This book explores one of the most explicit and sophisticated theoretical formulations of tantric yoga. It explains Abhinavagupta's teaching about the nature of ultimate reality, about the methods for experiencing this ultimate reality, and about the nature of the state of realization, a condition of embodied enlightenment. The author uncovers the conceptual matrix surrounding the practices of the Kaula lineage of Kashmir Shaivism. The primary textual basis for the book is provided by Abhinavagupta's Parātrīśikā-laghuvṛtti, a short meditation manual that centers on the symbolism of the Heart-mantra, SAUḤ.
A Defining Moment in the Life of the Church Even before the terrible revelations of sexual misconduct and the cover-up that allowed such atrocities to continue happening, the Catholic Church was in trouble. With a devout but aging congregation giving way to a generation of so-called lapsed Catholics, the spiritual vitality and significance of the church had seemed, in the context of modern American society, to be ebbing away. Then when the scandal hit, even true believers were pitched into an all-out crisis of faith. It was at this low point that a fiercely committed group of Catholics emphatically said, Enough! This book tells their inspiring story, the story of Voice of the Faithful, a grassroots organization formed to give the laity a voice in making their church a more effective spiritual and social force. The group came to realize that the underlying cause of the cover-ups and the failure of the church to adopt many needed changes is the abuse by some in the hierarchy of the excessive power they hold. For too long, average Catholics have been disenfranchised. Now, with the growing success of Voice of the Faithful, there is finally a legitimate forum for the laity. As James E. Muller and Charles Kenney show in this urgent call to action, history is on the side of those who would stand up and be heard.
A precise and accessible presentation of linear model theory, illustrated with data examples Statisticians often use linear models for data analysis and for developing new statistical methods. Most books on the subject have historically discussed univariate, multivariate, and mixed linear models separately, whereas Linear Model Theory: Univariate, Multivariate, and Mixed Models presents a unified treatment in order to make clear the distinctions among the three classes of models. Linear Model Theory: Univariate, Multivariate, and Mixed Models begins with six chapters devoted to providing brief and clear mathematical statements of models, procedures, and notation. Data examples motivate and illustrate the models. Chapters 7-10 address distribution theory of multivariate Gaussian variables and quadratic forms. Chapters 11-19 detail methods for estimation, hypothesis testing, and confidence intervals. The final chapters, 20-23, concentrate on choosing a sample size. Substantial sets of excercises of varying difficulty serve instructors for their classes, as well as help students to test their own knowledge. The reader needs a basic knowledge of statistics, probability, and inference, as well as a solid background in matrix theory and applied univariate linear models from a matrix perspective. Topics covered include: A review of matrix algebra for linear models The general linear univariate model The general linear multivariate model Generalizations of the multivariate linear model The linear mixed model Multivariate distribution theory Estimation in linear models Tests in Gaussian linear models Choosing a sample size in Gaussian linear models Filling the need for a text that provides the necessary theoretical foundations for applying a wide range of methods in real situations, Linear Model Theory: Univariate, Multivariate, and Mixed Models centers on linear models of interval scale responses with finite second moments. Models with complex predictors, complex responses, or both, motivate the presentation.
Beyond the eccentric orbits of Pluto and Neptune lies a vast, empty wilderness. There is nothing but the silence of space between the fringes of the Solar System and our nearest stellar neighbour, Proxima Centauri. The outer worlds of the Home System were only inhabited by Service and Scientific Personnel. Life for them was a constant routine war against an almost impossibly hostile environment. Then something in deep space began to affect the fringe of the Solar System. The isolated Observers in their living domes were helpless. They could do nothing except report on the increasingly bewildering phenomena. As the strange effects worsened, several domes were abandoned. The menace from Beyond continued to encroach on the civilised planets as it head steadily earthwards... What was the rational, scientific explanation for the thing that looked like an eye? Was it merely motiveless and purposeless, or was it guided by something sinister and more dangerous? Were men fighting a Cosmic Accident or an enormous Intelligence from out there...?
Staking out new territory in the history of art, this book presents a compelling argument for a lost link between the panel-painting tradition of Greek antiquity and Christian paintings of Byzantium and the Renaissance. While art historians place the origin of icons in the seventh century, Thomas F. Mathews finds strong evidence as early as the second century in the texts of Irenaeus and the Acts of John that describe private Christian worship. In closely studying an obscure set of sixty neglected panel paintings from Egypt in Roman times, the author explains how these paintings of the Egyptian gods offer the missing link in the long history of religious painting. Christian panel paintings and icons are for the first time placed in a continuum with the pagan paintings that preceded them, sharing elements of iconography, technology, and religious usages as votive offerings. Exciting discoveries punctuate the narrative: the technology of the triptych, enormously popular in Europe, traced by the authors to the construction of Egyptian portable shrines, such as the Isis and Serapis of the J. Paul Getty Museum; the discovery that the egg tempera painting medium, usually credited to Renaissance artist Cimabue, has been identified in Egyptian panels a millennium earlier; and the reconstruction of a ring of icons on the chancel of Saint Sophia in Istanbul. This book will be a vital addition to the fields of Egyptian, Graeco-Roman, and late-antique art history and, more generally, to the history of painting.
