Edna Ferber (August 15, 1885 - April 16, 1968) was an American novelist, short story writer and playwright. Her novels were especially popular and included the Pulitzer Prize-winning So Big (1924), Show Boat (1926; made into the celebrated 1927 musical), Cimarron (1929; made into the 1931 film which won the Academy Award for Best Picture), and Giant (1952; made into the 1956 Hollywood movie). Ferber's novels generally featured strong female protagonists, along with a rich and diverse collection of supporting characters. She usually highlighted at least one strong secondary character who faced discrimination ethnically or for other reasons; through this technique, Ferber demonstrated her belief that people are people and that the not-so-pretty people have the best character. In this book: Cheerful--By Request, 1918 Fanny Herself, 1917 Buttered Side Down, 1912 Gigolo, 1922 One Basket, 1947 Half Portions, 1919 Dawn O'Hara, The Girl Who Laughed, 1911
A rich, varied, and brilliant collection of some of the most-loved stories from one of America's favorite writers, chosen by the author herself, Pulitzer Prize winner Edna Ferber. At eighteen, Edna Ferber was the only female reporter on a big, tough, midwestern daily, covering everything from fires and accidents, to divorces and murders. It was here that she learned how to write and spin the raw material from her own life into numerous fascinating stories, novels, and plays. Increasing in number over the course of a long and glorious career, One Basket collects these beloved stories that, like her novels, present Ferber's brilliant cross-section of American life.
Fanny Herself (1917) is a novel by Edna Ferber. Inspired by her experience as a young Jewish woman from the Midwest, Fanny Herself is the story of a young woman who recognizes the unhappiness in her life and decides to risk it all for something better. Lighthearted in nature, yet serious in its ideals, Ferber’s novel recalls the best of Fitzgerald in its unswerving commitment to humanity in all its beauty and heartbreak. “You could not have lived a week in Winnebago without being aware of Mrs. Brandeis.” Such a confident pronouncement proves even truer for young Fanny, whose mother is the Mrs. Brandeis in question. As the owner of Brandeis’ Bazaar—a successful store raised from the ashes of her deceased husband’s chronic mismanagement—Molly Brandeis is a deeply serious woman who wants nothing but the best for her daughter. Where they differ, of course, is in the definition of that deceptive superlative. While Molly wants to train her daughter to follow in her managerial footsteps, Fanny dreams of training as an artist in order to escape the confinement of small-town life. Consistently moving, frequently funny, and supremely true, Fanny Herself is an underappreciated novel from Pulitzer Prize winning author Edna Ferber. With a beautifully designed cover and professionally typeset manuscript, this edition of Edna Ferber’s Fanny Herself is a classic work of American literature reimagined for modern readers.
Before she tried to be a good woman she had been a very bad woman ' so bad that she could trail her wonderful apparel up and down Main Street, from the Elm Tree Bakery to the railroad tracks, without once having a man doff his hat to her or a woman bow. You passed her on the street with a surreptitious glance, though she was well worth looking at ' in her furs and laces and plumes. She had the only full-length mink coat in our town, and Ganz's shoe store sent to Chicago for her shoes. Hers were the miraculously small feet you frequently see in stout women. Also includes "The Gay Old Dog," "That's Marriage," "Farmer in the Dell," "Un Morso doo Pang," "Long Distance," "The Maternal Feminine.
Early twentieth-century novel by Edna Ferber, the American, novelist, author and playwright whose novels generally featured a strong female as the protagonist, although she fleshed out multiple characters in each book. She usually highlighted at least one strong secondary character who faced discrimination ethnically or for other reasons; through this technique, Ferber demonstrated her belief that people are people and that the non-so-pretty persons have the best character.
