Though James finds it a challenge being the oldest boy in a large extended family, he longs for something more exciting. Then, he and his cousins Isaiah and Kevin venture down the valley behind their grandmother’s backyard fence, and embark on a stomach-turning voyage to times long ago and far away. Though they hope to keep their magical visits a secret from their older sisters, they discover that sometimes help is welcome. Join the three boys, their teen sisters, and their older friend TJ, as they go on a night quest for the apostle James, encounter mystery with the prophet Isaiah, and frolic with St. Kevin of Ireland and his animals. Shudder at the demons in Apollo’s temple during the rescue of Kevin’s little sister, who has been trapped in an ancient dungeon with the martyr Empress Alexandra. Travel to the cinnamon-scented shores of India, where peacocks dance, and where St. Thomas and TJ stand up to a hostile warrior. And in the end, return home and find that the world has changed: or maybe you have!
Transcendence in general and transformation in particular have long been established as key motifs in apocalypses. The transformation of a seer during a heavenly journey is found commonly in such esoteric apocalypses as I Enoch. No heavenly journey occurs in the apocalypses treated here. Rather, symbolic women figures--"ladies" in the classical sense--who are associated with God's city or Tower, undergo transformation at key points in the action. The surface structures of Joseph and Aseneth, 4 Ezra, the Apocalypse and The Shepherd of Hermas are traced, and the crucial transformation episodes are located within each structure. Transformation of figures which represent God's people points to the significance of identitiy within the apocalyptic perspective. Earlier analyses have demonstrated that the apocalyptic perspective urges the reader to consider life from a different stance in time and in space ("temporal" and "spatial" axes). The present analysis suggests that the apocalypse also charts its revelations along an "axis of identity" so that the reader is invited to become, as it were, someone more in tune with the mysteries he or she is viewing. Of special interest is the treatment of the increasingly well-known romance Joseph and Aseneth alongside apocalypses, a parallel which is fruitful because of the curious visionary sequence, closely related to apocalypse in content and form, which is found in the inner centre of that work.
Foreword by Eugene H. Peterson Countering the generic "spirituality" so popular today, Edith Humphrey presents an authentic Christian spirituality that draws on Scripture and the profound riches of the Christian tradition -- Orthodox, Catholic, and Protestant. Humphrey shows how Christian spirituality is rooted in the Trinity, in the ecstasy ("going out" of oneself) and intimacy (profound closeness with another) marking the relations between Father, Son, and Holy Spirit. The book embodies a banquet of excerpts from the greatest spiritual writers in history -- such luminaries as St. Augustine, St. John Chrysostom, Julian of Norwich, St. Teresa of vila, the Wesley brothers, Thomas Merton, and Alexander Schmemann. Humphrey's elegant prose, laced with stories and images from her own life, beautifully uncovers the ways in which God's trinitarian life informs all human communion. Each chapter ends with questions for further reflection and discussion.
In some of the church's history, Scripture has been pitted against tradition and vice versa. Prominent New Testament scholar Edith Humphrey, who understands the issue from both Protestant and Catholic/Orthodox perspectives, revisits this perennial point of tension. She demonstrates that the Bible itself reveals the importance of tradition, exploring how the Gospels, Acts, and the Epistles show Jesus and the apostles claiming the authority of tradition as God's Word, both written and spoken. Arguing that Scripture and tradition are not in opposition but are necessarily and inextricably intertwined, Humphrey defends tradition as God's gift to the church. She also works to dismantle rigid views of sola scriptura while holding a high view of Scripture's authority.
Vision reports in the New Testament--Stephen's vision at his stoning, Paul's experience in the third heaven, John's apocalyptic visions on the isle of Patmos--pull readers and listeners into a dramatic and dynamic thought world. Author Edith M. Humphrey takes a literary-rhetorical approach to examine how word and image work together in understanding vision reports, demonstrating how biblical visions convey and reinforce messages that deeply affect readers. Visions, Humphrey believes, have not only been seen and heard but also can be transmitted as more than teaching. And I Turned to See the Voice uncovers a fascinating combination of beauty, potency, and mystery behind New Testament vision accounts.
This volume is a comprehensive but accessible guide to the major questions raised by the Hellenistic Jewish work, Joseph and Aseneth. Joseph and Aseneth is an excellent example of the controverted issues of text, dating and Sitz im Leben, when such decisions must be largely based on internal evidence. It provides an entre into the vexed question of genre, given the numerous literary links that have been suggested for it. Its mysterious but engaging plot, and its female protagonist, evoke ongoing sociological and feminist debate. It is thus strongly commended for careful study to students and scholars of Judaism, New Testament, sociology and narratology. Intended as a sound basis for such exploration, this guide also offers a fresh narrative reading in which the revelatory character of Joseph and Aseneth is brought to the forefront.
Though James finds it a challenge being the oldest boy in a large extended family, he longs for something more exciting. Then, he and his cousins Isaiah and Kevin venture down the valley behind their grandmother’s backyard fence, and embark on a stomach-turning voyage to times long ago and far away. Though they hope to keep their magical visits a secret from their older sisters, they discover that sometimes help is welcome. Join the three boys, their teen sisters, and their older friend TJ, as they go on a night quest for the apostle James, encounter mystery with the prophet Isaiah, and frolic with St. Kevin of Ireland and his animals. Shudder at the demons in Apollo’s temple during the rescue of Kevin’s little sister, who has been trapped in an ancient dungeon with the martyr Empress Alexandra. Travel to the cinnamon-scented shores of India, where peacocks dance, and where St. Thomas and TJ stand up to a hostile warrior. And in the end, return home and find that the world has changed: or maybe you have!
