Who would have thought that, of all the real-life characters to have a second life as detectives, Edna Ferber, now largely forgotten as a writer, would emerge as one of the best?" —Booklist STARRED review In 1904, Edna Ferber is a 19-year-old girl reporter for the Appleton, Wisconsin, Crescent, an occupation her family considers scandalous for a proper young girl. By chance, she interviews Harry Houdini, in town visiting old friends. When beautiful young Frana Lempke disappears and is soon discovered murdered, the crime baffles the local police; Frana disappeared from a locked room at the high school. Edna asks Houdini for help in solving the murder. But as Edna pursues the story, she senses that she is being followed. Though she is dedicated to her blind father, Edna's homelife is in disorder. And now the newsroom has become a hostile environment, with a new city editor determined to undermine her....
Three years after the Crash that ushered in the Great Depression, Pulitzer Prize-winning novelist and playwright Edna Ferber finds herself a guest at Noel Coward's lavish birthday party. The British wit, enjoying the Christmas holiday season in New York and bracing for a trip to Cleveland in the new year, has filled his room with rich, famous folks whose lives continue in stark contrast to those being lived out in the city's streets and poorer neighborhoods. Edna is haunted by the dark landscape of Manhattan outside Coward's elegant rooms: the snake-like breadlines, the shanty village in Central Park, the gaunt apple sellers in threadbare suits on freezing sidewalks. She has yet to be introduced to the Automat where a few cents are the difference between nourishment and starvation. Among those who've kept fortune intact is Dougie Maddox, the financially astute but socially naïve only son of a Fifth Avenue dynasty. His widowed mother, known as Lady Maud, has kept the thirty-five-year-old on a short leash, but Dougie has crossed paths with Belinda Ross, the new Broadway songbird. He's mesmerized by her, a woman flagrantly courted by other men. But Belinda seems besotted by Dougie. Gossip flourishes - she has a shadowy past and a producer brother anxious to break onto the Great White Way. When Belinda is found strangled late one night in a Times Square Automat, jealous, hot-tempered Dougie is the prime suspect. But Noel, who had befriended him, and Edna, who likes him, team up to clear Dougie's name. Their investigation inevitably takes them deep into Belinda's circle and her past. As the crowds in Time Square ready for a half-hearted New Year's celebration, are Noel and Edna watching the last act of a New York Othello, or is there some other killer-maybe more than one-afoot on the icy pavements of New York City?
Fans of mysteries featuring literary figures as crime-solvers will thoroughly enjoy this series." —Booklist It's 1927, and "the Ferber season on Broadway" is about to begin. The musical adaptation of Show Boat by Oscar Hammerstein and Jerome Kern opens on December 27, and The Royal Family, her comedy of manners written with George Kaufman, opens the following night. But despite the excitement, author Edna Ferber misses both opening nights. She has something else on her mind—murder. Edna is fascinated by the Roaring Twenties' Harlem Renaissance. In fact, she has been mentoring some of these talented, young "Negro" writers and actors, among them her housekeeper's son, Waters Turpin, and the handsome, charismatic Roddy Parsons. She heads to Harlem to take Parsons to lunch, only to discover he's been stabbed to death in his bed. Who would murder Roddy? Suspects include the writers who meet at Edna's apartment and the young producer Jed Harris, a darling of the Broadway set who is a notoriously cruel man. With the help of Waters Turpin, his mother, and poet Langston Hughes, Edna sets off to track down a dangerous killer.
