THIS is the story of a rare human being, a dynamo of a woman who devoted her life, joyfully, humorously, expertly, uniquely, to others. Orphaned at 3, brought up by the Sisters of Charity in Nevada, a nun herself at 20, Sister Stanislaus, after several months of nurses’ training in Baltimore, was sent to work in New Orleans. She never really left. Her first, last, and only assignment was Charity Hospital, New Orleans. In time, the two became virtually synonymous. She spent over fifty years there. When she arrived, Charity Hospital comprised one antiquated building; modern medicine was in its swaddling clothes; nursing was an even more hit-or-miss affair. When she left, Charity Hospital was one of the finest in the land and nursing had become a highly professional career. Sister Stanislaus played a large part in the development of both. She brought to nursing a great and joyful zeal, an originality, and a love which affected everyone she came in contact with. Constantly perfecting herself as a nurse, she became one of the best known nursing-sisters in the country. But she did not stop there. Changing, innovating, wheedling money from a string of politicos—from Huey Long and his predecessors by Earl Long—she built Charity Hospital into the great modern institution it is. Yet her fame and her influence were not a result of her public achievement; they were based upon something more immediate, more spiritual. They grew from her all-embracing charity, her lifetime of devotion to the sick and the troubled. She was beloved as a person; the rest, an incredible array of activities and duties, accomplishment and concern, simply happened. Or so she pretended. An extraordinary personality merges from this brisk, expertly written biography, a lively and highly original nun, nurse, and human being, full of surprises but indefatigably on the job, bringing relief and consolation to thousands who passed in and out of a great hospital.
Black artists have been making major contributions to the British art scene for decades, since at least the mid-twentieth century. Sometimes these artists were regarded and embraced as practitioners of note. At other times they faced challenges of visibility - and in response they collaborated and made their own exhibitions and gallery spaces. In this book, Eddie Chambers tells the story of these artists from the 1950s onwards, including recent developments and successes. Black Artists in British Art makes a major contribution to British art history. Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. Meticulously researched, this important book tells the fascinating story of practitioners who have frequently been overlooked in the dominant history of twentieth-century British art.
Whether your collection features a hefty helping of grandmas worn, but cherished cookbooks from years past, or a few recipe-rich treasures of your own, this fact and photo-filled guide will feed any cookbook fascination. This reference, written by the owners of OldCookbooks.com serves up 1,500 American cookbooks and recipe booklets from the 20th century, complete with interesting details and historical notes about each, plus estimated values.
Eddie Hobbs has never been one to shy away from a challenge and his advice is that you shouldn't either! When the oil that we depend reaches scary prices, our lives are going to change utterly. This is going to happen much sooner than most of us want to admit and if we do not prepare for it, it's going to hit us where it hurts most: in our pockets. For years, Eddie Hobbs has been encouraging and supporting Irish people in getting to grips with our finances and now, in Energise, he gives us the tools to get to grips with the coming energy crisis and age of high inflation. In Energise he explains what you can do to prepare. You'll learn a range of strategies for managing your money so that wherever you are on the financial ladder - whether just waking up to the reality that you must take control of your finances, or wondering how your savings, pensions and investments are going to fare when the price of oil sky-rockets - you can survive and prosper during this age of high inflation. You'll also learn what Ireland needs to do to get ready for the energy crisis and what you can do to help raise public and political awareness. Eddie shows how, by taking control of your response to the new world order, you can prosper in unforeseen new ways. Energise is the essential starting point for getting to grips with the imminent age of scarcity.
Jazz: Research and Pedagogy is the third edition of an annotated bibliography to books, recordings, videos, and websites in the field of jazz. Since the publication of the 2nd edition in 1995, the quantity and quality of books on jazz research, performance, and teaching materials have increased. Although the 1995 book was the most comprehensive annotated jazz bibliography published to that date, several books on research, performance, and teaching materials were omitted. In addition, given the proliferation of new books in all jazz areas since 1995, the need for a new, comprehensive, and annotated reference book on jazz is apparent. Multiply indexed, this book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the last decade.
