Letters of E. B. White touches on a wide variety of subjects, including the New Yorker editor who became the author's wife; their dachshund, Fred, with his "look of fake respectability"; and White's contemporaries, from Harold Ross and James Thurber to Groucho Marx and John Updike and, later, Senator Edmund S. Muskie and Garrison Keillor. Updated with newly released letters from 1976 to 1985, additional photographs, and a new foreword by John Updike, this unparalleled collection of letters from one of America's favorite essayists, poets, and storytellers now spans nearly a century, from 1908 to 1985.
Some of the finest examples of contemporary, genuinely American prose. White's style incorporates eloquence without affection, profundity without pomposity, and wit without frivolity or hostility. Like his predecessors Thoreau and Twain, White's creative, humane, and graceful perceptions are an education for the sensibilities." — Washington Post The classic collection by one of the greatest essayists of our time. Selected by E.B. White himself, the essays in this volume span a lifetime of writing and a body of work without peer. "I have chosen the ones that have amused me in the rereading," he writes in the Foreword, "alone with a few that seemed to have the odor of durability clinging to them." These essays are incomparable; this is a volume to treasure and savor at one's leisure.
A New York Times Book Review New & Noteworthy Title A collection of essays, letters and poems from E.B. White, “one of the country’s great literary treasures” (New York Times), centered on the subject of freedom and democracy in America. “I am a member of a party of one, and I live in an age of fear.” These words were written by E. B. White in 1947. Decades before our current political turmoil, White crafted eloquent yet practical political statements that continue to resonate. “There’s only one kind of press that’s any good—” he proclaimed, “a press free from any taint of the government.” He condemned the trend of defamation, arguing that “in doubtful, doubting days, national morality tends to slip and slide toward a condition in which the test of a man’s honor is his zeal for discovering dishonor in others.” And on the spread of fascism he lamented, “fascism enjoys at the moment an almost perfect climate for growth—a world of fear and hunger.” Anchored by an introduction by Pulitzer Prize-winning historian Jon Meacham, this concise collection of essays, letters, and poems from one of this country’s most eminent literary voices offers much-needed historical context for our current state of the nation—and hope for the future of our society. Speaking to Americans at a time of uncertainty, when democracy itself has come under threat, he reminds us, “As long as there is one upright man, as long as there is one compassionate woman . . . the scene is not desolate.”
Originally edited by Dorothy Lobrano Guth, and revised and updated by Martha White. With a foreword by John Updike. These letters are, of course, beautifully written but above all personal, precise, and honest. They evoke E.B. White’s life in New York and in Maine at every stage of his life. They are full of memorable characters: White’s family, the New Yorker staff and contributors, literary types and show business people, farmers from Maine and sophisticates from New York-Katherine S. White, Harold Ross, James Thurber, Alexander Woolcott, Groucho Marx, John Updike, and many, many more. Each decade has its own look and taste and feel. Places, too-from Belgrade (Maine) to Turtle Bay (NYC) to the S.S. Buford, Alaska-bound in 1923-are brought to life in White’s descriptions. There is no other book of letters to compare with this; it is a book to treasure and savor at one’s leisure. As White wrote in this book, “A man who publishes his letters becomes nudist—nothing shields him from the world’s gaze except his bare skin....a man who has written a letter is stuck with it for all time.”
In the summer of 1948, E.B. White sat in a New York City hotel room and, sweltering in the heat, wrote a remarkable pristine essay, Here is New York. Perceptive, funny, and nostalgic, the author’s stroll around Manhattan—with the reader arm-in-arm—remains the quintessential love letter to the city, written by one of America’s foremost literary figures. Here is New York has been chosen by The New York Times as one of the ten best books ever written about the city. The New Yorker calls it “the wittiest essay, and one of the most perceptive, ever done on the city.”