January 3, 1935. The trial opens in Flemington, New Jersey, for the man accused of "the crime of the century." And Edna Ferber is there to cover it. 1932. On a windy March 1 night, Charles Lindbergh, America's hero, discovers that his twenty-month-old son has been snatched from his crib. A ransom is arranged. Yet two months later, Little Lindy is found in a ditch near his Hopewell home, several weeks dead from a blow to the head. It takes over two years to arrest a suspect. Bruno Richard Hauptmann is caught passing one of the marked ransom bills. Press from across the world swarm to his trial. Bestselling novelist Edna Ferber and raconteur Aleck Woollcott, both hired by the New York Times to cover it, are part of the media frenzy, bickering like the literary lions they are. Did this immigrant carpenter really commit the crime? Alone? Observant sometime-sleuth Edna is not so sure. Local citizens, whipped into a frenzy by the yellow press, march through the streets demanding Hauptmann burn. Walter Winchell takes the lynch mob sentiment national. A British waitress at Edna's hotel, who'd hinted she had priceless information that could blow the trial wide open, is murdered. Edna begins to suspect a miscarriage of justice is underway, fueled in part by anti-German sentiment, in part by class privilege. Edna doesn't find Colonel Lindbergh the golden boy of legend. But there he is, entering the courthouse flanked by a quartet of New Jersey troopers. There's Hauptmann, handsome and calm despite his date with the electric chair—unless Edna can alter the course of justice.
With a foreword by David Morrell "A pure delight." —JEFFERY DEAVER, New York Times bestselling author It's 1955, and Edna Ferber is basking in the success of her blockbuster novel Giant. Headed to Los Angeles, where director George Stevens and Warner Brothers Studio are in the final days of filming her Texas oil epic, she is looking forward to meeting Rock Hudson, Liz Taylor, and especially the young James Dean. But there is trouble brewing. Dean, the new box-office sensation and teen heartthrob, has been accused of fathering a child with an unstable (and recently fired) extra named Carisa Krausse. The studio fears the negative publicity will jeopardize the release of the movie. Then the actress is murdered, and James Dean is the prime suspect. He was seen at her apartment moments before Carisa's death. The police are ready to arrest him. With actress Mercedes McCambridge as her sympathetic sidekick, Edna investigates, determined to clear Dean's name. Soon Edna finds herself exploring the troubled lives of Dean's circle of disparate friends. As she delves into Hollywood's dark side she discovers a powerful studio obsessed with a cover-up and a solution she doesn't want to accept—a solution that she, in fact, dreads.
A vivid, atmospheric mystery about 1951 Hollywood...this is a winner." —David Morrell, New York Times bestselling author In June 1951, Edna Ferber heads to Hollywood to support her friend Max Jeffries who has found himself blacklisted after the McCarthy hearings in Washington rattled Hollywood with allegations of Communist-leaning sympathies. Edna first met Max when he worked on the 1927 Broadway production of Show Boat, and now he's brought his magic to a new production starring Ava Gardner. Walked off the Metro lot, shunned by friends, Max is "uncredited" on the film because of his political leanings. Edna's visit is one of friendship—nothing more. But all that changes when Max is murdered. Edna begins socializing with Ava Gardner, currently scandalizing Hollywood with her affair with Frank Sinatra. Edna finds the hard-as-nails temptress a vulnerable, insecure woman whom she comes to like. Max was killed right after a public brawl with Sinatra, and Ava fears her lover will be arrested. Edna plays sleuth quietly, uncovering dark layers of greed, envy, and desire. Against the backdrop of the new Show Boat is the tawdry romance of dream-street Hollywood itself—both parts of the world of "Make Believe.
The Arctic trails have their secret tales That would make your blood run cold." —Robert W. Service, "The Cremation of Sam McGee" Jack Mabie claims to be the meanest man in Alaska, yet the old sourdough seems to be just one of the crusty geezers in every roadhouse bewildered by how his lawless frontier life has morphed into the pastel 1950s world of martini cocktail bars up and down Fairbanks' Second Avenue. Sonia Petrievich, an editor at The Gold, her father Hank's weekly pro-statehood paper, learns through the mukluk telegraph about Jack's gleeful account of murders and robberies and shell games during the gold rush days. Her breezy March 1957 profile lets Jack revel in newfound notoriety. Edna Ferber, not completely satisfied with her forthcoming novel Ice Palace, has just returned for further research and is fascinated by Jack and his wild tales. Plus the previous summer, young Athabascan lawyer Noah West, a war hero and Sonia's lover, bent on bettering the lives of Alaskan Natives, had sharpened Edna's sense of a corner of the territory she'd ignored: "I felt I'd lost sight of the real Alaska, the heartless icebox in the North, the blank-eyed old-timers still haunted by gold... I'd forgotten Alaska is still frontier...a violent, mysterious world below the glossy skin I'd written about." When Jack is found beaten to death, Noah becomes a suspect. Two violent deaths follow. Edna, Noah's advocate, decides she needs to clear his name, believing the murders are connected. As debates over potential statehood rage, Edna begins unearthing scandals and sordid stories hidden in Fairbanks but also dating back to village life in Fort Yukon and down into the Lower 48. What horrible secrets carried from the Arctic Circle have led to so many murders? And what novelist could stand aside from this story?