Did you know that in 1924, Mick Gill created history by winning two All-Ireland Senior Hurling medals in the same year and for different counties? Jack Lynch is the only player in GAA history to have won six successive All-Ireland medals (five in hurling). The 2013 All-Ireland Hurling Final was the first to be played under flood-lights, exactly 100 years after Croke Park was first purchased. Do you know the name of every inter-county ground in Ireland? Who was full forward on the team of the Millenium? Who was the 1,000th All Star Award winner? In 'The Little Book of GAA Facts', Eddie Ryan has gathered together a treasure trove of knowledge about a nation's passion. The book charts the history of Gaelic games, blending amazing stories and unique facts, records and outstanding achievements.
Eddie Robson's Drunk on All Your Strange New Words is a locked room mystery in a near future world of politics and alien diplomacy. Lydia works as translator for the Logi cultural attaché to Earth. They work well together, even if the act of translating his thoughts into English makes her somewhat wobbly on her feet. She’s not the agency’s best translator, but what else is she going to do? She has no qualifications, and no discernible talent in any other field. So when tragedy strikes, and Lydia finds herself at the center of an intergalactic incident, her future employment prospects look dire—that is, if she can keep herself out of jail! But Lydia soon discovers that help can appear from the most unexpected source... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Answering the eternal question... WHAT TO WATCH NEXT? Looking for a box set to get your adrenaline racing or to escape to a different era? In need of a good laugh to lift your spirits? Hunting for a TV show that the whole family can watch together? If you're feeling indecisive about your next binge-watching session, we've done the hard work for you. Featuring 1,000 carefully curated reviews written by a panel of TV connoisseurs, What To Watch When offers up the best show suggestions for every mood and moment.
We live in catastrophic times. The world is reeling from the deepest economic crisis since the Great Depression, with the threat of further meltdowns ever-looming. Global warming and myriad dire ecological disasters worsen—with little if any action to halt them—their effects rippling across the planet in the shape of almost biblical floods, fires, droughts, and hurricanes. Governments warn that there is no alternative to the bitter medicine they prescribe—or risk devastating financial or social collapse. The right, whether religious or secular, views the present as catastrophic and wants to turn the clock back. The left fears for the worst, but hopes some good will emerge from the rubble. Visions of the apocalypse and predictions of impending doom abound. Across the political spectrum, a culture of fear reigns.? Catastrophism explores the politics of apocalypse—on the left and right, in the environmental movement—and examines why the lens of catastrophe can distort our understanding of the dynamics at the heart of these numerous disasters—and fatally impede our ability to transform the world. Lilley, McNally, Yuen, and Davis probe the reasons why catastrophic thinking is so prevalent, and challenge the belief that it is only out of the ashes that a better society may be born. The authors argue that those who care about social justice and the environment should jettison doomsaying—even as it relates to indisputably apocalyptic climate change. Far from calling people to arms, they suggest, catastrophic fear often results in passivity and paralysis—and, at worst, reactionary politics.?
[Hearts of Oak packs in] the sort of profound and lacerating laughter that Robson's countrymen Douglas Adams and Terry Pratchett perfected." –NPR Hearts of Oak is a delightful science fiction adventure from Eddie Robson, the creator of the acclaimed Welcome to Our Village, Please Invade Carefully. The buildings grow. And the city expands. And the people of the land are starting to behave abnormally. Or perhaps they’ve always behaved that way, and it’s normality that’s at fault. And the king of the land confers with his best friend, who happens to be his closest advisor, who also happens to be a talking cat. But that’s all perfectly natural and not at all weird. Iona, close to retirement, finds that the world she has always known is nothing like she always believed it to be. There are dark forces . . . not dark. There are uncanny forces . . . no, not uncanny. There are forces, anyway, mostly slightly odd ones, and they appear to be acting in mysterious ways. It’s about town planning, it’s about cats and it’s about the nature of reality. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
