The towering sculptures of Dylan Lewis are becoming well-known landmarks in South Africa, where they grace botanical gardens, golf courses, grand hotel foyers and the halls of discerning collectors. Increasingly, they are being snapped up by galleries and institutions abroad. This publication builds on an earlier book, bringing the photographic record of Dylan Lewis’ work up to date. The brief introductory text reveals how the sculptor’s boyhood in a happily bohemian, nature-loving and creative family inspired him, and traces his artistic development from what have come to be known as ‘the cat years’ to his current, more esoteric and mythical approach. This classy and beautifully presented book showcases some of Lewis’ most ambitious and successful works in a series of dramatic photographs, and includes images of preliminary sketches and working methods.
The towering sculptures of Dylan Lewis are becoming well-known landmarks in South Africa, where they grace botanical gardens, golf courses, grand hotel foyers and the halls of discerning collectors. Increasingly, they are being snapped up by galleries and institutions abroad. This publication builds on an earlier book, bringing the photographic record of Dylan Lewis’ work up to date. The brief introductory text reveals how the sculptor’s boyhood in a happily bohemian, nature-loving and creative family inspired him, and traces his artistic development from what have come to be known as ‘the cat years’ to his current, more esoteric and mythical approach. This classy and beautifully presented book showcases some of Lewis’ most ambitious and successful works in a series of dramatic photographs, and includes images of preliminary sketches and working methods.
A medical thriller “full of twists and secrets from the completely heartbreaking start to marvellously shocking yet satisfying ending . . . brilliant” (White Tulip Candles). He’s a doctor . . . but can you trust him? With his marriage collapsing and grief-stricken following the death of his baby son, surgeon Dan Lewis is struggling to make sense of it all. His work is his lifeline. But when he fixates on a child patient he thinks has a potentially lethal disease, no one believes the diagnosis. They all think he’s losing his mind. When one of Dan’s critics is senselessly murdered and the evidence points to the damaged doctor as the prime suspect, his bad situation becomes desperate. But there’s a dark secret linking the ill child and the murder victim. One that no one other than Dan can see. Can he overcome his paralyzing despair to reveal the truth and clear himself? And if he does, will he be in time to save an innocent child from a terrifying fate?
Gordon Seegerman is a reluctant public defender by day and the Barry-obsessed singer in a Manilow cover band by night. When a routine misdemeanor case exposes corruption among his city's most prominent citizens, Seegerman finds himself having to act like a real lawyer for the first time in his life. Irresistible and irreverent, Misdemeanor Man will have you on the edge of your seat, rooting for the underdog and believing in the magic of Manilow.
The Biographical Dictionary of Popular Music is an incredible and opinionated collection of celebrated cultural critic Dylan Jones's thoughts on more than 350 of the most important artists around the world—alive and dead, big and small, at length and in brief. This A to Z reference is the true musical heir to David Thomson's seminal The New Biographical Dictionary of Popular Film. Jones writes entertainingly about bands that have inspired, bedeviled, and fascinated him over the years.
“An interesting look at how 1977 marked the explosion of punk alongside this heartbreaking (though not altogether surprising) loss of a legend” (USA Today). In the late 1970s, punk music was setting out to destroy everything Elvis Presley had come to represent. But punk couldn’t destroy The King himself—he had already done that, succumbing to his excesses at Graceland on August 16, 1977. Ever since, Elvis has permeated the world in ways that are bizarre and inexplicable: a pop icon while alive, he has become almost a religious icon in death, a modern-day martyr crucified on the wheel of drugs, celebrity culture, junk food, and sex. In Elvis Has Left the Building, Dylan Jones takes us back to those heady days around the time of his death and the simultaneous rise of punk. Evoking the hysteria and devotion of The King’s numerous disciples and imitators, Jones offers a uniquely insightful commentary on Elvis’s life, times, and outrageous demise. Recounting how the artist single-handedly changed the course of popular music and culture, he also delves deep into the cult of The King and reveals what Elvis’s death meant—and still means to us today. “I’m not sure punk would have existed without [Elvis]. In fact I’m not sure a lot of things would have existed without him. Dylan Jones is the right man to ponder such questions.” —Bono “A gripping tale of impossible success and terrible waste and lost beauty that veers from Memphis to Las Vegas and all the way to the broken backstreets of London.” —Tony Parsons, author of The Hanging Club
This detailed and perceptive book examines the extent and scope of how rules for accession to the WTO may vary between countries, approaching the concerns that some countries enter with a better deal than others. Dylan Geraets critiques these additional ‘rules’ and aims to answer the question of whether new Members of the WTO are under stricter rules than the original Members, whilst analysing the accession process to the multilateral trading system.
