The following book was translated and published in English: Ewa Kurek, YOUR LIFE IS WORTH MINE - How Polish Nuns Saved Hundreds of Jewish Children in German-Occupied Poland, foreword by Prof. Jan Karski, New York 1998. She has also contributed articles in English that were published in Polin (Oxford: Institute for Polish Jewish Studies), Embracing the Other (New York University Press) and From Shtetl to Socialism (LondonWashington). Her research on the subject of Polish-Jewish relations in World War II in Poland has been presented at several international academic congresses, including Yad Vashem, Jerusalem (1988), Princeton University (1993), and Columbia University (2007). In the book POLISH-JEWISH RELATIONS 1939-1945; BEYOND THE LIMITS OF SOLIDARITY, Ewa Kurek reconstructs the wartime history based almost exclusively on Jewish sources. Like in her other books, Ewa Kurek has the courage to raise important questions and the courage to search for equally important answers.
Historia, którą pokazujemy, odsłania opatrzone klauzulą tajności fakty dotyczące relacji polsko-żydowskich, sięgające do mrocznego świata wielkiej polityki i międzynarodowej finansjery. To historia niezwykła i niepokojąca, demaskująca kulisy prowadzonej przez Przedsiębiorstwo Holokaust długofalowej mistyfikacji zmierzającej do wyłudzenia wielomiliardowych roszczeń - i nie tylko. Niewielu wierzy, że ta historia może się dobrze skończyć. Starannie zweryfikowany, a zarazem wyglądający jak thriller polityczny, zapis wielkiej gry i mechanizmów manipulacji, dla których fundamentem stała się kłamstwa o zbrodni w Jedwabnem, a paliwem - Justice for Uncompensated Survivors Today, ustawa 447."--Back cover.
The following book was translated and published in English: Ewa Kurek, YOUR LIFE IS WORTH MINE - How Polish Nuns Saved Hundreds of Jewish Children in German-Occupied Poland, foreword by Prof. Jan Karski, New York 1998. She has also contributed articles in English that were published in Polin (Oxford: Institute for Polish Jewish Studies), Embracing the Other (New York University Press) and From Shtetl to Socialism (LondonWashington). Her research on the subject of Polish-Jewish relations in World War II in Poland has been presented at several international academic congresses, including Yad Vashem, Jerusalem (1988), Princeton University (1993), and Columbia University (2007). In the book POLISH-JEWISH RELATIONS 1939-1945; BEYOND THE LIMITS OF SOLIDARITY, Ewa Kurek reconstructs the wartime history based almost exclusively on Jewish sources. Like in her other books, Ewa Kurek has the courage to raise important questions and the courage to search for equally important answers.
Like many Eastern European countries, Poland has seen a succession of divergent economic and political regimes over the last century, from prewar “embedded liberalism,” through the state socialism of the Soviet era, to the present neoliberal moment. Its cinema has been inflected by these changing historical circumstances, both mirroring and resisting them. This volume is the first to analyze the entirety of the nation’s film history—from the reemergence of an independent Poland in 1918 to the present day—through the lenses of political economy and social class, showing how Polish cinema documented ordinary life while bearing the hallmarks of specific ideologies.
Exploring the concept of copyright subject matter through the lenses of law, aesthetics, and cognitive science, this book describes the historical evolution of a work into an artefact that qualifies as copyrightable subject matter. Discussing the originality requirement towards an artefactual understating of intangible goods, copyright’s present struggles with modern societies and technologies, and growing inequalities between rights holders and producers, the book adopts an interdisciplinary approach based on studies in law, aesthetics, neuroscience, and cognitive science to present a novel perspective on the non-artefactual and contextual identification of copyright subject matter. The book examines the challenges raised by aesthetic and neuroaesthetic concepts and cognitive studies, seeking to create a unifying framework of identification strategies for modern copyright law which embrace historical, philosophical, and social perspectives; the book develops a research methodology that offers a new interdisciplinary and holistic approach for understanding the subject of copyright and better addressing the needs of modern society, technology and business models. Touching on normative understandings of creativity and legal-philosophical, aesthetic, and cognitive considerations with regard to the idea/expression dichotomy in copyright law, the book will be of immense interest to legal scholars, legal philosophers, aestheticians, and neuroaestheticians.
Popular Polish Electronic Music, 1970–2020 offers a cultural history of popular Polish electronic music, from its beginning in the late 1960s/early 1970s up to the present day, in the context of Polish economic, social and political history, and the history of popular music in this country. From the perspective of production, scene, industry and consumption, the volume considers the issue of access to electronic instruments in the 1970s and 1980s, and the variety of inspirations, such as progressive rock and folk music, that have contributed to the development of Polish electronic music as it is known today. The widespread contribution of Polish electronic music to film is also considered. This is a valuable resource for scholars and researchers of electronic music, popular music and (Eastern) European music and culture.
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