Recognized today as one of Maine's largest central communities, Waterville has grown immensely since its early beginnings. Due to its location on the west bank of the Kennebec River, which provided power for mills built between 1850 and 1950, Waterville thrived as a center for textile manufacturing and papermaking. Early industries also included lumbering, farming, and shipbuilding, and the community's location in the state made it a railroad center. In 1813, Baptists founded Colby College, considered one of the nation's most prestigious liberal arts colleges. It has transformed Waterville into a true college town focused on preserving its heritage through preservation and downtown revitalization efforts.
By 1898, when the production of picture postcards began, Bar Harbor had become one of America's leading summer resorts and second only to Newport, Rhode Island, in wealth and social standing. For the next six decades, the postcard recorded the transformation of this coastal island community into a middle class tourist destination. Grand hotels, seaside mansions, and elegant gardens made way for roadside cabins and motels catering to automobile travelers. Bar Harbor features many never-before-published postcards from the collections of the Maine Historic Preservation Commission, the Bar Harbor Historical Society, and the Penobscot Marine Museum.
Seal Harbor and Acadia National Park are areas rich with history and natural beauty. Several hundred photographs, taken by Seal Harbor's original residents, inspired this pictorial history of the well-known resort and surrounding Acadia National Park. A perusal through Revisiting Seal Harbor and Acadia National Park will reveal to the reader the natural beauty of the area, through views that attracted the early rusticators and created such dedication from the island's summer and winter residents, that Acadia National Park was born. The pages within trace the community's history, from its humble beginnings as a small fishing hamlet, through its metamorphosis into a Victorian-era summer resort, and on through the park's development, an economic boon for the island's residents. From images of a time filled with sweeping Victorian dresses, grand yachts, and wildwood hikes, to accounts of the area's prosperity in the 1910s and 1920s-when the area became synonymous with the Rockefeller and Ford names-Revisiting Seal Harbor and Acadia National Park invites the reader to take a lingering look into the lives of the early islanders and summer visitors.
Maine's premier tourist destination, Bar Harbor has many historic buildings. The area was once a shipbuilding and farming hamlet that became a Gilded Age resort of the highest order-until a fire in 1947 destroyed many of its buildings. This pictorial history takes Bar Harbor from its origins to the fire. It also offers intriguing curiosities, including insights on the upstairs-downstairs aspects of resort life. The book's captions are packed with fascinating information.
From the 1860s through the 1880s, local photographer Henry Bailey captured all aspects of Victorian life after the Civil War in Maines capital city. Baileys rare stereoscopic images depict downtown Water Street, the industrial north end, Capitol Park, the Togus veterans home, and numerous public buildings, churches, and residences. Through these historic images, Victorian Augusta presents a view of the world through one mans lens. Most of the vintage photographs in this volume have come from the collection of the Maine Historic Preservation Commission, which has acquired many Bailey stereographs once owned by the photographer and his family.
The Blaine House in Augusta is one of Maine s most notable homes. In 1862, three decades after the house was built by Capt. James Hall in the early 1830s, James and Harriet Blaine moved in. The home became the setting for one of the most meteoric careers in American politics, during which James Blaine served as Speaker of the US House of Representatives, US senator, secretary of state, and Republican candidate for president in 1884. After the deaths of her parents, the Blaines daughter Harriet Blaine Beale gave the house to the state in 1919. Since 1920, it has served as the official residence of the state s governors and their families. As a symbol of state government, it ranks with the Maine State House. The house has been a National Historic Landmark since 1964. Architecturally, it reflects a combination of Federal, Victorian, and Colonial Revival styles. Today, the Blaine House functions as a social showcase for Maine, a working office, and family living quarters.
