The battles of the Civil War, from the Confederate view, Edward A Moore, a gunner with the Rockbridge Artillery Batery, fought in the battles of First and Second Manassas, Sharpsburg, Gettysburg, Spottsylvania, Cold Harbor and Appomattox. With ten pages of photos.
To commemorate the 150th Anniversary of the end of the Civil War, Diversion Books is publishing seminal works of the era: stories told by the men and women who led, who fought, and who lived in an America that had come apart at the seams. “(I) now present this volume as the only published record of that company, celebrated as it was even in that matchless body of men, the Army of Northern Virginia.” This boots-on-the-ground memoir, told by a man who enlisted barely out of childhood and lived through some of the bloodiest battles of the Civil War, will entrance readers with its stirring narrative and attention to detail. Leander Stillwell’s stories mix the mundane, day-to-day life of a soldier with visceral accounts of fighting in a war.
Finally available to modern scholars, this book is the first critical edition of these two plays by Edward Moore. The success of the initial run of Moore's sentimental comedy The Foundling (1748) was due in part to its cast, which included Susannah Maria Cibber and David Garrick, and the play continued to enjoy moderate success on the London stage. It remained popular among critics throughout the eighteenth century and was reprinted and performed regularly in the nineteenth. In the twentieth century, as the most important and the best sentimental comedy of the mid-eighteenth century, it has been generally accepted by literary historians as the bridge between the comedies of Colley Cibber and Richard Steele in the first part of the century and those of Hugh Kelly and Richard Cumberland in the last. The initial run of Moore's domestic tragedy The Gamester(1753), with Garrick in the title role, was also largely successful. From its first revival in 1771 to its last in 1871, the play was performed by Britain's finest actors and actresses - and performed more frequently on the London stage than any other Restoration or eighteenth-century tragedy." "Anthony Amberg's introduction discusses the sources and composition, production, publication and reception, and final revision of both plays. The text of The Foundling is based on Moore's holograph manuscript, that of The Gamester on the first edition. In both the author's spelling, punctuation, capitalization, and italicization have been retained, and both have been provided with full textual and explanatory notes."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
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