Twin fifteen-year-old New Yorkers Tom and Mitch like to spend their free time skateboarding and reading comics, until one day they are attacked by a thug in ninja gear. They then learn that their father and live-in-butler are members of a crime-fighting organization called R.O.N.I.N., that their father is in danger, and that they have been recruited to join their father's clan. This sets the brothers off on the adventure of a lifetime.
Imprisoned at Julian Vanes headquarters, Tom, Mitch, and Laura are rescued by Mr. Chance and his ally, a Black Ninja. Unfortunately, someone has activated the islands self-destruct function, and the gang has only one hour to rescue Vanes other captives and escape. Illustrations. 8-page full-color insert.
Twin fifteen-year-old New Yorkers Tom and Mitch like to spend their free time skateboarding and reading comics, until one day they are attacked by a thug in ninja gear. They then learn that their father and live-in-butler are members of a crime-fighting organization called R.O.N.I.N., that their father is in danger, and that they have been recruited to join their father's clan. This sets the brothers off on the adventure of a lifetime.
After joining the secret crime-fighting organization 47 R.O.N.I.N., teenage twins Tom and Mitch are sent to Japan, where they enroll in the Matsu School, an elite school for computer geniuses. They now have to find out what has happened to one of the students and how he is connected to the evil mastermind Julian Vane.
Twin fifteen-year-old New Yorkers Tom and Mitch like to spend their free time skateboarding and reading comics, until one day they are attacked by a thug in ninja gear. They then learn that their father and live-in-butler are members of a crime-fighting organization called R.O.N.I.N., that their father is in danger, and that they have been recruited to join their father's clan. This sets the brothers off on the adventure of a lifetime.
Imprisoned at Julian Vanes headquarters, Tom, Mitch, and Laura are rescued by Mr. Chance and his ally, a Black Ninja. Unfortunately, someone has activated the islands self-destruct function, and the gang has only one hour to rescue Vanes other captives and escape. Illustrations. 8-page full-color insert.
Tom and Mitch Hearn face new challenges, with their beloved Mr. Chance no longer in the picture and the emergence of the Black Ninja as an ally"--Page 4 of cover.
Drawing on contributions from remaining members, contemporaneous musicians, critics, filmmakers, and the generation of artists who emerged in their wake, this "monumental origin story" celebrates the legacy of the Velvet Underground, which burns brighter than ever in the 21st century (New York Times bestselling author Bob Spitz). Rebellion always starts somewhere, and in the music world of the transgressive teen—whether it be the 1960s or the 2020s—the Velvet Underground represents ground zero. Crystallizing the idea of the bohemian, urban, narcissistic art school gang around a psychedelic rock and roll band—a stylistic idea that evolved in the rarefied environs of Andy Warhol’s Factory—the Velvets were the first major American rock group with a mixed gender line-up. They never smiled in photographs, wore sunglasses indoors, and invented the archetype that would be copied by everyone from Sid Vicious to Bobby Gillespie. They were avant-garde nihilists, writing about drug abuse, prostitution, paranoia, and sado-masochistic sex at a time when the rest of the world was singing about peace and love. In that sense they invented punk and then some. It could even be argued that they invented modern New York. Drawing on interviews and material relating to all major players, from Lou Reed, John Cale, Mo Tucker, Andy Warhol, Jon Savage, Nico, David Bowie, Mary Harron, and many more, award-winning journalist Dylan Jones breaks down the band’s whirlwind of subversion and, in a narrative rich in drama and detail, proves why the Velvets remain the original kings and queens of edge.
Chinese Syntax in a Cross-linguistic Perspective is a collection of sixteen original papers by leading experts in Chinese syntax. The papers focus on a broad range of topics, demonstrating how the analysis of Chinese can inform our understanding of syntactic phenomena in other languages, and how insights gained in the study of other languages can in turn shed interesting new light on patterns in Chinese. Each chapter compares a specific major phenomenon in Chinese syntax with related patterns in at least one other language from Asia, Europe, North America or Africa, resulting in a series of fresh perspectives on Chinese and what the study of Chinese can offer linguists working on other, genetically unrelated languages. The volume is divided into three thematic sections, on the nominal domain, the predicate domain, and the C-domain. In addition to chapters on synchronic, adult syntax, the book includes chapters on Chinese diachronic syntax in a comparative perspective and the acquisition of syntax in Chinese, in comparison with that of other languages. The collection is a tribute to Professor C.-T. James Huang's lifelong work on the syntax of Chinese and his attempts to demonstrate how the comparative analysis of Chinese reveals important properties of Universal Grammar. With its broad, cross-linguistic focus and its detailed, new studies of Chinese, this book is essential reading for researchers of all language backgrounds in modern generative syntax.
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