The performing and visual arts niche to college admissions is a specialty that few students and college counselors know how to navigate. This guidebook simplifies the process, makes it less daunting and is very straightforward. It offers practical, insightful information and helpful hints to assist students in their pursuit of an education in the performing and visual arts. "A Guide to College Choices for the Performing Visual Arts" is a must read for any student interested in studying the performing and visual arts in college.
Alain Badiou is one of the leading philosophers in the world today. His ground-breaking philosophy is based on a creative reading of set theory, offering a new understanding of what it means to be human by promoting an 'intelligence of change'. Badiou's philosophical system makes our capacity for revolution and novelty central to who we are, and develops an ethical position that aims to make us less anxious about this very capacity. This book presents a comprehensive and engaging account of Badiou's philosophy, including an in-depth discussion of The Theory of the Subject, Being and Event and Logics of Worlds. In a clear and careful analysis, Ed Pluth considers exactly how Badiou's theoretical 'anti-humanism' is linked up to what is, for all intents and purposes, a practical humanism. Central to this is an account of Badiou’s theory of the subject, and his attempt to develop an 'ethic of truths'. The role of set theory, Marxism, and Lacanian psychoanalysis in Badiou's philosophy is also given close attention. This book will be of interest to students and scholars of philosophy, as well as to all those keen to develop a critical understanding of one of the most controversial and important thinkers of the twentieth century.
This Element introduces the notion of curatorial composing to account for certain musical practices that emerged from the 1960s as the founding concepts of music as an art – instituted in the modern era – were systematically dismantled. It raises the key question of how musical value and authority might be produced without recourse to an external principle, origin, transcendental framework, or other foundation. It argues that these practices do not dismiss the issue of value or simply relativise it but shift the paradigm to a curatorial concern for composing public encounters and staging events. The Element shows that Lydia Goehr's elaboration of the work-concept provides a framework that was transformed by John Cage in his work from 0'00” (1962) onwards. The Element then introduces Heiner Goebbels' practice and focus on his role as Artistic Director of the Ruhrtriennale (2012–14), which it argues was an extension of his curatorial composing.
Part memoir, part reportage, Louder Than Bombs is a story of music from the front lines. Ed Vulliamy, a decorated war correspondent and journalist, offers a testimony of his lifelong passion for music. Vulliamy’s reporting has taken him around the world to cover the Bosnian war, the fall of the Berlin Wall and collapse of Communism, the Iraq wars of 1991 and 2003 onward, narco violence in Mexico, and more, places where he confronted stories of violence, suffering, and injustice. Through it all, Vulliamy has turned to music not only as a reprieve but also as a means to understand and express the complicated emotions that follow. Describing the artists, songs, and concerts that most influenced him, Vulliamy brings together the two largest threads of his life—music and war. Louder Than Bombs covers some of the most important musical milestones of the past fifty years, from Jimi Hendrix playing “Machine Gun” at the Isle of Wight Festival in 1970 to the Bataclan in Paris under siege in 2015. Vulliamy was present for many of these historic moments, and with him as our guide, we see them afresh, along the way meeting musicians like B. B. King, Graham Nash, Patti Smith, Daniel Barenboim, Gustavo Dudamel, and Bob Dylan. Vulliamy peppers the book with short vignettes—which he dubs 7" singles—recounting some of his happiest memories from a lifetime with music. Whether he’s working as an extra in the Vienna State Opera’s production of Aida, buying blues records in Chicago, or drinking coffee with Joan Baez, music is never far from his mind. As Vulliamy discovers, when horror is unspeakable, when words seem to fail us, we can turn to music for expression and comfort, or for rage and pain. Poignant and sensitively told, Louder Than Bombs is an unforgettable record of a life bursting with music.
This text-only volume provides a comprehensive introduction to the core concepts and techniques of the Linear Jazz Improvisation Method. Using a wealth of examples from the jazz repertory, the book avoids theoretical terminology and focuses on the four essential elements present in every composition: melody, guide-tone lines, root progression, and rhythm. Understanding these "building blocks" of improvisation, you will be ready to put them into practice throughout your course of study.
Energy and Society is the first major text to provide an extensive critical treatment of energy issues informed by recent research on energy in the social sciences. Written in an engaging and accessible style it draws new thinking on uneven development, consumption, vulnerability and transition together to illustrate the social significance of energy systems in the global North and South. The book features case studies, examples, discussion questions, activities, recommended reading and more, to facilitate its use in teaching. Energy and Society deploys contemporary geographical concepts and approaches but is not narrowly disciplinary. Its critical perspective highlights connections between energy and significant socio-economic and political processes, such as globalisation, urban isation, international development and social justice, and connects important issues that are often treated in isolation, such as resource availability, energy security, energy access and low-carbon transition. Co-authored by leading researchers and based on current research and thinking in the social sciences, Energy and Society presents a distinctive geographical approach to contemporary energy issues. It is an essential resource for upperlevel undergraduates and Master’s students in geography, environmental studies, urban studies, energy studies and related fields.
Designed for Music Theory courses, Music Theory Through Improvisation presents a unique approach to basic theory and musicianship training that examines the study of traditional theory through the art of improvisation. The book follows the same general progression of diatonic to non-diatonic harmony in conventional approaches, but integrates improvisation, composition, keyboard harmony, analysis, and rhythm. Conventional approaches to basic musicianship have largely been oriented toward study of common practice harmony from the Euroclassical tradition, with a heavy emphasis in four-part chorale writing. The author’s entirely new pathway places the study of harmony within improvisation and composition in stylistically diverse format, with jazz and popular music serving as important stylistic sources. Supplemental materials include a play-along audio in the downloadable resources for improvisation and a companion website with resources for students and instructors.