In some of the church's history, Scripture has been pitted against tradition and vice versa. Prominent New Testament scholar Edith Humphrey, who understands the issue from both Protestant and Catholic/Orthodox perspectives, revisits this perennial point of tension. She demonstrates that the Bible itself reveals the importance of tradition, exploring how the Gospels, Acts, and the Epistles show Jesus and the apostles claiming the authority of tradition as God's Word, both written and spoken. Arguing that Scripture and tradition are not in opposition but are necessarily and inextricably intertwined, Humphrey defends tradition as God's gift to the church. She also works to dismantle rigid views of sola scriptura while holding a high view of Scripture's authority.
Vision reports in the New Testament--Stephen's vision at his stoning, Paul's experience in the third heaven, John's apocalyptic visions on the isle of Patmos--pull readers and listeners into a dramatic and dynamic thought world. Author Edith M. Humphrey takes a literary-rhetorical approach to examine how word and image work together in understanding vision reports, demonstrating how biblical visions convey and reinforce messages that deeply affect readers. Visions, Humphrey believes, have not only been seen and heard but also can be transmitted as more than teaching. And I Turned to See the Voice uncovers a fascinating combination of beauty, potency, and mystery behind New Testament vision accounts.
Foreword by Eugene H. Peterson Countering the generic "spirituality" so popular today, Edith Humphrey presents an authentic Christian spirituality that draws on Scripture and the profound riches of the Christian tradition -- Orthodox, Catholic, and Protestant. Humphrey shows how Christian spirituality is rooted in the Trinity, in the ecstasy ("going out" of oneself) and intimacy (profound closeness with another) marking the relations between Father, Son, and Holy Spirit. The book embodies a banquet of excerpts from the greatest spiritual writers in history -- such luminaries as St. Augustine, St. John Chrysostom, Julian of Norwich, St. Teresa of vila, the Wesley brothers, Thomas Merton, and Alexander Schmemann. Humphrey's elegant prose, laced with stories and images from her own life, beautifully uncovers the ways in which God's trinitarian life informs all human communion. Each chapter ends with questions for further reflection and discussion.
This volume is a comprehensive but accessible guide to the major questions raised by the Hellenistic Jewish work, Joseph and Aseneth. Joseph and Aseneth is an excellent example of the controverted issues of text, dating and Sitz im Leben, when such decisions must be largely based on internal evidence. It provides an entre into the vexed question of genre, given the numerous literary links that have been suggested for it. Its mysterious but engaging plot, and its female protagonist, evoke ongoing sociological and feminist debate. It is thus strongly commended for careful study to students and scholars of Judaism, New Testament, sociology and narratology. Intended as a sound basis for such exploration, this guide also offers a fresh narrative reading in which the revelatory character of Joseph and Aseneth is brought to the forefront.
Transcendence in general and transformation in particular have long been established as key motifs in apocalypses. The transformation of a seer during a heavenly journey is found commonly in such esoteric apocalypses as I Enoch. No heavenly journey occurs in the apocalypses treated here. Rather, symbolic women figures--"ladies" in the classical sense--who are associated with God's city or Tower, undergo transformation at key points in the action. The surface structures of Joseph and Aseneth, 4 Ezra, the Apocalypse and The Shepherd of Hermas are traced, and the crucial transformation episodes are located within each structure. Transformation of figures which represent God's people points to the significance of identitiy within the apocalyptic perspective. Earlier analyses have demonstrated that the apocalyptic perspective urges the reader to consider life from a different stance in time and in space ("temporal" and "spatial" axes). The present analysis suggests that the apocalypse also charts its revelations along an "axis of identity" so that the reader is invited to become, as it were, someone more in tune with the mysteries he or she is viewing. Of special interest is the treatment of the increasingly well-known romance Joseph and Aseneth alongside apocalypses, a parallel which is fruitful because of the curious visionary sequence, closely related to apocalypse in content and form, which is found in the inner centre of that work.
Traditional, secular, and fundamentalist—all three categories are contested, yet in their contestation they shape our sensibilities and are mutually implicated, the one with the others. This interplay brings to the foreground more than ever the question of what it means to think and live as Tradition. The Orthodox theologians of the twentieth century, in particular, have emphasized Tradition not as a dead letter but as a living presence of the Holy Spirit. But how can we discern Tradition as living discernment from fundamentalism? What does it mean to live in Tradition when surrounded by something like the “secular”? These essays interrogate these mutual implications, beginning from the understanding that whatever secular or fundamentalist may mean, they are not Tradition, which is historical, particularistic, in motion, ambiguous and pluralistic, but simultaneously not relativistic. Contributors: R. Scott Appleby, Nikolaos Asproulis, Brandon Gallaher, Paul J. Griffiths, Vigen Guroian, Dellas Oliver Herbel, Edith M. Humphrey, Slavica Jakelić, Nadieszda Kizenko, Wendy Mayer, Brenna Moore, Graham Ward, Darlene Fozard Weaver
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.