The Art of Biography Is different from Geography. Geography is about Maps, But Biography is about Chaps. With these rhyming lines, English novelist and humorist Edmund Clerihew Bentley introduces this book and an unusual form of verse of his own invention. Bentley's four-line poems, known as "clerihews," offer satirical views of historical figures, from Edward the Confessor and Odo of Bayeux to Sir Walter Raleigh, Jane Austen, Karl Marx, Theodore Roosevelt, and many others. The witty verses are accompanied by the book's outstanding feature: whimsical full-page illustrations by G. K. Chesterton.
The murder of a sadistic philanthropist sparks off an elaborate investigation led by Philip Trent, who had been painting the portrait of the victim. Two subsequent murders and the disappearance of an actress provide subsidiary mysteries in this inventive tale, which sees Trent in an elaborate maze created by ingenious criminal schemes.
Between what matters and what seems to matter, how should the world we know judge wisely? When the scheming, indomitable brain of Sigsbee Manderson was scattered by a shot from an unknown hand, that world lost nothing worth a single tear; it gained something memorable in a harsh reminder of the vanity of such wealth as this dead man had piled up-without making one loyal friend to mourn him, without doing an act that could help his memory to the least honor. But when the news of his end came, it seemed to those living in the great vortices of business as if the earth, too, shuddered under a blow. In all the lurid commercial history of his country there had been no figure that had so imposed itself upon the mind of the trading world. He had a niche apart in its temples.
Artist, connoisseur and private detective, Philip Trent, features. Included is 'The Genuine Tabard', in which a clergyman and unique objets d'art are involved in a neat confidence trick; 'The Foolproof Lift', in which a blackmailing valet is murdered; and 'The Ordinary Hairpins', in which an opera singer commits suicide - but Trent is suspicious.
The murder of a sadistic philanthropist sparks off an elaborate investigation led by Philip Trent, who had been painting the portrait of the victim. Two subsequent murders and the disappearance of an actress provide subsidiary mysteries in this inventive tale, which sees Trent in an elaborate maze created by ingenious criminal schemes.
Witty poems skewer historical figures past and present — Jane Austen, Karl Marx, Sir Walter Raleigh, Theodore Roosevelt, and others — with an accompaniment of whimsical illustrations by G. K. Chesterton.
These letters outline the mutual affection and closeness of the two writers, but also reveal the slow crescendo of mutual resentment, mistrust and rejection."--BOOK JACKET.
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