The question, 'Who do you think you are?' is answered by knowing the history of your ancestors. Some know this from ancestral records tracing their family back in time over many generations. For others their family history is lost in the ancient mists of time. This book explores a tenuous trail going back in history when men and women survived or perished on the outcome of conflicts between powerful forces that exerted unconditional control over their fate. The book is built around a time frame spanning more than a millenium. It covers times and events when families were forced to seek new lives, sometimes setting sail to distant lands in search of freedom from hardship and oppression. It is from the consequences of such events that the author's ancestors were forced to leave Ireland during the potato famine in the 19th century to a new life in Scotland. Although this is a personal story it will appeal to readers with an interest in how the past has made them what they are today.
Short stories from the Highlands and Lowlands. Gulf -- Two families come together via a message in a bottle. Orra Loon -- An orphan tries to shake off an image. Bonny in Black -- Looking for an answer in the bottom of a glass and finding the wrong one. Tarradale's Option -- A clash of personality and culture between Old and New worlds. Insulated Conductor -- A Jack-the-lad gets his comeuppance on the Buses. Potholes and Speed -- The adventures of a removals man and his dim sidekick. Dodgy Night Out -- More ducking and diving, trucking and skiving. Friendly Fire -- Loose morals and skulduggery on a holiday island. Fixer -- Solving London's parking problems the hard way. Receiver -- A con artist's wife remembers the bad old days. Bookie's Runner -- Life and hard times of a born loser. Jerusalem -- Battling the bottle. My Brother's Keeper -- The final choice between life and death.
Includes Aerial Warfare During World War I Illustrations Pack with 115 maps, plans, and photos. Captain Rickenbacker, originally from Ohio, was best known as one of the Commanders of the 94th “Hat-in-the-Ring” Squadron, a crack unit of pilots which included many former members of the famed Lafayette Escadrille. The 94th ended the war in France with the highest number of air victories of any American squadron. Captain Rickenbacker himself was credited with 26 aerial victories all within the last six months of the war, he was decorated with the Congressional Medal Of Honor for his inspirational leadership and fearless flying.
Despite the claim of many a Borscht Belt comic that he is a practitioner of "the world's second-oldest professsion," stand-up comedy is a young and distinctly American literary form. It was not until the last decades of the nineteenth century when, enabled by unprecedented prosperity and the right to free expression, that monologists began appearing in American vaudeville halls. Yet even though it has since become an entertainment industry mainstay, stand-up comedy has received precious little scholarly attention. The Legacy of the Wisecrack: Stand-up Comedy as the Great American Literary Form looks at the theory of stand-up comedy, its literary dimensions, and its distinctly American qualities as it provides a detailed history of the forces that shaped it. The study concludes with a look at the works of specific comedians such as Steven Wright, whose three decades of performances comprise a single picaresque tale, and Richard Pryor, whose 1982 masterpiece Richard Pryor Live on the Sunset Strip serves as modern America's answer to Dante Aligheri's epic poem, Inferno. The result is one of the first serious treatments of stand-up comedy as a literary form.
Joel and Ethan Coen make up one of the most original and unconventional movie-making partnerships to come out of America at the end of the 20th century. From their debut tour de force Blood Simple to the hugely acclaimed The Man Who Wasn't There, the brothers' films have attracted critical kudos and commercial success in equal measure due to their irreverent, individual and technically virtuoso nature. Each of their films defies categorisation, yet you're never in any doubt you're watching a Coen brothers movie. This exploration of the movie career of Hollywood's best-loved outsiders charts their rise from cult favourites to box-office contenders, whilst combining indispensable reference material and critical analysis of their films.
Eddie Large and Syd Little dominated television screens across the nation for fifteen years, drawing in record viewing figures of more than 16 million at their peak. They are fondly remembered as two Britain's finest comedians, taking the winning double act formula and making it their own. In this account, Eddie Large tells his own amazing story of their antics and their sometimes turbulent yet continuing life-long friendship. Larger Than Life is his own account of his rise to fame, from his earliest days with Syd and their young dreams of rock 'n' roll stardom through to the realisation of their popularity. One of the country's most fondly-remembered and well respected comics, Eddie Large speaks openly and honestly about his hard upbringing, opening up in this uplifting and humorous autobiography of a larger than life man with a larger than life personality.
Providing a format that engages students to discuss real world issues, this book features 75 teachable moments from recent movies available on video that can be used to illustrate topics. Ideal for youth pastors and Sunday school teachers.
