this magisterial work of historical fiction. Beginning where the first volume, The Princes of Ireland, left off, The Rebels of Ireland takes us into a world transformed by the English practice of “plantation,” which represented the final step in the centuries-long British conquest of Ireland. Once again Rutherfurd takes us inside the process of history by tracing the lives of several Dublin families from all strata of society – Protestant and Catholic, rich and poor, conniving and heroic. From the time of the plantations and Elizabeth’s ascendancy Rutherfurd moves into the grand moments of Irish history: the early-17th-century “Flight of the Earls,” when the last of the Irish aristocracy fled the island; Oliver Cromwell’s brutal oppression and confiscation of lands a half-century later; the romantic, doomed effort of “The Wild Geese” to throw off Protestant oppression at the Battle of the Boyne. The reader sees through the eyes of the victims and the perpetrators alike the painful realities of the anti-Catholic penal laws, the catastrophic famine and the massive migration to North America, the rise of the great nationalists O’Connell and the tragic Parnell, the glorious Irish cultural renaissance of Joyce and Yeats, and finally, the triumphant founding of the Irish Republic in 1922. Written with all the drama and sweep that has made Rutherfurd the bestselling historical novelist of his generation, The Rebels of Ireland is both a necessary companion to The Princes of Ireland and a magnificent achievement in its own right.
Nobody likes a bully, whether it is a school boy bully, political bully or a corporate bully. Having discovered a bonanza, Rocco Manetti’s exploration company has become the target of a corporate bully – a multinational powerhouse which intends to acquire the bonanza by hook or by crook, by fair means or foul. All’s fair in love and war, and although business doesn’t waste much time on love, it certainly has a ravenous appetite for war. Manetti, fully occupied with fending off a hostile takeover bid, is forced to simultaneously confront another threat in the form of a blackmailer who has knowledge of Manetti’s involvement in a long-ago homicide. The blackmailer soon proves to be a psychopath, which leaves Manetti in a life-or-death struggle for personal survival, as well as the life-or-death struggle for corporate survival.
This great collection of stories strange but true is for every reader who loves history -- and mystery. Edward Butts weaves true tales -- the wreck of the Francis and the weird connection to Edward, Duke of Kent; the sea voyage of Charles Coghlan's coffin; Captain Jack Randell the rum-runner; Al Capone's gunman Bugs Moran and more! This collection offers the lore and legend of some of the greatest stories of Atlantic Canada's history.
Edward Tomarken's previous book, Filmspeak, was a study of literary theory in relation to contemporary mainstream films. Some of the abstruse ideas of early literary theorists (1950–70) had in fact permeated our thinking to such an extent that both films and theories enriched and shed light upon one another. One early response to Filmspeak was the question 'Why theory?’, a remark that provides the title of this new and exciting exploration of literature. In pursuit of an answer, Tomarken turns to the 'second generation' of critics (1970–2000), and analyses television programmes as well as films. He considers scholars such as Clifford Geertz and Martha Nussbaum who saw themselves as working in the field of cultural studies. Why theory? thus has a dual focus – on both culture and literary theory. The result of integrating cultural ideas with media interpretation sees Tomarken grapple with the question of the title: theory has become a part of our cultural life.
Goodbye Yeats and O'Neill is a reading of one or two books recently written by the following major authors: Roddy Doyle, Colm Tóibín, John McGahern, William Trevor, Seamus Deane, Nuala O'Faolain, Patrick McCabe, Colum McCann, Nick Laird, Gerry Adams, Claire Boylan, Frank McCourt, Tim O'Brien, Michael Patrick MacDonald, Alice McDermott, Edward J. Delaney, Beth Lordan, William Kennedy, Thomas Kelly, and Mary Gordon. The study argues that farce has been a major mode of recent Irish and Irish-American fiction and memoir--a primary indicator of the state of both Irish and Irish-American cultures in the early twenty-first century.
When Chris Boardman first raced against Graeme Obree, in a time trial in Newtonards, Northern Ireland, in 1990, it was the start of a rivalry that captivated the British public for a decade and brought cycling on to the front pages. Boardman was the establishment figure: reserved, scientific, middle-class. Obree was the rebel: the Flying Scotsman, working-class, riding a home-made bike. Both were after one thing - to be the fastest man on two wheels. After Boardman had won Britain's first cycling gold medal for 72 years at the Barcelona Olympics (inspiring none other than Bradley Wiggins to get on a bike), attention turned to the world hour record, the blue riband event of track cycling. Between 1993 and 1996, the pair took it in turns to smash the record, with Boardman's team breaking the boundaries of technology and the loner Obree constantly reinventing ways of building and riding bikes while battling his many demons. The Race Against Time tells the story of how Britain first started to dominate cycling, but is also about the struggle between art and science, tradition and innovation, commercialism and individuality. It is the tale of two complex characters who redefined the sport and set in motion a new era in British cycling, the legacy of which we enjoy to this day.
The second Canadian edition of Health Psychology: Biopsychosocial Interactions integrates multidisciplinary research and theory to help students understand the complex connections between psychology and health. This comprehensive yet accessible textbook covers the biopsychosocial factors that impact human health and wellness, placing particular emphasis on the distinctive characteristics of the Canadian health care system, the issues and challenges unique to Canadian culture, and the most recent Canadian research in the field of health psychology. Clear, student-friendly chapters examine topics such as coping with stress and illness, lifestyles for enhancing health and preventing illness, managing pain and discomfort, getting medical treatment, and living with chronic illness. This fully revised second edition features the latest available data and research from across Canada and around the world. New and expanded chapters explore psychosocial factors in aging and dying, legalized marijuana use in Canada, the link between inflammation and depression, Canadian psychosocial models of pain, recent Medical Assistance in Dying (MAiD) legislation, weight control, eating disorders, and exercise, and much more. Throughout the text, updated illustrative examples, cross-cultural references, and real-world cases reinforce key points and strengthen student comprehension, retention, and interest.
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