And so," the story writers used to say, "they lived happily ever after." Um-m-m -- maybe. After the glamour had worn off, and the glass slippers were worn out, did the Prince never find Cinderella's manner redolent of the kitchen hearth; and was it never necessary that he remind her to be more careful of her fingernails and grammar? After Puss in Boots had won wealth and a wife for his young master did not that gentleman often fume with chagrin because the neighbors, perhaps, refused to call on the lady of the former poor miller's son? It is a great risk to take with one's book-children. These stories make no such promises. They stop just short of the phrase of the old story writers, and end truthfully, thus: And so they lived. * This volume also includes "The Frog and the Puddle," "The Man Who Came Back," "What She Wore," "A Bush League Hero," "The Kitchen Side of the Door," "One of the Old Girls," "Maymeys from Cuba," "The Leading Lady," "That Home-Town Feeling," "The Homely Heroine," "Sun Dried," and "Where the Car Turns at 18th.
And d'you know what I'll do meanwhile, out of revenge on the sex? I've just ordered three suits of white flannel, and I shall break every feminine heart in the camp, regardless' Oh, say, that's what I came in to tell you Guess whom I saw at the tailor's? Well, Mr. Bones, whom did you, and so forth? Fat Ed Meyers. I just glimpsed him in one of the fitting-rooms. And they were draping him in white. Emma McChesney sat up with a jerk. Are you sure? Sure? There's only one figure like that. He had the thing on and was surveying himself in the mirror' or as much of himself as could be seen in one ordinary mirror. In that white suit, with his red face above it, he looked like those pictures you see labeled, 'Sunrise on Snow-covered Mountain.' * Includes Broadway to Buenos Aires, Thanks to Miss Morrissey, A Closer Corporation, Blue Serge, 'Hoops, My Dear ', Sisters under Their Skin, and An Etude for Emma.
This sweeping tale captures the essence of Texas on a staggering scale as it chronicles the life and times of cattleman Jordan "Bick" Benedict, his naive young society wife, Leslie, and three generations of land-rich sons. A sensational story of power, love, cattle barons, and oil tycoons, Giant was the basis of the classic film starring James Dean, Elizabeth Taylor, and Rock Hudson.
And so," the story writers used to say, "they lived happily ever after." Um-m-m—maybe. After the glamour had worn off, and the glass slippers were worn out, did the Prince never find Cinderella's manner redolent of the kitchen hearth; and was it never necessary that he remind her to be more careful of her finger-nails and grammar? After Puss in Boots had won wealth and a wife for his young master did not that gentleman often fume with chagrin because the neighbors, perhaps, refused to call on the lady of the former poor miller's son?
Originally published in 1945, the triumphant novel of a great American family dynasty in the Pacific Northwest, by Pulitzer Prize winner Edna Ferber. Great Son tells the story of four generations of the Melendys, a family grown rich and ill at ease, who watched Seattle grow from a village to a skyscraper town, who felt the rhythm and sweep of America in the building, and the call of the Alaskan gold fields. There is Madam Exact Melendy, who saw Seattle grow from an Indian camp to the wonder city of the Northwest, and Vaughan, her son, who wrested three fortunes from the wilderness, but yielded to the domination of three women. Finally, there is Mike Melendy, a clear-eyed representative of the new generation, who, feeling there was no place to go but up, took to flying. With her signature colorful prose, Edna Ferber brings to life the triumphant story of the magnificent Melendy men and women.
From the witty Algonquin Round Table writer, Edna Feber, comes this semi-autobiographical coming-of-age novel. Fanny Herself follows the trials of a young Jewish woman as she finds her feet in early twentieth-century America. In constant self-comparison to her mother, Fanny is trying to find a balance between her artistic aspirations and her dream of being an entrepreneurial businesswoman. She is a sensitive woman who struggles to thrive when her small successes are so heavily overshadowed by her brother’s music career. But Fanny is determined, surrounded by good friends, and has an incredibly strong will to achieve her dreams. First published in 1917, Fanny Herself is surprisingly modern and full of Edna Ferber’s well-known warmth and wit. This early feminist novel is the perfect read for those who enjoyed the Emma McChesney trilogy. Complete with an introductory excerpt by Rogers Dickinson.
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