This in-depth compilation of the lives, works, and contributions of 12 icons of African-American comedy explores their impact on American entertainment and the way America thinks about race. Despite the popularity of comedic superstars like Bill Cosby and Whoopi Goldberg, few books have looked at the work of African-American comedians, especially those who, like Godfrey Cambridge and Moms Mabley, dramatically impacted American humor. Icons of African American Comedy remedies that oversight. Beginning with an introduction that explores the history and impact of black comedians, the book offers in-depth discussions of 12 of the most important African-American comedians of the past 100-plus years: Bert Williams, Moms Mabley, Redd Foxx, Dick Gregory, Flip Wilson, Godfrey Cambridge, Bill Cosby, Richard Pryor, Whoopi Goldberg, Damon Wayans, Chris Rock, and Dave Chappelle. Each essay discusses the comedian's early life and offers an analysis of his or her contributions to American entertainment. Providing a variety of viewpoints on African-American comedy, the book shows how these comedians changed American comedy and American society.
Guitar legend Jimi Hendrix packed so much into so few years, leaping forward musically with each innovation. Hendrix expert John McDermott chronicles each of Jimi's revolutionary recording sessions, enlisting the help of Hendrix's friend and bandmade Billy Cox, and sound engineer and photographer Eddie Kramer. This beautifully designed, illustrated volume will also include vivid new descriptions of every single live Hendrix concert from 1963 to 1970.
Jazz: Research and Pedagogy is the third edition of an annotated bibliography to books, recordings, videos, and websites in the field of jazz. Since the publication of the 2nd edition in 1995, the quantity and quality of books on jazz research, performance, and teaching materials have increased. Although the 1995 book was the most comprehensive annotated jazz bibliography published to that date, several books on research, performance, and teaching materials were omitted. In addition, given the proliferation of new books in all jazz areas since 1995, the need for a new, comprehensive, and annotated reference book on jazz is apparent. Multiply indexed, this book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the last decade.
Since its release at the mid-point of the 1980s American horror boom, Stuart Gordon’s Re-Animator (1985) has endured as one of the most beloved cult horror films of that era. Greeted by enthusiastic early reviews, Re-Animator has maintained a spot at the periphery of the classic horror film canon. While Re-Animator has not entirely gone without critical attention, it has often been overshadowed in horror studies by more familiar titles from the period. Eddie Falvey’s book, which represents the first book-length study of Re-Animator, repositions it as one of the most significant American horror films of its era. For Falvey, Re-Animator sits at the intersection of various developments that were taking place within the context of 1980s American horror production. He uses Re-Animator to explore the rise and fall of Charles Band’s Empire Pictures, the revival of the mad science sub-genre, the emergent popularity of both gore aesthetics and horror-comedies, as well as a new appetite for the works of H.P. Lovecraft in adaptation. Falvey also tracks the film's legacies, observing not only how Re-Animator’s success gave rise to a new Lovecraftian cycle fronted by Stuart Gordon, but also how its cult status has continued to grow, marked by sequels, spin-offs, parodies and re-releases. As such, Falvey's book promises to be a book both about Re-Animator itself and about the various contexts that birthed it and continue to reflect its influence.
A coffee-table style book from the Sirius XM host of Trunk Nation and VH1 Classic’s That Metal Show, the perfect gift for a heavy metal and hard rock fan. Known as a leading expert on all things hard rock and heavy metal, Eddie Trunk has updated and expanded this book with even more on the subject. Eddie discusses his most essential bands, his unique personal experiences with them, his favorite “Stump the Trunk” anecdotes and trivia, as well as his favorite playlists. Whether you’re a classic Metallic and Megadeath metalhead or prefer the hair metal of old-school bands like Bon Jovi or Poison, this book salutes those who rock.
Provides a comprehensive examination of the emerging church phenomenon, considering emerging patterns in leadership, worship, mission, spiritual practices, and cultural engagement.
With a range that spans the lyrical, heartfelt songs “Angel from Montgomery,” “Sam Stone,” and “Paradise” to the classic country music parody “You Never Even Called Me by My Name,” John Prine is a songwriter’s songwriter. Across five decades, Prine has created critically acclaimed albums—John Prine (one of Rolling Stone’s 500 Greatest Albums of All Time), Bruised Orange, and The Missing Years—and earned many honors, including two Grammy Awards, a Lifetime Achievement Award for Songwriting from the Americana Music Association, and induction into the Nashville Songwriters Hall of Fame. His songs have been covered by scores of artists, from Johnny Cash and Miranda Lambert to Bette Midler and 10,000 Maniacs, and have influenced everyone from Roger McGuinn to Kacey Musgraves. Hailed in his early years as the “new Dylan,” Prine still counts Bob Dylan among his most enthusiastic fans. In John Prine, Eddie Huffman traces the long arc of Prine’s musical career, beginning with his early, seemingly effortless successes, which led paradoxically not to stardom but to a rich and varied career writing songs that other people have made famous. He recounts the stories, many of them humorous, behind Prine’s best-known songs and discusses all of Prine’s albums as he explores the brilliant records and the ill-advised side trips, the underappreciated gems and the hard-earned comebacks that led Prine to found his own successful record label, Oh Boy Records. This thorough, entertaining treatment gives John Prine his due as one of the most influential songwriters of his generation.