January 3, 1935. The trial opens in Flemington, New Jersey, for the man accused of "the crime of the century." And Edna Ferber is there to cover it. 1932. On a windy March 1 night, Charles Lindbergh, America's hero, discovers that his twenty-month-old son has been snatched from his crib. A ransom is arranged. Yet two months later, Little Lindy is found in a ditch near his Hopewell home, several weeks dead from a blow to the head. It takes over two years to arrest a suspect. Bruno Richard Hauptmann is caught passing one of the marked ransom bills. Press from across the world swarm to his trial. Bestselling novelist Edna Ferber and raconteur Aleck Woollcott, both hired by the New York Times to cover it, are part of the media frenzy, bickering like the literary lions they are. Did this immigrant carpenter really commit the crime? Alone? Observant sometime-sleuth Edna is not so sure. Local citizens, whipped into a frenzy by the yellow press, march through the streets demanding Hauptmann burn. Walter Winchell takes the lynch mob sentiment national. A British waitress at Edna's hotel, who'd hinted she had priceless information that could blow the trial wide open, is murdered. Edna begins to suspect a miscarriage of justice is underway, fueled in part by anti-German sentiment, in part by class privilege. Edna doesn't find Colonel Lindbergh the golden boy of legend. But there he is, entering the courthouse flanked by a quartet of New Jersey troopers. There's Hauptmann, handsome and calm despite his date with the electric chair—unless Edna can alter the course of justice.
It’s 1955, and Edna Ferber is basking in the success of her blockbuster novel Giant. Headed to Los Angeles, where director George Stevens and Warner Brothers Studio are in the final days of filming her Texas oil epic, she is looking forward to meeting Rock Hudson, Liz Taylor, and especially the young James Dean. But there is trouble brewing. Dean, the new box-office sensation and teen heartthrob, has been accused of fathering a child with an unstable (and recently fired) extra named Carisa Krausse. The studio fears the negative publicity will jeopardize the release of the movie. Then the actress is murdered, and James Dean is the prime suspect. He was seen at her apartment moments before Carisa’s death. The police are ready to arrest him. With actress Mercedes McCam-bridge as her sympathetic sidekick, Edna investigates, determined to clear Dean’s name. Soon Edna finds herself exploring the troubled lives of Dean’s circle of disparate friends. As she delves into Hollywood’s dark side she discovers a power-ful studio obsessed with a cover-up and a solution she doesn’t want to accept—a solution that she, in fact, dreads.
The Arctic trails have their secret tales That would make your blood run cold." —Robert W. Service, "The Cremation of Sam McGee" Jack Mabie claims to be the meanest man in Alaska, yet the old sourdough seems to be just one of the crusty geezers in every roadhouse bewildered by how his lawless frontier life has morphed into the pastel 1950s world of martini cocktail bars up and down Fairbanks' Second Avenue. Sonia Petrievich, an editor at The Gold, her father Hank's weekly pro-statehood paper, learns through the mukluk telegraph about Jack's gleeful account of murders and robberies and shell games during the gold rush days. Her breezy March 1957 profile lets Jack revel in newfound notoriety. Edna Ferber, not completely satisfied with her forthcoming novel Ice Palace, has just returned for further research and is fascinated by Jack and his wild tales. Plus the previous summer, young Athabascan lawyer Noah West, a war hero and Sonia's lover, bent on bettering the lives of Alaskan Natives, had sharpened Edna's sense of a corner of the territory she'd ignored: "I felt I'd lost sight of the real Alaska, the heartless icebox in the North, the blank-eyed old-timers still haunted by gold... I'd forgotten Alaska is still frontier...a violent, mysterious world below the glossy skin I'd written about." When Jack is found beaten to death, Noah becomes a suspect. Two violent deaths follow. Edna, Noah's advocate, decides she needs to clear his name, believing the murders are connected. As debates over potential statehood rage, Edna begins unearthing scandals and sordid stories hidden in Fairbanks but also dating back to village life in Fort Yukon and down into the Lower 48. What horrible secrets carried from the Arctic Circle have led to so many murders? And what novelist could stand aside from this story?