In The Claims of Kinfolk, Dylan Penningroth uncovers an extensive informal economy of property ownership among slaves and sheds new light on African American family and community life from the heyday of plantation slavery to the "freedom generation" of the 1870s. By focusing on relationships among blacks, as well as on the more familiar struggles between the races, Penningroth exposes a dynamic process of community and family definition. He also includes a comparative analysis of slavery and slave property ownership along the Gold Coast in West Africa, revealing significant differences between the African and American contexts. Property ownership was widespread among slaves across the antebellum South, as slaves seized the small opportunities for ownership permitted by their masters. While there was no legal framework to protect or even recognize slaves' property rights, an informal system of acknowledgment recognized by both blacks and whites enabled slaves to mark the boundaries of possession. In turn, property ownership--and the negotiations it entailed--influenced and shaped kinship and community ties. Enriching common notions of slave life, Penningroth reveals how property ownership engendered conflict as well as solidarity within black families and communities. Moreover, he demonstrates that property had less to do with individual legal rights than with constantly negotiated, extralegal social ties.
Water played an important part of ancient Roman life, from providing necessary drinking water, supplying bath complexes, to flowing in large-scale public fountains. The Roman culture of water was seen throughout the Roman Empire, although it was certainly not monolithic and it could come in a variety of scales and forms, based on climatic and social conditions of different areas. This article seeks to define ‘water culture’ in Roman society by examining literary, epigraphic, and archaeological evidence, while understanding modern trends in scholarship related to the study of Roman water. The culture of water can be demonstrated through expressions of power, aesthetics, and spectacle. Further there was a shared experience of water in the empire that could be expressed through religion, landscape, and water’s role in cultures of consumption and pleasure.
In this insightful new book on the remarkable William James, the American psychologist and philosopher, Krister Dylan Knapp provides the first deeply historical and acutely analytical account of James's psychical research. While showing that James always maintained a critical stance toward claims of paranormal phenomena like spiritualism, Knapp uses new sources to argue that psychical research held a strikingly central position in James's life. It was crucial to his familial and professional relationships, the fashioning of his unique intellectual disposition, and the shaping of his core doctrines, especially the will-to-believe, empiricism, fideism, and theories of the subliminal consciousness and immortality. Knapp explains how and why James found in psychical research a way to rethink the well-trodden approaches to classic Euro-American religious thought, typified by the oppositional categories of natural vs. supernatural and normal vs. paranormal. He demonstrates how James eschewed these choices and instead developed a tertiary synthesis of them, an approach Knapp terms tertium quid, the third way. Situating James's psychical research in relation to the rise of experimental psychology and Protestantism's changing place in fin de siecle America, Knapp asserts that the third way illustrated a much broader trend in transatlantic thought as it struggled to navigate the uncertainties and religious adventurism of the modern age.
Suspended Apocalypse is a rich and provocative meditation on the emergence of the Filipino American as a subject of history. Culling from historical, popular, and ethnographic archives, Dylan Rodríguez provides a sophisticated analysis of the Filipino presence in the American imaginary. Radically critiquing current conceptions of Filipino American identity, community, and history, he puts forth a genealogy of Filipino genocide, rooted in the early twentieth-century military, political, and cultural subjugation of the Philippines by the United States. Suspended Apocalypse critically addresses what Rodríguez calls "Filipino American communion," interrogating redemptive and romantic notions of Filipino migration and settlement in the United States in relation to larger histories of race, colonial conquest, and white supremacy. Contemporary popular and scholarly discussions of the Filipino American are, he asserts, inseparable from their origins in the violent racist regimes of the United States and its historical successor, liberal multiculturalism. Rodríguez deftly contrasts the colonization of the Philippines with present-day disasters such as Hurricane Katrina and Mount Pinatubo to show how the global subjection of Philippine, black, and indigenous peoples create a linked history of genocide. But in these juxtapositions, Rodríguez finds moments and spaces of radical opportunity. Engaging the violence and disruption of the Filipino condition sets the stage, he argues, for the possibility of a transformation of the political lens through which contemporary empire might be analyzed, understood, and perhaps even overcome.
Is God involved? Why do bad things happen to good people? What is up to us? These questions were explored in Mediterranean antiquity with reference to ‘providence’ (pronoia). In Did God Care? Dylan Burns offers the first comprehensive survey of providence in ancient philosophy that brings together the most important Greek, Latin, Coptic, and Syriac sources, from Plato to Plotinus and the Gnostics. Burns demonstrates how the philosophical problems encompassed by providence transformed in the first centuries CE, yielding influential notions about divine care, evil, creation, omniscience, fate, and free will that remain with us today. These transformations were not independent developments of ‘Pagan philosophy’ and ‘Christian theology,’ but include fruits of mutually influential engagement between Hellenic and Christian philosophers.
