Louisa is a clever, self-reliant woman who has just been discharged from her duty as an officer in the British Army during World War II. In a London pub one afternoon she meets Gordon: a slight, peculiar psychiatrist with queer eyes and a strange charisma. Within an hour, Louisa has been sexually conquered by him on a garden bench. So begins an affair in which Gordon compulsively violates Louisa’s body and psyche, while Louisa matches his onslaughts with an insolent submission. As their entanglement deepens, Louisa finds a heady emotional satisfaction beneath the humiliation that Gordon inflicts, and comes to a new understanding of her troubled history and the self that has emerged from it. Originally published under a pseudonym in 1966, Gordon was banned in England and Germany for its frank sexual content, and even today it remains provocative in its fearless probing of the boundaries of consent and submission.
When Edith Templeton’s stories began appearing in The New Yorker in the late 1950s, she quickly became a favorite of the magazine’s discerning readers. Her finely honed writing, honestly drawn heroines, and distinctive themes secured her reputation. The Darts of Cupid collects seven of Templeton’s stories for the first time and reintroduces one of the truly great writers of the twentieth century. In settings ranging from a decrepit Bohemian castle between the wars to London during World War II to the Italian Riviera in the 1990s, the heroines of these stories often find themselves confronting unfathomable passsions and perplexing actions by others, but they seldom feel regret.
The original Fifty Shades of Grey, Edith Templeton's novel Gordon has been banned, pirated and published under various names for almost fifty years. Post-war London. Louisa, a smartly dressed young woman in the midst of a divorce, meets a charismatic man in a pub, and within an hour has been sexually conquered by him on a garden bench. Thus begins her baffling but magnetic love affair with Richard Gordon. Gordon, a psychiatrist, keeps Louisa in his thrall with his almost omniscient ability to see through her, and she is equally gripped by the unexpected pleasure of complete submission. Subjecting herself to repeated humiliations at his hands, but quite unable and unwilling to free herself from his control, Louisa and Gordon sink further and further into the depths - both psychologically and sexually. An extraordinary novel of psycho-sexual entanglement that was banned for indecency in England in 1966, in Gordon, Edith Templeton captures one of the most unusual and disturbing love stories ever written. 'Templeton's characters are not passive or self-doubting. Their pleasure in sexual submission is a mark of their toughness: they can take what their men give them' The New York Times 'Sexual perversion, masochistic dependency, obsession and suicide' Telegraph 'An unsettling tale of sexual obsession' The New Yorker 'It is unlikely that any young woman will write a book as good, as honest, as provocative as Gordon' Telegraph 'Superbly written and unsettling' Beryl Bainbridge Edith Templeton was born in Prague in 1916 and spent much of her childhood in a castle in the Bohemian countryside. Her short stories began to appear in The New Yorker in the 1950s and caused a major stir because of their sexual explicitness (these stories are available in one volume entitled The Darts of Cupid as a Penguin ebook). Gordon first appeared in 1966 under the pseudonym Louise Walbrook and was subsequently banned in England and Germany; it was then pirated around the world, appearing under various titles. In 2001, Edith Templeton agreed to publish the novel, with its original title, under her own name. She died in 2006.
When Edith Templeton’s stories began appearing in The New Yorker in the late 1950s, she quickly became a favorite of the magazine’s discerning readers. Her finely honed writing, honestly drawn heroines, and distinctive themes secured her reputation. The Dart’s of Cupid collects seven of Templeton’s stories for the first time and reintroduces one of the truly great writers of the twentieth century. In settings ranging from a decrepit Bohemian castle between the wars to London during World War II to the Italian Riviera in the 1990s, the heroines of these stories often find themselves confronting unfathomable passsions and perplexing actions by others, but they seldom feel regret.
When Edith Templeton’s stories began appearing in The New Yorker in the late 1950s, she quickly became a favorite of the magazine’s discerning readers. Her finely honed writing, honestly drawn heroines, and distinctive themes secured her reputation. The Darts of Cupid collects seven of Templeton’s stories for the first time and reintroduces one of the truly great writers of the twentieth century. In settings ranging from a decrepit Bohemian castle between the wars to London during World War II to the Italian Riviera in the 1990s, the heroines of these stories often find themselves confronting unfathomable passsions and perplexing actions by others, but they seldom feel regret.
Strikingly beautiful young Julia Hastings had been an inexperienced innocent when handsome, high-born Robin Marlowe induced her to elope with him—only to abandon her on their wedding night without a word of explanation. Julia was left with her virtue intact but her reputation in tatters. Her life became a struggle to defend herself against gentlemen who henceforth considered her easy prey. By now, Julia knew better than to trust any man, even when that man was the overwhelmingly attractive Lord Nicholas Daventry, Robin’s own uncle. But if Julia had learned how dangerous blissful ignorance was in matters of the heart, she had yet to discover what folly it was to be too wise…
Louisa is a clever, self-reliant woman who has just been discharged from her duty as an officer in the British Army during World War II. In a London pub one afternoon she meets Gordon: a slight, peculiar psychiatrist with queer eyes and a strange charisma. Within an hour, Louisa has been sexually conquered by him on a garden bench. So begins an affair in which Gordon compulsively violates Louisa’s body and psyche, while Louisa matches his onslaughts with an insolent submission. As their entanglement deepens, Louisa finds a heady emotional satisfaction beneath the humiliation that Gordon inflicts, and comes to a new understanding of her troubled history and the self that has emerged from it. Originally published under a pseudonym in 1966, Gordon was banned in England and Germany for its frank sexual content, and even today it remains provocative in its fearless probing of the boundaries of consent and submission.
Fanny J. Crosby (1820-1915) was the most prolific of all American hymn writers. Having lost her sight in infancy through a doctor's negligence, Fanny went on to compose more than 9,000 hymns, as well as various other songs, cantatas, and lyrical productions. Crosby's hymns, including such all-time favorites as "Blessed Assurance," continue to be sung around the world. She was also involved with New York City's rescue missions and with other benevolent efforts. She rubbed shoulders with the likes of Henry Clay, Grover Cleveland, Winfield Scott, Dwight L. Moody, Ira Sankey, Jenny Lind, P.T. Barnum, and many other famous figures who people these pages. Drawing on primary sources, including thousands of unpublished manuscripts, Blumhofer sorts fact from fiction in the life of this remarkable nineteenth-century northeastern Protestant woman, in the process showing why "this diminutive woman" was so beloved.--From publisher description.
Edith Wharton, the first woman to win the Pulitzer Prize, vividly reflects on her public and private life in this stunning memoir. With richness and delicacy, it describes the sophisticated New York society in which Wharton spent her youth, and chronicles her travels throughout Europe and her literary success as an adult. Beautifully depicted are her friendships with many of the most celebrated artists and writers of her day, including her close friend Henry James. In his introduction to this edition, Louis Auchincloss calls the writing in A Backward Glance “as firm and crisp and lucid as in the best of her novels.” It is a memoir that will charm and fascinate all readers of Wharton’s fiction.
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