This reference tracks the distribution of approximately 200 common weed species throughout Indiana's 92 counties. Each weed's distribution is shown on range maps at three times-1899, 1940, and 2004. The Overleases' compendium records the continuing expansion of weeds-aggressive plants that can move into an available habitat, across Indiana.
This novel, according to Somerville, "concerns the history of one of those minor dynasties that, in Ireland, have risen, and rules, and rioted, and crashed in ruins." "Somerville and Ross know their world as well as Jane Austen knew hers."—John Bayley.
This reference tracks the distribution of approximately 200 common weed species throughout Indiana's 92 counties. Each weed's distribution is shown on range maps at three times-1899, 1940, and 2004. The Overleases' compendium records the continuing expansion of weeds-aggressive plants that can move into an available habitat, across Indiana.
This unique collection is a rich representation of the works of one of the greatest 20th-century American writers, best known for her novels depicting the stifling conformity and ceremoniousness of the upper-class New York society into which she was born.
THE CUSTOM OF THE COUNTRY is probably Edith Wharton's most savage satire on the manners of late nineteenth-century America. It is the story of the exquisitely beautiful but brutally ambitious Undine Spragg who marries her way into the high aristocracy of Europe, abandoning several husbands along the way. This novel, which has scences of comedy and even farce, is a commentary on both certain aspects of feminisim and certain aspects of capitalism in Edith Wharton's time. The novel makes a fitting companion to THE AGE OF INNOCENCE and THE HOUSE OF MIRTH and shows Wharton to be one of the greatest American novelists.
The text has been introduced and thoroughly annotated by the editor for student readers. Backgrounds and Contexts includes selections from Edith Wharton's letters; articles from the period about etiquette, vocations for women, factory life, and Working Girls' Clubs; excerpts from the work of contemporary social thinkers including Thorstein Veblen, Charlotte Perkins Gilman, and Olive Schreiner; and a consideration of anti-Semitism at the turn of the century by historian John Higham. Also included are Charles Dana Gibson's precautionary piece "Marrying for Money" (including four Gibson drawings) and a tableau vivant of "The Dying Gladiator." Criticism reprints six central contemporary reviews of the novel and six biographical and interpretive modern essays by Millicent Bell, Louis Auchincloss, Cynthia Griffin Wolff, R. W. B. Lewis, Elaine Showalter, and Elizabeth Ammons. A Chronology and Selected Bibliography are also included.
This Norton Critical Edition includes:* The 1905 book edition of the novel, complete with A. B. Wenzell's eight original illustrations.* A preface and explanatory footnotes by Elizabeth Ammons.* An abundant selection of contextual material, including excerpts from Wharton's letters, contemporary reviews, six drawings by Charles Dana Gibson, Thorstein Veblen on conspicuous consumption, Charlotte Perkins Gilman on women and economics, and various others writing about women's place in society at the turn of the century.* Six modern critical views, considering issues of economics, race, materialism, body image, nature, and feminism within the novel.* A Chronology and a Selected Bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format--annotated text, contexts, and criticism--helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.
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