From invading hordes to enemy agents, a great fear haunts the West! The “yellow peril” is one of the oldest and most pervasive racist ideas in Western culture—dating back to the birth of European colonialism during the Enlightenment. Yet while Fu Manchu looks almost quaint today, the prejudices that gave him life persist in modern culture. Yellow Peril! is the first comprehensive repository of anti-Asian images and writing, and it surveys the extent of this iniquitous form of paranoia. Written by two dedicated scholars and replete with paintings, photographs, and images drawn from pulp novels, posters, comics, theatrical productions, movies, propagandistic and pseudo-scholarly literature, and a varied world of pop culture ephemera, this is both a unique and fascinating archive and a modern analysis of this crucial historical formation.
Praise for Dylan Hicks: "Hicks is a terrific writer who can craft a simile with the best of them." —Kirkus Reviews "The joy in Hicks' debut arises less from plot than from the writing itself: nuanced, ingenious, perceptive, funny." —The Star Tribune "Do yourself a favor and read this smart, tender book. The characters will haunt you with their longing, and inspire you with their sweet, caustic wit." —Sam Lipsyte Archer is a semi-celebrated novelist and sex-toy heir. His best friend, John, is as earnest as Archer is feckless. John’s girlfriend, Sara, envies Archer’s writing career. And Sara’s roommate, Lucas, wishes he’d never lost his girlfriend to the man. Money, friendship, and resentment unspool in the conversations we have as we’re coming of age and coming to grips. Dylan Hicks is a writer and musician. His first novel, Boarded Windows, was published in 2012, along with a companion album of original songs, Dylan Hicks Sings Bolling Greene. His journalism has appeared in the Village Voice, the New York Times, the Guardian, the Star Tribune, and elsewhere. He lives in Minneapolis with his wife, Nina Hale, and their son, Jackson.
The most complete and current edition of Dylan Thomas' collected poetry in a beautiful gift edition celebrating the centenary of his birth The reputation of Dylan Thomas (1914-1953) as one of the greatest poets of the twentieth century has not waned in the fifty years since his death. A Welshman with a passion for the English language, Thomas’s singular poetic voice has been admired and imitated, but never matched. This exciting, newly edited annotated edition offers a more complete and representative collection of Dylan Thomas’s poetic works than any previous edition. Edited by leading Dylan Thomas scholar John Goodby from the University of Swansea, The Poems of Dylan Thomas contains all the poems that appeared in Collected Poems 1934-1952, edited by Dylan Thomas himself, as well as poems from the 1930-1934 notebooks and poems from letters, amatory verses, occasional poems, the verse film script for “Our Country,” and poems that appear in his “radio play for voices,” Under Milk Wood. Showing the broad range of Dylan Thomas’s oeuvre as never before, this new edition places Thomas in the twenty-first century, with an up-to-date introduction by Goodby whose notes and annotations take a pluralistic approach.
We must make judgments all the time when we can't be certain of the risks. Should we have that elective surgery? Trust the advice of our financial adviser? Take that new job we've been offered? How worried should we be about terrorist attacks? In this lively and groundbreaking book, pioneering researcher Dylan Evans introduces a newly discovered kind of intelligence for assessing risks, demonstrating how vital this risk intelligence is in our lives and how we can all raise our RQs in order to make better decisions every day. Evans has spearheaded the study of risk intelligence, devising a simple test to measure a person's RQ which when posted online sparked a storm of interest and was taken by tens of thousands of people. His research has revealed that risk intelligence is quite different from IQ, and that the vast majority of us have quite poor risk intelligence. However, he did find some people who have very high RQs. So what makes the difference? Introducing a wealth of fascinating research findings, Evans identifies a key set of common errors in our thinking that most of us fall victim to and that undermine our risk intelligence, such as "ambiguity aversion," overconfidence in our knowledge, the fallacy of mind reading, and our attraction to worst-case scenarios. We are also regularly led astray by the ways in which information is provided to us. Citing a wide range of real-life examples--from the brilliant risk assessment skills of horse race handicappers to the tragically flawed evaluations of risk that caused the financial crisis--Evans illustrates that sometimes our most trusted advisors, including the experts and analysts at the top of their disciplines, don't always give us the best advice when it comes to risk evaluation. Presenting his revolutionary test that allows readers to evaluate their own RQs, Evans introduces a number of simple techniques we can use to build our risk assessment powers and reports on the striking results he's seen in training people to develop their RQs. Both highly engaging and truly mind-changing, Risk Intelligence will fascinate all of those who are interested in how we can improve our thinking in order to enhance our lives.
