Penningroth's conclusions emerge from an epic research agenda.... Before the Movement presents an original and provocative account of how civil law was experienced by Black citizens and how their 'legal lives' changed over time . . . [an] ambitious, stimulating, and provocative book." —Eric Foner, New York Review of Books Shortlisted for the Cundill History Prize Winner of the Merle Curti Social History Award from the Organization of American Historians Winner of the Ellis W. Hawley Prize from the Organization of American Historians Winner of the David J. Langum, Sr. Prize in American Legal History Winner of the James Willard Hurst Prize Winner of the Scribes Book Award (American Society of Legal Writers) A prize-winning scholar draws on astonishing new research to demonstrate how Black people used the law to their advantage long before the Civil Rights Movement. The familiar story of civil rights goes like this: once, America’s legal system shut Black people out and refused to recognize their rights, their basic human dignity, or even their very lives. When lynch mobs gathered, police and judges often closed their eyes, if they didn’t join in. For Black people, law was a hostile, fearsome power to be avoided whenever possible. Then, starting in the 1940s, a few brave lawyers ventured south, bent on changing the law. Soon, ordinary African Americans, awakened by Supreme Court victories and galvanized by racial justice activists, launched the civil rights movement. In Before the Movement, acclaimed historian Dylan C. Penningroth brilliantly revises the conventional story. Drawing on long-forgotten sources found in the basements of county courthouses across the nation, Penningroth reveals that African Americans, far from being ignorant about law until the middle of the twentieth century, have thought about, talked about, and used it going as far back as even the era of slavery. They dealt constantly with the laws of property, contract, inheritance, marriage and divorce, of associations (like churches and businesses and activist groups), and more. By exercising these “rights of everyday use,” Penningroth demonstrates, they made Black rights seem unremarkable. And in innumerable subtle ways, they helped shape the law itself—the laws all of us live under today. Penningroth’s narrative, which stretches from the last decades of slavery to the 1970s, partly traces the history of his own family. Challenging accepted understandings of Black history framed by relations with white people, he puts Black people at the center of the story—their loves and anger and loneliness, their efforts to stay afloat, their mistakes and embarrassments, their fights, their ideas, their hopes and disappointments, in all their messy humanness. Before the Movement is an account of Black legal lives that looks beyond the Constitution and the criminal justice system to recover a rich, broader vision of Black life—a vision allied with, yet distinct from, “the freedom struggle.”
A “compelling study” of how the idea of white supremacy persists long after the Civil Rights Act—“as thoughtful as it is fierce” (David Roediger, author of The Sinking Middle Class: A Political History). We are in the fray of another signature moment in the long history of the United States as a project of anti Black and racial–colonial violence. Long before November 2016, white nationalism, white terrorism, and white fascist statecraft proliferated. Thinking across a variety of archival, testimonial, visual, and activist texts—from Freedmen’s Bureau documents and the “Join LAPD” hiring campaign to Barry Goldwater’s hidden tattoo and the Pelican Bay prison strike—Dylan Rodríguez counter-narrates the long “post–civil rights” half-century as a period of White Reconstruction, in which the struggle to reassemble the ascendancy of White Being permeates the political and institutional logics of diversity, inclusion, formal equality, and “multiculturalist white supremacy.” Throughout White Reconstruction, Rodríguez considers how the creative, imaginative, speculative collective labor of abolitionist praxis can displace and potentially destroy the ascendancy of White Being and Civilization in order to create possibilities for insurgent thriving.
In 2008 Democrats accomplished the political trifecta that had eluded them for more than 40 years: get a progressive president elected and win landslide victories in the House and Senate at the same time. The question is, was that the high point for the party? Or was it just the beginning of a Democratic golden age? As author Dylan Loewe compellingly argues, Democrats now have a unique chance to make their majority permanent and to dominate politics for a generation to come—provided they recognize their opportunity and employ the right strategies to capitalize on it. From the midterms and redistricting to Obama’s reelection, from the search for his successor in 2016 to the changing political landscape in 2020 and beyond, Loewe walks readers through what it will take for Democrats to stay in power and why the possibility of turning the nation “permanently blue” is suddenly so bright.
Published for the first time in a beautiful collectible edition, the essential lecture delivered by the 2016 recipient of the Nobel Prize in Literature, Bob Dylan. On October 13, 2016, Bob Dylan was awarded the Nobel Prize in Literature, recognizing his countless contributions to music and letters over the last fifty years. Some months later, he delivered an acceptance lecture that is now memorialized in book form for generations to come. In The Nobel Lecture, Dylan reflects on his life and experience with literature, providing both a rare artistic statement and an intimate look at a uniquely American icon. From finding inspiration in the music of Buddy Holly and Leadbelly to the works of literature that helped shape his own approach to writing—The Odyssey, Moby-Dick, and All Quiet on the Western Front—this is Dylan like you’ve never seen him before.