Annually, Mount Desert Island attracts over three million visitors to Acadia National Park, where lofty mountains, balsam-scented forests, and Maine's granite-lined coast enchant all. Almost bisecting the island is Somes Sound, a Norwegian-style fiord with three villages, Somesville, Southwest Harbor, and Northeast Harbor, nestled around its shores. In the 1850s, about two thousand residents made this pristine area their home, living off the sea and land with few visitors. By World War I, Mount Desert Island had become a destination for summer tourists. Mount Desert Island, with more than two hundred photographs selected from eleven collections, illustrates the transition of Somesville, Southwest Harbor, and Northeast Harbor as they evolved from isolated fishing and shipbuilding hamlets to meccas for Victorian summer visitors, a Who's Who of academia and theology. These images, some of them dating back to the Civil War era, bring to life the people, places, and events that form the history of these communities. From dignitary visits, such as that of the Archbishop of Canterbury, to carefree buckboard rides, Mount Desert Island demonstrates the broad range of rustic experiences and the complex lives of islanders as they forged their living in a changing economy. Both new and old visitors will recognize many of the images, though some will surprise all as they show places that no longer exist. Annually, Mount Desert Island attracts over three million visitors to Acadia National Park, where lofty mountains, balsam-scented forests, and Maine's granite-lined coast enchant all. Almost bisecting the island is Somes Sound, a Norwegian-style fiord with three villages, Somesville, Southwest Harbor, and Northeast Harbor, nestled around its shores. In the 1850s, about two thousand residents made this pristine area their home, living off the sea and land with few visitors. By World War I, Mount Desert Island had become a destination for summer tourists. Mount Desert Island, with more than two hundred photographs selected from eleven collections, illustrates the transition of Somesville, Southwest Harbor, and Northeast Harbor as they evolved from isolated fishing and shipbuilding hamlets to meccas for Victorian summer visitors, a Who's Who of academia and theology. These images, some of them dating back to the Civil War era, bring to life the people, places, and events that form the history of these communities. From dignitary visits, such as that of the Archbishop of Canterbury, to carefree buckboard rides, Mount Desert Island demonstrates the broad range of rustic experiences and the complex lives of islanders as they forged their living in a changing economy. Both new and old visitors will recognize many of the images, though some will surprise all as they show places that no longer exist.
Portland's development in the era from 1890 to 1950 is characterized by a 1911 statement that "as a bustling commercial center, an attractive place of residence, and a beautiful summer resort, Portland looms big." The city's leadership role as a major publishing nexus for early20thcentury American postcards accounts for the quality and quantity of the period images produced by firms such as Chisholm, Leighton, and Morris. Featuring many neverbeforepublished views from the extensive collection of the Maine Historic Preservation Commission, Portland offers a treasured visual reminder of a time when the city prospered as a major transatlantic port and played host to 250,000 tourists annually.
Maine has always played a rich and varied role in the art of photography. For hundreds of years, photographers, like other artists, have made their way to Maine to capture the natural beauty and human culture of the state. So, too, have many photographers come from Maine, and many contributions by Mainers have been made to the medium. Maine in Photography is the first comprehensive overview of the history of photography in the state. Providing basic knowledge of the most important people and institutions to have promoted photography, this volume also studies the ways in which photography has informed the understanding of the social and cultural history of Maine. Beginning with the earliest daguerreotype portraits of the 1840s, this history traces the growth of the medium—emphasizing key contributions, such as the Stanley brothers’ invention of the dry plate process—through to the present. Key topics addressed throughout the book include the importance of photography in documenting labor and economic life, the close relationship between photography and the growth of tourism, and the role of Maine photographers in advancing the medium as a fine art form. Published in conjunction with the Maine Photo Project, this is a unique and timely addition to the body of work on the importance of Maine to American art.
Gardiners manufacturing and transportation advantages during the first half of the 20th century created one of the strongest local economies in the state. The city seal, adopted in 1849 when Gardiner became a city, flawlessly depicts the characteristics that shaped the community. Featured prominently on the seal is a river with falls to power manufacturing. A vessel represents transportation and trade, while an idealized city in the background reveals prosperous factories and commercial buildings. At the top is a lofty church tower, representative of the many churches in the city. Gardiner features many never-before-published postcards from the collections of the Maine Historic Preservation Commission.