Dramatic changes in society, technology and culture have transformed the relationship between political parties, the media, and the individual voter over the last fifty years. The leading researchers gathered in this volume offer a comprehensive analysis of the evolution of British political communication since 1945. They explore the competition for coverage between political parties and media organizations, the ongoing rivalry between politicians and the press, and the implications for the quality of British democracy.
We must make judgments all the time when we can't be certain of the risks. Should we have that elective surgery? Trust the advice of our financial adviser? Take that new job we've been offered? How worried should we be about terrorist attacks? In this lively and groundbreaking book, pioneering researcher Dylan Evans introduces a newly discovered kind of intelligence for assessing risks, demonstrating how vital this risk intelligence is in our lives and how we can all raise our RQs in order to make better decisions every day. Evans has spearheaded the study of risk intelligence, devising a simple test to measure a person's RQ which when posted online sparked a storm of interest and was taken by tens of thousands of people. His research has revealed that risk intelligence is quite different from IQ, and that the vast majority of us have quite poor risk intelligence. However, he did find some people who have very high RQs. So what makes the difference? Introducing a wealth of fascinating research findings, Evans identifies a key set of common errors in our thinking that most of us fall victim to and that undermine our risk intelligence, such as "ambiguity aversion," overconfidence in our knowledge, the fallacy of mind reading, and our attraction to worst-case scenarios. We are also regularly led astray by the ways in which information is provided to us. Citing a wide range of real-life examples--from the brilliant risk assessment skills of horse race handicappers to the tragically flawed evaluations of risk that caused the financial crisis--Evans illustrates that sometimes our most trusted advisors, including the experts and analysts at the top of their disciplines, don't always give us the best advice when it comes to risk evaluation. Presenting his revolutionary test that allows readers to evaluate their own RQs, Evans introduces a number of simple techniques we can use to build our risk assessment powers and reports on the striking results he's seen in training people to develop their RQs. Both highly engaging and truly mind-changing, Risk Intelligence will fascinate all of those who are interested in how we can improve our thinking in order to enhance our lives.
A second all new volume of celebrity deaths and murders. The cases that follow are eclectic and darkly fascinating. Drug overdoses, murders, television suicides, crazed fans, unsolved deaths, autoerotic asphyxiation, car crashes, freak accidents, doomed child stars, and so on. New additions include James Dean, Peaches Geldof, Paul Walker, Steve Irwin, Whitney Houston, Christine Chubbuck, Lana Clarkson, Caroline Flack, Jayne Mansfield, and many more.
WINNER OF THE BEST FIELD GUIDE AT THE WHITLEY AWARDS 2019 Packed with extraordinary photographs, this ground-breaking book represents the first accessible field guide to the reptiles and amphibians of New Zealand, covering all 123 species. From the ancient tuatara to the world's largest collection of long-lived and live-bearing lizards, every species account includes an accurate distribution map and information on appearance, habitat, similar species and natural history. This definitive guide also features a comprehensive introduction to evolution, conservation, ecosystems and geographic history. This is the ultimate photographic field guide to New Zealand's herpetofauna, and is a gateway into the world of these fascinating tetrapods for amateur and expert herpetologists alike.
This expert volume in the Diagnostic Pathology series is an excellent resource for practitioners at all levels of experience and training. Covering all aspects of hospital autopsy in the way it is practiced clinically, this volume incorporates the most up-to-date scientific and technical knowledge to provide a comprehensive overview of all key issues relevant to today's practice, helping pathologists accurately determine the cause and mechanism of in-hospital death. Richly illustrated and easy to use, Diagnostic Pathology: Hospital Autopsy, second edition, is a visually stunning, one-stop resource for every practicing pathologist, resident, student, or fellow as an ideal day-to-day reference or as a reliable training resource. - Features complete coverage of every aspect of autopsy practice?including clinical presentation with chart review, technical and diagnostic aspects of autopsy performance, and reporting - Presents classic autopsy techniques while also emphasizing the role of molecular studies and other laboratory and ancillary tests not commonly thought of during autopsy practice - Contains new chapters on emerging pathogens and medical entities (deaths from COVID-19 or vaccine complications, multisystem inflammatory disorders in children, adenoviral hepatitis in children, and more), toxicity/pathology associated with new drug therapies (CAR-T, mRNA vaccine-related immune events, etc.), and new cardiac and other medical devices - Features new or updated content on morgue/autopsy suite maintenance, enhanced biosafety techniques, the role of the autopsy practitioner in a pandemic setting, and more - Provides important clinical and diagnostic information through more than 1,100 clinical and gross pathology photographs, histologic images, full-color illustrations, and radiologic images - Includes case presentations highlighting important aspects of reporting that impact clinicians as well as next of kin - Focuses on pathologists in hospital settings, but also provides value to forensic pathologists, private practice pathologists, and others involved in death investigation, such as coroners, medical examiners, law enforcement, and pathology residents - Employs consistently templated chapters, bulleted content, key facts, a variety of tables, annotated images, pertinent references, and an extensive index for quick, expert reference - Any additional digital ancillary content may publish up to 6 weeks following the publication date.
