A Pilgrim Returns to Cape Cod, which was originally published in 1946, is an engrossing tale that chronicles Edward Rowe Snow’s 235-mile trek through Cape Cod that same year. Owing to its historic, maritime character and ample beaches, Cape Cod, which extends into the Atlantic Ocean from the southeastern corner of mainland Massachusetts in northeastern USA, is a popular tourist attraction particularly during the summer months. Filled with information on the maritime history of this area, with the author’s usual emphasis on the lighthouses, life-saving and shipwrecks, this book provides a wealth of information on the area. A wonderful read! Richly illustrated throughout with photos.
Secret societies have fascinated those on the outside since the beginning of time, and here, in this extraordinary 1921 work, the mysteries and riddles of one of the most famous the Freemasons are exhaustively detailed by a preeminent 19th-century expert in esoterica. Complete with all the original illustrations, this two-volume work is an essential reference for anyone enthralled by the secret and the arcane, and will particularly captivate students of our modern conspiracy-theory culture. Volume I covers everything Masonic from A Acacia: a tree connected to a memorable event in Masonic history to K Karl C. F. Krause: a 19th-century German Masonic philosopher and includes intriguing entries on: Casanova the Druids Egyptian initiation the Fugitive Mark the Holy Grail the Illuminati the Kabablistic tradition of Masonry the Knight of the Brazen Serpent and much more American-born British author ARTHUR EDWARD WAITE (1857 1942) was cocreator of the famous 1910 Rider-Waite Tarot deck. Among his numerous books are Devil Worship in France, The Holy Kabbalah, and The Book of Ceremonial Magic.
In Projecting a Camera, film theorist Edward Branigan offers a groundbreaking approach to understanding film theory. Why, for example, does a camera move? What does a camera "know"? (And when does it know it?) What is the camera's relation to the subject during long static shots? What happens when the screen is blank? Through a wide-ranging engagement with Wittgenstein and theorists of film, he offers one of the most fully developed understandings of the ways in which the camera operates in film. With its thorough grounding in the philosophy of spectatorship and narrative, Projecting a Camera takes the study of film to a new level. With the care and precision that he brought to Narrative Comprehension and Film, Edward Branigan maps the ways in which we must understand the role of the camera, the meaning of the frame, the role of the spectator, and other key components of film-viewing. By analyzing how we think, discuss, and marvel about the films we see, Projecting a Camera, offers insights rich in implications for our understanding of film and film studies.
The penultimate volume of the vast project begun some two decades ago, Volume 15, illustrated like its predecessors with bandw portraits and other artwork, provides information on theatre people including singer Catherine Tofts, comedian James Tokely, bearded lady and harpsichordist Barbara Van Beck, proprietor, playwright, and architect John Vanbrugh, theatrical families like the Vaughans and the husband- and-wife thespians John Baptista and Susanna Verbruggen and the dancing Vestres--Gaetan Appoline Balthazar and his illegitimate son Marie Jean Augustin, as well as a host of Wards (some related, some not). Annotation copyright by Book News, Inc., Portland, OR
Tobe completed in 12volumes, this monumental work here begins publication with the first two volumes--Abaco to Bertie and Bertin to Byzard. When completed, it is expected that the biographical dictionary will include information on more than 8,500 individuals. Hundreds of printed sources have been searched for this project, and dozens of repositories combed, and the names of personnel listed have been filtered through parish registers whenever possible. From published and unpublished sources, from wills, archives of professional societies and guilds, from records of colleges, universities, and clubs, and from the contributions of selfless scholars, the authors have here assembled material which illuminates theatrical and musical activity in London in the 1660-1800 period. The information here amassed will doubtless be augmented by other specialists in Restoration and eighteenth-century theatre and drama, but it is not likely that the number of persons now known surely or conjectured finally to have been connected with theatrical enterprise in this period will ever be increased considerably. Certainly, the contributions made here add immeasurably to existing knowledge, and in a number of instances correct standard histories or reference works. The accompanying illustrations, estimated to be some 1,400 likenesses--at least one picture of each subject for whom a portrait exists--may prove to be a useful feature of the Work. The authors have gone beyond embellishment of the text, and have attempted to list all original portraits any knowledge of which is now recoverable, and have tried to ascertain the present location of portraits in every medium.
No one would disagree with the contention that the central figure in this semi-fictional work has been written about continuously for two millenniums. A continued interest in his life and commentary on it does seem timeless. It is the unanimous opinion in the Christian world that he is both true God and true man. Once they say it in good faith, they forget about his humanity and the frailties that come with it. They stay singularly preoccupied with his extra-terrestrial connection. This novel flips the preoccupation. It is a study of the real man. It is done so without diminishing the extraordinary events surrounding his life. The novel appears to be unique in that it allows the extraordinary man to talk for himself. It is unique in many ways. To name a few: there are weather reports, a calendar of events, his farm work, hours and mileage for his trips, his sport competitions, his high school days, and a man with a good sense of humor. A list of the fresh ways of looking at the man is long.
Volumes three and four of this monumental work include full entries for all such illustrious names as those of the Cibbers--Colley, Theophilus, and Susanna Maria--Kitty Clive, and Charlotte Charke, George Colman, the Elder, and the Younger, William Davenant, and De Loutherboug. But here also are full entries for dozens of important secondary figures and of minor ones whose stories have never been told, as well as a census (and at least a few recoverable facts) for even the most inconsiderable performers and servants of the theatres. As in the previous volumes in this distinguished series, the accompanying illustrations include at least one picture of each subject for whom a portrait exists.
The Westminster Dictionary of New Testament and Early Christian Literature and Rhetoric details the variety of literary and rhetorical forms found in the New Testament and in the literature of the early Christian church. This authoritative reference source is a treasury for understanding the methods employed by New Testament and early Christian writers. Aune's extensive study will be of immense value to scholars and all those interested in the ways literary and rhetorical forms were used and how they functioned in the early Christian world. This unique and encyclopedic study will serve generations of scholars and students by illuminating the ways words shaped the consciousness of those who encountered Christian teachings.
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