Most scholars of the Hebrew Bible/Old Testament recognize Ruth's simplicity and beauty, yet there has been little consensus in critical scholarship related to the book's origin and purpose. Opinions on the text's date range from the early monarchic period down to the Post-Exilic period, and interpreters argue over whether the narrative served to whitewash David's lineage, or if it held Ruth out as a positive example of Gentile inclusion in the Judean community. With an eclectic approach drawing on traditional exegesis, analysis of inner-biblical allusions, comparisons of legal and linguistic data, and modern refugee research, Edward Allen Jones III argues that Ruth is, indeed, best understood as a call for an inclusive attitude toward any Jew or Gentile who desired to join the Judean community in the early Post-Exilic period. Within the narrative's world, only Boaz welcomes Ruth into the Bethlehemite community, yet the text's re-use of other biblical narratives makes it clear that Ruth stands on par with Israel's great matriarchs. Though certain segments of the Judean community sought to purify their nation by expelling foreign elements in the Restoration period, Yhwh's loving-kindness in Ruth's life demonstrates his willingness to use any person to build up his people.
Most scholars of the Hebrew Bible/Old Testament recognize Ruth's simplicity and beauty, yet there has been little consensus in critical scholarship related to the book's origin and purpose. Opinions on the text's date range from the early monarchic period down to the Post-Exilic period, and interpreters argue over whether the narrative served to whitewash David's lineage, or if it held Ruth out as a positive example of Gentile inclusion in the Judean community. With an eclectic approach drawing on traditional exegesis, analysis of inner-biblical allusions, comparisons of legal and linguistic data, and modern refugee research, Edward Allen Jones III argues that Ruth is, indeed, best understood as a call for an inclusive attitude toward any Jew or Gentile who desired to join the Judean community in the early Post-Exilic period. Within the narrative's world, only Boaz welcomes Ruth into the Bethlehemite community, yet the text's re-use of other biblical narratives makes it clear that Ruth stands on par with Israel's great matriarchs. Though certain segments of the Judean community sought to purify their nation by expelling foreign elements in the Restoration period, Yhwh's loving-kindness in Ruth's life demonstrates his willingness to use any person to build up his people.
In The Rise and Fall of the Age of Psychopharmacology, esteemed historian Edward Shorter proposes that the recent history of psychiatry is that of a failed scientific discipline of medicine. Medicine generally is about the story of progress, but psychiatry's story is that of failure in diagnosis, in therapeutics, and in the ability to deliver science-based care to suffering individuals.
This book in 4 volumes lists approximately 22,000 descendants of 81 of the original 400 Huguenot immigrants to Carolina, arriving around 1685. For each immigrant, an Individual Summary is provided, and all known descendants are listed by generation for up to 10 generations , showing names and dates. The Index in Volume 4 can be used to find if you are descended from these 81 Huguenot immigrants. No sourcing or documented evidence of relationship is provided and the authors do not guarantee accuracy. However, the data has been carefully checked from many sources and can be used as the basis for further genealogical research and documentation.
A classic introduction to art since the end of the Second World War, Movements in Art Since 1945 tells the story of art across all forms of media over the past seventy-five years. Revised and redesigned for the first time since 2001, this standard introduction to visual art in the postwar era examines the movements, trends, and artists from abstract expressionism to the present day. Writing with exceptional clarity and a strong sense of narrative, Edward Lucie- Smith demystifies the work of dozens of artists and reveals how the art world has interacted with social, political, and environmental concerns. This book includes detailed coverage of major developments within the artistic community, such as pop art, conceptual and performance work, neo-expressionism, and minimalist art across the globe, including Asia, Africa, and Latin America. A new chapter on art since 2000 includes discussions of work by Banksy and Ai Weiwei, as well as recent trends in art from Russia and Eastern Europe. Featuring nearly 300 images of key artworks that range from graffiti from 1980s New York to contemporary painting from China, this updated edition of Movements in Art Since 1945 is as global in its reach as art has become in the twenty-first century.
In this cohesive narrative, Edward Countryman explores the American Revolution in the context of the African American experience, asking a question that blacks have raised since the Revolution: What does the revolutionary promise of freedom and democracy mean for African Americans? Countryman, a Bancroft Prize-winning historian, draws on extensive research and primary sources to help him answer this question. He emphasizes the agency of blacks and explores the immense task facing slaves who wanted freedom, as well as looking at the revolutionary nature of abolitionist sentiment. Countryman focuses on how slaves remembered the Revolution and used its rhetoric to help further their cause of freedom. Many contend that it is the American Revolution that defines us as Americans. Edward Countryman gives the reader the chance to explore this notion as it is reflected in the African American experience.
Scripture Connections: Old Testament Narrative Books focuses on two larger narratives of the Old Testament: the Narratives of the Rise and Fall of the Hebrew Kingdoms (Joshua, Judges, Samuel, Kings) and the Narratives of Exile and Restoration (Ruth, Daniel, Esther, Ezra-Nehemiah, Chronicles). Overall, this work introduces the narratives of Israel’s scriptures with an emphasis on ancient connections, biblical connections, gospel connections, and life connections.
Jeanette MacDonald, the movie musical's first superstar, was an American original whose onscreen radiance mirrored a beguiling real-life personality. Based in large part on the author's exclusive access to MacDonald's private papers, including her unpublished memoir, this vivid, often touching biography transports us to a time when lavish musical films were major cultural events and a worldwide public eagerly awaited each new chance to fall under the singer's spell. Edward Baron Turk shows how MacDonald brilliantly earned her Hollywood nickname of "Iron Butterfly," and why she deserves a privileged position in the history of music and motion pictures. What made MacDonald a woman for our times, readers will discover, was her uncommon courage: Onscreen, the actress portrayed strong charcters in pursuit of deep emotional fulfillment, often in defiance of social orthodoxy, while offscreen she personified energy, discipline, and practical intellect. Drawing on interviews with individuals who knew her and on MacDonald's own words, Turk brings to life the intricate relations between the star and her legendary costars Maurice Chevalier, Clark Gable, and, above all, baritone Nelson Eddy. He reveals the deep crushes she inspired in movie giants Ernst Lubitsch and Louis B. Mayer and the extraordinary love story she shared with her husband of twenty-seven years, actor Gene Raymond. More than simply another star biography, however, this is a chronicle of American music from 1920s Broadway to 1960s television, in which Turk details MacDonald's fearless efforts to break down distinctions between High Art and mass-consumed entertainment. Hollywood Diva will attract fans of opera and concert music as much as enthusiasts of the great Hollywood musicals. It is first-rate cultural and film history.
Juneteenth Texas reflects the many dimensions of African-American folklore. The personal essays are reminiscences about the past and are written from both black and white perspectives. They are followed by essays which classify and describe different aspects of African-American folk culture in Texas; studies of specific genres of folklore, such as songs and stories; studies of specific performers, such as Lightnin' Hopkins and Manse Lipscomb and of particular folklorists who were important in the collecting of African-American folklore, such as J. Mason Brewer; and a section giving resources for the further study of African Americans in Texas.
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