Who would have thought that, of all the real-life characters to have a second life as detectives, Edna Ferber, now largely forgotten as a writer, would emerge as one of the best?" —Booklist STARRED review In 1904, Edna Ferber is a 19-year-old girl reporter for the Appleton, Wisconsin, Crescent, an occupation her family considers scandalous for a proper young girl. By chance, she interviews Harry Houdini, in town visiting old friends. When beautiful young Frana Lempke disappears and is soon discovered murdered, the crime baffles the local police; Frana disappeared from a locked room at the high school. Edna asks Houdini for help in solving the murder. But as Edna pursues the story, she senses that she is being followed. Though she is dedicated to her blind father, Edna's homelife is in disorder. And now the newsroom has become a hostile environment, with a new city editor determined to undermine her....
David Tomjanovich is Turning 30 David at Thirty tells the story of a young man who likes his life in order-a man not comfortable with surprises or the mercurial twists of fate. But one September, as he begins his thirtieth year, his life is set to undergo drastic change. Divorced, the father of a ten-year-old boy with congenital heart disease, he suddenly has to deal with a past he thought comfortably behind him. His ex-wife, a capricious woman given to periods of madness, cannot deal with the fact that their son Paul is going to die, so David is forced to care for a young boy he scarcely knows. At the Connecticut community college where he teaches English, David becomes involved with three haunted lives: a back-to-school older woman who becomes infatuated with him, a bright, engaging Latino man hell-bent on self-destruction, and the pretty young music teacher Lois, a mysterious woman David doggedly pursues, hoping for an affair. Each of these characters pushes David to question the placid, uneventful life he has created for himself. As the year moves on-and his son begins to die-David finds himself shaken to the core of his being as he watches his careful world spiral out of control.
Ifkovic successfully blends homicide with a loving homage to Budapest on the eve of World War I." —Kirkus Reviews In 1914, as rumors of war float across Europe, Edna Ferber travels to Budapest with Winifred Moss, a famous London suffragette, to visit the homeland of her dead father and to see the sights. Author Edna is fascinated by ancient Emperor Franz Joseph and by the faltering Austro-Hungarian Empire, its pomp and circumstance so removed from the daily life of the people she meets. Sitting daily in the Café Europa at her hotel, she listens to unfettered Hearst reporter Harold Gibbon as he predicts the coming war and the end of feudalistic life in Europe while patrons chatter. Then a shocking murder in a midnight garden changes everything. Headstrong Cassandra Blaine is supposed to marry into the Austrian nobility in one of those arranged matches like Consuela Vanderbilt's still popular with wealthy American parents eager for titles and impoverished European nobility who have them to offer. But Cassandra is murdered, and her former lover, the dashing Hungarian Endre Molnár, is the prime suspect. Taken with the young man and convinced of his innocence, Edna begins investigating with the help of Winifred and two avant-garde Hungarian artists. Meanwhile possible war with Serbia is the topic of the day as Archduke Franz Ferdinand prepares to head to Sarajevo. While the world braces for disaster, Edna uncovers the truth—and it scares her.
