Banking and financial services are some of the fastest-growing industries in the world's developed countries. As growth is spurred on by huge demand for new and improved services, bankers face the daunting and difficult challenges of reducing risks and uncertainty at a time of unprecedented innovation and prosperity. Managing Banking Risks fills a gap in banking literature by providing a professional and sophisticated risk planner--for bank directors, executives, and managers at every operational level. This important work covers the full range of banking risks that operation managers and executives need to understand--from liquidity risk to price risk to operating risk.
Apollo’s Lair is the first in a four part series that mixes fact, supposition, and fiction to craft a wonderfully complex tale. Could there be a group operating behind a veil of secrecy controlling all governments and making the political class little more than puppets on a string? Apollo’s Lair takes a peek behind that veil when Brooks Logan stumbles onto the ultimate conspiracy with one goal; to rule the world. Can he and his associates bring the world back from the edge of the abyss before freedom and democracy are destroyed?
In the world of professional golf, everyone knows "the Little Pro" -- Eddie Merrins, the head professional at the Bel-Air Country Club. A living bridge between the Golden Age of the sport and the greatest champions of today, his experiences and friendships reach back to Bobby Jones, Sam Snead, and Ben Hogan, and all the way forward to Tiger Woods, Amy Alcott, and Vijay Singh. Both on and off the course, he's an embodiment of the highest principles of the game. In dozens of short, personal anecdotes told with his trademark wit and modesty, Merrins invites readers to share the decades he spent in the very good company of famous Hollywood stars, celebrated athletes and coaches, and countless lovers of the game seeking his advice and encouragement. In these pages, Merrins generously offers for the first time all his insights on the mental, physical, technical, and even spiritual aspects of the sport. Ranging from swing fundamentals to setting goals to shotmaking, this advice is relevant to players at every level of experience. Playing a Round with the Little Pro celebrates a wonderful life lived in and for the great sport of golf, and it is destined, like its author, to be a classic of the game.
Evolution of the Alabama Agroecosystem describes aspects of food and fiber production from prehistoric to modern times. Using information and perspectives from both the "hard" sciences (geology, biology) and the "soft" science (sociology, history, economics, politics), it traces agriculture's evolution from its appearance in the Old World to its establishment in the New World. It discusses how agricultural practices originating in Europe, Asia and Africa determined the path agriculture followed as it developed in the Americas. The book focuses on changes in US and Alabama agriculture since the early nineteenth century and the effects that increased government involvement have had on the country's agricultural development. Material presented explains why agriculture in Alabama and much of the South remains only marginally competitive compared to many other states, the role that limited agricultural competitiveness played in the slower rate of economic development in the South in general, and how those limiting factors ensure that agricultural development in Alabama and the South will continue to keep up but never catch up.
With a range that spans the lyrical, heartfelt songs “Angel from Montgomery,” “Sam Stone,” and “Paradise” to the classic country music parody “You Never Even Called Me by My Name,” John Prine is a songwriter’s songwriter. Across five decades, Prine has created critically acclaimed albums—John Prine (one of Rolling Stone’s 500 Greatest Albums of All Time), Bruised Orange, and The Missing Years—and earned many honors, including two Grammy Awards, a Lifetime Achievement Award for Songwriting from the Americana Music Association, and induction into the Nashville Songwriters Hall of Fame. His songs have been covered by scores of artists, from Johnny Cash and Miranda Lambert to Bette Midler and 10,000 Maniacs, and have influenced everyone from Roger McGuinn to Kacey Musgraves. Hailed in his early years as the “new Dylan,” Prine still counts Bob Dylan among his most enthusiastic fans. In John Prine, Eddie Huffman traces the long arc of Prine’s musical career, beginning with his early, seemingly effortless successes, which led paradoxically not to stardom but to a rich and varied career writing songs that other people have made famous. He recounts the stories, many of them humorous, behind Prine’s best-known songs and discusses all of Prine’s albums as he explores the brilliant records and the ill-advised side trips, the underappreciated gems and the hard-earned comebacks that led Prine to found his own successful record label, Oh Boy Records. This thorough, entertaining treatment gives John Prine his due as one of the most influential songwriters of his generation.
