No crime is as synonymous with America as bank robbery. Though the number of bank robberies nationwide has declined, bank robbery continues to captivate the public and jeopardize the safety of banks and their employees. In A History of Heists, Jerry Clark and Ed Palattella explore how bank robbers have influenced American culture as much as they have reflected it. Jesse James, Butch Cassidy, Bonnie and Clyde, John Dillinger, Willie Sutton, and Patty Hearst are among the most famous figures in the history of crime in the United States. Jesse James used his training as a Confederate guerrilla to make bank robbery a political act. John Dillinger capitalized on the public’s scorn of banks during the Great Depression and became America’s first Public Enemy Number One. When she held up a bank with the leftist Symbionese Liberation Army, Patty Hearst fueled the country’s social unrest. Jerry Clark and Ed Palattella delve into the backgrounds and motivations of the robbers, and explore how they are as complex as the nation whose banks they have plundered. But as much as the story of bank robbery in America focuses on the thieves, it is also a story of those who investigate the heists. As bank robbers became more sophisticated, so did the police, the Federal Bureau of Investigation, and other law enforcement agencies. This captivating history showshow bank robbery shaped the modern FBI, and how it continues to cultivate America’s fascination with the noble outlaw: bandits seen, rightly or wrongly, as battling unjust authority.
In American political fantasy, the Founding Fathers loom large, at once historical and mythical figures. In The Traumatic Colonel, Michael J. Drexler and Ed White examine the Founders as imaginative fictions, characters in the specifically literary sense, whose significance emerged from narrative elements clustered around them. From the revolutionary era through the 1790s, the Founders took shape as a significant cultural system for thinking about politics, race, and sexuality. Yet after 1800, amid the pressures of the Louisiana Purchase and the Haitian Revolution, this system could no longer accommodate the deep anxieties about the United States as a slave nation. Drexler and White assert that the most emblematic of the political tensions of the time is the figure of Aaron Burr, whose rise and fall were detailed in the literature of his time: his electoral tie with Thomas Jefferson in 1800, the accusations of seduction, the notorious duel with Alexander Hamilton, his machinations as the schemer of a breakaway empire, and his spectacular treason trial. The authors venture a psychoanalytically-informed exploration of post-revolutionary America to suggest that the figure of "Burr" was fundamentally a displaced fantasy for addressing the Haitian Revolution. Drexler and White expose how the historical and literary fictions of the nation's founding served to repress the larger issue of the slave system and uncover the Burr myth as the crux of that repression. Exploring early American novels, such as the works of Charles Brockden Brown and Tabitha Gilman Tenney, as well as the pamphlets, polemics, tracts, and biographies of the early republican period, the authors speculate that this flourishing of political writing illuminates the notorious gap in U.S. literary history between 1800 and 1820.
The book chronicles several families and their descendants, all connected with Revolutionary War soldier Garrett Z. Watts. The history underscores their adventures and family bonds as they seek to build their lives in Johnson County, Arkansas amidst the westward expansion from southeastern United States.
“A lush mystery-within-a-coming-of-age-tale-within-a-Southern-Gothic.” —NPR Books “A richly textured portrait of small-town dysfunction and murder . . . Secrets abound, imaginations run wild.” —The Atlanta Journal-Constitution Welcome to Spencerville, Virginia, 1977. Eight-year-old Rocky worships his older brother, Paul. Sixteen and full of rebel cool, Paul spends his days cruising in his Chevy Nova blasting Neil Young, cigarette dangling from his lips, arm slung around his beautiful, troubled girlfriend. Paul is happy to have his younger brother as his sidekick. Then one day, in an act of vengeance against their father, Paul picks up Rocky from school and nearly abandons him in the woods. Afterward, Paul disappears. Seven years later, Rocky is a teenager himself. He hasn’t forgotten being abandoned by his boyhood hero, but he’s getting over it, with the help of the wealthy neighbors’ daughter, ten years his senior, who has taken him as her lover. Unbeknownst to both of them, their affair will set in motion a course of events that rains catastrophe on both their families. After a mysterious double murder brings terror and suspicion to their small town, Rocky and his family must reckon with the past and find out how much forgiveness their hearts can hold.