The time not to become a father is eighteen years before a world war."—E. B. White on fatherhood "I was lucky to be born abnormal. It ran in the family."—on luck "I would really rather feel bad in Maine than feel good anywhere else." —on Maine "The English language is always sticking a foot out to trip a man."—on language The author of Charlotte's Web and One Man's Meat, coauthor of The Elements of Style, and columnist for The New Yorker for almost half a century, E. B. White (1899–1985) is an American literary icon. Over the course of his career, White inspired generations of writers and readers with his essays (both serious and humorous), children's literature, and stylistic guidance. In the Words of E. B. White offers readers a delightful selection of quotations, selected and annotated by his granddaughter and literary executor, Martha White. The quotations cover a wide range of subjects and situations, from Automobiles, Babies, Bees, City Life, and College to Spiders, Taxes, Weather, Work, and Worry. E. B. White comments on writing for children, how to tell a major poet from a minor one, and what to do when one becomes hopelessly mired in a sentence. White was apt to address the subject of security by speaking first about a Ferris wheel at the local county fair, or the subject of democracy from the perspective of roofing his barn and looking out across the bay—he had a gift for bringing the abstract firmly into the realm of the everyday. Included here are gems from White's books and essay collections, as well as bits from both published and unpublished letters and journals. This is a book for readers and writers, for those who know E. B. White from his "Notes and Comment" column in The New Yorker, have turned to The Elements of Style for help in crafting a polished sentence, or have loved a spider's assessment of Wilbur as "Some Pig." This distillation of the wit, style, and humanity of one of America's most distinguished essayists of the twentieth century will be a welcome addition to any reader's bookshelf.
The time not to become a father is eighteen years before a world war."—E. B. White on fatherhood "I was lucky to be born abnormal. It ran in the family."—on luck "I would really rather feel bad in Maine than feel good anywhere else." —on Maine "The English language is always sticking a foot out to trip a man."—on language The author of Charlotte's Web and One Man's Meat, coauthor of The Elements of Style, and columnist for The New Yorker for almost half a century, E. B. White (1899–1985) is an American literary icon. Over the course of his career, White inspired generations of writers and readers with his essays (both serious and humorous), children's literature, and stylistic guidance. In the Words of E. B. White offers readers a delightful selection of quotations, selected and annotated by his granddaughter and literary executor, Martha White. The quotations cover a wide range of subjects and situations, from Automobiles, Babies, Bees, City Life, and College to Spiders, Taxes, Weather, Work, and Worry. E. B. White comments on writing for children, how to tell a major poet from a minor one, and what to do when one becomes hopelessly mired in a sentence. White was apt to address the subject of security by speaking first about a Ferris wheel at the local county fair, or the subject of democracy from the perspective of roofing his barn and looking out across the bay—he had a gift for bringing the abstract firmly into the realm of the everyday. Included here are gems from White's books and essay collections, as well as bits from both published and unpublished letters and journals. This is a book for readers and writers, for those who know E. B. White from his "Notes and Comment" column in The New Yorker, have turned to The Elements of Style for help in crafting a polished sentence, or have loved a spider's assessment of Wilbur as "Some Pig." This distillation of the wit, style, and humanity of one of America's most distinguished essayists of the twentieth century will be a welcome addition to any reader's bookshelf.
The fourth edition of the timeless composition guide, including an introduction by E. B. White and a foreword by Roger Angell. First published in 1919 as a primer for Cornell University students, The Elements of Style became a renowned reference for writers of all kinds. With a straightforward manner that exemplifies its own advice, this succinct book covers everything from tips on proper comma usage to the principles of effective communication. The manual also includes lists of common errors to avoid, making it an indispensable asset for anyone seeking to write clear, correct, and engaging prose. Later reissued with revisions, an introduction, and a chapter on writing by E. B. White, The Elements of Style is now in its fourth edition and features a foreword by White’s stepson, the essayist Roger Angell.