This in-depth compilation of the lives, works, and contributions of 12 icons of African-American comedy explores their impact on American entertainment and the way America thinks about race. Despite the popularity of comedic superstars like Bill Cosby and Whoopi Goldberg, few books have looked at the work of African-American comedians, especially those who, like Godfrey Cambridge and Moms Mabley, dramatically impacted American humor. Icons of African American Comedy remedies that oversight. Beginning with an introduction that explores the history and impact of black comedians, the book offers in-depth discussions of 12 of the most important African-American comedians of the past 100-plus years: Bert Williams, Moms Mabley, Redd Foxx, Dick Gregory, Flip Wilson, Godfrey Cambridge, Bill Cosby, Richard Pryor, Whoopi Goldberg, Damon Wayans, Chris Rock, and Dave Chappelle. Each essay discusses the comedian's early life and offers an analysis of his or her contributions to American entertainment. Providing a variety of viewpoints on African-American comedy, the book shows how these comedians changed American comedy and American society.
It's ridiculous. It's Sunday. Worse, it's a glorious, warm, blue-sky Sunday morning and here I am in my study, on my computer, preparing a PowerPoint presentation for Monday's ExCo meeting to explain why, after yet another month, our new Growth Through Innovation process has so far failed to get any real results. They've graciously granted me 20 minutes out of a 5-hour meeting. Strange how, for an organisation which claims that "Innovation is our life-blood" on this year's annual report, our board actually dedicates so little time to helping the blood to flow freely.' Everyone loves innovation... but in most businesses there is very little of it about. This is not down to a lack of creativity, but because the initial spark always gets killed off early. Who Killed the Sparq? looks at the different risks to innovation that can happen across a business and provides a practical, easy-to-use guide to making sure that the spark of an idea will blossom.
A murder . . . A mystery . . . A monster . . . Is there a vampire killer running loose in Transylvania, North Carolina. After solving the Deadwood ghost story, Nick lands a job as a roving reporter for The Cool Ghoul Gazette, am app covering paranormal disturbances. When the editor sends Nick to investigate a murder in Transylvania, North Carolina, Nick finds a corpse with fangs, bite marks and a stake driven through its heart. Will Nick unravel the truth behind the “blood covenant,” or will his new job suck the life out of him? Nick Caden has a “supernatural” knack for finding trouble. He’s a normal fourteen-year-old who attracts ghosts, vampires, and the undead—or so it seems. But once he begins to peel back the clues surrounding the murder, Nick finds his new job is not only dangerous but could suck the life out of him. ★ 2021 Purple Dragonfly Award Winner for Middle Grade Fiction ★ Parents can trust the Caden Chronicles. There are no sexual situations, violence, or strong language, only positive moral values.
When Edgar A. Love, Oscar J. Cooper, Frank Coleman, and Ernest Everett Just founded the historically Black fraternity Omega Psi Phi on November 17, 1911, at Howard University, they could not have known how great of an impact their organization would have on American life. Over the 110 years that followed, its members led colleges and universities; served in prominent military roles; made innumerable contributions to education, civic society, science, and medicine; and at least one campaigned for the US presidency. This book offers a comprehensive, authoritative history of the fraternity, emphasizing its vital role through multiple eras of the Black freedom struggle. The authors address both the individual work of its membership, which has included such figures as Carter G. Woodson, Bayard Rustin, Roy Wilkins, James L. Farmer Jr., Benjamin Elijah Mays, James Clyburn, Jesse Jackson, and Benjamin Crump, and the collective efforts of the fraternity's leadership to encourage its general membership to contribute to the struggle in concrete ways over the years. The result is a book that uniquely connects the 1910s with the present, showing the ongoing power of a Black fraternal organization to channel its members toward social reform.
The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature. The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley Anne Williams, Ann Petry, Ntozake Shange, Alice Walker, Gayl Jones, and Toni Morrison. The authors discussed in this volume depict music as a mystical, shamanistic, and spiritual power that can miraculously transform the realities of the soul and of the world. Here, the musician uses his or her music as a weapon to shield and protect his or her spirituality. Written by scholars of English, music, women's studies, American studies, cultural theory, and black and Africana studies, the essays in this interdisciplinary collection ultimately explore the thematic, linguistic structural presence of music in twentieth-century African American fiction.
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