In this beautifully crafted novel, Eduardo Manet, a Cubanborn French novelist and playwright, tells the story of a woman’s passion for a famous artist. The artist is his grandfather, the painter Édouard Manet, and the woman his grandmother, Eva Gonzalès, Manet’s only pupil and an extraordinary painter in her own right, whose profound understanding of the human soul shines through all her work. The relationship between Manet and Eva is seen through the eyes and the words of Jeanne, Eva’s younger sister. In her journals, she chronicles the vicissitudes of love in a time of war and exile, of social and cultural upheaval. From the Franco-Prussian War through the Paris Commune, the fall of the Second Empire and the birth of Impressionism, this story celebrates love as a blind, blinding, yet quintessentially life-giving force, embodied by the extraordinary Eva. She is surrounded by memorable and larger-than-life characters: her beloved sister Jeanne, her charismatic Aunt Dolorès, (the voice of French-born Eva’s Spanish family), Suzanne Leenhoff, the somewhat enigmatic wife of her lover Manet, and Berthe Morisot, her rival in art and in love, all presented against the backdrop of the dizzying art world of nineteenth-century Paris.
This book analyzes the history of contemporary or 'new' music in the twentieth-century through the lens of the sociology of modern culture, linking the paradoxical aspects of twentieth-century music to the central processes in modern culture that are analyzed by sociology and social theory.
With its modular organization, consistent chapter structure, and contemporary perspective, this groundbreaking survey is ideal for courses on learning and memory, and is easily adaptable to courses that focus on either learning or memory. Instructors can assign the chapters they want from four distinctive modules (introduction, learning, memory, and integrative topics), with each chapter addressing behavioral processes, then the underlying neuroscience, then relevant clinical perspectives. The book is further distinguished by its full-color presentation and coverage that includes comparisons between studies of human and nonhuman brains. The new edition offers enhanced pedagogy and more coverage of animal learning.
No one anticipated in 1958 that, in the midst of a remarkable prosperity, Cuba would fall into Communism. It seemed impossible that an island 90 miles from the US, the most powerful Capitalistic country in the planet, could turn Communist. Yet in one year it happened, at the cost of hundreds of lives, thousands of exiles, the eradication of free press, end of freedom of speech and private education, freedom of worship and private property. Suddenly, everything belonged to the government, Cubans had to ask permission to travel abroad, if they left the island they could not return, the government decided what foods they could eat, where they had to live, what professions they could practice and what jobs were open to them. This book presents the history of how it happened, how it got started and the deceit and the treachery that made it possible. Cuba has not recovered its lost freedoms after60 plus years of Communism... and probably never will. It's a great lesson for anyone sympathetic with the radical left.
Considering the rise of global political instability and subsequent importance of new social movements, this cutting edge book examines the relationship between the alter-globalization movement and political power in Italy, Spain, and Greece. It argues that not only is the movement anti-political, but that it operates within an apolitical social milieu, as a ritualized holding pattern for middle class youths that find themselves uncomfortably placed between a receding state structure on the one hand, and a rising informal economy on the other. Its ritual liminality allows adherents to act revolutionary while assuring that their middle class privileges remain intact. The author considers the social ramifications of the movement at a time when Europe finds itself at a political and economic crossroads, and offers specific and timely case studies from the three southern European countries.
The Centro Latinoamericano de Altos Estudios Musicales (CLAEM) in Buenos Aires operated for less than a decade, but by the time of its closure in 1971 it had become the undeniable epicenter of Latin American avant-garde music. Providing the first in-depth study of CLAEM, author Eduardo Herrera tells the story of the fellowship program--funded by the Rockefeller Foundation and the Di Tella family--that, by allowing the region's promising young composers to study with a roster of acclaimed faculty, produced some of the most prominent figures within the art world, including Rafael Aponte Ledeé, Coriún Aharonián, and Blas Emilio Atehortúa. Combining oral histories, ethnographic research, and archival sources, Elite Art Worlds explores regional discourses of musical Latin Americanism and the embrace, articulation, and resignification of avant-garde techniques and perspectives during the 1960s. But the story of CLAEM reveals much more: intricate webs of US and Argentine philanthropy, transnational currents of artistic experimentation and innovation, and the role of art in constructing elite identities. By looking at CLAEM as both an artistic and philanthropic project, Herrera illuminates the relationships between foreign policy, corporate interests, and funding for the arts in Latin America and the United States against the backdrop of the Cold War.
The purpose of this book is to integrate the fact of biological evolution (which, as such, should not be confused with the evolutionary theories and ideologies supposedly based on that fact) with the principles and contents of Thomistic philosophy. After identifying the main difficulties involved in this endeavor—and how they have been addressed by other authors within the Thomistic tradition—we present our own thesis. We begin by arguing that the diversity of species and varieties of corporeal living beings is consistent with Aquinas’ thought. Next, we distinguish between two forms of evolution, namely, intraspecific and transspecific; following the central tenets of Aquinas’ philosophy, the ontological significance and causalities involved in both types of evolution are analyzed. We complete this exposition by offering a general overview of evolutionary history in light of the criteria presented, with emphasis on anthropogenesis. Juan Eduardo Carreño Pavez (1976) holds a PhD in Medical Sciences and a PhD in Philosophy. After completing a postdoc at the Center for Medieval Philosophy, Georgetown University, he returned to the University of los Andes, Chile, where he has a position as Associate Professor. His research has focused on Thomas Aquinas’ thought, mediaeval philosophy, and the dialogue between theology, philosophy and science. He is the author of several articles and monographs, including Vivere viventibus est esse: la vida como perfección del ser en la obra de Tomás de Aquino (Eunsa, 2020), and Una reconsideración del estatus de la mente animal y humana (Ril Editores, 2024).
