Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels of Edgar Rice Burroughs which are A Princess of Mars and Tarzan of the Apes . Edgar Rice Burroughs was an American fiction writer best known for his celebrated and prolific output in the adventure and science-fiction genres. Among the most notable of his creations are the jungle hero Tarzan, the heroic Mars adventurer John Carter and the fictional landmass within Earth known as Pellucidar. Novels selected for this book: - A Princess of Mars - Tarzan of the Apes This is one of many books in the series Essential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.
Brother Men is the first published collection of private letters of Edgar Rice Burroughs, the phenomenally successful author of adventure, fantasy, and science fiction tales, including the Tarzan series. The correspondence presented here is Burroughs’s decades-long exchange with Herbert T. Weston, the maternal great-grandfather of this volume’s editor, Matt Cohen. The trove of correspondence Cohen discovered unexpectedly during a visit home includes hundreds of items—letters, photographs, telegrams, postcards, and illustrations—spanning from 1903 to 1945. Since Weston kept carbon copies of his own letters, the material documents a lifelong friendship that had begun in the 1890s, when the two men met in military school. In these letters, Burroughs and Weston discuss their experiences of family, work, war, disease and health, sports, and new technology over a period spanning two world wars, the Great Depression, and widespread political change. Their exchanges provide a window into the personal writings of the legendary creator of Tarzan and reveal Burroughs’s ideas about race, nation, and what it meant to be a man in early-twentieth-century America. The Burroughs-Weston letters trace a fascinating personal and business relationship that evolved as the two men and their wives embarked on joint capital ventures, traveled frequently, and navigated the difficult waters of child-rearing, divorce, and aging. Brother Men includes never-before-published images, annotations, and a critical introduction in which Cohen explores the significance of the sustained, emotional male friendship evident in the letters. Rich with insights related to visual culture and media technologies, consumerism, the history of the family, the history of authorship and readership, and the development of the West, these letters make it clear that Tarzan was only one small part of Edgar Rice Burroughs’s broad engagement with modern culture.
Pulp Tales Press Presents the fourth issue of this magazine. Fiction this issue includes the final installment of "Under the Moons of Mars" (part 2 of 2) and "The Beasts of Tarzan", complete in this issue. Articles include "A Dispatch on Mars", "Men Who Make the Argosy", and "An Adventure in Plagerism".
Jimmy Torrance graduated from college without a hope -- he'd spent his hours at the university learning how to box, how to swim, how the hit a baseball and lead a football team. He set out for Chicago with all the enthusiastic eagerness oif a man who knows in his heart of heart, that he's on the winning team. But Chicago wasn't Ivy-league college football, a there was no team to captain: What Jimmyu found in Chicago was a tough life in a tough place at a miserable wage. He found the decency of folks any ordinary fellow would have branded criminals, and he found the criminality of upstanding citizens who surrounded him. He found a whore with a heart of gold, and a safe-cracker who was also a man a body could rely on. And most important of all, in that freakish, frightful burg, Jimmy found a thing called love. . . .
Collected in one volume for your entertainment and delight: The Caspak Trilogy by Edgar Rice Burroughs: The Land That Time Forgot The People That Time Forgot Out of Time's Abyss An excellent tale of lost lands, dinosaurs, and adventurers by the master of action
This special Edgar Rice Burroughs Authorized Library edition features new cover art and a frontispiece by legendary artist Joe Jusko, a foreword and afterword by today's luminaries, and a host of rare and never-before-published bonus materials from the extensive archives of Edgar Rice Burroughs, Inc. in Tarzana, California.
How is this book unique? Illustrations included A more well-known story One of the best books to read Extremely well formatted Matte & Attractive cover The Return of Tarzan is a novel by American writer Edgar Rice Burroughs, the second in his series of books about the title character Tarzan. It was first published in the pulp magazine New Story Magazine in the issues for June through December 1913; the first book edition was published in 1915 by A. C. McClurg.
The long boat of the Marjorie W. was floating down the broad Ugambi with ebb tide and current. Her crew were lazily enjoying this respite from the arduous labor of rowing up stream. Three miles below them lay the Marjorie W. herself, quite ready to sail so soon as they should have clambered aboard and swung the long boat to its davits. Presently the attention of every man was drawn from his dreaming or his gossiping to the northern bank of the river. There, screaming at them in a cracked falsetto and with skinny arms outstretched, stood a strange apparition of a man. "Wot the 'ell?" ejaculated one of the crew. "A white man!" muttered the mate, and then: "Man the oars, boys, and we'll just pull over an' see what he wants." When they came close to the shore they saw an emaciated creature with scant white locks tangled and matted. The thin, bent body was naked but for a loin cloth. Tears were rolling down the sunken pock-marked cheeks. The man jabbered at them in a strange tongue. "Rooshun," hazarded the mate. "Savvy English?" he called to the man. He did, and in that tongue, brokenly and haltingly, as though it had been many years since he had used it, he begged them to take him with them away from this awful country. Once on board the Marjorie W. the stranger told his rescuers a pitiful tale of privation, hardships, and torture, extending over a period of ten years. How he happened to have come to Africa he did not tell them, leaving them to assume he had forgotten the incidents of his life prior to the frightful ordeals that had wrecked him mentally and physically. He did not even tell them his true name, and so they knew him only as Michael Sabrov, nor was there any resemblance between this sorry wreck and the virile, though unprincipled, Alexis Paulvitch of old.
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