The Strange Stories of Eduardo Capistrano are 13 tales of the fantastic, incorporating supernatural elements to tell eccentric narratives of imagination, illusion and dream. In Horribile Dictu, the incursion of a supernatural investigator into the horror of a family destroyed by the hunger for power of its patriarch. In Umbilical, a psychiatrist tends to an obese patient with a very unusual eating disorder. Strange fortunes befall a man who tried to commit suicide in Paradiso. The Egg, Broken tells the angst of a woman imprisoned in an unhappy relationship, which works a profound transformation. The Spot is a skin disease of a peculiar nature that afflicts a trash collector. A captive man try to refute the insinuations of his mysterious kidnapper in Captor. In Overprotective, a lonely child meets a great mate for his playtime. A pregnant woman disillusioned with religion as an allegory for the losing of faith, in Apostasy. All Saint's Day brings a psychiatrist returning to the ruins of the asylum where he was once a nurse, to find it haunted. A man moves to a street filled with strange occurrences in Wyrd. A man finds himself able to produce money out of nothing in the tale Mammon. In Pinus, a boy befriends the monster in the old armoire of his grandfather. The collection ends with Horses, in which an old man acquires a race horse to keep it from being sacrificed.
For the adults, Woods Street is just that: a Street, around some woods. That's because they forgot. Everyone forgets, when they grow up. But children know what's in the Wood. Disgusting and scary things that crawl under beds and into closets. Monsters that try to make the Dark win. Against them remains only one last line of defense: the Hunters of Woods Street!
frightened nervous masses | in cages of flesh and bone | sucking through mirrored tunnels | shadows they call life / The fourth book of tales by Eduardo Capistrano explores the traps of the senses: insufficient tools on which we rely to decipher a world of illusions. The collection opens with Polished Metal, the tragicomic story of two friends that could be twin brothers. The Assassin Statue is a report on a museum piece surrounded by a terrible legend. Golden Promises follows a disillusioned groom in an unhappy escapade. In Folie à Deux, a father and one of his sons look for reality after the storm. In Chimera in Pieces, a man replaces all of his body with prosthetics. A company delivery man discovers what is The Prey of Man. Based on the work of Erik Satie, Vexations shows the repetitive challenge taken by an arrogant musician. Reflections on Torment shows the bitter existence of a man constantly attacked by a reflection. The author proposes A Russian Enigma about the various versions that a story can have. Eccentric Vision is not only the perspective but also the solution of a painter for his lost sight, which is taken by creatures that are, in one way or another, fruits of his mind. Almost Cyrano is a bizarre subversion of Rostand's romantic. The most skilled musician of a distant Empire is summoned to play In the Court of the Canary King. In (ghûl), a lost man try to find himself, while a friend also tries to find him. Nobody wants to work at The Abandoned Station, and we follow its last occupant fo find out why. Dark Eyes watch a company's emissary to an island in which experiments went wrong. The Venus Effect accompanies someone who discovers a tool for self-affirmation. The Musica Universalis resounds in the surreal world found by a technician in the sewers. Pupilla is a
The theme for this short story collection by Eduardo Capistrano is Time. Stories inspired by history, set in the past; dystopic visions, dark or well-humored, launched into the future; and narratives about the passage of time, in the contact between generations, in the invocation of memories and in the importance of the briefest of moments. The tales are ordered chronologically and address the diverse relations of man with Time. The first four are about the past. "Mirrors of the Soul" is a dialogue that exposes the condition of the Renaissance "man of science" and his relation with the average man, not so different as it happens today. In "Opium Kiss" a brazilian on the Victorian Age tells how he let himself be seduced by total moral decadence. "First Lieutenant" follows a military man under an abusive command at the early days of the Brazilian Republic. "Carolina with Glasses" shows the strange visions documented in the diary of a girl with fertile imagination. The next four tales happen in the present. A boy tries to understand the capacity for stopping time que learned from his father in "Between Seconds". A strange signal seems to be the answer to the monotony of the recluse life of a mathematician in "Greetings From the Future". The title of "Loose Screw" brings the cause to a world coming to its end. "Women and Children First" shows the strength that social conventions have when the cause for a bus accident is revealed. Six tales occur in the future. "The Electric Apple" follows a lonely programmer of artificial intelligences in emotional conflicts with his creations. "Assured Future" brings a humorous dystopia of a future in which corporations rejoice without limits. "On the Assembly Line" discuss the evolution of technology compared to human morals. "Remote Control" shows the brutal oppression of s society controlled through televisions. "Planet Asphalt" is a world dominated by intelligent automobiles. "The Water of Chroma" is a refl
Behind the façades of the buildings and their inhabitants, at the intersections of destinies and dooms, the METROPOLIS shelters multitudes of dreamers and sufferers, and their stories. The tales in Eduardo Capistrano's eighth book are visions of modern times, windows into curious and bizarre cases hidden by the hustle and bustle of cities.