In 1922, just out of college and at loose ends, E.B. White set off across America in a Model T. He left his map at home, but packed his typewriter— his true destination, he tells us, was the world of letters. White wrote the richly humorous "Farewell to Model T" for The New Yorker in 1936; it was the first of his essays to bring him fame. In "From Sea to Shining Sea," White conjures the unspoiled America that remained his most enduring subject. The first essay of E. B. White's to become famous, "Farewell to Model T" originally appeared in 1936 in The New Yorker as "Farewell My Lovely." It is rich in comic descriptions of the eccentricities of the car, the demands it put on its devoted owners, and the hardware and decorative accessories—from 98-cent anti-rattlers to the "de-luxe flower vase of the cut-glass anti-splash type"—that kept them pouring over the Sears Roebuck catalog. If there was an owner's manual for the flivver, it didn't begin to divulge what the owner needed to know. That's where theory, speculation, superstition, and metaphysics came in: "I remember once spitting into a timer," White recalls, "not in anger, but in a spirit of research." It is published for the first time with "Sea to Shining Sea," in which White conjures the America that he had discovered as a 22-year old during a cross country trip in his Model T. (The year was 1922, the same the year that Fitzgerald and Hemingway went to Paris to find themselves.) In it he would write: "My own vision of the land—my own discovery of it—was shaped, more than by any other instrument, by a Model T Ford...a slow-motion roadster of miraculous design—strong, tremulous, and tireless, from sea to shining sea.
The classic story by E. B. White, author of the Newbery Honor Book Charlotte's Web and The Trumpet of the Swan, about one small mouse on a very big adventure. Now available as an ebook! Illustrations in this ebook appear in vibrant full color on a full-color device and in rich black-and-white on all other devices. Stuart Little is no ordinary mouse. Born to a family of humans, he lives in New York City with his parents, his older brother George, and Snowbell the cat. Though he's shy and thoughtful, he's also a true lover of adventure. Stuart's greatest adventure comes when his best friend, a beautiful little bird named Margalo, disappears from her nest. Determined to track her down, Stuart ventures away from home for the very first time in his life. He finds adventure aplenty. But will he find his friend? Stuart Little joins E. B. White favorites Charlotte's Web and The Trumpet of the Swan as classic illustrated novels that continue to speak to today's readers. Whether you curl up with your young reader to share these books or hand them off for independent reading, you are helping to create what are likely to be all-time favorite reading memories.
Originally edited by Dorothy Lobrano Guth, and revised and updated by Martha White. With a foreword by John Updike. These letters are, of course, beautifully written but above all personal, precise, and honest. They evoke E.B. White’s life in New York and in Maine at every stage of his life. They are full of memorable characters: White’s family, the New Yorker staff and contributors, literary types and show business people, farmers from Maine and sophisticates from New York-Katherine S. White, Harold Ross, James Thurber, Alexander Woolcott, Groucho Marx, John Updike, and many, many more. Each decade has its own look and taste and feel. Places, too-from Belgrade (Maine) to Turtle Bay (NYC) to the S.S. Buford, Alaska-bound in 1923-are brought to life in White’s descriptions. There is no other book of letters to compare with this; it is a book to treasure and savor at one’s leisure. As White wrote in this book, “A man who publishes his letters becomes nudist—nothing shields him from the world’s gaze except his bare skin....a man who has written a letter is stuck with it for all time.”
Charlotte's Web pictures by Garth Williams The Newbery Honor-winning story of a remarkable pig and the spiderwho changed his life. Stuart Little pictures by Garth Williams A most unusual mouse sets out on the adventure of a lifetime. The Trumpet of the Swan new pictures by Caldecott Honor Artist Fred Marcellino The joyous tale of Louis, a trumpeter swan in search of his voice.