Re-examining C.Wright Mills’s legacy as a jumping off point, this original introduction to sociology illuminates global concepts, themes and practices that are fundamental to the discipline. It makes a case for the importance of developing a sociological imagination and provides the steps for how readers can do that. The unique text: • Offers succinct and wide-ranging coverage of many of the most important themes and concepts taught in first year sociology courses; • Has a global framework and case material which engages with decoloniality and critiques an overly white, western and developed world view of sociology; • Is woven through with contemporary examples, from social media to social inequality, big data to the self-help industry; • Rethinks and re-imagines what a critically committed, politically engaged and publicly relevant sociology should look like in the 21st century. This is a lively, engaging and accessible overview of sociology for all its students, teachers and people who want to learn more about sociology today. It is a welcome clarion call for sociology’s importance in public life.
Artificial Intelligence meets Gettysburg. And it is a marvelous pairing. Patrick Brennan, a long-time student of the Civil War, published author, and an editorial advisor for The Civil War Monitor magazine, has teamed up with his technology-astute daughter Dylan Brennan to bring the largest Civil War battle to life in the remarkable 2-volume study: Gettysburg in Color. Volume 1 covers Brandy Station to the Peach Orchard, and Volume 2 covers The Wheatfield to Falling Waters. Rather than guess or dabble with the colors, the Brennans used an artificial intelligence-based computerized color identifier to determine the precise color of uniforms, flesh, hair, equipment, terrain, houses, and much more. The result is a monumental full-color study of the important three-day battle that brings the men, the landscape, and the action into the 21st Century. The deep colorization of battle-related woodcuts, for example, reveals a plethora of details that have passed generations of eyes unseen. The photos of the soldiers and their officers look as if they were taken yesterday. The use of this modern technology shines a light on one Gettysburg photographic mystery in particular. Colorizing some of the battle’s “death” images revealed the presence of Union and Confederate dead that may help determine the previously unknown location of the photographs. That may also be a “first” when it comes to Civil War photography, as Pat Brennan explains: “It was long believed this was an image of seven dead Union soldiers. In fact, only five are Union men. The other two are Confederates. I am still researching the issue, but I believe this may be the only photo we have from the entire Civil War that portrays dead from both sides.” In the early 1960s, the unique presentation in Bruce Catton’s The American Heritage Picture History of the Civil War spurred the interest of a generation of readers. With its sweeping prose and stunning visuals, Gettysburg in Color will have a similar impact on future generations as it takes its place as one of the most influential titles on the American Civil War.
This book will serve as an introduction to microscopy and biomedical imaging methods, with a focus on the study of the distributions and dynamics of molecules on the cell surface. It will provide readers with an in-depth understanding of how modern microscopy methodology can be used to understand the organisation of cell membrane systems and how experiments can be designed around these methodologies. There are numerous methods employed to understand cell membrane organisation, but foremost among them are microscopy methods which can map the distributions of molecules on the cell surface and even map the biophysical properties of membranes themselves. Fluorescence microscopy has been especially widely used due to its specificity and relatively noninvasive nature, allowing live-cell imaging. However, the recent advance of super-resolution fluorescence microscopy has broken the previous resolution limit for this type of microscopy, which has been an important advancement in the field. Atomic force microscopy and electron microscopy have also been deployed to learn about membrane organisation and properties. Each chapter in this volume will be themed around measuring a particular property of cell membranes. In each case, the authors examine the range of methodology applicable to the task, comparing the advantages and disadvantages of each one, and will also provide an overview of important discoveries that have been made using the methodology being discussed. The chapters will cover: • Measuring membrane protein distributions using single-molecule localisation microscopy (SMLM) • Measuring membrane protein dynamics and diffusion using fluorescence correla-tion spectroscopy (FCS) • Mapping membrane lipid backing using environmentally sensitive fluorescence probes • Mapping membrane thickness and rigidity using atomic force microscopy • Mapping membrane proteins and the cytoskeleton using electron microscopy This book will be a valuable resource to graduate and upper-level undergraduate students and industry researchers in the fields of cell biology, microbiology, microscopy, and medical imaging.