First Lieutenant Shaara was dead this morning. Her captain is furious at her. She wasted company resources getting herself killed, and it’s coming out of her paycheck. Now, she’s sitting across from the first other human being she’s seen in six years. His name is Adnan. He claims to come from Earth—but that’s impossible. Earth died a long time ago. If Adnan’s telling the truth, he and the decaying ship the captain pulled him off are nearly a thousand years old. Wherever he’s from, he’s Shaara’s responsibility now. Which is the last thing she needs. But it’s either that, or the captain sells Adnan into slavery. Shaara knows what that would mean. Most humans do. And something inside her won’t let her abandon Adnan to it: revenant memories, stabbed awake by the look in his eyes. Facing those memories won’t be easy. It’d be far easier to ignore the feeling driving her forward. Far easier to let it all go to hell, and drift back to sleep. Until a shadowy new faction starts stoking the fires of war. They’re looking for Adnan; Earth’s last survivor holds the key to unleash a terrible, indiscriminate vengeance on the galaxy that wronged them. Who they are is a mystery—to everyone but Shaara. Hard as she’s tried to forget, she knows them all too well. Which means she’s the only one who can stop them. The question is: does she want to? Maybe the galaxy’s earned a little vengeance.
Between May 1930 and August 1935, Dylan Thomas kept numerous notebooks of poems. They contain the drafts of almost all of the work that would form his first two reputation-making collections, 18 Poems (1934) and Twenty-five Poems (1936), and many of those in his third collection, The Map of Love (1939). Thomas sold four of the notebooks, spanning May 1930 to May 1934, to the University of Buffalo in 1941. However, the existence of a fifth notebook, covering the period June 1934 to August 1935, was unknown until 2014, the centenary of his birth. The Fifth Notebook of Dylan Thomas makes this newly-discovered text available to readers and researchers for the first time. It contains the only existing MSS versions of Thomas's most challenging poems, 'I, in my intricate image' and 'Altarwise by owl-light', and fourteen other early poems. It contains facsimiles and full transcripts of the originals, is annotated throughout, and has a full scholarly introduction. Exploring the contexts of these brilliant and experimental lyrics – many with substantial reworkings and variant passages – this landmark publication sheds new light on the creative practice of one of the most important and well-known poets of the twentieth century.
This book highlights the existence of a class of struggles conducted in the gray zones of formalized war, or more aptly in the interstices where state power and jurisdiction are mismatched. These “sovereign interstices” are inextricable from the negative spaces of the great war-regulating sovereign orders, but they are also characterized by recurring characteristics among the fighters who are recruited to fight proxy wars within them. States have changed greatly in the last four hundred years, but interstitial fighters have changed far less, and the same can be said of the recurring styles in which their powerful patrons employ them to go where those patrons cannot. By charting these continuities, the author shows how a deeper awareness of interstitial war not only clarifies much concerning our contemporary world at war, but also provides a clear path forward in legal, military, and scholarly terms.
First the young schoolboy, gloriously immersed in make-believe in a shabby farmyard; then the budding poet with his thrilling friendships and dreams of fortune. Finally, the neophyte reporter roaming suburban Swansea for momentous material. In ten wonderfully evocative short stories, Dylan Thomas conveys the exuberance and enthusiasm of youth as he fictionalises events from his childhood. Adolescent sexuality and male friendship are two of the themes that pervade this collection, along with the more familiar topics of love, death and religion. Featuring a bold new livery in celebration of the Dylan Thomas centenary.
This gathering of all Dylan Thomas's stories, ranging chronologically from the dark, almost surrealistic tales of Thomas's youth to such gloriously rumbustious celebrations of life as A Child's Christmas in Wales and Adventures in the Skin Trade, charts the progress of "The Rimbaud of Cwmdonkin Drive" toward his mastery of the comic idiom.
