Granted formal independence in 1946, the Philippines serves as a battleground between the neoliberal project of capitalist globalization and the enduring aspiration of Filipinos for national self-determination. More than ten million Filipino workers—over one-tenth of the country's total population—work as contract workers in all parts of the world. How did this "model" colony of the United States devolve into an impoverished, war-torn neocolonial hinterland, a provider of cheap labor and raw materials for the rest of the world? In Toward Filipino Self-Determination, E. San Juan Jr. explores the historical, cultural, and political formation of the Filipino diaspora. By focusing on the work of significant Filipino intellectuals and activists, including Carlos Bulosan and Philip Vera Cruz, as well as the issues of gender and language for workers in the United States, San Juan provides a historical-materialist reading of social practices, discourses, and institutions that explain the contradictions characterizing Filipino life in both the United States and in the Philippines.
Please note this is a 'Palgrave to Order' title (PTO). Stock of this book requires shipment from an overseas supplier. It will be delivered to you within 12 weeks. This book offers the first history of the Filipinos in the United States, focusing on the significance of the Moro people's struggle for self-determination.
In this epoch of disastrous neoliberal globalisation, E. San Juan's critique seizes the crisis in neo-colonial Philippines as a point of intervention. As current Philippine President Duterte's timely war on drugs and corruption rages, San Juan foregrounds the facticity that Filipinos are once more confronted with the barbaric legacy of U.S. domination, legitimised today as civilising humanitarianism. This wide-ranging discourse by a Filipino radical scholar interrogates the apologetic use of postcolonial dogmas, Saussurean semiology versus Peircean semiotics, Kafka's allegory on torture, Edward Said's use of Gramsci, and the post-conceptual view of photography. The author also diagnoses the symptoms of nihilistic neoliberal ideology found in media discourses on diaspora, terrorism, and globalisation. His critique of academic postcolonial studies sums up the arguments elaborated in his previous books, Beyond Postcolonial Theory (St Martins Press), After Post-Colonialism (Rowman & Littlefield), and especially US Imperialism and Revolution in the Philippines (Palgrave Macmillan). Overall, San Juan seeks to deploy a historical-materialist perspective in elucidating the dialectical interplay of contradictory forces symbolised in art and diverse cultural texts. In the process, he delineates the contexts of events and encounters generating revolutionary transformations in this transitional Asian-Pacific islands that, with its subjugation in the Filipino-American War of 1899-1913, marked the fateful advent of U.S. imperial hegemony on the planet.
In Racism and Cultural Studies E. San Juan Jr. offers a historical-materialist critique of practices in multiculturalism and cultural studies. Rejecting contemporary theories of inclusion as affirmations of the capitalist status quo, San Juan envisions a future of politically equal and economically empowered citizens through the democratization of power and the socialization of property. Calling U.S. nationalism the new “opium of the masses,” he argues that U.S. nationalism is where racist ideas and practices are formed, refined, and reproduced as common sense and consensus. Individual chapters engage the themes of ethnicity versus racism, gender inequality, sexuality, and the politics of identity configured with the discourse of postcoloniality and postmodernism. Questions of institutional racism, social justice, democratization, and international power relations between the center and the periphery are explored and analyzed. San Juan fashions a critique of dominant disciplinary approaches in the humanities and social sciences and contends that “the racism question” functions as a catalyst and point of departure for cultural critiques based on a radical democratic vision. He also asks urgent questions regarding globalization and the future of socialist transformation of “third world” peoples and others who face oppression. As one of the most notable cultural theorists in the United States today, San Juan presents a provocative challenge to the academy and other disciplinary institutions. His intervention will surely compel the attention of all engaged in intellectual exchanges where race/ethnicity serves as an urgent focus of concern.
Gathering together classic and new essays by the internationally renowned U.S.-based Filipino artist and thinker E. San Juan Jr., Working through the Contradictions addresses major issues of cultural theory, comparative politics, and international relations. Committed to the ideal of a popular, egalitarian democracy, San Juan exposes the limits of the current vogue of transnationalism, cosmopolitan humanitarianism, and varieties of dissentious multiculturalism. Opposing the triumphalist discourse of U.S.-centered globalization, San Juan reaffirms the value and power of a historical materialist critique of the "new world order." Connecting the theoretical debates in American Studies to the recent U.S. intervention in the Philippines against the Abu Sayyaf guerillas, Spinoza's philosophy to current racism against Asian Americans, European surealism to Caribbean history, San Juan's dialectical method illuminates the contradictions of thought and practice that open up opportunities for social transformation and spiritual renewal. Working through the Contradictions is an uncompromising critique of late capitalist society and its ideology of transnationalism, hybridity, and border-crossing pluralism. Post-September 11 white supremacist racism becomes the actuality that proves how moralizing neoliberal and borderless paradigms can no longer elide the inescapable contradictions at the heart of a market-based society. What is needed is to work through these contradictions until a site or space emerges for a new social order of justice and equality.
Opposing the orthodoxies of establishment post-colonialism, Beyond Post-Colonial Theory posits acts of resistance and subversion by people of colour as central to the unfolding dialogue with Western hegemony. In this volume, acclaimed scholar E. San Juan, Jr. questions the various clich that stereotype 'third world' cultures. The testimonies and signifying practices of Rigoberta Menchu, C.L.R. James, various 'minority' writers in the United States, and intellectuals from Africa, Latin America, and Asia are counterposed against the dogmas of contingency, borderland nomadism, panethnicity, and the ideology of identity politics and transcultural postmodern pastiche. Reappropriating ideas from Gramsci, Bakhtin, Althusser, Freire, and others in the radical democratic tradition, San Juan deploys them to recover the memory of national liberation struggles (Fanon, Cabral, Che Guevara) on the face of the triumphal march of globalized capitalism.
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