Have you ever wonder why students complain about homework? In The Truth About Homework From The Students' Perspective you will: * Learn the truth about what students think about homework *Motivate students to complete and turn in their homework *Reflect on your teaching practices regarding homework *Take action by creating assignments that would increase homework completion and student learning *Be surprised about students responses
This book constitutes the refereed proceedings of the 9th International Conference on Mathematics of Program Construction, MPC 2008, held in Marseille, France in July 2008. The 18 revised full papers presented together with 1 invited talk were carefully reviewed and selected from 41 submissions. Issues addressed range from algorithmics to support for program construction in programming languages and systems. Topics of special interest are type systems, program analysis and transformation, programming language semantics, program logics.
The first full-length treatment of Ed Broadbent’s ideas and remarkable seven-decade engagement in public life Part memoir, part history, part political manifesto, Seeking Social Democracy offers the first full-length treatment of Ed Broadbent’s ideas and remarkable seven-decade engagement in public life. In dialogue with three collaborators from different generations, Broadbent leads readers through a life spent fighting for equality in Parliament and beyond: exploring the formation of his social democratic ideals, his engagement on the international stage, and his relationships with historical figures from Pierre Trudeau and Fidel Castro to Tommy Douglas, René Lévesque, and Willy Brandt. From the formative minority Parliament of 1972–1974 to the contentious national debate over Canada’s constitution to the free trade election of 1988, the book chronicles the life and thought of one of Canada’s most respected political leaders and public intellectuals from his childhood in 1930s Oshawa to the present day. Broadbent’s analysis also points toward the future, offering lessons to a new generation on how principles can inform action and social democracy can look beyond neoliberalism. The result is an engaging, timely, and sweeping analysis of Canadian politics, philosophy, and the nature of democratic leadership.
These are the edited (i.e. transcribed, annotated and indexed) diaries of Sir Ernest Satow (1843-1929) for the six years from the time when he left Japan early in 1883, through his time as Agent and Consul-General and subsequent promotion to Minister Resident at Bangkok, until his return to London and his request in December 1887 for another posting on health grounds. The period includes his visits to Japan (officially for rest and recuperation) in 1884 and 1886, and to Paris, Rome and Lisbon for research into the Jesuits in Japan conducted early in 1888, and the confirmation of his appointment to Montevideo in October of that year. Throughout the period his ultimate goal was promotion to Minister in Japan, which he achieved in 1895. The original diaries are in the National Archives (UK). Published for the first time on lulu.com.
[An] excellent history of UK dance culture' – Sunday Times From the illicit reggae blues dances and acid-rock free festivals of the 1970s, through the ecstasy-fuelled Second Summer of Love in 1988 to the increasingly corporate dance music culture of the post-Covid era, Party Lines is a groundbreaking new history of UK dance music from journalist and filmmaker Ed Gillett, exploring its pivotal role in the social, political and economic shifts on which modern Britain has been built. Taking in the Victorian moralism of the Thatcher years, the far-reaching restrictions of the Criminal Justice Act in 1994, and the resurgence of illegal raves during the Covid-19 pandemic, Party Lines charts an ongoing conflict, fought in basement clubs, abandoned warehouses and sunlit fields, between the revolutionary potential of communal sound and the reactionary impulses of the British establishment. Brought to life with stunning clarity and depth, this is social and cultural history at its most immersive, vital and shocking.
The true story of one man's journey to Islamic fundamentalism and back Raised in a devout but quiet Muslim community in London, at sixteen Ed Husain was presented with an intriguing political interpretation of Islam known as fundamentalism. Lured by these ideas, he committed his life to them. Five years later, he rejected extremism and tried to return to a normal life. But soon he realized that Islamic fundamentalists pose a threat that most people-Muslim and non- Muslim alike-simply don't understand. Based on first-hand experiences and written with pervasive clarity, The Islamist delivers a rare inside glimpse of the devious methods used to recruit new members, and offers profound insight into the appeal fundamentalism has for young Muslims in the Western world.
This biography of vaudeville comedian Joe Frisco captures the world of show business in its transition from the heyday of vaudeville through film and radio to the early years of television. As Paul M. Levitt tells us, Joe Frisco in his day was so famous for his jazz dance that F. Scott Fitzgerald mentions him when describing one of Gatsby's parties: "Suddenly one of these gypsies in trembling opal seizes a cocktail out of the air, dumps it down for courage and moving her hands like Frisco dances out alone on the canvas platform." Seeking to reintroduce this spontaneous and original wit to us, Levitt transforms the manuscript left by Frisco's fellow entertainers Ed Lowry and Charlie Foy into a book as entertaining as the great comic himself. It follows Frisco's career from his beginnings in Chicago on the midwestern circuit, through his New York heyday in vaudeville theatres and nightclubs, to his final years in Los Angeles when first film and then television came to dominate show business. Lowry and Foy, both vaudeville insiders, describe Frisco's world, with its hotels, theatres, restaurants, clubs, racetracks, and, not least, its famous people--Flo Ziegfeld, W. C. Fields, Walter Winchell, George Jessel, Bing Crosby (who contributed the foreword to this book), even William Randolph Hearst. Ed Lowry bought a mail-order course at fourteen, taught himself to dance, and launched a half-century career in theatre. Charlie Foy, the second child in the family troupe known as "Eddie Foy and the Seven Little Foys," shared an apartment and the stage with Joe Frisco for several years.