In this highly anticipated sequel to A Cappella Arranging, Deke Sharon and Dylan Bell provide even more tools and insights to help musicians master the craft of a cappella arranging—including new creative principles and theoretical techniques to expand the palate, as well as arranging in various musical genres spanning several decades of music. Since the publication of the original book in 2012, a cappella as a genre has grown enormously. Using conversational yet instructive tone, A Cappella Arranging 2.0: The Next Level picks up where the previous book left off, helping people deepen their a cappella arranging skills. In four parts, the book addresses a variety of topics including: The creative process An advanced understanding of vocal ranges Counterpoint and polyphony Harmonic concepts and techniques Arranging for the studio Live looping arrangements Instrumental idioms Arranging in different styles, including world styles Medleys and mashups This is the perfect resource for taking your a cappella arrangements to the next level.
Drawing on contributions from remaining members, contemporaneous musicians, critics, filmmakers, and the generation of artists who emerged in their wake, this "monumental origin story" celebrates the legacy of the Velvet Underground, which burns brighter than ever in the 21st century (New York Times bestselling author Bob Spitz). Rebellion always starts somewhere, and in the music world of the transgressive teen—whether it be the 1960s or the 2020s—the Velvet Underground represents ground zero. Crystallizing the idea of the bohemian, urban, narcissistic art school gang around a psychedelic rock and roll band—a stylistic idea that evolved in the rarefied environs of Andy Warhol’s Factory—the Velvets were the first major American rock group with a mixed gender line-up. They never smiled in photographs, wore sunglasses indoors, and invented the archetype that would be copied by everyone from Sid Vicious to Bobby Gillespie. They were avant-garde nihilists, writing about drug abuse, prostitution, paranoia, and sado-masochistic sex at a time when the rest of the world was singing about peace and love. In that sense they invented punk and then some. It could even be argued that they invented modern New York. Drawing on interviews and material relating to all major players, from Lou Reed, John Cale, Mo Tucker, Andy Warhol, Jon Savage, Nico, David Bowie, Mary Harron, and many more, award-winning journalist Dylan Jones breaks down the band’s whirlwind of subversion and, in a narrative rich in drama and detail, proves why the Velvets remain the original kings and queens of edge.
The host of the eponymous MSNBC show, Dylan Ratigan offers a bold and original post-partisan program to resuscitate the American Dream. At a time of deep concern with the state of America’s economy and government, it seems that all the media can give us is talking (or screaming) heads who revel in partisan brinkmanship. Then there’s Dylan Ratigan—an award-winning journalist respected and admired across the political spectrum. In Greedy Bastards, he rips the lid off of our deeply crooked system—and offers a way out. Employing the nuanced reporting and critical analysis that have earned him so much respect, Ratigan describes the five “vampires” that are sucking the nation dry, including an educational system that values mediocrity above all else; a healthcare system that is among the priciest and least-effective infrastructures in the industrialized world; a political system in which lobbyists write legislation; a “master-slave” relationship with our Chinese bankers; and an addiction to foreign oil that has sapped our willingness to innovate. In offering solutions to these formidable and entrenched obstacles, he does nothing less than lay the groundwork for a political movement dedicated to tackling the rot at the heart of the country. In its desperation, America needs more than just endless stock tips and Wall Street navel-gazing. It needs passionate debate and smart policy—and a hero to take on the establishment. Dylan Ratigan is that hero, and this is the book that will rally people behind him.
In the second century, Platonist and Judeo-Christian thought were sufficiently friendly that a Greek philosopher could declare, "What is Plato but Moses speaking Greek?" Four hundred years later, a Christian emperor had ended the public teaching of subversive Platonic thought. When and how did this philosophical rupture occur? Dylan M. Burns argues that the fundamental break occurred in Rome, ca. 263, in the circle of the great mystic Plotinus, author of the Enneads. Groups of controversial Christian metaphysicians called Gnostics ("knowers") frequented his seminars, disputed his views, and then disappeared from the history of philosophy—until the 1945 discovery, at Nag Hammadi, Egypt, of codices containing Gnostic literature, including versions of the books circulated by Plotinus's Christian opponents. Blending state-of-the-art Greek metaphysics and ecstatic Jewish mysticism, these texts describe techniques for entering celestial realms, participating in the angelic liturgy, confronting the transcendent God, and even becoming a divine being oneself. They also describe the revelation of an alien God to his elect, a race of "foreigners" under the protection of the patriarch Seth, whose interventions will ultimately culminate in the end of the world. Apocalypse of the Alien God proposes a radical interpretation of these long-lost apocalypses, placing them firmly in the context of Judeo-Christian authorship rather than ascribing them to a pagan offshoot of Gnosticism. According to Burns, this Sethian literature emerged along the fault lines between Judaism and Christianity, drew on traditions known to scholars from the Dead Sea Scrolls and Enochic texts, and ultimately catalyzed the rivalry of Platonism with Christianity. Plunging the reader into the culture wars and classrooms of the high Empire, Apocalypse of the Alien God offers the most concrete social and historical description available of any group of Gnostic Christians as it explores the intersections of ancient Judaism, Christianity, Hellenism, myth, and philosophy.