It is impossible for a man to learn, what he thinks he already knows! Most Americans believe that the U.S government is protecting privacy rights and private property. The sad truth is, through the Act of 1871, the ten square miles known as the “business” District of Columbia, “the corporation” aka - THE UNITED STATES, was created, and is still defrauding sovereign Citizens, under its pseudo authority. Further, on June 5th, 1933 a third term Roosevelt administration and an obedient Congress, “fundamentally” changed our government, by “Resolution”! Through HJR 192-The New Deal, our “Public Servants” abandoned their duty to the supreme office holder, the sovereign Citizen. And instead, initiated (their)“Public Policy”! That Roosevelt administration, took advantage of its’ pseudo authority and effectively duped the masses, by resolution, then, enacted the treasonous provisions of the “New Deal”! And, all provisions of that New Deal “resolution” are in force and effect, as evidenced by your Socialist number attached to “YOUR NAME”, aka your (corporate identity).Yet few Americans are actually aware of, that grand deception. We the People, were dealt a foreign judicial system, which overturned the original“chain of command”, and now, unlawfully prosecutes all “Public Policy” violations. Liberty, precious, God given liberty, cannot be infringed upon, simply because “our” representatives, have chosen to allow their agents to violate privacy rights and misapply commercial codes, above the inherent rights of the sovereign People. In this country, one is considered to be a criminal, if one is cited, not wearing a seat belt. And, if you fail to pay the agency, “claiming criminal behavior”, they will arrest you! Even though, there is no victim, no verified complaint, no indictment, no felonious act, and no exigent circumstances existed, to condone your abduction. Are you proud of the fact that this government can and will take your neighbors’ home, or your home, for taxes that neither, lawfully owe? Are you proud that our young men and women are dying and killing, in a foreign land, for no valid reason? Are you proud of “YOUR”- CORPORATE IDENTITY and all liabilities, contingencies and conditions associated with “YOUR” matriculated, socialist, indebted status? Are you proud of the fact that two men, Clarence Thomas and Anthony Scalia chose to ignore the national vote total, and “chose” instead, a Republican Candidate, over, and against the will and mandate of the People, in the 2000 selection? Eternally, A Brother in Christ Quey Quay Eddie Duncan
Read the story of Joe through his own interviews and the memories and anecdotes of his family, including his brother Ben who was by his side in showbusiness for over forty years; his band members, including his nephews Adrian and Ray; his showbiz pals, Larry Gogan, Finbar Furey, Brendan Bowyer and Paddy Cole; his fans, friends (including Michael O'Leary of Ryanair) and acquaintances from all walks of life. Jam-packed with a treasure trove of never-before-told stories that vividly bring to life the essence of Joe Dolan: the showbiz legend, the family man, the friend, the joker and the devil-may-care character who never forgot his roots or lost touch with his people despite enjoying fame and wealth beyond his dreams.
Since its release at the mid-point of the 1980s American horror boom, Stuart Gordon’s Re-Animator (1985) has endured as one of the most beloved cult horror films of that era. Greeted by enthusiastic early reviews, Re-Animator has maintained a spot at the periphery of the classic horror film canon. While Re-Animator has not entirely gone without critical attention, it has often been overshadowed in horror studies by more familiar titles from the period. Eddie Falvey’s book, which represents the first book-length study of Re-Animator, repositions it as one of the most significant American horror films of its era. For Falvey, Re-Animator sits at the intersection of various developments that were taking place within the context of 1980s American horror production. He uses Re-Animator to explore the rise and fall of Charles Band’s Empire Pictures, the revival of the mad science sub-genre, the emergent popularity of both gore aesthetics and horror-comedies, as well as a new appetite for the works of H.P. Lovecraft in adaptation. Falvey also tracks the film's legacies, observing not only how Re-Animator’s success gave rise to a new Lovecraftian cycle fronted by Stuart Gordon, but also how its cult status has continued to grow, marked by sequels, spin-offs, parodies and re-releases. As such, Falvey's book promises to be a book both about Re-Animator itself and about the various contexts that birthed it and continue to reflect its influence.
My father decided to teach me how I could tell if I was drunk. "See those two guys over there? When they become four, you´re drunk!" But Dad, there´s only one guy over there!" LAST IN MY CLASS is a story of the trauma of growing up with an alcoholic father who was First in his Class. The author believes that the family members are all in the same class. "We are the walking wounded who go through most of our lives looking good and feeling awful. We are the ones who are in responsible positions, working every day and keeping things together. We are the invisible injured. Who speaks for us?" This book does. ALCOHOLISM REMAINS THE # 1 HEALTH PROBLEM IN AMERICA. Millions want to know how to live with a problem drinker. This story helps answer that question. This inspirational and painful growing up saga chronicles how humor, sports, recreation and a serious quest for answers helped this author recover from an emotional shutdown and to enjoy peace within.