The theme for this short story collection by Eduardo Capistrano is Time. Stories inspired by history, set in the past; dystopic visions, dark or well-humored, launched into the future; and narratives about the passage of time, in the contact between generations, in the invocation of memories and in the importance of the briefest of moments. The tales are ordered chronologically and address the diverse relations of man with Time. The first four are about the past. "Mirrors of the Soul" is a dialogue that exposes the condition of the Renaissance "man of science" and his relation with the average man, not so different as it happens today. In "Opium Kiss" a brazilian on the Victorian Age tells how he let himself be seduced by total moral decadence. "First Lieutenant" follows a military man under an abusive command at the early days of the Brazilian Republic. "Carolina with Glasses" shows the strange visions documented in the diary of a girl with fertile imagination. The next four tales happen in the present. A boy tries to understand the capacity for stopping time que learned from his father in "Between Seconds". A strange signal seems to be the answer to the monotony of the recluse life of a mathematician in "Greetings From the Future". The title of "Loose Screw" brings the cause to a world coming to its end. "Women and Children First" shows the strength that social conventions have when the cause for a bus accident is revealed. Six tales occur in the future. "The Electric Apple" follows a lonely programmer of artificial intelligences in emotional conflicts with his creations. "Assured Future" brings a humorous dystopia of a future in which corporations rejoice without limits. "On the Assembly Line" discuss the evolution of technology compared to human morals. "Remote Control" shows the brutal oppression of s society controlled through televisions. "Planet Asphalt" is a world dominated by intelligent automobiles. "The Water of Chroma" is a refl
For the adults, Woods Street is just that: a Street, around some woods. That's because they forgot. Everyone forgets, when they grow up. But children know what's in the Wood. Disgusting and scary things that crawl under beds and into closets. Monsters that try to make the Dark win. Against them remains only one last line of defense: the Hunters of Woods Street!
The Strange Stories of Eduardo Capistrano are 13 tales of the fantastic, incorporating supernatural elements to tell eccentric narratives of imagination, illusion and dream. In Horribile Dictu, the incursion of a supernatural investigator into the horror of a family destroyed by the hunger for power of its patriarch. In Umbilical, a psychiatrist tends to an obese patient with a very unusual eating disorder. Strange fortunes befall a man who tried to commit suicide in Paradiso. The Egg, Broken tells the angst of a woman imprisoned in an unhappy relationship, which works a profound transformation. The Spot is a skin disease of a peculiar nature that afflicts a trash collector. A captive man try to refute the insinuations of his mysterious kidnapper in Captor. In Overprotective, a lonely child meets a great mate for his playtime. A pregnant woman disillusioned with religion as an allegory for the losing of faith, in Apostasy. All Saint's Day brings a psychiatrist returning to the ruins of the asylum where he was once a nurse, to find it haunted. A man moves to a street filled with strange occurrences in Wyrd. A man finds himself able to produce money out of nothing in the tale Mammon. In Pinus, a boy befriends the monster in the old armoire of his grandfather. The collection ends with Horses, in which an old man acquires a race horse to keep it from being sacrificed.
Behind the façades of the buildings and their inhabitants, at the intersections of destinies and dooms, the METROPOLIS shelters multitudes of dreamers and sufferers, and their stories. The tales in Eduardo Capistrano's eighth book are visions of modern times, windows into curious and bizarre cases hidden by the hustle and bustle of cities.
The internationally acclaimed last work by the legendary Latin American writer Master storyteller Eduardo Galeano was unique among his contemporaries (Gabriel Garcia Marquez and Mario Vargas Llosa among them) for his commitment to retelling our many histories, including the stories of those who were disenfranchised. A philosopher poet, his nonfiction is infused with such passion and imagination that it matches the intensity and the appeal of Latin America's very best fiction. Comprised of all new material, published here for the first time in a wonderful English translation by longtime collaborator Mark Fried, Hunter of Stories is a deeply considered collection of Galeano's final musings and stories on history, memory, humor, and tragedy. Written in his signature style -- vignettes that fluidly combine dialogue, fables, and anecdotes -- every page displays the original thinking and compassion that has earned Galeano decades and continents of renown.
Days and Nights succeeds not only because of its socio-political authenticity and lyrical style but because of its interweaving of anger and tenderness, elation and sorrow." --The Nation Days and Nights of Love and War is the personal testimony of one of Latin America's foremost contemporary political writers. In this fascinating journal and eloquent history, Eduardo Galeano movingly records the lives of struggles of the Latin American people, under two decades of unimaginable violence and extreme repression. Alternating between reportage, personal vignettes, interviews, travelogues, and folklore, and richly conveyed with anger, sadness, irony, and occasional humor, Galeano pays loving tribute to the courage and determination of those who continued to believe in, and fight for, a more human existence. The Lannan Foundation awarded the 1999 Cultural Prize for Freedom to Eduardo Galeano, in recognition of those "whose extraordinary and courageous work celebrates the human right to freedom of imagination, inquiry and expression." Originally published in Cuba, Days and Nights of Love and War won the Casa de las Américas prize in 1978.
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