Perfect for Iowa State fans who think they already know everything Most Iowa State fans have taken in a game at Jack Trice Stadium or the Hilton Coliseum and have seen highlights of Troy Davis and Fred Hoiberg. But only real fans know the original team name, the location and story behind the victory bell, or were there when the basketball team made an Elite Eight run in 2000. 100 Things Iowa State Fans Should Know & Do Before They Die is the ultimate resource guide for true fans of Iowa State athletics. Whether they are die-hard boosters from the days of Earle Bruce on the gridiron or new supporters of Fred Hoiberg and ISU hoops, fans will value these essential pieces of Cyclones football and basketball knowledge and trivia—and all of the must-do activities in their lifetime.
Water played an important part of ancient Roman life, from providing necessary drinking water, supplying bath complexes, to flowing in large-scale public fountains. The Roman culture of water was seen throughout the Roman Empire, although it was certainly not monolithic and it could come in a variety of scales and forms, based on climatic and social conditions of different areas. This article seeks to define ‘water culture’ in Roman society by examining literary, epigraphic, and archaeological evidence, while understanding modern trends in scholarship related to the study of Roman water. The culture of water can be demonstrated through expressions of power, aesthetics, and spectacle. Further there was a shared experience of water in the empire that could be expressed through religion, landscape, and water’s role in cultures of consumption and pleasure.
Sociology for Music Teachers: Practical Applications, Second Edition, outlines the basic concepts relevant to understanding music teaching and learning from a sociological perspective. It demonstrates the relationship of music to education, schooling and society, and examines the consequences for making instructional choices in teaching methods and repertoire selection. The authors look at major theories, and concepts relevant to music education, texts in the sociology of music, and thoughts of selected ethnomusicologists and sociologists. The new edition takes a more global approach than was the case in the first edition and includes the application of sociological theory to contexts beyond the classroom. The Second Edition: Presents major theories in ethnomusicology, both traditional and contemporary. Takes a global approach by presenting a variety of teaching practices beyond those found in the United States. Emphasizes music education in a traditional classroom setting, but also applies specific constructs to studio teaching situations in conservatories (with private lessons) and community music. Provides recommendations for teaching practices by addressing popular music in school music curricula, suggests inclusionary projects that explore musical styles and repertoire of the past and present, and connects school to community music practices of varying kinds. Contains an increased number of suggestions for projects and discussions among the students using the book.
This book examines the history of racial classifications in Puerto Rico censuses, starting with the Spanish censuses and continuing through the US ones. Because Puerto Rican censuses were collected regularly over hundreds of years, they are fascinating “test cases” to see what census categories might have been available and effective in shaping everyday ones. Published twentieth-century censuses have been well studied, but this book also examines unpublished documents in previous centuries to understand the historical precursors of contemporary ones. State-centered theories hypothesize that censuses, especially colonial ones, have powerful transformative effects. In contrast, this book shows that such transformations are affected by the power and interests of social actors, not the strength of the state. Thus, despite hundreds of years of exposure to the official dichotomous and trichotomous census categories, these categories never replaced the continuous everyday ones because the census categories rarely coincided with Puerto Rican’s interests.
Is God involved? Why do bad things happen to good people? What is up to us? These questions were explored in Mediterranean antiquity with reference to ‘providence’ (pronoia). In Did God Care? Dylan Burns offers the first comprehensive survey of providence in ancient philosophy that brings together the most important Greek, Latin, Coptic, and Syriac sources, from Plato to Plotinus and the Gnostics. Burns demonstrates how the philosophical problems encompassed by providence transformed in the first centuries CE, yielding influential notions about divine care, evil, creation, omniscience, fate, and free will that remain with us today. These transformations were not independent developments of ‘Pagan philosophy’ and ‘Christian theology,’ but include fruits of mutually influential engagement between Hellenic and Christian philosophers.