From invading hordes to enemy agents, a great fear haunts the West! The “yellow peril” is one of the oldest and most pervasive racist ideas in Western culture—dating back to the birth of European colonialism during the Enlightenment. Yet while Fu Manchu looks almost quaint today, the prejudices that gave him life persist in modern culture. Yellow Peril! is the first comprehensive repository of anti-Asian images and writing, and it surveys the extent of this iniquitous form of paranoia. Written by two dedicated scholars and replete with paintings, photographs, and images drawn from pulp novels, posters, comics, theatrical productions, movies, propagandistic and pseudo-scholarly literature, and a varied world of pop culture ephemera, this is both a unique and fascinating archive and a modern analysis of this crucial historical formation.
Jack the Ripper was a serial killer active in the Whitechapel district of London in 1888. There were five 'canonical' murders of an unusually brutal nature. What makes the grisly saga of Jack the Ripper so enduringly famous and fascinating is that the case was never solved. To this day people are still coming up with new suspects and trying to solve this most famous of cases. The Ripper was not only lethal but remarkably clever or lucky at remaining undetected. This killer was definitely not someone you would wish to meet on a dark and misty Whitechapel night. In the book that follows we'll take a look at Ripper suspects and attempt to gauge who is credible and who isn't to see if we can make any sense of this most puzzling (not to mention harrowing) unsolved true crime case.
Was love invented by European poets in the Middle Ages or is it part of human nature? Will winning the lottery really make you happy? Is it possible to build robots that have feelings? These are just some of the intriguing questions explored in this guide to the latest thinking about the emotions. Drawing on a wide range of scientific research, from anthropology and psychology to neuroscience and artificial intelligence, Emotion: The Science of Sentiment takes the reader on a fascinating journey into the human heart. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
This gathering of all Dylan Thomas's stories, ranging chronologically from the dark, almost surrealistic tales of Thomas's youth to such gloriously rumbustious celebrations of life as A Child's Christmas in Wales and Adventures in the Skin Trade, charts the progress of "The Rimbaud of Cwmdonkin Drive" toward his mastery of the comic idiom.
WINNER OF THE NOBEL PRIZE IN LITERATURE The celebrated first memoir from arguably the most influential singer-songwriter in the country, Bob Dylan. “I’d come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else.” So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan’s eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan’s New York is a magical city of possibilities—smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book’s side trips to New Orleans, Woodstock, Minnesota, and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times. By turns revealing, poetical, passionate, and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan’s thoughts and influences. Dylan’s voice is distinctively American: generous of spirit, engaged, fanciful, and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art.
A comprehensive survey of the work of this most influential Florentine artist and teacher Andrea del Verrocchio (c. 1435–1488) was one of the most versatile and inventive artists of the Italian Renaissance. He created art across media, from his spectacular sculptures and paintings to his work in goldsmithing, architecture, and engineering. His expressive, confident drawings provide a key point of contact between sculpture and painting. He led a vibrant workshop where he taught young artists who later became some of the greatest painters of the period, including Leonardo da Vinci, Sandro Botticelli, Lorenzo di Credi, and Domenico Ghirlandaio. This beautifully illustrated book presents a comprehensive survey of Verrocchio's art, spanning his entire career and featuring some fifty sculptures, paintings, and drawings, in addition to works he created with his students. Through incisive scholarly essays, in-depth catalog entries, and breathtaking illustrations, this volume draws on the latest research in art history to show why Verrocchio was one of the most innovative and influential of all Florentine artists. Published in association with the National Gallery of Art, Washington, DC
From Darwin to "Star Trek", Evans offers a lively look at the science of emotions and finds that whether we live in the shadow of Times Square or in the depths of the rain forest, all humans feel disgust, joy, surprise, anger, fear, and distress. 20 halftones.
