White Cube is pleased to present 'Adjective Machine Gun', an exhibition and ongoing performance by London based artist Eddie Peake. To date, Eddie Peake has established a multi-faceted and energetic practice that manifests itself through a wide variety of media including photography, painting, neon sculpture and performance. Exploring the realms of voyeurism, sexuality and gender, Peake is a bold interventionist, attracting his audience's attention by adopting a variety of cultural references, pop motifs, anarchic humour and spectacle. - White Cube web page.
This narrative documents the life of a young man (Samuel Coates) as he is diagnosed with paranoid schizophrenia and admitted involuntarily under the Mental Health Act into a fictitious public hospital in Brisbane, Queensland, Australia. While on the mental health unit, the naive young Samuel befriends Theo Walker, a street-savvy young man with a diagnosis of antisocial personality disorder. Theo takes Samuel under his wing and tries to teach him how to manipulate the system to his advantage. Because of his schizophrenia diagnosis, Samuel often misinterprets the world around him, and he falls under the charismatic charm of Theo and later one of his young female associates, which has dramatic consequences for Samuel. Trying to control these developments are the nurses and doctors on the mental health unit and the real-life dilemmas that mental health professionals have to manage on a daily basis. The narrative is used as a backdrop to raise awareness of the plight of people diagnosed with schizophrenia and the limited resources that contemporary mental health services have to manage them effectively.
THE NEW YORK TIMES BESTSELLER “Izzard is one of the funniest people alive, a talented actor, a sharp cross-dresser, an experienced marathon runner, and a great writer. You will have to read this if only to find out what a jazz chicken is.”—The Philadelphia Inquirer With his brand of keenly intelligent humor that ranges from world history to historical politics, sexual politics, mad ancient kings, and chickens with guns, Eddie Izzard has built an extraordinary fan base that transcends age, gender, and race. Writing with the same candor and insight evident in his comedy, he reflects on a childhood marked by the loss of his mother, boarding school, and alternative sexuality, as well as a life in comedy, film, politics, running and philanthropy. Honest and generous, Believe Me is an inspired account of a very singular life thus far.
A Taiwanese American rebel restaurateur chronicles his rise to success from his difficult childhood in the American South to his decision to embrace all he had learned about food in his father's restaurants and his mother's kitchen to create his own culinary identity.
NOW AN ORIGINAL SERIES ON ABC • “Just may be the best new comedy of [the year] . . . based on restaurateur Eddie Huang’s memoir of the same name . . . [a] classic fresh-out-of-water comedy.”—People “Bawdy and frequently hilarious . . . a surprisingly sophisticated memoir about race and assimilation in America . . . as much James Baldwin and Jay-Z as Amy Tan . . . rowdy [and] vital . . . It’s a book about fitting in by not fitting in at all.”—Dwight Garner, The New York Times NATIONAL BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS Assimilating ain’t easy. Eddie Huang was raised by a wild family of FOB (“fresh off the boat”) immigrants—his father a cocksure restaurateur with a dark past back in Taiwan, his mother a fierce protector and constant threat. Young Eddie tried his hand at everything mainstream America threw his way, from white Jesus to macaroni and cheese, but finally found his home as leader of a rainbow coalition of lost boys up to no good: skate punks, dealers, hip-hop junkies, and sneaker freaks. This is the story of a Chinese-American kid in a could-be-anywhere cul-de-sac blazing his way through America’s deviant subcultures, trying to find himself, ten thousand miles from his legacy and anchored only by his conflicted love for his family and his passion for food. Funny, moving, and stylistically inventive, Fresh Off the Boat is more than a radical reimagining of the immigrant memoir—it’s the exhilarating story of every American outsider who finds his destiny in the margins. Praise for Fresh Off the Boat “Brash and funny . . . outrageous, courageous, moving, ironic and true.”—New York Times Book Review “Mercilessly funny and provocative, Fresh Off the Boat is also a serious piece of work. Eddie Huang is hunting nothing less than Big Game here. He does everything with style.”—Anthony Bourdain “Uproariously funny . . . emotionally honest.”—Chicago Tribune “Huang is a fearless raconteur. [His] writing is at once hilarious and provocative; his incisive wit pulls through like a perfect plate of dan dan noodles.”—Interview “Although writing a memoir is an audacious act for a thirty-year-old, it is not nearly as audacious as some of the things Huang did and survived even earlier. . . . Whatever he ends up doing, you can be sure it won’t look or sound like anything that’s come before. A single, kinetic passage from Fresh Off the Boat . . . is all you need to get that straight.”—Bookforum
Answering the eternal question... WHAT TO WATCH NEXT? Looking for a box set to get your adrenaline racing or to escape to a different era? In need of a good laugh to lift your spirits? Hunting for a TV show that the whole family can watch together? If you're feeling indecisive about your next binge-watching session, we've done the hard work for you. Featuring 1,000 carefully curated reviews written by a panel of TV connoisseurs, What To Watch When offers up the best show suggestions for every mood and moment.
Provides many of the answers to questions asked by journalists, industry executives, researchers and television enthusiasts about the current UK film industry. The range of information in the Handbook is unrivalled, including a summary of all new films made and released in the UK box office.
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