A new class of politician and radically different ways of conducting business now exist in Washington. Through stories of party strategists, money men, policy-makers, fixers, socialites, lobbyists, spinners, deal-makers, and more, authors Harwood and Seib explore the great political transformations that have fundamentally altered the relationship between Americans and their government.--From publisher description.
The local weather-prophets—the cape-coated Mennonites and the bearded Amishmen, who came into the town to market—had said, with choral unanimity, that the spring would be brief and sudden, and the summer parching and intense. Already, though April had but dawned, the pink arbutus had bloomed and withered, and the pale first violets were peeping, purple and fragrant, among the lush grass of the front yards on Second Street. The annual oriole was a full fortnight ahead of his time in opening his summer-house in the hickory-tree on the Southwarks' lawn; and up in the droning study-room of the high-school, where all the windows were wide to the lazy sunlight, Miss England had begun, this week, to direct the thoughts of her dwindling senior-class toward the subjects of their graduation essays. Swaying with the easy, languid grace of an unstudied young animal, Mary Denbigh, the morning-session ended, turned from the graveled walk before the school-grounds into the little town's chief thoroughfare. Nobody had ever called her pretty, but her light serge skirt had that day been lengthened to her ankles, and Mary was wholly conscious of the new tokens of her growth. Lithe, strong-limbed and firm-bodied, of peasant stock and peasant vigor, youth and health and the open country air were not factors sufficiently unfamiliar to combine in a charm that would attract admiration in her own community. Only a jaded city-gaze—and a well-trained city-gaze at that—would have seen in the blue eyes, the red mouth, the straight nose, pink cheeks, and abundant russet hair, any promise worthy of fulfillment,—could have detected the flower in the bud; and that such a gaze should, on this day of all days, have been leveled in the girl's direction was, perhaps, only one of those grim jests of a Fate that loves to play upon the harmony between man and nature, and that here observed the coming of a human spring that must be brief and sudden, a human summer parching and intense. The usual group of idle residents and idling commercial drummers were sitting at the plate-glass window of the hotel as she went by, but the girl did not see them. Passing among objects of long familiarity, she saw, in fact, nothing until, in a side-street, she heard a rapid step behind her, was covered by an approaching shadow and, half-turning, found someone, a stranger, at her side.
Designed in 1908 as a suburban residence for a Chicago businessman, the Robie House embodied the full spirit of Frank Lloyd Wright’s pioneering "prairie school" of design. Today, this masterpiece of modern architecture remains a classic example of the builder’s ideas and ideals. Long, low, streamlined and exemplary of the prairie’s spaciousness, the Robie House profoundly influenced the course of American architecture — so much so that a model of Wright’s innovative structure has long been on display at the Museum of Modern Art in Manhattan. Now model builders as well as lovers of fine architecture can construct an accurate three-dimensional model of the Robie House, and thereby discover for themselves the harmonious interrelationships of parts and numerous other design details that make this home a world-famous architectural masterpiece. Printed in full color on sturdy card stock, the model comes complete with step-by-step instructions and exploded diagrams. A series of multi-level horizontal planes includes balconies, platforms, a porch and entrance court, while easy-to-follow directions clearly explain how to cut, fold and glue walls, doorways, windows, roof and other features. Students of architecture, miniaturists and paper engineers will delight in recreating an outstanding example of American residential architecture, which, in Wright’s own words, has become "a source of worldwide inspiration.
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