As a rule, a good novel does not always make a good play--especially a novel as unconventional as this one by Dylan Thomas. But Andrew Sinclair's brilliant adaptation of Adventures in the Skin Trade is the exception. This is the story of young Samuel Bennet--a not entirely innocent provincial--who leaves his Welsh home to let adventure find him in London. Sam is soon deeply involved--all the while with his finger stuck fast in an ale bottle--with a fantastic assortment of odd characters whom only Dylan Thomas could have conceived. What The Times Literary Supplement said about Adventures in the Skin Trade as a novel still applies to the play: "There is no doubt of Thomas's genius as a comic writer ... there are memorable images and phrases on every page." One reason is Andrew Sinclair's exceptionally skillful adaptation.
WINNER OF THE NOBEL PRIZE IN LITERATURE Music legend Bob Dylan's only work of fiction—a combination of stream of consciousness prose, lyrics, and poetry that gives fans insight into one of the most influential singer-songwriters of our time. Written in 1966, Tarantula is a collection of poems and prose that evokes the turbulence of the times in which it was written, and offers unique insight into Dylan's creative evolution, capturing the stream-of-consciousness preoccupations of the legendary folk poet and his eclectic, erudite cool at a crucial juncture in his artistic development. It has since been welcomed into the Dylan canon, as Dylan himself has cemented his place in the cultural imagination, inspiring Todd Haynes’s acclaimed 2007 musical drama I’m Not There, selling more than 100 million records, and winning numerous prizes, including the Nobel Prize for Literature in 2017. In his acceptance speech for the Nobel, Dylan acknowledged the early influence on his work of Buddy Holly and Lead Belly as well as of wide-ranging classics like Don Quixote, All Quiet on the Western Front, and Moby Dick. Tarantula is a rare chance to see Dylan at a moment in which he was still deeply connected to his country roots and a folk vernacular while opening himself up to the influence of French 19th-century Surrealist writers like Arthur Rimbaud and the Comte de Lautreamont. A decade before the confessional singer-songwriter who would create the 1975 epic, Blood on the Tracks—which was just optioned by filmmaker Luca Guadagnino—here is Dylan at his most verbally playful and radically inventive. Angry, funny, and strange, the poems and prose in this collection reflect the concerns found in Dylan's most seminal music—a spirit of protest, a poetic spontaneity, and a chronicling of the eccentric and the everyday—which continue to make him a beloved artist and cultural icon.
Dylan Emmons has always lived his life in two worlds. Diagnosed with Asperger's at the age of six, his school days were spent struggling to overcome the sensory and social hurdles that made fitting in with his classmates in the 'real world' so hard. An aspiring social chameleon, he attempted to blend in, despite his hidden other world of Asperger's. This book tells the story of his attempt, with the hindsight gained in adult life that it is better to spend energy learning to be happy, than learning to be 'normal'. By describing the two conflicting worlds of his childhood, Dylan Emmons reveals the reasons behind the actions, mood swings and awkwardness of children on the autism spectrum that can often appear mysterious and unprovoked to neurotypical family members, friends, teachers and professionals.
Bislang gab es nur eine schmale Auswahl aus dem dichterischen Werk des genialen walisischen Rimbaud. Mit dieser Ausgabe wird zum ersten Mal das ganze Panorama der ungestümen Begabung von Dylan Thomas sichtbar: die Mythologie seines Selbst und der Landschaft, deren Märchen und Mythen der Stoff seiner Gedichte sind. Klaus Martens setzt den Grundton für eine übersetzerische Vielstimmigkeit, die überraschend viele neue Töne zur Sprache bringt.