With the same patriotic fervor as Maine's response to a call for troops in the Civil War, more than 35,000 men and women across the state joined the armed forces in 1917-1918 to fight in aid of America's European allies against Germany, as well as to redress German destruction of American vessels in the North Atlantic. Mainers also provided vital support to the United States and the Allies through war-related industries, like shipbuilding, munitions, textiles, and agriculture, while purchasing more than $100 million in war bonds and donating bandages, books, and other comforts of home to the troops. The war may have been "over there," but its effects were found throughout the state of Maine.
From the 1860s through the 1880s, local photographer Henry Bailey captured all aspects of Victorian life after the Civil War in Maine's capital city. Bailey's rare stereoscopic images depict downtown Water Street, the industrial north end, Capitol Park, the Togus veterans home, and numerous public buildings, churches, and residences. Through these historic images, Victorian Augusta presents a view of the world through one man's lens. Most of the vintage photographs in this volume have come from the collection of the Maine Historic Preservation Commission, which has acquired many Bailey stereographs once owned by the photographer and his family.
Antique postcards can be fascinating reminders of a bygone landscape or even clues to the present one. These thirty postcards give us a wonderful yesteryear trip up Route One in Maine from Kittery to Calais, with many stops along the way?tent cabins and roadsters at York, bathing beauties at Old Orchard Beach, a cabin built from one Maine pine at Freeport, downtown Camden looking much the same except for the automobiles, a giant ?lobster trap? to entrap tourists, and many more. With identifying captions written by Earle G. Shettleworth, Jr., director of the Maine Historic Preservation Commission, these postcards can be saved and savored, or sent off in the mail.
By 1898, when the production of picture postcards began, Bar Harbor had become one of America's leading summer resorts and second only to Newport, Rhode Island, in wealth and social standing. For the next six decades, the postcard recorded the transformation of this coastal island community into a middle class tourist destination. Grand hotels, seaside mansions, and elegant gardens made way for roadside cabins and motels catering to automobile travelers. Bar Harbor features many never-before-published postcards from the collections of the Maine Historic Preservation Commission, the Bar Harbor Historical Society, and the Penobscot Marine Museum.
Maine has always played a rich and varied role in the art of photography. For hundreds of years, photographers, like other artists, have made their way to Maine to capture the natural beauty and human culture of the state. So, too, have many photographers come from Maine, and many contributions by Mainers have been made to the medium. Maine in Photography is the first comprehensive overview of the history of photography in the state. Providing basic knowledge of the most important people and institutions to have promoted photography, this volume also studies the ways in which photography has informed the understanding of the social and cultural history of Maine. Beginning with the earliest daguerreotype portraits of the 1840s, this history traces the growth of the medium—emphasizing key contributions, such as the Stanley brothers’ invention of the dry plate process—through to the present. Key topics addressed throughout the book include the importance of photography in documenting labor and economic life, the close relationship between photography and the growth of tourism, and the role of Maine photographers in advancing the medium as a fine art form. Published in conjunction with the Maine Photo Project, this is a unique and timely addition to the body of work on the importance of Maine to American art.
The Blaine House in Augusta is one of Maine's most notable homes. In 1862, three decades after the house was built by Capt. James Hall in the early 1830s, James and Harriet Blaine moved in. The home became the setting for one of the most meteoric careers in American politics, during which James Blaine served as Speaker of the US House of Representatives, US senator, secretary of state, and Republican candidate for president in 1884. After the deaths of her parents, the Blaines" daughter Harriet Blaine Beale gave the house to the state in 1919. Since 1920, it has served as the official residence of the state's governors and their families. As a symbol of state government, it ranks with the Maine State House. The house has been a National Historic Landmark since 1964. Architecturally, it reflects a combination of Federal, Victorian, and Colonial Revival styles. Today, the Blaine House functions as a social showcase for Maine, a working office, and family living quarters.
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