Man has already entered space and lived to tell the tale. Science Fiction is on the verge of being overtaken by science fact. Tomorrow is here . . . today. The space age is no longer the dream of the writer or the hope of the scientist. It has already dawned. Man is galloping towards the stars. The roaring hoofs of the rockets are beating out the trail to Infinity. There will be no turning back. Boundless possibilities stretch out before us. Endless opportunities beckon us. Will we use them for good or ill? Space holds a million unknown factors. We are like children plunging into a vast ocean and striking out bravely for an unseen shore, the shore of the unexplored land. As we swim into the future we tell ourselves stories about the wonders that lie ahead of us. This is one of those stories.
These were the last weeks and days before the end of the world, before total destruction overwhelmed Earth and every living thing on the surface of the planet. No one knew exactly how long they had before the sun turned nova and destroyed not only Earth but all of the other planets in the Solar System. For mankind, the only excape lay in flight to the stars, to Alpha Centauri, more than four light years distant. The hyperdrive, capable of carrying them there at close to the speed of light had been developed, but as yet had not been perfected. In a world without a future, the starships were the only salvation of mankind and they could save only a minute fraction of the population of Earth. Panic is there, but temporarily forgotten by most, as the plans for a mass exodus are speeded up, as the long hours of mounting tension draw to a close and Judgement Day, when the world shall be destroyed by fire, is mo longer a hazy time in the far future, but something very close and very terrible. For those who remained behind, there could be no escape; death would come suddenly, eight minutes after the nova explosion. For those who fled the Solar System in the starships, untried and working on principles only partially understood, there was only the long, terrible journey through the endless night, not knowing what lay at the end of it.
Abercrombie was a strangely secretive man even for a top atom scientist. He had peculiar, advanced theories of his own which he would communicate to no one. The Government research project was well provided with safety factors. In theory the Pile was safe... but theory and practice are poles apart. There is always room for human error. The only man who did not run was Abercrombie. Was he a hero or a megalomaniac? His body was never found, but inexplicable things happened after the accident. It was as if a presence or an essence lingered over the rebuilt Project Headquarters. The accident at the Pile and the strange rumours surrounding Abercrombie's name were all but forgotten when the Aliens appeared. Terrible inhuman intelligences aided by powerful androids and monstrous robots threatened the Earth and Man's concept of civilised life. Then there was another strange phenomenon at the Pile and Abercrombie was no longer forgotten...
Uma, a beautiful but frightened dancing girl, sells a strange bronze statuette of Nataraja, the dancing Siva, to Dr Chris Anderson, while he was visiting a bazaar in Pollachi, Southern India. He travels back to Kerala and puts the statuette on the bedside cabinet in his hotel room. His sleep is tortured by fantastic nightmares in which he seems hosts of ancient Indian gods and demons, in all their splendour and horror. He wakes in terror to hear a faint voice whispering in the darkness. The bronze statuette is glowing with unearthly light and there is a smell if incense. Can a human soul be imprisoned in bronze by the power of weird, unearthly dark magic? Can Dr Chris Anderson release the psychic prisoner? Who is Uma, the mysterious dancing girl?
Charles Fort, the great American Rebel Philosopher, believed that every man had the right to doubt. He aimed his merciless shaft at scientists and religious leaders alike. No dearly cherished doctrine was safe from Fortean criticism simply because it was old and accepted. Fort wanted proof. He wanted more proof than any scientist could give. He demanded to see with his own eyes, to hear with his own ears. Just because a telescope indicated that a certain astronomical fact was very probable was no proof to Fort that it was Fact. He would not have accepted that the earth was 93,000,000 miles from the sun until he had run a measuring chain across the intervening space! There will be men like Charles Fort in every age, on every civilised planet. They will want proof. They will want to see and hear alien races for themselves. They will fly their valiant exploring ships to every corner of the universe. They will live. They will die. They will fail. They will succeed. This is the story of one of their journeys.
Explains skills and techniques necessary for writing church history. Discusses assessment of sources, the craft of writing, and different modes of rhetoric. Describes research methods and identifies different eras for research.
Inexplicable electro-magnetic disturbances threw the Avon's passengers and crew into confusion as their ship was dragged off course. Collision with a huge asteroid seemed inevitable and the Avon was abandoned. Ferdin escaped in a life capsule and landed - more dead than alive - on the unexpected planetoid. To his surprise, a powerful pseudo-grav generator and a vast atmosphere and humidity plant simulated terrestrial conditions with uncanny accuracy. The asteroid was inhabited and strangely in-habited at that! There was Rosper - a remote, aloof, scientific genius, whose past held strange secrets. There was his beautiful unbelievably innocent daughter, Darmina, who knew no other home but the strange asteroid; and above all there was a creature called Canbail - apparently some strange life-form indigenous to the asteroid! A particular gestalt involving Ferdin and many others took place under the calculating supervision of the Leira Mark 2, the most frighteningly potent of Rosper's inventions.
