This poignant and beautiful record of Canada's First Nations people and their culture, as seen through the eyes of talented photographers, is a fascinating glimpse into Canada's past. Of great historical and aesthetic interest, this collection of photographs captures the diversity and dignity of First Nations during a time of tumultuous change. Assembled by Edward Cavell, a former curator at Banff's Whyte Museum of the Canadian Rockies, the photographs span the period from the infancy of photography to the more sophisticated technology of 1920.
Stanley Cavell and English Romanticism serves as both introduction to Cavell for Romanticists, and to the larger question of what philosophy means for the reading of literature, as well as to the importance and relevance of Romantic literature to Cavell's thought. Illustrated through close readings of Wordsworth and Shelley, and extended discussions of Emerson and Thoreau as well as Cavell, Duffy proposes a Romanticism of persisting cultural relevance and truly trans-Atlantic scope. The turn to romanticism of America's most distinguished "ordinary-language" philosopher is shown to be tied to the neo-Romantic claim that far from being merely an illustrator of the truths discovered by philosophy, poetry is its equal partner in the instituting of knowledge. This book will be vital reading for anyone interested in Romanticism, Stanley Cavell and the ever-deepening connections between literature and philosophy.
Stanley Cavell and English Romanticism serves as both introduction to Cavell for Romanticists, and to the larger question of what philosophy means for the reading of literature, as well as to the importance and relevance of Romantic literature to Cavell's thought. Illustrated through close readings of Wordsworth and Shelley, and extended discussions of Emerson and Thoreau as well as Cavell, Duffy proposes a Romanticism of persisting cultural relevance and truly trans-Atlantic scope. The turn to romanticism of America's most distinguished "ordinary-language" philosopher is shown to be tied to the neo-Romantic claim that far from being merely an illustrator of the truths discovered by philosophy, poetry is its equal partner in the instituting of knowledge. This book will be vital reading for anyone interested in Romanticism, Stanley Cavell and the ever-deepening connections between literature and philosophy.
The Constitution of Shelley's Poetry' is a close philosophical reading of 'Prometheus Unbound' and other Shelley works from the perspective of the argument or drama of language played out in its pages. The book urges and practises close reading, but in the thought of Stanley Cavell, it finds and develops philosophical grounds for this ostensibly old-fashioned approach, and it implicitly proposes an understanding of language very different from those currently assumed in literary studies.
A literary and philosophical exploration of Thoreau as a prose-poet and religious adept who carries us into fresh and unexpected communion with landscape, seascape, open sky, and what he calls "the unfathomable.""--
Edward F. Mooney takes us into the lived philosophies of Melville, Kierkegaard, Henry Bugbee, and others who write deeply in ways that bring philosophy and religion into the fabric of daily life, in its simplicities, crises, and moments of communion and joy. Along the way Mooney explores meditations on wilderness, on the enigma of self-deception, the role of maternal love and the pain of separations, and the pervasiveness of “difficult reality” where valuable things are presented to us under two (or more) aspects at once.
The Art of Translation in Seamus Heaney’s Poetry is a critical study of the poet's later work. While exploring his practice as a translator, it also traces his increasing preoccupation with the possibilities and conditions of translation in the theological sense of being lifted up in spirit. To the work of this philosophical poet, who would be both “earthed and heady” this book brings the insights of ordinary language philosophy as practiced by Stanley Cavell. It devotes separate chapters to Station Island and three later collections: Seeing Things, Electric Light and Human Chain. The first of these addresses the most fundamental change in Heaney’s life when he acknowledges the “need and chance to re-envisage” his Irish-Catholic upbringing; it is also replete with both the activity and the trope of translation. Published seven years later, Seeing Things begins with a translation of Virgil’s golden bough episode and ends with a similar crossing over into the underworld by Dante. Heaney transforms both into poems about poetry. In Electric Light, Heaney returns to Virgil, but now he concentrates not on the hero of the Aeneid but on Virgil's earlier efforts in pastoral, a mode of writing that Heaney takes as a model for his own time and place of “devastated order.” Heaney returns to the Aeneid in Human Chain, but this time around he gives all his attention to the scene of the human souls in Elysium seeking rebirth and turns it into an image for the need and chance of pronouncing “a final Yes” to our world and our place in it.