Throughout his career, Eduardo Galeano has turned our understanding of history and reality on its head. Isabelle Allende said his works "invade the reader's mind, to persuade him or her to surrender to the charm of his writing and power of his idealism." Mirrors, Galeano's most ambitious project since Memory of Fire, is an unofficial history of the world seen through history's unseen, unheard, and forgotten. As Galeano notes: "Official history has it that Vasco Núde Balboa was the first man to see, from a summit in Panama, the two oceans at once. Were the people who lived there blind??" Recalling the lives of artists, writers, gods, and visionaries, from the Garden of Eden to twenty-first-century New York, of the black slaves who built the White House and the women erased by men's fears, and told in hundreds of kaleidoscopic vignettes, Mirrors is a magic mosaic of our humanity.
Eduardo Mendoza's classic novel about the birth of Barcelona as a world city, embodied in the rise of the ambitious and unscrupulous Onofre Bouvila "Though historical in subject matter, this story of Catalonian enterprise and Barcelonan ambition is thoroughly contemporary in spirit" Jonathan Franzen Stung by the realisation that his father is a fraud and a failure, Onofre Bouvila leaves a life of rural poverty to seek his fortune in Barcelona. The year is 1888, and the Catalan capital is about to emerge from provincial obscurity to take its place amongst the great cities of the world, thanks to the upcoming Universal Exhibition. Thanks to a tip-off from his landlord's daughter, Onofre gets his big break distributing anarchist leaflets to workers preparing for the World Fair. From these humble beginnings, he branches out as a hair-tonic salesman, a burglar, a filmmaker, an arms smuggler and a political dealmaker, in a multifaceted career that brings him wealth and influence beyond his wildest dreams. But, just as Barcelona's rise makes it a haven for gangsters, crooks and spivs, vice begins to fester in Onofre's heart. And the climax to his remarkable story will come just as a second World Fair in 1929 marks the city's apotheosis. Translated from the Spanish by Nick Caistor
The French Revolution and the Napoleonic Empire were long gone and the last attempt of the Bourbons to restore the dynasty had been a fiasco. It fell on old and spent Marquis de Lafayette to promote the new French sovereign at the Hôtel de Ville: This were extraordinary times. Victor Hugo, Honoré Balzac, Chateaubriand, George Sand, Alfred de Musset, and the Goncourts were best sellers in Paris at the same time. Chopin, Liszt, Berlioz, Gounod, Wagner, were all making music and competing for the same public. The world of ideas was flourishing. In the midst of all this, Carlos Manuel de Céspedes and his wife María del Carmen moved to Paris and soon welcomed as their guests four of the finest minds in Cuba, the last remaining Spanish colony in the Americas: Domingo del Monte and his wife Rosa, Miguel Aldama and Gertrudis Gómez de Avellaneda. This is the extraordinary story of the time they spent together in the City of Lights.
In this beautifully crafted novel, Eduardo Manet, a Cubanborn French novelist and playwright, tells the story of a woman's passion for a famous artist.The artist is his grandfather, the painter Édouard Manet, and the woman his grandmother, Eva Gonzalès, Manet's only pupil and an extraordinary painter in her own right, whose profound understanding of the human soul shines through all her work. The relationship between Manet and Eva is seen through the eyes and the words of Jeanne, Eva's younger sister. In her journals, she chronicles the vicissitudes of love in a time of war and exile, of social and cultural upheaval.From the Franco-Prussian War through the Paris Commune, the fall of the Second Empire and the birth of Impressionism, this story celebrates love as a blind, blinding, yet quintessentially life-giving force, embodied by the extraordinary Eva. She is surrounded by memorable and larger-than-life characters: her beloved sister Jeanne, her charismatic Aunt Dolorès, (the voice of French-born Eva's Spanish family), Suzanne Leenhoff, the somewhat enigmatic wife of her lover Manet, and Berthe Morisot, her rival in art and in love, all presented against the backdrop of the dizzying art world of nineteenth-century Paris.
Un salon délabré. C'est la guerre civile. Alcibiar, dont le rôle peut être tenu par un nain, commente férocement les événements. La Dame, sa mère, vit dans la nostalgie du passé et continue à attendre un jeune poète, son amant, condamné à mort il y a vingt ans. Elle n'a rien fait pour le sauver parce qu'il l'avait trompée. La reconstitution de cette étrange nuit de Madras où..., jouée par la gouvernante d'Alcibiar et un prêtre, son amant, donne lieu à un spectacle fait de cérémonial, de psychodrames et permet à Eduardo Manet d'exploiter sa grande richesse d'invention dans le cadre d'une exceptionnelle exploitation scénique.
Dans ce livre, Eduardo Manet revient sur l'ardent désir qu'il a eu, jeune homme, de venir en France pour apprendre le cinéma et le théâtre. Comment a-t-il vécu la réalité de ce voyage par rapport à la vision mythifiée qu'il s'était faite de la France ?Sans être uniquement biographique, ce livre présente une vision originale de la vie culturelle française, celle d'un Cubain tout d'abord ingénu et favorablement disposé, qui analyse, juge, admire mais est également critique.Son récit est composé en triptyque : tout d'abord les années 1950, la jeunesse et les études à Paris ; puis les années 1960, et les Français à Cuba ; et, enfin, le retour à Paris.Eduardo Manet livre ses souvenirs, ses réflexions dans ce livre en forme de carnet intime, journal de bord d'une initiation à la vie parisienne que traversent ombre de personnalités, de Roger Blin et Montand au couple Beauvoir-Sartre.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.