Rivals for Power: Ottawa and the Provinces tells the story of the politicians who continually contend over the division of power (and money) between Ottawa and the provinces. The heroes and villains of this story include many of the leading lights of Canadian history, from John A. Macdonald, Wilfred Laurier, and Maurice Duplessis to Pierre Trudeau, Joe Clark, Bill Davis, Peter Lougheed and Jean Chretien. The unique feature of this book is its focus: no matter what their policies, Canadian politicians over the years have engaged in an ongoing push and pull over power, with both successes and failures. As Whitcomb sees it, the success of the provinces at preventing Ottawa from becoming the overwhelming power in Canadian life has been the key to the country's stability and its cultural cohesion. But the failure of the provinces to achieve an equal measure of power and the growing gap between the have and have-not provinces stands as an ongoing challenge — and threat — to the country's unity.
This volume consists mainly of letters exchanged between Sir Ernest Satow (1843-1929) and his former subordinate John Harington Gubbins (1852-1929) in their retirement, from 1906 to 1927. There are also some letters from Satow to the Japanese art collector and businessman the Hon. Henry Marsham (1845-1908) in the period 1894-1907. An expert foreword by Dr. J.E. Hoare, formerly of HM Diplomatic Service and a teaching fellow at SOAS, is included. Volume I consists of Satow's correspondence with William George Aston and Frederick Victor Dickins, and is mainly on Japanology. Volume III consists of Satow's correspondence with Lord Reay, on international law and the social, political and economic situation in Europe and the UK before, during and after World War One.
Ever since the earliest days of commerce, business people have organized themselves into partnerships. They formed groups with a common interest and worked together as a single unit, assuming both the risks and rewards of the business. It was a natural way of achieving a common goal. If the business succeeded, all of the partners made money. If it flourished, the partners even sometimes became rich. However, success wasn’t assured and if the business failed, they all suffered together. In addition to a multitude of other industries, this was the model that dominated how Wall Street firms operated up until the 1980’s. Beginning in the 1980’s, it was not uncommon to find that a freshly-hired trainee – a kid literally right out of college – knew more about the new financial instruments than the CEO of the firm that hired him. In some instances, the kids were learning about the finer points of newly-invented instruments before their managers knew they even existed. These were the new breed of traders scattered across the trading desks. The individuals whose stories compose the contents of this book are some of the smartest people you’ll ever read about. They had an intimate understanding of the markets and how best to make money from them, but they also had an equally in-depth knowledge of some of the flaws in the markets. Or sometimes, flaws in the systems at the banks themselves. They used their knowledge to make money. And when that failed, they often used their knowledge of how the system was structured to hide their losses. And when that failed, there was no turning back.
This booklet hardly needs a preface; the contents, I think. speak for themselves.It contains a short and carefully brought up to date resume of all that I. as a private University Lecturer in Amsterdam. have tried to teach my pupils. It is intended as a general introduction to ethnomusicology, before going on to the study of the forms of separate music-cultures. I sincerely hope that those, who wish to teach themselves and to qualify in this branch of knowledge, will find a satisfactory basis for selftuition in the matter here brought together. Regarding the possibility of a new edition, any critical remarks or infor mation as to possible desiderata would be very gratefully received. J.K. PREFACE TO THE SECOND EDITION My request for critical remarks and desiderata has not been ignored. My sincere thanks to all who took the trouble to let me know what they missed in my booklet. Through their collaboration the contents have undergone a considerable improvement and enlargement as compared to the original edition issued in 1950 by the Royal Tropical Institute, Amsterdam. under the title 'Musicologica'. I have taken care to add many particulars from non-European sources. with the result that now the book is no longer so Europe-centric as it was. Furthermore, I have done my best to mention in a special bibliography all the more important ethnomusicological publications, with the exception of those issued in the Russian, Arabic. Chinese, Indonesian, Javanese.
With a career in films spanning nearly fifty years, Burt Lancaster brought his unique charisma and energy to roles in films ranging from the adventurous to the bittersweet. This comprehensive filmography of Lancaster's career is accompanied by a biography that provides the background for his immense range of work on the screen. Production information, a synopsis, and commentary is provided for each of Lancaster's 85 films, from the first--The Killers--to the last--Separate But Equal. Photographs from nearly all of Lancaster's films accompany the text, and an index and bibliography are also included.
Referanseverk i 2 bind som tar for seg 250 land, med det siste innen analytiske og statistiske data, samt adressekalender. Bind 1 tar for seg 1650 internasjonale organisasjoner og land alfabetisk fra Afghanistan til Jordan, bind 2 tar for seg land fra Kazakhstan til Zimbabwe. 4450 s.
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