Thirty-four eclectic and spine chilling stories from the world of true crime. Serial killers, cannibals, necrophiles, celebrities with the darkest secrets, medical killers, mysterious killers who were never captured, movie production deaths, poisoners, spree killers, supernatural Victorian monsters, and many more darkly fascinating chapters in the annuals of crime. All this and more awaits in Chilling True Crime Stories - Volume 4.
David Bowie. Culture Club. Wham!. Soft Cell. Duran Duran. Sade. Adam Ant. Spandau Ballet. The Eurythmics. ' Excellent' Guardian ' Hugely enjoyable' Irish Times ' Dazzling' LRB 'Fascinating' New Statesman 'An absolute must-read' GQ One of the most creative entrepreneurial periods since the Sixties, the era of the New Romantics grew out of the remnants of post-punk and developed quickly alongside club culture, ska, electronica, and goth. The scene had a huge influence on the growth of print and broadcast media, and was arguably one of the most bohemian environments of the late twentieth century. Not only did it visually define the decade, it was the catalyst for the Second British Invasion, when the US charts would be colonised by British pop music - making it one of the most powerful cultural exports since the Beatles. In Sweet Dreams, Dylan Jones charts the rise of the New Romantics through testimony from the people who lived it. For a while, Sweet Dreams were made of this.
The portrait of a very young Bob Dylan on the cover of 'The Times They Are a Changin' is probably one of the most recognizable and famous album covers of all time. Photographer Barry Feinstein took that photo, as well as many more of Dylan throughout his career. His images have been published throughout the world many times over, and have become synonymous with our perceptions of that place and time in rock and folk music history. Inspired by a series of photographs that Feinstein took in Hollywood during the 1950s and 60s, Bob Dylan wrote an extraordinary series of poems that have remained unpublished for decades. They are thought-provoking, witty and erudite observations of the world; through the lens of Feinstein's photographs, they speak volumes about the anonymous faces and places of Los Angeles, and offer wry commentary on images of stars and legends in the neighbourhood at the time. Photos of Frank Sinatra, Marlene Dietrich, Judy Garland float through the book, as do poignant images of starlets, casting couches, employment agencies and palm tree'd boulevards. Feinstein was there with a camera to capture some world-famous events, such as Marilyn Monroe's memorial service, and he photographed the forgettable moments, preserving them perfectly and timelessly. Bob Dylan's unsettling and distinctly unique perspective informs and enlivens every page, an irresistible interpretive voice narrating the visual images from photo to photo.
Antecedents of Censuses From Medieval to Nation States, the first of two volumes, examines the influence of social formations on censuses from the medieval period through current times. The authors argue that relative influence of states and societies is probably not linear, but depends on the actual historical configuration of the states and societies, as well as the type of population information being collected. They show how information gathering is an outcome of the interaction between states and social forces, and how social resistance to censuses has frequently circumvented their planning, prevented their implementation, and influenced their accuracy.
In this fascinating journey into the human heart, Dylan Evans explores the latest research from anthropology and psychology, neuroscience and artificial intelligence. Along the way he discusses the evolution of emotions and their biological basis, the science of happiness and the role that emotions play in memory and decision-making. This new edition also examines the neural basis of empathy and the emotional impact of films"--Provided by publisher.
Discover wonder. “A wanderlust-whetting cabinet of curiosities on paper.”— New York Times Inspiring equal parts wonder and wanderlust, Atlas Obscura is a phenomenon of a travel book that shot to the top of bestseller lists when it was first published and changed the way we think about the world, expanding our sense of how strange and marvelous it really is. This second edition takes readers to even more curious and unusual destinations, with more than 100 new places, dozens and dozens of new photographs, and two very special features: twelve city guides, covering Berlin, Budapest, Buenos Aires, Cairo, London, Los Angeles, Mexico City, Moscow, New York City, Paris, Shanghai, and Tokyo. Plus a foldout map with a dream itinerary for the ultimate around-the-world road trip. More a cabinet of curiosities than traditional guidebook, Atlas Obscura revels in the unexpected, the overlooked, the bizarre, and the mysterious. Here are natural wonders, like the dazzling glowworm caves in New Zealand, or a baobob tree in South Africa so large it has a pub inside where 15 people can sit and drink comfortably. Architectural marvels, including the M. C. Escher–like stepwells in India. Mind-boggling events, like the Baby-Jumping Festival in Spain—and no, it’s not the babies doing the jumping, but masked men dressed as devils who vault over rows of squirming infants. Every page gets to the very core of why humans want to travel in the first place: to be delighted and disoriented, uprooted from the familiar and amazed by the new. With its compelling descriptions, hundreds of photographs, surprising charts, maps for every region of the world, and new city guides, it is a book you can open anywhere and be transported. But proceed with caution: It’s almost impossible not to turn to the next entry, and the next, and the next.
