Reprint of the original, first published in 1864. The Life of the Blessed Virgin Mary. With the history of the devotion to her. From the French of the Abbe Orsini. To which is added meditations on the Litany of the virgin. From the French of the Abbe Edouard Barthe. Also poems on the Litany of Loretto. From the German of the Countess Hahn-Hahn.
Memoirs of the Private Life, Return, and Reign of Napoleon in 1815 Vol.-II" by means of Baron Pierre Alexandre Édouard Fleury de Chaboulon is a records work that offers a shiny and private account of Napoleon Bonaparte's life, return, and rule in the course of the important yr of 1815. Baron Chaboulon, who become Napoleon's non-public secretary, gives a totally distinctive view of what passed off in the course of the famous emperor's second rule. The 2d part of Napoleon's diaries is going into extra element approximately his personal life and the political situation when he came returned from exile. I became involved approximately Chaboulon in lots of approaches, and he allows me recognize the difficulties, successes, and complexities of Napoleon's rule. The tale is instructed thru a combination of ancient elements and private testimonies that supply readers a complete photo of the character at the back of the tale. It's in Chaboulon's writing that you could simply experience the political and personal drama of Napoleon's rule in 1815. This account is a critical series of vintage files that upload to our understanding of Napoleon's lifestyles and time. Baron Chaboulon's first-hand account, that's based on his close proximity to the events and people involved, takes readers on a ride through the non-public and public lives of one in all records's most critical figures.
Memoirs of the Private Life, Return, and Reign of Napoleon in 1815 Vol. 1" is a historical account written by Baron Pierre Alexandre Édouard Fleury de Chaboulon. The plot has so many twists and turns that can engage a reader. Readers are compelled to continue reading to find out what happens next since the title character is so indulgent. This beautifully produced novel gives readers an inside glimpse at Napoleon Bonaparte's tumultuous life, comeback, and brief rule when he was the mysterious French military and political leader during the pivotal year of 1815.The story of Baron de Chaboulon skillfully navigates the time's complicated political climate, transporting readers to a period highlighted by Napoleon's amazing escape from exile on the island of Elba and his triumphant return to France. Through firsthand accounts and extensive research, De Chaboulon explains the complicated chain of events that led to Napoleon's temporary rebirth and the Hundred Days. The book delves into Napoleon's personal life, shedding light on his personal beliefs, ambitions, and relationships, giving readers a greater insight of the man behind the legend.
Jean-Baptiste Carpeaux (1827-1875) was an extraordinarily gifted sculptor, the greatest in 19th-century France before Rodin, and embodied the emotionally charged artistic climate of his era ... Carpeaux's wrenching representations of human forms, shown in beautiful color details and illustrations, echo his turbulent personal life, fraught with episodes of violence and fatal illness. The book covers the entire span of Carpeaux's career, and includes the masterpiece Ugolino and His Sons, newly discovered drawings, and a number of rarely seen or studied works. Previously unpublished letters between Carpeaux and his family and friends, a wealth of archival material, and the most detailed chronology of the artist's life ever published."--Yale University Press website.
Théodore Rousseau (1812–1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of “unruly nature,” a Romantic naturalism that confounded his contemporaries with its “bizarre” compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and Édouard Kopp alternately examine Rousseau’s diverse techniques and working procedures as a painter and as a draftsman, as well as his art’s mixed economic and critical fortunes on the art market and at the Salon. Line Clausen Pedersen’s essay focuses on Mont Blanc Seen from La Faucille, Storm Effect, an early touchstone for the artist and a spectacular example of the Romantic sublime in the Ny Carlsberg Glyptotek’s collection. This catalogue accompanies an eponymous exhibition on view at the J. Paul Getty Museum from June 21 to September 11, 2016, and at the Ny Carlsberg Glyptotek from October 13, 2016, to January 8, 2017.