It is Christmas in the city, but it isn't the giving season. A retired Gulf War pilot, a careless second-story man, a pair of angry Mexicans, and an equally shady pair of Secret Service agents are in town after a large stash of money, and no one is interested in sharing. The detectives at the 87th are already busy for the holidays. Steve Carella and Fat Ollie Weeks catch the squeal when the lions in the city zoo get an unauthorized feeding of a young woman's body. And then there's a trash can stuffed with a book salesman carrying a P-38 Walther and a wad of big bills. The bad bills and the dead book salesman lead to the offices of a respected publisher, Wadsworth and Dodds. This is good news for Fat Ollie, because he's working on a police novel -- one written by a real cop -- and he's sure it's going to be a bestseller.
Adoniram Judson was not only a historic figurehead in the first wave of foreign missionaries from the United States and a hero in his own day, but his story still wins the admiration of Christians even today. Though numerous biographies have been written to retell his life story in every ensuing generation, until now no single volume has sought to comprehensively synthesize and analyze the features of his theology and spiritual life. His vision of spirituality and religion certainly contained degrees of classic evangelical piety, yet his spirituality was fundamentally rooted in and ruled by a mixture of asceticism and New Divinity theology. Judson's renowned fortitude emerged out of a peculiar missionary spirituality that was bibliocentric, ascetic, heavenly minded, and Christocentric. The center of Adoniram Judson's spirituality was a heavenly minded, self-denying submission to the sovereign will of God, motivated by an affectionate desire to please Christ through obedience to his final command revealed in the Scriptures. Unveiling the heart of his missionary spirituality, Judson himself asked, "What, then, is the prominent, all-constraining impulse that should urge us to make sacrifices in this cause?" And he answered thus: "A supreme desire to please him is the grand motive that should animate Christians in their missionary efforts.
As much social history as sports history, this is an account of how America's first national resort, Saratoga Springs, gave birth to and nurtured its first national sport and in the process had significant impact on American cultural life. Fine bandw photographs, etchings, and drawings illustrate the text. Annotation copyright by Book News, Inc., Portland, OR
A crucial, clear-eyed accounting of Puerto Rico's 122 years as a colony of the US. Since its acquisition by the US in 1898, Puerto Rico has served as a testing ground for the most aggressive and exploitative US economic, political, and social policies. The devastation that ensued finally grew impossible to ignore in 2017, in the wake of Hurricane María, as the physical destruction compounded the infrastructure collapse and trauma inflicted by the debt crisis. In Fantasy Island, Ed Morales traces how, over the years, Puerto Rico has served as a colonial satellite, a Cold War Caribbean showcase, a dumping ground for US manufactured goods, and a corporate tax shelter. He also shows how it has become a blank canvas for mercenary experiments in disaster capitalism on the frontlines of climate change, hamstrung by internal political corruption and the US federal government's prioritization of outside financial interests. Taking readers from San Juan to New York City and back to his family's home in the Luquillo Mountains, Morales shows us the machinations of financial and political interests in both the US and Puerto Rico, and the resistance efforts of Puerto Rican artists and activists. Through it all, he emphasizes that the only way to stop Puerto Rico from being bled is to let Puerto Ricans take control of their own destiny, going beyond the statehood-commonwealth-independence debate to complete decolonization.
Palace Cobra picks up where Ed Rasimus's critically acclaimed When Thunder Rolled left off. Now he's flying the F-4 Phantom and the attitude is still there. In the waning days of the Vietnam War, Rasimus and his fellow pilots were determined that they were not going be the last to die in a conflict their country had abandoned. They were young fighter pilots fresh from training and experienced aviators who came back to the war again and again, not for patriotism, but for the adrenaline rush of combat. From the bathhouses and barrooms to the prison camps of North Vietnam, this is a gripping combat memoir by a veteran fighter pilot who experienced it all. The wry cynicism of a combat aviator will give readers insights into the Vietnam experience that haven't been available before, and the heart-stopping action will keep readers turning the pages all night.
Much has been written about the July 1, 1960, downing of an American RB-47 spy plane, but the real reason that this particular crew was singled out to be shot down has been a well-kept secret until now.
The life-long Democrat who played Lou Grant on The Mary Tyler Moore Show puts out a call to all liberals to reclaim the constitution from the right-wingers who use it as justification for every horrible thing they want to do.
This work was suggested by Mr. Clements R. Markham's "Memoir on the Indian Surveys," in which the geographical and other kindred operations carried out in India from the date of the British occupation were reviewed in a most picturesque and masterly manner. In 1878 a second edition of Mr. Markham's work was published, in which the narrative was brought up to 1875, and in some cases for a year or so later. For the last fifteen years I have been accumulating notes in moments of leisure, with a view to the publication of a volume which might serve as a continuation to that by Mr. Markham, and the kind support given to the project by the Secretary of State for India and the Viceroy has now enabled me to present the work in a more or less complete shape. From unavoidable circumstances the arrangement of matter is not identical with that adopted by Mr. Markham, but I believe I have conformed to it sufficiently to make reference easy, and wherever the source of information is not specially mentioned, it may be assumed that it will be found in the official Annual Report for the particular year.