Talk-show confessions, online rants, stand-up routines, inspirational speeches, banal reflections and calls to arms: we live in an age of solo voices demanding to be heard. In The Contemporary American Monologue Eddie Paterson looks at the pioneering work of US artists Spalding Gray, Laurie Anderson, Anna Deavere Smith and Karen Finley, and the development of solo performance in the US as a method of cultural and political critique. Ironic confession, post-punk poetry, investigations of race and violence, and subversive polemic, this book reveals the link between the rise of radical monologue in the late 20th century and history of speechmaking, politics, civil rights, individual freedom and the American Dream in the United States. It shows how US artists are speaking back to the cultural, political and economic forces that shape the world. Eddie Paterson traces the importance of the monologue in Shakespeare, Brecht, Beckett, Chekov, Pinter, O'Neill and Williams, before offering a comprehensive analysis of several of the most influential and innovative American practitioners of monologue performance. The Contemporary American Monologue constitutes the first book-length account of US monologists that links the tradition of oratory and speechmaking in the colony to the appearance of solo performance as a distinctly American phenomenon.
Extracts from book Once the ship had passed we settled down to wait for the next plan to emerge. Finally once we were east of the Shivering sands towers another ship came into view. This ship was coming from Sheerness docks and looked as if it would pass quite a distance from us. I found myself along with my father and our friend jumping up and down shouting Help were here! I knew this was futile as the ship was at least a mile away and the visibility was failing, and though I used to laugh when I saw this happen in films it was the only thing that we could do. Incredibly the crew on the ship did see us and changed course. As the ship circled us were heard a German accent calling to us. Are you in da trouble, we looked at each other and the boat. Our first instinct was to shout back that we were all OK and that we always sailed around with a broken mast. But considering our circumstances we decided not to be clever and shouted out yes, and how grateful we were that the ship had come to our assistance. My father had contacted the firing range and told them our estimated time of arrival before leaving home, so it was no surprise that we were hours later than we anticipated. It was mid summer and we were all just lying about in shorts and T- shirts and there was barely a ripple on the water. We were all enjoying the trip when I noticed a flash coming from Shoeburyness. I turned and immediately informed my father, who began to say dont be silly they know were coming, unfortunately he only got as far as they know were., when a thundering boom shattered a tranquil sail. This as immediately followed by a gust of wind that must has pushed the boat at four knots for a couple of seconds. On reaching the bank my father pulled the dingy out of the water and headed for the bridge. We could clearly see him walking around the by the control tower of the bridge for about five minutes, and I believe he was just about to give up and return to the boat when things got a little more exciting. A military Land rover sped up towards the bridge control tower and two Military Police officers jumped out, ran over to my father and promptly shoved him into the back of the Land rover. They then drove of at speed in the same direction they had come from. My father did have a slight problem when putting the wheel on. The fitting to fix the wheel too was round while the hole in the centre of the wheel was square. To get over this obstacle he used a generous amount of plastic padding to fill the void between the wheel and the spindle. We were coming up toKingsFerryBridgeand I was at the helm and as per usual the bucket was lifted up the mast. As today there was always a wait while the demigod operator who lives in the bridge decides when we are worthy enough to lift his mighty bridge. Until the mast can clear the underside of the lifting bridge we would circle. As we approached for our second or third turn the wheel stopped responding and as I tried in vain to will the boat to turn the wheel came off in my hands. Like most of the Wharrem catamarans this boat though 34feet did not have a proper heads, and after finishing the Chinese food Mick decided he needed to use the heads. Like my fathers boat prior to the rebuild the net on the front was seen as the gents. My father did mumble to anyone interested that in his opinion the net looked a bit rotten, but this warning fell on deaf ears. Mike staggered to the bow of the boat and dropped his jeans and pants and settled into the net. Joe who was not by any stretch of the imagination was standing quite close coiling a rope. Suddenly the net on which Mike was sitting gave up trying to support the weight of Mick. Mick vanished into the cloudy depths of the harbour, when he surfaced he was immediately having problem
The 68 year existence of Indianapolis Washington High School is described in a decade-by-decade history with an emphasis on people and athletics as well as focusing on individuals from the World War II and Vietnam eras. The varied lists of both a factual and subjective nature will be of interest to many in central Indiana.