In 1904 Edna Ferber is a nineteen-year-old girl reporter for the Appleton, Wisconsin “Crescent,” an occupation that many townspeople, including her own family, consider scandalous for a proper young girl. By chance, she interviews Harry Houdini, in town visiting old friends. Houdini, as Ehrich Weiss, spent his boyhood years in the small town. When Frana Lempke, a beautiful young German high-school girl, disappears and is soon discovered murdered, Edna asks Houdini for help in solving the murder. The unusual crime baffles the local police because Frana mysteriously disappeared from a locked room at the high school. Houdini, the celebrated escape artist, takes a liking to Edna and agrees to help. But as Edna pursues the story, alienating any number of people, she senses that she is being followed. It’s a troubling summer for her. Her homelike is in disorder, though she is dedicated to a blind father. Her mother and sister dislike her walking the streets as a reporter. Worse, the newsroom has become a hostile environment, with a new city editor determined to undermine her. Piecing together the clues, she comes to see that her own life in the small town is unraveling. As the future best-selling writer starts to solve the crime, she understands that her involvement will impact her life forever. In 1904 future best-selling writer Edna Ferber, then a nineteen-year-old fledgling reporter in Appleton, Wisconsin, teams up with famed escape artist Harry Houdini to solve the baffling murder of a beautiful young girl who has mysteriously disappeared from a locked room at the local high school.
In this third volume of memories, the author depicts some of the people he's met along the way. These anecdotal sketches illuminate some famous folks, to be sure—encounters with writers like Walter Tevis (The Hustler), Robert Penn Warren (All the King's Men), and Richard Yates (Revolutionary Road), even sidelong glances at historical giants like Abe Lincoln and Ulysses S. Grant, as well as a sad tale of ill-fated Manhattan socialite Irene Silverman, who was the victim of notorious grifters Sante and Kenneth Kimes. But mostly we read of ordinary people—like the student who encountered aliens from outer space or the young man lost in a mental hospital on New Year's Eve or the Cuban émigré who got lost in a snowstorm. There's even a misguided account of a visit to the Soviet Union back in 1976. Some chronicles are sad stories, while others are funny, but all of them reflect the author's fascination with the people around him.
In 1881 Charles Ethan Porter, a black artist from Hartford, Connecticut, traveled to Paris to study art, carrying with him an enthusiastic letter of introduction from Samuel Clemens, Hartford's most famous resident. During the next three years Porter wrote letters to Clemens—but Clemens never replied. The famous author turned his back on the talented painter.What happened? In The Colored Artist the author suggests an answer.Based on the life of the late-nineteenth-century artist, the novel is narrated by his student and lifelong friend, German-American artist Gustave Adolph Hoffman, whose own life was often lived in the shadow of his mentor. As one of the few black painters in America at the time, Porter not only had to deal with horrific racism but also the stigma attached to any artist whose specialty was floral and fruit still lifes, largely categorized as ”women's art.” Porter cherished his friendship with Hoffman and another painter named Samuel Morley Comstock, a charismatic but troubled young friend. The story of these three men's lives, beginning in the 1890s in Manhattan and ending in rural Connecticut, is a tale of artistic temperament silhouetted against the background of the shifting currents of American society and art at the end of the Victorian Age.
In this second collection of memories, the author relates wide-ranging episodes from three decade of his life: grad school antics at UMass at Amherst, life as a community college instructor in Connecticut, living in New York City with a bizarre and trouble roommates, the pitfalls of being a landlord, trips to Hungary and Croatia during the Communist Era in search of roots, his encounter with a house burglar, and finally his decision to move out of Hartford to a new place-and anew life. These stories move from the early 1970s to the end of the century, a collection of tales that are sometimes satirical, occasionally harrowing, and often humorous
Still Life with Collie is the warm, engaging story of a dog and her master. From her early days as a frisky pup, through her years as a fiercely loyal companion, to her last struggling hours, Misha insisted on being a viable force in the life of the author. This book is their story, filled with spurts of humor and moments of sadness and melancholy. The author recounts her life with rich anecdote and wry observation, chronicling a dog's story and its impact on the lives of those who knew her. Misha became an emphatic presence in so many lives, a dog who demanded she always be the cynosure of local attention. It obviously worked because her owner was compelled to pen an entire book about her. Doubtless Misha would be pleased, though not surprised.
...So begins one of the 20 stories the author relates--a tapestry of memory that moves from the post-war 1940's to the end of the explosive 1960s ... Some of these tales are humorous or farcical, some sad and melancholic, some downright satirical, and some--maybe just a bit tragic. Anecdotal, colorful, speckled with contemporary observation, together these recollections depict one man's take on the dynamic world he lived in." --p.4 of cover.
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