At Last; Theyre Here! is a human drama with a science fiction backdrop. It poses the question of how Earth would react to the knowledge that an alien space ship is heading toward our planet and ample time was available to prepare for its arrival. Matt Anderson, a nave but brilliant astronomer, creates just such a scenario when he discovers a space ship on target for Earth. Almost immediately, political and military power-brokers the world over set into motion conflicting agendas. Some of the planned actions are based on serious scientific and national security concerns, but some are aimed at personal gain and ambition. Matt is ill prepared for the turmoil that ensues, especially when political machinations begin to recreate the Cold War. But these actions must be countered while he and his supporters pursue peaceful contact with the ship. Almost beyond Matts ability to comprehend, rogue military and unscrupulous political leaders are bent on the ships destruction, especially as the aliens come dangerously close to Earth with still no contact established. The all too fragile and corrupt human emotions poised against dogmatic scientists as they seek to resolve what may be the greatest event in human history lead to international confrontations, public panic and personal tragedies that reveal the best and worst in the human character.
Among the darkest corners of Kentucky's past are the grisly feuds that tore apart the hills of Eastern Kentucky from the late nineteenth century until well into the twentieth. Now, from the tangled threads of conflicting testimony, John Ed Pearce, Kentucky's best known journalist, weaves engrossing accounts of six of the most notorior accounts to uncover what really happened and why. His story of those days of darkness brings to light new evidence, questions commonly held beliefs about the feuds, and us and long-running feuds -- those in Breathitt, Clay Harlan, Perry, Pike, and Rowan counties. What caused the feuds that left Kentucky with its lingering reputation for violence? Who were the feudists, and what forces -- social, political, financial -- hurled them at each other? Did Big Jim Howard really kill Governor William Goebel? Did Joe Eversole die trying to protect small mountain landowners from ruthless Eastern mineral exploiters? Did the Hatfield-McCoy fight start over a hog? For years, Pearce has interviewed descendants of feuding families and examined skimpy court records and often fictional newspapeputs to rest some of the more popular legends.
Detectives Meyer and Carella investigate a savage murder, gang warfare suddenly erupts in the city, the drug business heats up, and the 87th Precinct finds itself tense and taxed.
A NEW YORK TIMES BESTSELLER * LOS ANGELES TIMES BESTSELLER * USA TODAY BESTSELLER This heartfelt and wry career memoir from the director of Blood Diamond, The Last Samurai, Legends of the Fall, About Last Night, and Glory, creator of the show thirtysomething, and executive producer of My So-Called Life, gives a dishy, behind-the-scenes look at working with some of the biggest names in Hollywood. “I’ll be dropping a few names,” Ed Zwick confesses in the introduction to his book. “Over the years I have worked with self-proclaimed masters-of-the-universe, unheralded geniuses, hacks, sociopaths, savants, and saints.” He has encountered these Hollywood types during four decades of directing, producing, and writing projects that have collectively received eighteen Academy Award nominations (seven wins) and sixty-seven Emmy nominations (twenty-two wins). Though there are many factors behind such success, including luck and the contributions of his creative partner Marshall Herskovitz, he’s known to have a special talent for bringing out the best in the people he’s worked with, especially the actors. In those intense collaborations, he’s sought to discover the small pieces of connective tissue, vulnerability, and fellowship that can help an actor realize their character in full. Talents whom he spotted early include Brad Pitt, Matt Damon, Denzel Washington, Claire Danes, and Jared Leto. Established stars he worked closely with include Leonardo DiCaprio, Anthony Hopkins, Tom Cruise, Julia Roberts, Anne Hathaway, Daniel Craig, Jake Gyllenhaal, Bruce Willis, Demi Moore, and Jennifer Connelly. He also sued Harvey Weinstein over the production of Shakespeare in Love—and won. He shares personal stories about all these people, and more. Written mostly with love, sometimes with rue, this memoir is also a meditation on working, sprinkled throughout with tips for anyone who has ever imagined writing, directing, or producing for the screen. Fans with an appreciation for the beautiful mysteries—as well as the unsightly, often comic truths—of crafting film and television won’t want to miss it.