Throughout the 1990s, artists experimented with game engine technologies to disrupt our habitual relationships to video games. They hacked, glitched, and dismantled popular first-person shooters such as Doom (1993) and Quake (1996) to engage players in new kinds of embodied activity. In Unstable Aesthetics: Game Engines and the Strangeness of Art Modding, Eddie Lohmeyer investigates historical episodes of art modding practices-the alteration of a game system's existing code or hardware to generate abstract spaces-situated around a recent archaeology of the game engine: software for rendering two and three-dimensional gameworlds. The contemporary artists highlighted throughout this book-Cory Arcangel, JODI, Julian Oliver, Krista Hoefle, and Brent Watanabe, among others - were attracted to the architectures of engines because they allowed them to explore vital relationships among abstraction, technology, and the body. Artists employed a range of modding techniques-hacking the ROM chips on Nintendo cartridges to produce experimental video, deconstructing source code to generate psychedelic glitch patterns, and collaging together surreal gameworlds-to intentionally dissect the engine's operations and unveil illusions of movement within algorithmic spaces. Through key moments in game engine history, Lohmeyer formulates a rich phenomenology of video games by focusing on the liminal spaces of interaction among system and body, or rather the strangeness of art modding.
This book is about the life experiences of a very loving mother and how her life affected those she loved. It also gives linages of the families involved. It tells how the life of a mother affect the daughter and may others It can also encourage persons who are born in very limited resources to know they can move on, improve themselves as long as they realize that faith in all-powerful God can lift them to the heights
Winner of the Daily Telegraph Rugby Book of the Year The Sunday Times bestselling rugby book of the year Brilliant, honest, combative – Eddie Jones is a true legend of world rugby and remains an enigmatic figure in the game. In My Life and Rugby he tells his story for the first time, including the full inside account of England’s 2019 World Cup campaign. He describes his experience growing up in a tough working-class area of Sydney, where he first played rugby, and how he learnt from the extreme highs and lows of his own playing career – the numerous successes but also the painful disappointment of never playing for Australia. He tells how he then embarked on a coaching career that has seen him become one of the most experienced and decorated coaches in Rugby Union, spanning four World Cups and three finals. His successes have included masterminding England’s spectacular victory over New Zealand in the 2019 World Cup and engineering the sport’s most stunning upset when Japan beat South Africa in 2015. My Life and Rugby is the story of one of the most compelling and singular figures in rugby. Told with unflinching honesty, this is the ultimate book for all fans of the sport. Written with Donald McRae, twice winner of the William Hill Sports Book of the Year award and three-time Sports Feature Writer of the Year, My Life and Rugby is the story of one of the most compelling and singular figures in rugby. Told with unflinching honesty, this is the ultimate rugby book for all fans of the sport. A Best Book of the Year – Daily Mail, Sunday Times, The Times
“Eddie’s story is by turns hilarious, informative, and the living spirit of its age. . . . [He] piles the most unlikely anecdotes on top of one another, creating a land of enchantment and an order of chemically altered consciousness that rescues an era I’d thought not so much lost as forgotten. Not only am I thrilled I’ve read this story and wish I was in it, I wish I’d written it.” —Dave Marsh, from the foreword “The Armadillo World Headquarters . . . was one of the most exciting, and remained one of the most exciting, places in the United States for the years that it was in operation. I saw a little of everything at the Armadillo, and it was one of the great experiences of my life.” —Ann Richards, from the author’s preface On August 7, 1970, Eddie Wilson and a band of hippies threw open the doors of Armadillo World Headquarters, and the live music capital of the world was born in Austin, Texas. Over its ten-year lifespan, the Armadillo hosted thousands of high-profile musicians—Willie Nelson, Frank Zappa, Bruce Springsteen, Taj Mahal, AC/DC, Charlie Daniels, the Ramones, Roy Buchanan, and Bette Midler, to name a random few. The Armadillo helped define the Austin lifestyle, culture, and identity, setting the stage for successors such as the SXSW music festival, PBS’s Austin City Limits, and the ACL festival, which have made Austin an international destination for music fans. In this rollicking memoir, Eddie Wilson tells the behind-the-scenes story of the Armadillo from the moment he first peered into a derelict National Guard armory building and knew that destiny had found him. He vividly describes how two previously clashing groups—rednecks and hippies—came together at the Armadillo, enjoying a new blend of country music and rock that spawned a many-named movement: cosmic cowboy, progressive country, and redneck rock, among others. Wilson also reveals the struggles and creative solutions that kept the doors open, the angels who provided timely infusions of cash, the janitors and carpenters who maintained the Dillo, and the artists who created iconic poster art. Extensively illustrated with candid photographs and music posters, Armadillo World Headquarters recounts the story of this legendary venue as no other book can.
Despite the influence of African American music and study as a worldwide phenomenon, no comprehensive and fully annotated reference tool currently exists that covers the wide range of genres. This much needed bibliography fills an important gap in this research area and will prove an indispensable resource for librarians and scholars studying African American music and culture.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.