Set against the grand panorama of twentieth-century world events, it captures the remarkable life and spirit of climbing and medical visionary Hans Kraus (1905-1966). Kraus was taught English by James Joyce, escaped Nazi dominated Europe, and was JFK’s secret back specialist. A legendary rock climber known for hair-raising ascents on two continents, Kraus lived a life filled with tragedy and triumph, intense passion, verve, and a whole lot of guts, glory, and wit. One of the great unsung medical pioneers of the twentieth century, Kraus made headline news throughout the second half of the 1950s, was a guest of honor at Eisenhower’s White House, and was the subject of cover stories in major magazines throughout America, including Sports Illustrated. His pioneering work in muscles and fitness uncovered a shocking truth about a lack of fitness in American children, and his work curing back pain brought him into the Kennedy White House and inner circle of Camelot. Here now is the life of Hans Kraus, including the behind-the-scenes story of Kennedy’s crippling back problems, based on new documentation, including White House medical records and interviews with two Kennedy White House doctors. Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
[Gladwin] accomplished, from the 1920's on, a series of fundamentally important studies of the prehistoric cultures of the region from Texas to California. None of these surveys or excavations was more important than the excavation of Snaketown, in the southern Arizona desert. It provided a wealth of details for a major prehistoric culture, the Hohokam, which previously had been scarcely recognized. It dislodged many long-held dogmas of Southwestern archaeology and provided the basis for a major reorientation in thinking about the nature of the prehistoric occupations of Arizona and adjacent states. . . . [This volume] has remained indispensable for its detailed reporting of house remains, ball courts, canals, cremations, pottery, carved stone, and other artifacts."—Science "The reprint will come as a blessing to many archaeologists who have sought in vain to obtain a copy of the original volume. It now stands as a body of data easily accessible to all workers, and we look forward to a new phase of synthesis of Hohokam archaeology."—American Antiquity
Black behind the Ears is an innovative historical and ethnographic examination of Dominican identity formation in the Dominican Republic and the United States. For much of the Dominican Republic’s history, the national body has been defined as “not black,” even as black ancestry has been grudgingly acknowledged. Rejecting simplistic explanations, Ginetta E. B. Candelario suggests that it is not a desire for whiteness that guides Dominican identity discourses and displays. Instead, it is an ideal norm of what it means to be both indigenous to the Republic (indios) and “Hispanic.” Both indigeneity and Hispanicity have operated as vehicles for asserting Dominican sovereignty in the context of the historically triangulated dynamics of Spanish colonialism, Haitian unification efforts, and U.S. imperialism. Candelario shows how the legacy of that history is manifest in contemporary Dominican identity discourses and displays, whether in the national historiography, the national museum’s exhibits, or ideas about women’s beauty. Dominican beauty culture is crucial to efforts to identify as “indios” because, as an easily altered bodily feature, hair texture trumps skin color, facial features, and ancestry in defining Dominicans as indios. Candelario draws on her participant observation in a Dominican beauty shop in Washington Heights, a New York City neighborhood with the oldest and largest Dominican community outside the Republic, and on interviews with Dominicans in New York City, Washington, D.C., and Santo Domingo. She also analyzes museum archives and displays in the Museo del Hombre Dominicano and the Smithsonian Institution as well as nineteenth- and early-twentieth-century European and American travel narratives.
The Rawson family a revised memoir or Edward Rawson, secretary of the colony of Massachusetts Bay, from 1650-1686, with genealogical notices of his descendants, including nine generations.
Two and a half years after the devastation of Hurricanes Katrina and Rita, New Orleans and south Louisiana continue to struggle in an unsettled gumbo of environmental, social, and rebuilding chaos. Citizens await the fruition of four successive recovery and reconstruction planning processes and the realization of essential infrastructure repairs. Repopulation in Orleans Parish has slowed considerably; the parish remains at best two-thirds of its former size; thousands of former residents who wish to return face barriers of many kinds. Heroic efforts at rebuilding have occurred through the efforts of individual neighborhood associations and voluntary associations who have attempted to address serious losses in affordable housing and health care services. Walking to New Orleans traces how a dominant but paradoxical model of the relation between the human and natural worlds in Western culture has informed many environmental and engineering dilemmas and has contributed to the history of social inequities and injustice that anteceded the disasters of the hurricanes and subsequent flooding. It proposes a model for collaborative recovery that links principles of ethics and engineering, in which citizens become active, ongoing participants in the process of the reconstruction and redesign of their unique locus of habitation. Equally important, it gives voice to the citizens and associations who are desperately working to rebuild their homes and lives both in urban New Orleans and in the villages of coastal Louisiana.