BY JOHN E. MULLER The botanist claims that human life depends indirectly on the chlorophyll in the green leaf. The leaf depends on sunlight. But both depend upon the atom. No atoms, no physical matter, no physical universe! Microscope experts peer closely into the mysteries of the human body, into the mysteries of the green lead, into the mysteries of the chemical elements. It is hardly feasible to subject an atom to microscopic examination. But what if it was possible? What if a new technique of observation was discovered? A strange, revolutionary "seeing" without recourse to the photon. The microscope might reveal scientific impossibilities which would shake the universe to its foundations. Smallness hold more terrors than greatness.
The world of 2165 needed co-ordinators to link the liaison officers from different broad fields. Natasha was a trained nexus officer who became curious about Building 297. All her enquiries reached a blank wall . . . literally. Nobody seemed to know what went on inside the tall glass and concrete tower. An important security project of some sort . . . but what? At last she found a way to enter the building nobody understood only to find a project that had gone unbelievably wrong. The original purpose of Building 297 had long since been forgotten. The operators no longer directed the research in the bleak laboratories, they were in the grip of an unknown power. The menace in the sinister tower had reached a crucial stage. It threatened to leak through the concrete and engulf the city . . . perhaps far more than the city. Natasha had to understand the incredible new force, to escape from its citadel and rouse the sceptical, complacent population before it was too late. The arrival of the Stranger offered her a terrible choice. Was he her one hope as a potential ally, or had he in some way engineered the menace in the tower?
Henderson was a brilliant nuclear physicist until the night he staggered home a pathetic wreck of his former self, raving wildly about flying saucers and a strange being named Ravan. No scientific nation could afford to lose a genius of Henderson's capacity and Parnell Scott, an experimental psychiatrist, was given the job of restoring Henderson's sanity. Scott gradually infiltrated Henderson's apparent fantasy and found himself involved in research that produced frightening results. According to ancient legends there had once lived a strange, tyrannical ruler named Ravan, who had possessed a vimana or 'flying car'. Bur Henderson knew nothing of the legends! Parnell Scott worked desperately against time, sinister foreign agents intent on keeping Henderson insane, and something as old as human history yet as new as tomorrow and more dangerous than nuclear energy.
Heredity is dependent on the complex patterns of genes and chromosomes, which are particularly vulnerable to radiation. An error in a biological research unit led to the birth of a thing so bestial and so powerful that it became a target so Security. As it grew, its strategic potential developed until whispers of its monstrous power filtered out to the rest of the world. Other nations were interested and one intrepid agent reached the secret bunker where the powerful thing was kept. His interference shattered a safety device and the thing escaped. It strode across the world with the fury of a tornado. Nothing seemed able to stand in its path. Mighty cities were shattered like ant-hills as the mutant monster continued its rampage. Dazed, disorganised humanity strove desperately to strike back before it was too late...
Mars is our nearest neighbour in the solar system, with the exception of our own satellite Luna. It will be considerably easier to hit the moon of course, but what will we find when we get there? Plenty to interest the scientist, the mining engineer, and the cosmologist. But the Biologist will find only fossilised traces of Lunar life, if he finds anything at all. On Mars the story will be vastly different. We know that there is vegetation there. We still argue about those enigmatic canals. Are they optical illusion or...? What if...? What if an intelligent civilisation cut those great water courses? What if that civilisation still exists? Is man the only intelligence in God's great Universe? How will earth's envoys react when they first encounter non-human intellect for the first time? Will the aliens be friendly, or...?
Dolores Foster was walking home from work when she noticed an oddly shaped glittering something at the edge of the pavement. She stooped, fascinated, and picked up a metallic brooch or badge of unusual lightness. The metal was engraved with peculiar semi-geometrical patterns and she thought it was vibrating as she held it... Captivated by the unusual qualities of her find she wore it at a cocktail party that evening. Either the stranger who approached her and began asking incredible questions was drunk or reality as she knew it could never be the same again... The finding of the brooch led her to the fringe of a terrifying organisation: a group known simply as "The Engineers": men who played with the fabric of the three-dimensional world as if it were made of putty. Dolores had to learn an entirely new set of survival data as she followed one of the Engineers into a new dimension and saw how human society was masterminded. She had to decide whether to oppose the terrible truth she had discovered or join the strange beings who looked like men...yet ran the solar system as though it were a fairground!
Essay and exhibition catalogue that accompanied the 250th anniversary celebration of printing in Canada at Mary E. Black Gallery in Halifax, NS. Includes photos and descriptions of the items that appeared in the exhibit.
Space fiction is no longer fiction in the same way that it used to be. There was an element of distance and strangeness about it a few years back. Now, fact has caught up and threatens to overtake. Science fiction today has become science prediction. An atom is a miniature solar system in some respects. The clustering molecules resemble galaxies, colloids are, perhaps, tiny models of the whole creation. Man stands midway between the unbelievably small and the unbelievably huge. This is one of the allies of science fiction. We look down into the mysteries of the infinitesimal; we look up into the majesty of the macrocosm. In all this vastness of stars and planets there must be other life. One day we shall make contact with that life. What will the aliens be like? How will human culture compete with non-human culture? Which will survive?
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