First Lieutenant Shaara was dead this morning. Her captain is furious at her. She wasted company resources getting herself killed, and it’s coming out of her paycheck. Now, she’s sitting across from the first other human being she’s seen in six years. His name is Adnan. He claims to come from Earth—but that’s impossible. Earth died a long time ago. If Adnan’s telling the truth, he and the decaying ship the captain pulled him off are nearly a thousand years old. Wherever he’s from, he’s Shaara’s responsibility now. Which is the last thing she needs. But it’s either that, or the captain sells Adnan into slavery. Shaara knows what that would mean. Most humans do. And something inside her won’t let her abandon Adnan to it: revenant memories, stabbed awake by the look in his eyes. Facing those memories won’t be easy. It’d be far easier to ignore the feeling driving her forward. Far easier to let it all go to hell, and drift back to sleep. Until a shadowy new faction starts stoking the fires of war. They’re looking for Adnan; Earth’s last survivor holds the key to unleash a terrible, indiscriminate vengeance on the galaxy that wronged them. Who they are is a mystery—to everyone but Shaara. Hard as she’s tried to forget, she knows them all too well. Which means she’s the only one who can stop them. The question is: does she want to? Maybe the galaxy’s earned a little vengeance. The first book in the trilogy, Oblivion's Cloak, won First Place in the Space Opera category at the 2023 Cygnus Awards!
WINNER OF THE NOBEL PRIZE IN LITERATURE The celebrated first memoir from arguably the most influential singer-songwriter in the country, Bob Dylan. 'I'd come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else.' So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan’s eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan’s New York is a magical city of possibilities - smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book’s side trips to New Orleans, Woodstock, Minnesota, and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times. By turns revealing, poetical, passionate, and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan’s thoughts and influences. Dylan’s voice is distinctively American: generous of spirit, engaged, fanciful, and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art. 'Chronicles stunned everyone . . . [it's] clear, apparently frank, unremittingly serious about his musical influences and exquisitely written. It is, in fact, a masterpiece' Sunday Times 'Entertaining and surprisingly deprecating... The book's structure is elegant . . . Chronicles is tautly written, vividly cinematic, and funny . . . a courageous little book' Financial Times 'There is something on every page, in every paragraph, that demands attention . . . In rock and roll terms, this book is like discovering the lost diaries of Shakespeare. It may be the most extraordinarily intimate autobiography by a 20th-century legend' Daily Telegraph
Drawing on contributions from remaining members, contemporaneous musicians, critics, filmmakers, and the generation of artists who emerged in their wake, this "monumental origin story" celebrates the legacy of the Velvet Underground, which burns brighter than ever in the 21st century (New York Times bestselling author Bob Spitz). Rebellion always starts somewhere, and in the music world of the transgressive teen—whether it be the 1960s or the 2020s—the Velvet Underground represents ground zero. Crystallizing the idea of the bohemian, urban, narcissistic art school gang around a psychedelic rock and roll band—a stylistic idea that evolved in the rarefied environs of Andy Warhol’s Factory—the Velvets were the first major American rock group with a mixed gender line-up. They never smiled in photographs, wore sunglasses indoors, and invented the archetype that would be copied by everyone from Sid Vicious to Bobby Gillespie. They were avant-garde nihilists, writing about drug abuse, prostitution, paranoia, and sado-masochistic sex at a time when the rest of the world was singing about peace and love. In that sense they invented punk and then some. It could even be argued that they invented modern New York. Drawing on interviews and material relating to all major players, from Lou Reed, John Cale, Mo Tucker, Andy Warhol, Jon Savage, Nico, David Bowie, Mary Harron, and many more, award-winning journalist Dylan Jones breaks down the band’s whirlwind of subversion and, in a narrative rich in drama and detail, proves why the Velvets remain the original kings and queens of edge.
Like most great letter-writers, Thomas had the gift of writing as if his correspondent stood in front of him. Sensual and earthy, like so much of his poetry, his letters were all designed to secure Thomas's place in his lover's heart and memory - the purpose of all true love letters."--BOOK JACKET.
The politics, art and culture of Perth's Workers Art Guildare detailed in this comprehensive history, as well as the personal andprofessional lives of some of the movement's key figures.The Workers' Art Guild was a left-leaning political force andinfluential cultural movement of the 1930s and 1940s in Perth. Policeand intelligence arms kept close tabs on the Guild and its members,jailing some and intimidating many others prior to and during theperiod of the banning of the Communist Party in Australia.The book covers the personal and professional lives of key figuressuch as writer Katharine Susannah Prichard and theatre maverickKeith George, while charting the influence of the Communist Party onWestern Australian artists.