Tracing a path through Kierkegaard's writings, this book brings the reader into close contact with the texts and purposes of this remarkable 19th-century Danish writer and thinker. Kierkegaard writes in a number of voices and registers: as a sharp observer and critic of Danish culture, or as a moral psychologist, and as a writer concerned to evoke the religious way of life of Socrates, Abraham, or a Christian exemplar. In developing these themes, Mooney sketches Kierkegaard's Socratic vocation, gives a close reading of several central texts, and traces "The Ethical Sublime" as a recurrent theme. He unfolds an affirmative relationship between philosophy and theology and the potentialities for a religiousness that defies dogmatic creeds, secular chauvinisms, and restrictive philosophies.
In Selves in Discord and Resolve, Edward Mooney examines the Wittgensteinian and deconstructive accounts of subjectivity to illuminate the rich legacy left by Kierkegaard's representation of the self in modes of self-understanding and self-articulation. Mooney situates Kierkegaard in the context of a post-Nietzschean crisis of individualism, and evokes the Socratric influences on Kierkegaard's thinking and shows how Kierkegaard's philsophy relies upon the Socratic care for the soul. He examines Kierkegaard's work on Judge Wilhelm, from Either/Or, Socrates, in the Postscript and Abraham and Job in Repetition and Fear and Trembling.
More than a century has passed since Sigmund Freud began his groundbreaking work in psychoanalysis yet there is no consensus about his legacy; instead there is persistent disagreement not only about Freud's reputation and place in history but about the proper standards to use in evaluating his theory and therapy. This book develops epistemological standards for Freudian psychology and provides a comprehensive evaluation of, and possibly final, verdict on Freud's theory and therapy. Unlike any other evaluation published to date, it contains a systematic discussion of both the Freudian experimental and non-experimental evidence and the proper standards for interpreting the evidence. Part I considers the view that Freud's theory should be judged by special evidential standards deemed appropriate for judging hypotheses of commonsense psychology. Edward Erwin argues against this view and for the employment of standards applicable to causal hypotheses of both the natural and social sciences. Erwin also addresses other issues about standards such as the need for experimental evidence, the use of placebo controls, the proper goals of psychotherapy, and the use of meta-analysis in analyzing outcome data. The standards developed in part I of the book are used in part II in evaluating the best available Freudian evidence. A Bradford Book
Rocky Mountain Madness" is a throwback to the heyday of Victorian ambition when Banff was a rustic-albeit bucolically charming- outpost of the Empire and the streets were people with climbers, outfitters, cowboys, cooks, guides, photographers and poets. This entertaining collection of historical photographs, amusing newspaper accounts, reminiscences and letters evokes the capricious antics the mountains summoned for these people and, to quote the authors, includes 'accounts of occasional accomplishment, accomplished adventure, adventurous rambling and rambling discourse.
Noted Kierkegaard scholar Edward Mooney guides the reader through the major themes of the Danish philosopher's life and thought. Each chapter frames a striking issue, usually encapsulated in a short passage from Kierkegaard, and pursues it directly and deeply. Kierkegaard speaks to our need for self-understanding, our need to negotiate the tensions between surprisingly subtle capacities for communication and surprisingly easy descent into clichés and banality. The chapter of this book follow and re-animate Kierkegaard's brilliant and humorous discussions of death and authenticity, of the maternal and paternal in faith and self-transformations, of self-deception and obsessive judgmentalism, of love and the search for stable centers, of subjectivity as refinement of responsiveness to others, the world, and all we can value. These evocative explications aim to match his stride in tracking deep human concerns that evade academic and cultural pigeonholes. Like Hamlet, Kierkegaard gives us a "poem unlimited" that is open to endless reflection. Mooney's aim is to bring his matchless impulse and aspiration once more to life.
The striking black-and-white photographs in this collection chronicle a voyage through Canada's cultural past. Selected for thier aesthetic value as well as their historical interest, these photographs provide a unique visual portrait of the nation's early days.
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