Seething Nation! Vast & Flowing! Day & Night & Dawn!" Bold, sweeping, investigative, rhapsodic, hilarious, heart-rendering, thought-provoking, Edward Sanders' three-volume, America: A History in Verse uniquely and brilliantly tells "the story of America...a million stranded fabric / woven by billions of hands & minds". It is by turns angry, wistful, defiant and extremely funny re-inventions of historical and biographical worlds, a highly original mix of chronicle, anecdote, document, reportage, paean and polemic. Volume 1, 1900-1939 chronicles the birth of the American century through one world war and to the brink of a second. Not since Leaves of Grass has there been such an un-ironic attempt to give voice to "the rhapsody of a great nation / where so many sing without cease / work without halt / shoulder without shudder / to bring the Feather of Justice to every / bell tower, biome & blade of grass / in Graceful America." Long may Sanders sing our common song, and long may his America "dwell in peace, freedom & equality / out on its spiraling arm / in the Milky Way.
A BLUEPRINT FOR BUILDING PREMIER EDUCATIONAL LANDSCAPES IN YOUR COMMUNITIES This book is both a Memoir on challenges facing public schools and a Manual showing how those can be turned into opportunities for creating effective and, even, exceptional schools. The Memoir depicts a career which spans 30 years, 4 schools, and an entire district beset with special characteristics and problems. It is, at times, both somber and funny. It shows communities at their best and communities at their worst with teachers causing or reflecting both ends of the continuum. It also shows how an administrator can steer their buildings and districts toward state and national recognition In a stark accounting, this book delineates both blatant and subtle discrimination against females in a “man’s world” and mirrors history in its critical approach to women administrators. The Chapter entitled, “How to Break through the Glass Ceiling without Having to Sweep up the Mess” offers suggestions on how women can use some of that history to their advantage. Included in the Manual portion of this book are also sections that offer step-by-step instructions for administrators who want to raise both the level of expectation and the performance of staff and students in an ongoing quest for excellence. There are also “recipes” for raising test scores in a meaningful and dramatic way. Several “fun” events encapsulated in both pictures and narrative excite not only students and staff but also communities and can be easily replicated. Although many of these events were 1st in the country and featured in magazine and newspaper articles, they are easy to copy—especially at the elementary level. Lastly, there are tips for parents and ways to include them in this process we call education. Given the recent Covid-19 crisis, enlisting, and enlarging the role of parents is especially timely.
A devilishly fascinating tour of the Faustian bargain through the ages, from brimstone to blues and beyond ... From ancient times to the modern world, the idea of the Faustian bargain—the exchange of one's soul in return for untold riches and power—has exerted a magnetic pull upon our collective imaginations. Scholar Ed Simon takes us on a historical tour of the Faustian bargain, from the Bible to blues, and illustrates how the impulse fto sacrifice our principles in exchange for power is present in all kinds of social ills, from colonialism to nuclear warfare, from social media to climate change to AI, and beyond. In doing so, Simon conveys just how much the Faustian bargain shows us about power and evil ... and ourselves.
This Element introduces the notion of curatorial composing to account for certain musical practices that emerged from the 1960s as the founding concepts of music as an art – instituted in the modern era – were systematically dismantled. It raises the key question of how musical value and authority might be produced without recourse to an external principle, origin, transcendental framework, or other foundation. It argues that these practices do not dismiss the issue of value or simply relativise it but shift the paradigm to a curatorial concern for composing public encounters and staging events. The Element shows that Lydia Goehr's elaboration of the work-concept provides a framework that was transformed by John Cage in his work from 0'00” (1962) onwards. The Element then introduces Heiner Goebbels' practice and focus on his role as Artistic Director of the Ruhrtriennale (2012–14), which it argues was an extension of his curatorial composing.
The bendy path of classical music from Ancient Greece to today from your favourite ABC Classic presenter of Weekend Breakfast and bestselling author of Whole Notes & Cadence
The bendy path of classical music from Ancient Greece to today from your favourite ABC Classic presenter of Weekend Breakfast and bestselling author of Whole Notes & Cadence
Ed Le Brocq invites you to come on a journey with him through a living tradition that spans a millennium - the tradition of Western classical music. Have you ever wondered where our music comes from? How did we arrive here, a place where we can have a hundred musicians on stage executing the wildest rhythms, a singer performing the most heartbreaking of melodies, or a solitary pianist playing an instrument that weighs half a tonne? How did the melodies and harmonies we listen to today, right now, come about? Ed Le Brocq invites you on a journey through a living tradition that spans millennia: the tradition of Western classical music. With Ed, you will roam its magnificently bendy path, from the Mesopotamians to the mediaeval age to music composed just last week by Australia's most creative minds. You will discover how notes from the Indus Valley influenced the development of scales by Pythagoras and his mates in Ancient Greece, finding their way through the Romans into church music of the Middle Ages, and why some of those notes were banned. You'll find out how the invention of clocks changed rhythm, how pianos changed society, which composer was afraid of the number thirteen (and why we should be a little afraid of their music) and which composer had two skulls in their grave. This canter through the development of one of humankind's greatest achievements will delight and exhilarate you and have you listening to music with fresh ears.
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