A collection of short stories that covers several genres and several poems. A few stories are bases on several experiences and there's sci-fi, horror and characters getting their just desserts. Keywords: Imaginative, Possible, Frightening, Thought Provoking, Short Stories
Horae Apocalypticae is an eschatological study written by Edward Bishop Elliott. The book is, as its long-title sets out, "A commentary on the apocalypse, critical and historical; including also an examination of the chief prophecies of Daniel illustrated by an apocalyptic chart, and engravings from medals and other extant monuments of antiquity with appendices, containing, besides other matter, a sketch of the history of apocalyptic interpretation, the chief apocalyptic counter-schemes and indices." "Horae Apocalypticae (Hours with the Apocalypse) is doubtless the most elaborate work ever produced on the Apocalypse. Without an equal in exhaustive research in its field, it was occasioned by the futurist attack on the Historical School of interpretation. Begun in 1837, its 2,500 pages are buttressed by some 10,000 invaluable references to ancient and modern works.
I Remember is a first-hand account of the world of black American music told by a man who has been part of that world for eighty years. Clyde E. B. Bernhardt worked with a number of bands, including King Oliver, Marion Hard, Cecil Scott, the Bascomb Brothers, and Joe Garland. He started his own band, the Blue Blazers, in 1946 and formed the Harlem Blues and Jazz Band in 1972. The book is a primary document that provides information about a part of the history of American music for which there is little documentation.
Smart, spunky 11-year-old Sara and her BFF Ashley love mysteries and adventure. So when Sara finds a beautiful glass key and an unseen voice urges her to open the rusty padlock on a run-down garden gate, she gives in to her curiousity, and stumbles upon the mysterious Doors of Time.
“In all the vast collection of books on the American Civil War there is no book like this one,” says Bruce Catton. Never before has such a stunning body of facts dealing with the war been gathered together in one place and presented in a coherent, useful, day-by-day narrative. And never before have statistics revealed human suffering of such heroic and tragic magnitude. The text begins in November, 1860, and ends with the conclusion of hostilities in May, 1865, and the start of reconstruction. It is designed to furnish the reader not only with information, but to tell a story. Here, in addition to the momentous events that are a familiar part of our history, the daily entries recount innumerable lesser military actions as well as some of the other activities and thoughts of men great and unknown engaged in America’s most costly war: · May 5, 1864—a private in the Army of Northern Virginia writes at the beginning of the Battle of the Wilderness, “It is a beautiful spring day on which all this bloody work is being done.” · May 6, 1864—Gen. Lee rides among his men and is shouted to the rear by his protective troops. · April 30, 1864—Joe David, five-year-old son of the Confederate President, dies after a fall from the high veranda of the White House in Richmond. · April 14, 1865—President Lincoln’s busy day includes a Cabinet meeting where he tells of his recurring dream of a ship moving with great rapidity toward a dark and indefinite shore; that night Mr. Lincoln attends a performance of a trifling comedy at Ford’s Theatre, “Our American Cousin”.
Presenting a history of child protection in America, this work analyses reform proposals and introduces innovative policy strategies for reducing abuse and strengthening child protective services.
A New York Times Book Review New & Noteworthy Title A collection of essays, letters and poems from E.B. White, “one of the country’s great literary treasures” (New York Times), centered on the subject of freedom and democracy in America. “I am a member of a party of one, and I live in an age of fear.” These words were written by E. B. White in 1947. Decades before our current political turmoil, White crafted eloquent yet practical political statements that continue to resonate. “There’s only one kind of press that’s any good—” he proclaimed, “a press free from any taint of the government.” He condemned the trend of defamation, arguing that “in doubtful, doubting days, national morality tends to slip and slide toward a condition in which the test of a man’s honor is his zeal for discovering dishonor in others.” And on the spread of fascism he lamented, “fascism enjoys at the moment an almost perfect climate for growth—a world of fear and hunger.” Anchored by an introduction by Pulitzer Prize-winning historian Jon Meacham, this concise collection of essays, letters, and poems from one of this country’s most eminent literary voices offers much-needed historical context for our current state of the nation—and hope for the future of our society. Speaking to Americans at a time of uncertainty, when democracy itself has come under threat, he reminds us, “As long as there is one upright man, as long as there is one compassionate woman . . . the scene is not desolate.”