From invading hordes to enemy agents, a great fear haunts the West! The “yellow peril” is one of the oldest and most pervasive racist ideas in Western culture—dating back to the birth of European colonialism during the Enlightenment. Yet while Fu Manchu looks almost quaint today, the prejudices that gave him life persist in modern culture. Yellow Peril! is the first comprehensive repository of anti-Asian images and writing, and it surveys the extent of this iniquitous form of paranoia. Written by two dedicated scholars and replete with paintings, photographs, and images drawn from pulp novels, posters, comics, theatrical productions, movies, propagandistic and pseudo-scholarly literature, and a varied world of pop culture ephemera, this is both a unique and fascinating archive and a modern analysis of this crucial historical formation.
The works of the Welsh poet Dylan Thomas are celebrated for their comic exuberance, rhapsodic lilt and endearing pathos. He led a personal life that was never far from the public eye, punctuated by notorious bouts of drinking. His enduring masterpiece, ‘Under Milk Wood’ is a seminal classic of twentieth century literature. The radio play subtly evokes the lives of the inhabitants of a small Welsh town, teeming with imaginative language, dramatic characterisation and an inimitable breadth of comic invention. The Delphi Poets Series offers readers the works of literature’s finest poets, with superior formatting. For the first time in publishing history, this volume presents Dylan Thomas’ complete works, with numerous illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Thomas’ life and works * Concise introduction to Thomas’ life and poetry * Images of how the books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the poems * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes Thomas’ complete dramatic works, with rare radio plays * Rare fiction, with the complete short stories * Thomas’ posthumous novel, ‘The Death of the King's Canary’, appearing here for the first time in digital print * Features the rare novellas ‘Me and My Bike’ and ‘Rebecca's Daughters’, available in no other collection * Ordering of texts into chronological order and literary genres CONTENTS: The Life and Poetry of Dylan Thomas Brief Introduction: Dylan Thomas Complete Poetical Works of Dylan Thomas The Poems List of Poems in Chronological Order List of Poems in Alphabetical Order The Plays The Doctor and the Devils and Other Scripts (1953) Under Milk Wood (1954) The Prose Portrait of the Artist as a Young Dog (1940) Adventures in the Skin Trade and Other Stories (1953) A Child's Christmas in Wales (1955) Me and My Bike (1965) Rebecca's Daughters (1965) The Death of the King's Canary (1976) Miscellaneous Short Stories Please visit www.delphiclassics.com to browse through our range of poetry titles or buy the entire Delphi Poets Series as a Super Set
The portrait of a very young Bob Dylan on the cover of 'The Times They Are a Changin' is probably one of the most recognizable and famous album covers of all time. Photographer Barry Feinstein took that photo, as well as many more of Dylan throughout his career. His images have been published throughout the world many times over, and have become synonymous with our perceptions of that place and time in rock and folk music history. Inspired by a series of photographs that Feinstein took in Hollywood during the 1950s and 60s, Bob Dylan wrote an extraordinary series of poems that have remained unpublished for decades. They are thought-provoking, witty and erudite observations of the world; through the lens of Feinstein's photographs, they speak volumes about the anonymous faces and places of Los Angeles, and offer wry commentary on images of stars and legends in the neighbourhood at the time. Photos of Frank Sinatra, Marlene Dietrich, Judy Garland float through the book, as do poignant images of starlets, casting couches, employment agencies and palm tree'd boulevards. Feinstein was there with a camera to capture some world-famous events, such as Marilyn Monroe's memorial service, and he photographed the forgettable moments, preserving them perfectly and timelessly. Bob Dylan's unsettling and distinctly unique perspective informs and enlivens every page, an irresistible interpretive voice narrating the visual images from photo to photo.
Like most great letter-writers, Thomas had the gift of writing as if his correspondent stood in front of him. Sensual and earthy, like so much of his poetry, his letters were all designed to secure Thomas's place in his lover's heart and memory - the purpose of all true love letters."--BOOK JACKET.
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