With a brand new introduction by Eddie Braben and including never-before-seen material Morecambe and Wise charmed a nation for decades and at their height commanded TV audiences that could only be matched by the moon landings and the 1966 World Cup final. Often called the third member of Morecambe and Wise, the late Eddie Braben was the quiet genius behind their best-loved jokes. Here, collected together for the first time, is a celebration of the finest repartee Braben ever penned for them - the banter between Eric and Little Ern, lines from those horrendous plays what Ernie wrote, and the unforgettable celebrity encounters with such names as Glenda Jackson, Andre Previn and, of course, Des O'Connor. The perfect Christmas stocking-filler for Eric and Ernie fans young and old. Ernie: Can you remember the first words you spoke in the theatre? Eric: I'll never forget them. How could I? 'This way, please! Programmes!...' After a couple of months came my big break. That great Shakespearian actor and dance band leader, Sir Lawrence Olivier came to the theatre. Ernie: What happened? Eric: He came up to me. My heart stopped. He said, ' Young man, have you read any of Shakespeare's plays?' Ernie: What did you say? Eric: I said, 'Only two of them.' He said, 'Which ones?' I said, 'Romeo and Juliet.' So he put me in his next play. Ernie: What was it about? Eric: It was about thirty minutes too long.
Cardiovascular diseases (CVD) including heart diseases, peripheral vascular disease and heart failure, account for one-third of deaths throughout the world. CVD risk factors include systolic blood pressure, total cholesterol, high-density lipoprotein cholesterol, and diabetic status. Clinical trials have demonstrated that when modifiable risk factors are treated and corrected, the chances of CVD occurring can be reduced. This illustrates the importance of this book's elaborate coverage of cardiovascular physiology by the application of mathematical and computational methods.This book has literally transformed Cardiovascular Physiology into a STEM discipline, involving (i) quantitative formulations of heart anatomy and physiology, (ii) technologies for imaging the heart and blood vessels, (iii) coronary stenosis hemodynamics measure by means of fractional flow reserve and intervention by grafting and stenting, (iv) fluid mechanics and computational analysis of blood flow in the heart, aorta and coronary arteries, and (v) design of heart valves, percutaneous valve stents, and ventricular assist devices.So how is this mathematically and computationally configured landscape going to impact cardiology and even cardiac surgery? We are now entering a new era of mathematical formulations of anatomy and physiology, leading to technological formulations of medical and surgical procedures towards more precise medicine and surgery. This will entail reformatting of (i) the medical MD curriculum and courses, so as to educate and train a new generation of physicians who are conversant with medical technologies for applying into clinical care, as well as (ii) structuring of MD-PhD (Computational Medicine and Surgery) Program, to train competent medical and surgical specialists in precision medical care and patient-specific surgical care.This book provides a gateway for this new emerging scenario of (i) science and engineering based medical educational curriculum, and (ii) technologically oriented medical and surgical procedures. As such, this book can be usefully employed as a textbook for courses in (i) cardiovascular physiology in both the schools of engineering and medicine of universities, as well as (ii) cardiovascular engineering in biomedical engineering departments worldwide.
Throughout the 1990s, artists experimented with game engine technologies to disrupt our habitual relationships to video games. They hacked, glitched, and dismantled popular first-person shooters such as Doom (1993) and Quake (1996) to engage players in new kinds of embodied activity. In Unstable Aesthetics: Game Engines and the Strangeness of Art Modding, Eddie Lohmeyer investigates historical episodes of art modding practices-the alteration of a game system's existing code or hardware to generate abstract spaces-situated around a recent archaeology of the game engine: software for rendering two and three-dimensional gameworlds. The contemporary artists highlighted throughout this book-Cory Arcangel, JODI, Julian Oliver, Krista Hoefle, and Brent Watanabe, among others - were attracted to the architectures of engines because they allowed them to explore vital relationships among abstraction, technology, and the body. Artists employed a range of modding techniques-hacking the ROM chips on Nintendo cartridges to produce experimental video, deconstructing source code to generate psychedelic glitch patterns, and collaging together surreal gameworlds-to intentionally dissect the engine's operations and unveil illusions of movement within algorithmic spaces. Through key moments in game engine history, Lohmeyer formulates a rich phenomenology of video games by focusing on the liminal spaces of interaction among system and body, or rather the strangeness of art modding.