In The Claims of Kinfolk, Dylan Penningroth uncovers an extensive informal economy of property ownership among slaves and sheds new light on African American family and community life from the heyday of plantation slavery to the "freedom generation" of the 1870s. By focusing on relationships among blacks, as well as on the more familiar struggles between the races, Penningroth exposes a dynamic process of community and family definition. He also includes a comparative analysis of slavery and slave property ownership along the Gold Coast in West Africa, revealing significant differences between the African and American contexts. Property ownership was widespread among slaves across the antebellum South, as slaves seized the small opportunities for ownership permitted by their masters. While there was no legal framework to protect or even recognize slaves' property rights, an informal system of acknowledgment recognized by both blacks and whites enabled slaves to mark the boundaries of possession. In turn, property ownership--and the negotiations it entailed--influenced and shaped kinship and community ties. Enriching common notions of slave life, Penningroth reveals how property ownership engendered conflict as well as solidarity within black families and communities. Moreover, he demonstrates that property had less to do with individual legal rights than with constantly negotiated, extralegal social ties.
We must make judgments all the time when we can't be certain of the risks. Should we have that elective surgery? Trust the advice of our financial adviser? Take that new job we've been offered? How worried should we be about terrorist attacks? In this lively and groundbreaking book, pioneering researcher Dylan Evans introduces a newly discovered kind of intelligence for assessing risks, demonstrating how vital this risk intelligence is in our lives and how we can all raise our RQs in order to make better decisions every day. Evans has spearheaded the study of risk intelligence, devising a simple test to measure a person's RQ which when posted online sparked a storm of interest and was taken by tens of thousands of people. His research has revealed that risk intelligence is quite different from IQ, and that the vast majority of us have quite poor risk intelligence. However, he did find some people who have very high RQs. So what makes the difference? Introducing a wealth of fascinating research findings, Evans identifies a key set of common errors in our thinking that most of us fall victim to and that undermine our risk intelligence, such as "ambiguity aversion," overconfidence in our knowledge, the fallacy of mind reading, and our attraction to worst-case scenarios. We are also regularly led astray by the ways in which information is provided to us. Citing a wide range of real-life examples--from the brilliant risk assessment skills of horse race handicappers to the tragically flawed evaluations of risk that caused the financial crisis--Evans illustrates that sometimes our most trusted advisors, including the experts and analysts at the top of their disciplines, don't always give us the best advice when it comes to risk evaluation. Presenting his revolutionary test that allows readers to evaluate their own RQs, Evans introduces a number of simple techniques we can use to build our risk assessment powers and reports on the striking results he's seen in training people to develop their RQs. Both highly engaging and truly mind-changing, Risk Intelligence will fascinate all of those who are interested in how we can improve our thinking in order to enhance our lives.
When an Italian historian researching in the Vatican Archives discovers ancient papers hidden centuries ago by the Knights Templars, he has no idea it will lead to a globe-trotting adventure running from Interpol and the NSA, escaping from an infamous blackmarket racketeer with his own militia and being held at gunpoint in the rainforests seeking holy relics hidden by the Nazis.
Most of us see sports as a welcome—even blessed—relief from the challenges and frustrations of everyday life. We want to sit back, open a beer, and enjoy the game. But many of those who bring us the game have a different agenda—they use their broadcasting platform to harangue us with their own politically correct preoccupations. If a seventh-round NFL draft pick who can't make the team or an over-the-hill basketball player declares that he's gay, he gets wall-to-wall media coverage and is hailed as a hero. If a stripper accuses college lacrosse players of rape, liberal sports reporters lead the lynch mob—with no apologies when the bearers of "white privilege" are proved innocent. In his blistering new book Bias in the Booth, sports reporter and commentator Dylan Gwinn takes you inside the sports media spin machine to reveal what they hope you won't notice: the sports media are no different from the news and entertainment media.
This volume introduces a new concept to explore the dynamic relationship between folklore and popular culture: the “folkloresque.” With “folkloresque,” Foster and Tolbert name the product created when popular culture appropriates or reinvents folkloric themes, characters, and images. Such manufactured tropes are traditionally considered outside the purview of academic folklore study, but the folkloresque offers a frame for understanding them that is grounded in the discourse and theory of the discipline.Fantasy fiction, comic books, anime, video games, literature, professional storytelling and comedy, and even popular science writing all commonly incorporate elements from tradition or draw on basic folklore genres to inform their structure. Through three primary modes—integration, portrayal, and parody—the collection offers a set of heuristic tools for analysis of how folklore is increasingly used in these commercial and mass-market contexts.The Folkloresque challenges disciplinary and genre boundaries; suggests productive new approaches for interpreting folklore, popular culture, literature, film, and contemporary media; and encourages a rethinking of traditional works and older interpretive paradigms.