A perfect blend of characterization, action and poetic images, John Ford's Stagecoach (1939) made "A" Westerns a viable product for Hollywood in the sound era. By 1990, the Western had again been on a downswing when Dances with Wolves became both a critical and commercial success. This work examines these two films and twelve others--Red River, High Noon, Shane, The Searchers, Gunfight at the O.K. Corral, The Alamo, The Magnificent Seven, Ride the High Country, How the West Was Won, The Wild Bunch, Butch Cassidy and the Sundance Kid, and Unforgiven--that hold unique spots in the genre's history. Full filmographic data are provided for each, along with an essay that blends plot synopsis, historical perspectives and the movie's place in the Western genre.
In America, Sanders embarks on an epic, non-Herodotean finding-out-for-oneself of salient moments and movements in the public/private history of the American 20th century.
A racially charged murder pushes a mild-mannered district attorney to the brink in this gritty legal thriller by the author of the 87th Precinct series. After an intense heat wave, storms threaten to blanket New York City, and three boys walk across town with knives in their pockets and murder on their minds. They’re tough kids in combat boots, crossing into Spanish Harlem to pick a fight. And when they see one of their intended victims, they surround him, draw their knives, and plunge their weapons into the poor boy’s gut. The attackers flee, and blood pours down the victim’s lifeless body, mingling with the sudden rain. But despite the showers, nothing will be able to extinguish the full-blown panic that threatens to set the city aflame. Prosecuting the case falls to Hank Bell, a Harlem-born district attorney with a solemn sense of civic duty. As the case threatens to unravel, Hank will be the only thing that stands between his city and blood-spattered anarchy. The inspiration for John Frankenheimer’s classic film The Young Savages, this is a hard-eyed look at a city on the edge of chaos, written by a man who understood urban crime better than anyone else: legendary crime writer Ed McBain.
The coronavirus pandemic has sparked not only a health crisis but also an economic crisis, which together pose a serious threat to food security, particularly in poorer countries. COVID-19 & Global Food Security brings together a groundbreaking series of IFPRI blog posts looking at the impacts of COVID-19 and the policy responses. IFPRI researchers and guest bloggers provide key insights and analysis on how the global pandemic is affecting global poverty and food security and nutrition, food trade and supply chains, gender, employment, and a variety of policy interventions, as well as reflections on how we can use these lessons to better prepare for future pandemics. These pieces draw on a combination of conceptual arguments, global and country-level simulation models, in-country surveys, case studies, and expert opinions. Together, they present a comprehensive picture of the current and potential impact of COVID-19 and the world’s policy responses on global food and nutrition security.
This issue features THE AIR TRAP by Edward E. Chappelow, THE ARCTIC RESCUE by Walter Kateley, WOMEN WITH WINGS by Leslie F. Stone, THE INVISIBLE DESTROYER by L. A. Eschbach, THE SKY RULER by Ed Earl Repp, and THE BAT-MEN OF MARS (Part 1) by Wood Jackson.
Ed Wright presents some of the most respected members of society, politics, business, sports and the arts in a new and disturbing light to reveal the dark side of driven personalities. The narratives reveal clandestine affairs, underhand political dealings, blatant criminal activity, and other dramatic episodes.
America 's IRA expert"(Mutual Funds magazine) Ed Slott shows readers how to make the most out of their retirement plans. • Achieve unlimited tax-free income after retirement and keep assets in the family • Protect retirement funds from creditors, divorce, bankruptcy, lawsuits, or other problems that could expose it to loss • Use a Roth IRA to build a tax-free fortune Slott's three-step strategy cuts through the tax laws and provides simple, easy-to-follow instructions for managing IRAs and other retirement income.
A biography of Bette Davis, focusing on her acting career, drawing from interviews with friends, directors, and admirers, archival research, and a new look at her films to provide insights into her personal and professional life.
With an introduction by Greg Palast, author of bestseller The Best Democracy Money Can Buy, Progressive Hollywood features Rampell?s interviews and interactions with Hollywood luminaries such as producers Jerry Bruckheimer and Robert Greenwald; actors Jack Nicholson, Rob Reiner, Mike Farrell, Ed Asner, Martin Sheen, David Clennon, Gore Vidal and Dennis Hopper; directors Michael Moore, Spike Lee, Oliver Stone and Lionel Chetwynd; blacklisted screenwriters Bernie Gordon (who initiated the 1999 protests against Elia Kazan?s lifetime achievement Oscar), Bobby Lees (who injected dialectical materialism into Abbott and Costello comedies) and Norma Barzman (author of 2003's The Red and the Blacklist).
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.