Building on a new reading of archival material, this volume attempts a fundamental re-appraisal of the continuing orthodoxy that a 'serf' economy embodied peasant exploitation.
For the first time, this invaluable book shows how cardiac perfusion and pumping can be quantified and correlated. Self-contained and unified in presentation, the explanations in the compendium are detailed enough to capture the reader's curiosity and complete enough to provide the background material to explore further into the subject.Mathematically rigorous and clinically oriented, the book is a major resource for biomedical engineers, cardiologists, cardiac surgeons and clinicians. For students, it is an ideal textbook for senior-level courses in cardiovascular engineering.
In Here's to the Ladies, theater journalist Eddie Shapiro opens a jewelry box full of glittering surprises, through in-depth conversations with twenty leading women of Broadway. The women he interviewed spent endless hours with him, discussing their careers, offering insights into the iconic shows, changes on Broadway over the last century, and the art (and thrill) of taking the stage night after night. Each of these conversations is guided by Shapiro's expert knowledge of these women's careers, Broadway lore, and the details of famous (and infamous) musicals"--
Evolution of the Alabama Agroecosystem describes aspects of food and fiber production from prehistoric to modern times. Using information and perspectives from both the "hard" sciences (geology, biology) and the "soft" science (sociology, history, economics, politics), it traces agriculture's evolution from its appearance in the Old World to its establishment in the New World. It discusses how agricultural practices originating in Europe, Asia and Africa determined the path agriculture followed as it developed in the Americas. The book focuses on changes in US and Alabama agriculture since the early nineteenth century and the effects that increased government involvement have had on the country's agricultural development. Material presented explains why agriculture in Alabama and much of the South remains only marginally competitive compared to many other states, the role that limited agricultural competitiveness played in the slower rate of economic development in the South in general, and how those limiting factors ensure that agricultural development in Alabama and the South will continue to keep up but never catch up.
Ronan Keating has lived an extraordinary life so far, from childhood on a housing estate in North Dublin to recording chart-topping singles in the grounds of his own country house. Seven years after Boyzone took their first steps to fame, he tells of his move to a new kind of solo success.
Provides many of the answers to questions asked by journalists, industry executives, researchers and television enthusiasts about the current UK film industry. The range of information in the Handbook is unrivalled, including a summary of all new films made and released in the UK box office.
THIS is the story of a rare human being, a dynamo of a woman who devoted her life, joyfully, humorously, expertly, uniquely, to others. Orphaned at 3, brought up by the Sisters of Charity in Nevada, a nun herself at 20, Sister Stanislaus, after several months of nurses’ training in Baltimore, was sent to work in New Orleans. She never really left. Her first, last, and only assignment was Charity Hospital, New Orleans. In time, the two became virtually synonymous. She spent over fifty years there. When she arrived, Charity Hospital comprised one antiquated building; modern medicine was in its swaddling clothes; nursing was an even more hit-or-miss affair. When she left, Charity Hospital was one of the finest in the land and nursing had become a highly professional career. Sister Stanislaus played a large part in the development of both. She brought to nursing a great and joyful zeal, an originality, and a love which affected everyone she came in contact with. Constantly perfecting herself as a nurse, she became one of the best known nursing-sisters in the country. But she did not stop there. Changing, innovating, wheedling money from a string of politicos—from Huey Long and his predecessors by Earl Long—she built Charity Hospital into the great modern institution it is. Yet her fame and her influence were not a result of her public achievement; they were based upon something more immediate, more spiritual. They grew from her all-embracing charity, her lifetime of devotion to the sick and the troubled. She was beloved as a person; the rest, an incredible array of activities and duties, accomplishment and concern, simply happened. Or so she pretended. An extraordinary personality merges from this brisk, expertly written biography, a lively and highly original nun, nurse, and human being, full of surprises but indefatigably on the job, bringing relief and consolation to thousands who passed in and out of a great hospital.
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