This bracing new nonfiction book by the young superstar E´douard Louis is both a searing j’accuse of the viciously entrenched French class system and a wrenchingly tender love letter to his father This bracing new nonfiction book by the young superstar Édouard Louis is both a searing j’accuse of the viciously entrenched French class system and a wrenchingly tender love letter to his father. Who Killed My Father rips into France’s long neglect of the working class and its overt contempt for the poor, accusing the complacent French—at the minimum—of negligent homicide. The author goes to visit the ugly gray town of his childhood to see his dying father, barely fifty years old, who can hardly walk or breathe:“You belong to the category of humans whom politics consigns to an early death.” It’s as simple as that. But hand in hand with searing, specific denunciations are tender passages of a love between father and son, once damaged by shame, poverty and homophobia. Yet tenderness reconciles them, even as the state is killing off his father. Louis goes after the French system with bare knuckles but turns to his long-alienated father with open arms: this passionate combination makes Who Killed My Father a heartbreaking book.
Edouard Vuillard (1868-1940), one of the most admired post-impressionist artists, is best-known for his small easel paintings and their charming portrayals of everyday life. However, a major part of his work during his early life was the painting of large decorative panels in the Parisian homes of wealthy private patrons, produced between 1892 and 1912. These panels - some fifty in total - have been little studied, due principally to the inaccessibility of many of them and the impossibility of their being included in exhibitions.
Loved House of Cards? font="+1"Terribly gripping,/font ***** Cedrick 'Utterly fascinating.' ***** Perlustra 'Absolutely brilliant.' ***** Bertrand He thought the worst was behind them. The primaries done and dusted. The Presidency within arm's reach. He couldn't have been more wrong. Not only were the primaries rigged; they had revealeda web of lies that was but the tip of a huge iceberg. But where there's a will, there's a way...
In 2004, the Academy Award–nominated movie Hotel Rwanda lionized hotel manager Paul Rusesabagina for single-handedly saving the lives of all who sought refuge in the Hotel des Milles Collines during Rwanda's genocide against the Tutsi in 1994. Because of the film, the real-life Rusesabagina has been compared to Oskar Schindler, but unbeknownst to the public, the hotel's refugees don't endorse Rusesabagina's version of the events. In the wake of Hotel Rwanda's international success, Rusesabagina is one of the most well-known Rwandans and now the smiling face of the very Hutu Power groups who drove the genocide. He is accused by the Rwandan prosecutor general of being a genocide negationist and funding the terrorist group Democratic Forces for the Liberation of Rwanda (FDLR). In Inside the Hotel Rwanda, survivor Edouard Kayihura tells his own personal story of what life was really like during those harrowing 100 days within the walls of that infamous hotel and offers the testimonies of others who survived there, from Hutu and Tutsi to UN peacekeepers. Kayihura tells of his life in a divided society and his journey to the place he believed would be safe from slaughter. Inside the Hotel Rwanda exposes Paul Rusesabagina as a profiteering, politically ambitious Hutu Power sympathizer who extorted money from those who sought refuge, threatening to send those who did not pay to the genocidaires, despite pleas from the hotel's corporate ownership to stop. Inside the Hotel Rwanda is at once a memoir, a critical deconstruction of a heralded Hollywood movie alleged to be factual, and a political analysis aimed at exposing a falsely created hero using his fame to be a political force, spouting the same ethnic apartheid that caused the genocide two decades ago.
In this book, Nies-Berger, a fellow Alsatian who had known Schweitzer since childhood, chronicles their collaboration during the final decade and a half of Schweitzer's life and presents his candid observations of this extraordinary man and the people around him.
Hydrogen—is it the energy vector for the future, or on the contrary, limited for many more decades, possibly even until the end of the century, to its current applications in the field of chemistry and refining? Advocates of the hydrogen civilization and the skeptics, even the declared opponents, are deeply divided over this issue. For the first, following a technological revolution, hydrogen would play a universal role alongside electricity in transport, leading to radical elimination of CO2 emissions. For the second, hydrogen will remain restricted to its current applications due to the insoluble problems inherent in its generalized use, especially in transport.
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