A literary biography of the late American poet, viewing her as something of a bitch-goddess and attempting a linkage between her life's passing and her poetry's creation.
A literary biography of the late American poet, viewing her as something of a bitch-goddess and attempting a linkage between her life's passing and her poetry's creation.
The first of a planned two-volume biography, Conrad Aiken: Poet of White Horse Vale follows Aiken's early life from his birth in 1889 to 1925 when he stood on the threshold of both nervous breakdown and poetic success. It was then that Aiken began to face his paradoxically idyllic and tragic Savannah childhood and to confront the events of February 27, 1901. On that day, the eleven-year-old Aiken heard gunshots punctuate a nightlong argument between his mother and father. Running into the next room, he discovered his mother murdered and his father dead by suicide. Sounding the deep reverberations of those events in Aiken's mind, Edward Butscher follows the poet's life and work as he sought to regain, in some permanent form, the idyll he had lost as a child. Butscher tells of Aiken's determined efforts to gain recognition for his verse in the fevered cultural circuits of the early twentieth century—from his friendship, begun at Harvard, with T. S. Eliot, through frustrating excursions into the literary society of England and repeated trips on the poetic “trade route” from his home in Boston to Chicago and New York, to often sharp encounters with such powerful cultural barons as Ezra Pound, Amy Lowell, and Harriet Monroe. Hoping to build his reputation on a series of detached poetic “symphonies,” to keep depression from boiling over into madness and suicide, Aiken skirted the border of his deepest memories and fears—a border he would cross in the works that lay ahead.
Study of how historical memory and understanding are created in Holocaust diaries, memoirs, fiction, poetry, drama video testimony and memorials. Explores the consequences of narrative understanding for the victims, the survivors, and subsequent generations. Annotation copyrighted by Book News, Inc., Portland, OR
The spallation neutron source (SNS) being built at the Oak Ridge National Laboratory (ORNL) will be by far the highest flux pulsed source of epithermal neutrons in the world when it comes on line in 2006. Although the main thrust of the science program at the SNS will be materials science, the facility could provide outstanding opportunities for research in nuclear astrophysics, fundamental symmetries, and applied nuclear physics. To review the current status of these fields and to begin to assemble the scientific case and the community of researchers for future experiments at the SNS, a workshop on ?Astrophysics, Symmetries, and Applied Physics? was held in March 2002 at the ORNL. Over 60 scientists, representing 11 US and 4 foreign universities as well as many national laboratories around the world, participated in the workshop. The proceedings describe the current state of research in those fields and the future opportunities at the SNS.
The first of a planned two-volume biography, Conrad Aiken: Poet of White Horse Vale follows Aiken's early life from his birth in 1889 to 1925 when he stood on the threshold of both nervous breakdown and poetic success. It was then that Aiken began to face his paradoxically idyllic and tragic Savannah childhood and to confront the events of February 27, 1901. On that day, the eleven-year-old Aiken heard gunshots punctuate a nightlong argument between his mother and father. Running into the next room, he discovered his mother murdered and his father dead by suicide. Sounding the deep reverberations of those events in Aiken's mind, Edward Butscher follows the poet's life and work as he sought to regain, in some permanent form, the idyll he had lost as a child. Butscher tells of Aiken's determined efforts to gain recognition for his verse in the fevered cultural circuits of the early twentieth century—from his friendship, begun at Harvard, with T. S. Eliot, through frustrating excursions into the literary society of England and repeated trips on the poetic “trade route” from his home in Boston to Chicago and New York, to often sharp encounters with such powerful cultural barons as Ezra Pound, Amy Lowell, and Harriet Monroe. Hoping to build his reputation on a series of detached poetic “symphonies,” to keep depression from boiling over into madness and suicide, Aiken skirted the border of his deepest memories and fears—a border he would cross in the works that lay ahead.
THE STORY: Three young couples are playing Twenty Questions. The drinks have been flowing, so the mood has gone from good to bad in a very short time. As it happens, the hostess, who has the most abrasive tongue of all, is dying of cancer, and the party e
An anthology of essays and reviews by the eminent art historian and writer, Edward Lucie-Smith. The articles cover a broad span, from the Italian Renaissance of Giotto and Antonello da Messina, Leonardo and Michelangelo, progressing to Rubens, Velazquez and Ingres, with essays on William Hogarth John Constable for British Art.
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