I Hate to Write is the compelling story of Edith Agnes McCormick an Irish immigrant, a devoted mother raising three sons in New York City in the early 1900s through WWI. Edith is an extraordinary woman of courage and fortitude. Through herRecord.a diary, which amazingly encompasses the period 1901 to 1919, Edith provides a compelling, extraordinarily personal glimpse into family life, but also the events occurring at the turn of the century through the cataclysmic changes of WWI. Ediths writing style is an educated one, her sense of humor with respect to family life in Manhattan with all of its challenges jumps off the pages and captures the heart and mind of the reader in a unique and captivating fashion. She opens our eyes to a time when flight was a breathtaking novelty. It was a time prior to air conditioning, when horses were dying in the sweltering heat of New York summers, when people sought summer relief in the seashore cottages of Staten Island. Ediths day to day thoughts are illuminating, as she opines upon such events as Theodore Roosevelt and the Panama Canal, the Russo-Sino War, Pearys discovery of the North Pole and the need for equal rights in the workplace and the vote for women. Ediths patriotic zeal and support for her country and its allies is compelling. Equally compelling is Ediths concern for her sons as America is drawn into the war in Europe. If you want a great story, order a book now.buy one for a friend or family member!
I Hate to Write is the compelling story of Edith Agnes McCormick an Irish immigrant, a devoted mother raising three sons in New York City in the early 1900s through WWI. Edith is an extraordinary woman of courage and fortitude. Through herRecord.a diary, which amazingly encompasses the period 1901 to 1919, Edith provides a compelling, extraordinarily personal glimpse into family life, but also the events occurring at the turn of the century through the cataclysmic changes of WWI. Ediths writing style is an educated one, her sense of humor with respect to family life in Manhattan with all of its challenges jumps off the pages and captures the heart and mind of the reader in a unique and captivating fashion. She opens our eyes to a time when flight was a breathtaking novelty. It was a time prior to air conditioning, when horses were dying in the sweltering heat of New York summers, when people sought summer relief in the seashore cottages of Staten Island. Ediths day to day thoughts are illuminating, as she opines upon such events as Theodore Roosevelt and the Panama Canal, the Russo-Sino War, Pearys discovery of the North Pole and the need for equal rights in the workplace and the vote for women. Ediths patriotic zeal and support for her country and its allies is compelling. Equally compelling is Ediths concern for her sons as America is drawn into the war in Europe. If you want a great story, order a book now.buy one for a friend or family member!
Edith Wharton, the first woman to win the Pulitzer Prize, vividly reflects on her public and private life in this stunning memoir. With richness and delicacy, it describes the sophisticated New York society in which Wharton spent her youth, and chronicles her travels throughout Europe and her literary success as an adult. Beautifully depicted are her friendships with many of the most celebrated artists and writers of her day, including her close friend Henry James. In his introduction to this edition, Louis Auchincloss calls the writing in A Backward Glance “as firm and crisp and lucid as in the best of her novels.” It is a memoir that will charm and fascinate all readers of Wharton’s fiction.
From first to last, poetry was part of Edith Wharton's writing life. Whilerarely (after early youth) her primary focus, it always served her as a medium for recording the most vivid impressions and emotions, an intimate journal of longings and regrets. "Poetry was important to Wharton," writeseditor Louis Auchincloss, "because it enabled her to express the deeply emotional side of her nature that she kept under such tight control, not only in her life but in the ordered sweep of her fiction." In later years her poetry also engaged with the public passions of wartime, as she found herself involved with the plight of Allied soldiers in France. Her first models were Romantic, but in the course of her life she absorbed the influences of Symbolism and Modernism; and throughout her poetic career she showed a care for form even in her most private utterances, as in the erotic ode "Terminus," never published in her lifetime. This volume collects the bulk of Wharton's significant poetry, including much work previously uncollected or unpublished.
First published in Scribner's Magazine in 1915, Edith Wharton's Coming Home is a short story of seven chapters that centers around the life of a French man named Jean de Réchamp during the war. The story is narrated in the first-personal pronoun and bases itself on reports about the atrocities committed by the German army. Jean de Réchamp, who is engaged to Mlle. Malo, wants to know about his family that he left in his home country just before the war was declared. On a journey back to his home town Réchamp in Eastern France, the roads seem eerily empty save for the sentinels guarding the railways. Even the names of towns and roads are scratched out off the milestones in order to mislead the enemy. Fortunately, Jean knows his directions and finally reaches Réchamp with his companions who include a wounded man. When they reach the town, an old woman as well as other countrymen tell them about the atrocities of the what has happened and how the village has been destroyed. Jean finally meets his family. However, by the end of the narrative, the wounded companion dies.
Edith Wharton's seven works of travel have been called brilliantly written and permanently interesting. For the first time, excerpts from each of these works have been made available to the general reader in a single volume. The collection spans a period of three decades: from the time of leisurely travel by chartered steam yacht, diligence, railway, and motor car during the belle epoque, through the horror and pathos of the French landscape during World War I, to the Morocco of 1917 - a country previously forbidden to most women and foreigners. Scornful of guidebooks, Edith Wharton focused instead on the parentheses of travel - the undiscovered by-ways of Europe, Morocco, and the Mediterranean. Among the sites she describes are the towns of Tirano, Brescia, Poitiers, and Chauvigny; the gardens of the Villa Caprarola and the Villa Aldobrandini, Frascati; Hippone and Goletta. Her account of Mount Athos in Greece (written in the recently discovered diary of her 1888 Mediterranean cruise), may be the first ever by an American. An intrepid reporter, she also depicts the front lines of Lorraine and the Vosges during World War I. She describes art, architecture, sculpture, and landscape with the eye of a knowledgeable connoisseur and the sensitivity of an observant and imaginative novelist. Open to all experiences, she is a voracious intellectual wanderer who often interprets the sights she sees in the light of the extensive historic, literary, and classical reading begun in her youth.
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