Richly illustrated, Artists of the Canyons and Caminos traces the lives and work of painters who settled in Santa Fe in the early years of the twentieth century. Under their influence, Santa Fe grew from a dusty high-desert town with no paved streets or automobiles to a thriving community. Artists of the Canyons and Caminos features a new foreword by publisher Gibbs M. Smith, and reveals little-known facts and profiles of the personalities who catalyzed this transformation. Above all, it illuminates their common bond: an enduring love for the beauty of the land that called to them in the first place. Some places in the world have a particular atmosphere, a sense of romance, which makes them "good places to paint." Santa Fe, New Mexico-with its clean, sharp air; its startlingly bright colors; its sculptured mesas and mountains-is one of these places. Artists of the Canyons and Caminos includes: A brief chronology of Santa Fe from its inauguration as a state capital housing the oldest public building in the United States (Palace of the Governors); to the first annual exhibition of the Cinco Pintores in 1921, when of the town's population of 7,000, 15 were resident artists; to the opening of the Institute of American Indian Arts in 1962. Descriptions of the broad spectrum of representational styles that flourished there, from romance to super-realism. Major patrons of the arts: railroads, scientists, territorial senators, lawyers, well-to-do retirees. The artists' missions: admiration for the local Indians and their arts, encouragement of young artists of all nationalities, solidarity to prevent Santa Fe from being overly Americanized.
Edna Robertson has written a powerful biography of a 19th century medical pioneer. Using family papers including James Christie's letters to his brother Andrew in Kilmarnock and other sources, she does not shirk from the realities of Zanzibar before public sanitation nor from the horrors of the slave trade.
This collection of papers-all but one previously unpublished-presents the results of recent field research in the disciplines of history, political science, anthropology, sociology, and economics. The chief emphasis here is on change: on viewing African women as agents of change from the first arrival of Europeans to the present; and on seeking to change the perspective from which African women have been studied in the past. The papers encompass settings as diverse as eighteenth-century Senegal and contemporary Mozambique. Politically and socially, too, the local settings are various, including an Igbo village, the marketplaces of Abidjan and Accra, a development scheme in rural Tanzania, the churches of Freetown, and the streets of Mombasa. The contributors are Iris Berger, James L. Brain, George E. Brooks, Jr., Margaret Jean Hay, Barbara C. Lewis, Leith Mullings, Kamene Okonjo, Claire Robertson, Filomina Chioma Steady, Margaret Strobel, and Judith VanAllen.
The first publication of Edna St. Vincent Millay’s private, intimate diaries, providing “a candid self-portrait of the ‘bad girl of American letters’” (Kirkus Reviews) “Endlessly intriguing and illuminating. The publication of Edna St. Vincent Millay's diaries is a major literary event, providing astonishing insight into the great poet’s art and life.”—Chloe Honum, author of The Tulip-Flame The English author Thomas Hardy proclaimed that America had two great attractions: the skyscraper, and the poetry of Edna St. Vincent Millay. In these diaries the great American poet illuminates not only her literary genius, but her life as a devoted daughter, sister, wife, and public heroine; and finally as a solitary, tragic figure. This is the first publication of the diaries she kept from adolescence until middle age, between 1907 and 1949, focused on her most productive years. Who was the girl who wrote “Renascence,” that marvel of early twentieth-century poetry? What trauma or spiritual journey inspired the poem? And after such celebrity why did she vanish into near seclusion after 1940? These questions hover over the life and work, and trouble biographers and readers alike. Intimate, eloquent, these confessions and keen observations provide the key to understanding Millay’s journey from small-town obscurity to world fame, and the tragedy of her demise.
In Twenty-First Century Workplace Challenges, Edna Rabenu examines current and future challenges to psychological relationships in the workplace due to shifting environmental conditions such as mass migration, globalization, the advent of cyber entities, and the COVID-19 pandemic. Rabenu’s incisive analysis offers new solutions for employees, workers, managers, and organizations.
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