This book is a “How To” guide for modeling population dynamics using Integral Projection Models (IPM) starting from observational data. It is written by a leading research team in this area and includes code in the R language (in the text and online) to carry out all computations. The intended audience are ecologists, evolutionary biologists, and mathematical biologists interested in developing data-driven models for animal and plant populations. IPMs may seem hard as they involve integrals. The aim of this book is to demystify IPMs, so they become the model of choice for populations structured by size or other continuously varying traits. The book uses real examples of increasing complexity to show how the life-cycle of the study organism naturally leads to the appropriate statistical analysis, which leads directly to the IPM itself. A wide range of model types and analyses are presented, including model construction, computational methods, and the underlying theory, with the more technical material in Boxes and Appendices. Self-contained R code which replicates all of the figures and calculations within the text is available to readers on GitHub. Stephen P. Ellner is Horace White Professor of Ecology and Evolutionary Biology at Cornell University, USA; Dylan Z. Childs is Lecturer and NERC Postdoctoral Fellow in the Department of Animal and Plant Sciences at The University of Sheffield, UK; Mark Rees is Professor in the Department of Animal and Plant Sciences at The University of Sheffield, UK.
Have you figured out yet what caves are for? For when you do. But what will you? Tank. So, I don’t go through you. You go through me. So this shouldn’t take many. Only one. Me. Enemy mine. Time? May have to be redefined. What is wrong with the space that we create? It goes boom! But do you have any idea what time does? It. Never. Ends. So don’t go this route. You can still get shot. But of course what the heck am I even talking about? Excalibur. And I have been pulling that sword from the rock.
Written by intelligence scholars and experts, this book chronicles the evolution of the CIA: its remarkable successes, its controversial failures and its clandestine operations. The history of the agency is presented through the prism of its declassified documents, with each being supplemented by insightful contextual analysis.
Practical Goal Programming is intended to allow academics and practitioners to be able to build effective goal programming models, to detail the current state of the art, and to lay the foundation for its future development and continued application to new and varied fields. Suitable as both a text and reference, its nine chapters first provide a brief history, fundamental definitions, and underlying philosophies, and then detail the goal programming variants and define them algebraically. Chapter 3 details the step-by-step formulation of the basic goal programming model, and Chapter 4 explores more advanced modeling issues and highlights some recently proposed extensions. Chapter 5 then details the solution methodologies of goal programming, concentrating on computerized solution by the Excel Solver and LINGO packages for each of the three main variants, and includes a discussion of the viability of the use of specialized goal programming packages. Chapter 6 discusses the linkages between Pareto Efficiency and goal programming. Chapters 3 to 6 are supported by a set of ten exercises, and an Excel spreadsheet giving the basic solution of each example is available at an accompanying website. Chapter 7 details the current state of the art in terms of the integration of goal programming with other techniques, and the text concludes with two case studies which were chosen to demonstrate the application of goal programming in practice and to illustrate the principles developed in Chapters 1 to 7. Chapter 8 details an application in healthcare, and Chapter 9 describes applications in portfolio selection.
Short essays of social theory for damaged times, encompassing intellectual history, philosophy and culture Microverses comprises over a hundred short essays inviting us to think about society – and social theory – in new ways. Lockdown created the conditions for what Adorno once termed ‘enforced contemplation’. Dylan Riley responded with the tools of his trade, producing an extraordinary trail of notes exploring how critical sociology can speak to this troubled decade. Microverses analyses the intellectual situation, the political crisis of Trump’s last months in office, and love and illness in a period when both were fraught with the public emergency of the coronavirus. Riley brings the theoretical canon to bear on problems of intellectual culture and everyday life, working through Weber and Durkheim, Parsons and Dubois, Gramsci and Lukács, MacKinnon and Fraser, to weigh sociology’s relationship to Marxism and the operations of class, race and gender, alongside discursions into the workings of an orchestra and the complicatedness of taking a walk in a pandemic. Invitations rather than finished arguments, the notes attempt to recover the totalising perspective of sociology – the ability to see society in the round, as though from the outside – and to recuperate what Paul Sweezy described as a sense of the ‘present as history’.