Comprises Multicolor Problems, dealing with map-coloring problems; Problems in the Theory of Numbers, an elementary introduction to algebraic number theory; Random Walks, addressing basic problems in probability theory. 1963 edition.
The popularity of the 1973 fifth edition of The Technology of Cake Making has continued in many of the English-speaking countries throughout the world. This sixth edition has been comprehensively revised and brought up to date with new chapters on Cream, butter and milkfat products, Lactose, Yeast aeration, Emulsions and emulsifiers, Water activity and Reduced sugar Eggs and egg products, Baking fats, and lower fat goods. The chapters on Sugars, Chemical aeration, Nuts in confectionery, Chocolate, Pastries, Nutritional value and Packaging have been completely rewritten. The increased need for the continuous development of new products does not of necessity mean that new technology has to be constantly introduced. Many of the good old favourites may continue to be produced for many years and they form suitable 'bench marks' for new product development. The sixth edition introduces the use of relative density to replace specific volume as a measure of the amount of aeration in a cake batter (the use of relative density is in line with international agreement). Specific volume is kept as a measurement of baked product volume since the industry is comfortable with the concept that, subject to an upper limit, an increase in specific volume coincides with improvement in cake quality.
A book of heroic dimensions, this is the first full-length biography of one of the greatest artists of the twentieth century—a man as fascinating, difficult, and compelling as the paintings he produced. Drawing on exclusive access to Mark Rothko's personal papers and over one hundred interviews with artists, patrons, and dealers, James Breslin tells the story of a life in art—the personal costs and professional triumphs, the convergence of genius and ego, the clash of culture and commerce. Breslin offers us not only an enticing look at Rothko as a person, but delivers a lush, in-depth portrait of the New York art scene of the 1930s, ’40s, and ’50s—the world of Abstract Expressionism, of Pollock, Rothko, de Kooning, and Klein, which would influence artists for generations to come. "In Breslin, Rothko has the ideal biographer—thorough but never tedious, a good storyteller with an ear for the spoken word, fond but not fawning, and possessed of a most rare ability to comment on non-representational art without sounding preposterous."—Robert Kiely, Boston Book Review "Breslin impressively recreates Mark Rothko's troubled nature, his tormented life, and his disturbing canvases. . . . The artist's paintings become almost tangible within Breslin's pages, and Rothko himself emerges as an alarming physical force."—Robert Warde, Hungry Mind Review "This remains beyond question the finest biography so far devoted to an artist of the New York School."-Arthur C. Danto, Boston Sunday Globe "Clearly written, full of intelligent insights, and thorough."—Hayden Herrera, Art in America "Breslin spent seven years working on this book, and he has definitely done his homework."-Nancy M. Barnes, Boston Phoenix "He's made the tragedy of his subject's life the more poignant."—Eric Gibson, The New Criterion "Mr. Breslin's book is, in my opinion, the best life of an American painter that has yet been written . . . a biographical classic. It is painstakingly researched, fluently written and unfailingly intelligent in tracing the tragic course of its subject's tormented character."—Hilton Kramer, New York Times Book Review, front page review James E. B. Breslin (1936-1996) was professor of English at the University of California, Berkeley, and author of From Modern to Contemporary: American Poetry, 1945-1965 and William Carlos Williams: An American Artist.
Into the Unknown is the inspiring story of one man's successful quest for meaning, from hair-raising mountain adventures, to medical breakthroughs, to the inner circle of Camelot.
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