It's just another song to me. I've written 1,000 of them and it's really just another one.' Jimmy Webb 'When I heard it I cried. It made me cry because I was homesick. It's just a masterfully written song.' Glen Campbell The sound of 'Wichita Lineman' was the sound of ecstatic solitude, but then its hero was the quintessential loner. What a great metaphor he was: a man who needed a woman more than he actually wanted her. Written in 1968 by Jimmy Webb, 'Wichita Lineman' is the first philosophical country song: a heartbreaking torch ballad still celebrated for its mercurial songwriting genius fifty years later. It was recorded by Glen Campbell in LA with a legendary group of musicians known as 'the Wrecking Crew', and something about the song's enigmatic mood seemed to capture the tensions in America at a moment of crisis. Fusing a dribble of bass, searing strings, tremolo guitar and Campbell's plaintive vocals, Webb's paean to the American West describes a telephone lineman's longing for an absent lover, who he hears 'singing in the wire' - and like all good love songs, it's an SOS from the heart. Mixing close-listening, interviews and travelogue, Dylan Jones explores the legacy of a record that has entertained and haunted millions for over half a century. What is it about this song that continues to seduce listeners, and how did the parallel stories of Campbell and Webb - songwriters and recording artists from different ends of the spectrum - unfold in the decades following? Part biography, part work of musicological archaeology, The Wichita Lineman opens a window on to America in the late-twentieth century through the prism of a song that has been covered by myriad artists in the intervening decades.'Americana in the truest sense: evocative and real.' Bob Stanley
Dylan Jones’s engrossing, magisterial biography of David Bowie is unlike any Bowie story ever written. Drawn from over 180 interviews with friends, rivals, lovers, and collaborators, some of whom have never before spoken about their relationship with Bowie, this oral history weaves a hypnotic spell as it unfolds the story of a remarkable rise to stardom and an unparalleled artistic path. Tracing Bowie’s life from the English suburbs to London to New York to Los Angeles, Berlin, and beyond, its collective voices describe a man profoundly shaped by his relationship with his schizophrenic half-brother Terry; an intuitive artist who could absorb influences through intense relationships and yet drop people cold when they were no longer of use; and a social creature equally comfortable partying with John Lennon and dining with Frank Sinatra. By turns insightful and deliciously gossipy, David Bowie is as intimate a portrait as may ever be drawn. It sparks with admiration and grievances, lust and envy, as the speakers bring you into studios and bedrooms they shared with Bowie, and onto stages and film sets, opening corners of his mind and experience that transform our understanding of both artist and art. Including illuminating, never-before-seen material from Bowie himself, drawn from a series of Jones’s interviews with him across two decades, David Bowie is an epic, unforgettable cocktail-party conversation about a man whose enigmatic shapeshifting and irrepressible creativity produced one of the most sprawling, fascinating lives of our time.
This book builds a fresh perspective on therapeutic narratives of intimate life. Focusing on the question of how popular psychology organises everyday experiences of intimacy, its argument is grounded in qualitative research in Trinidad in the Anglophone Caribbean. Against the backdrop of Trinidad’s colonial and postcolonial history, the authors map the development of therapeutic institutions and popular therapeutic practices and explore how transnationally mobile, commercial forms of popular psychology, mostly originating in the Global North, have taken root in Trinidadian society through online social networks, self-help books, and other media. In this sense, the book adds to social research on the transnational spread of a digital attention economy and its participation in the proliferation of popular psychological discourse. Drawing on in-depth interviews with self-help readers, the book considers how popular psychology organises their everyday experiences of intimate life. It argues that the proliferation of self-help media contributes to the psychologisation of intimate relationships and obscures the social dimensions of intimacy in terms of gender, race, ethnicity, and other social structures and inequalities. At the same time, the book draws on anthropological arguments about the colonisation of consciousness in the Global South to interpret the insertion of transnationally mobile popular psychology into Trinidadian society. An innovative contribution to scholarship on therapeutic cultures, which explores the widely under-researched dissemination of popular psychology in the Global South, the book adds to a sociological understanding of the ways in which therapeutic narratives of self and intimate relationships come to be incorporated into everyday experience. As such, it will appeal to scholars of cultural studies, anthropology, and the sociology of gender, sexuality, families, and personal life.
1000 weird but true facts all about Hollywood and the film industry - from the early days to the modern era. Murders, child stars, bizarre diets, studio meddling, sex scandals, feuding stars, and all manner of fascinating trivia about actors and the movies they featured in and the strange world of Hollywood. All this and more can be found in 1000 Weird Facts About Hollywood.
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