Realism has been the most influential theoretical approach in international relations since the discipline was born. Yet realism, for all its popularity, has always been criticised for its narrow world view of a system of states all seeking power, security and survival in a world of anarchy. Additionally, realism has struggled to provide explanations for some of the major events and evolutions in world politics. The timing of the outbreak of wars, the disappearance of superpowers and trends of regionalisation are all inadequately explained by realism, leaving the critic to ask, simply, why? Dylan Kissane answers this question by going to the core of realist theory and arguing that realism‘s problems stem from a critical yet flawed assumption about the nature of the international system. By assuming an anarchical system, realists diminish the complexity of international politics and blind themselves to the impact of substate actors. In this book, Kissane opens the door to re-founding international relations theory not on anarchy but on the assumption of a complex international system. Drawing on an interdisciplinary literature and offering a novel application of complexity theory to international politics, Beyond Anarchy is the beginning of a new and exciting stream of international relations theory for the twenty-first century.
A “compelling study” of how the idea of white supremacy persists long after the Civil Rights Act—“as thoughtful as it is fierce” (David Roediger, author of The Sinking Middle Class: A Political History). We are in the fray of another signature moment in the long history of the United States as a project of anti Black and racial–colonial violence. Long before November 2016, white nationalism, white terrorism, and white fascist statecraft proliferated. Thinking across a variety of archival, testimonial, visual, and activist texts—from Freedmen’s Bureau documents and the “Join LAPD” hiring campaign to Barry Goldwater’s hidden tattoo and the Pelican Bay prison strike—Dylan Rodríguez counter-narrates the long “post–civil rights” half-century as a period of White Reconstruction, in which the struggle to reassemble the ascendancy of White Being permeates the political and institutional logics of diversity, inclusion, formal equality, and “multiculturalist white supremacy.” Throughout White Reconstruction, Rodríguez considers how the creative, imaginative, speculative collective labor of abolitionist praxis can displace and potentially destroy the ascendancy of White Being and Civilization in order to create possibilities for insurgent thriving.
In this charming romantic comedy, a hometown hero comes to the rescue of a chef unexpectedly left to care for three little girls—who may end up saving him too. When disaster strikes and chef Bryce Weatherford is given guardianship of her three young nieces, her life goes from cooking with fire…to controlling a dumpster fire. Five‑year‑old Addison refuses to remove her fairy wings, eight‑year‑old Cecily won't bathe, and tween June is majoring in belligerence. With all this chaos, Bryce jettisons hope for a life outside of managing her family and her new job. It's been years since Ryker Matthews had his below‑the‑knee amputation, yet the phantom pain for his lost limb and Marine career haunts him. To cope, he focuses on his vehicle restoration business. He knows he's lucky to be alive. Yet, “lucky” feels more like “cursed” to his lonely heart. When Ryker literally sweeps Bryce off her feet in the grocery store's baby aisle, they both feel sparks. But falling in love would be one more curveball neither is ready to deal with… or is it exactly the change of plans they need?
First Published in 1999. This book is divided into two parts. The first part is essentially a response to a minimalist question: how perfect is language? There are so many factors involved in hiding the true nature of a language from casual observers. On the other hand, it is a lot easier to put a few languages side by side and show that the apparent imperfection actually comes from the diversity of their lexicons. By comparing wh-construals in Chinese, Japanese, English and Hindi, it becomes clear that these languages follow an optimal design of operator-variable dependencies as best as they could. As best as their individual morphologies allow, for that matter. The second part of this book addresses the issue how syntax interacts with semantics in a minimalist way.
Re-examining C.Wright Mills’s legacy as a jumping off point, this original introduction to sociology illuminates global concepts, themes and practices that are fundamental to the discipline. It makes a case for the importance of developing a sociological imagination and provides the steps for how readers can do that. The unique text: • Offers succinct and wide-ranging coverage of many of the most important themes and concepts taught in first year sociology courses; • Has a global framework and case material which engages with decoloniality and critiques an overly white, western and developed world view of sociology; • Is woven through with contemporary examples, from social media to social inequality, big data to the self-help industry; • Rethinks and re-imagines what a critically committed, politically engaged and publicly relevant sociology should look like in the 21st century. This is a lively, engaging and accessible overview of sociology for all its students, teachers and people who want to learn more about sociology today. It is a welcome clarion call for sociology’s importance in public life.
1000 weird but true facts all about Hollywood and the film industry - from the early days to the modern era. Murders, child stars, bizarre diets, studio meddling, sex scandals, feuding stars, and all manner of fascinating trivia about actors and the movies they featured in and the strange world of Hollywood. All this and more can be found in 1000 Weird Facts About Hollywood.
Penningroth's conclusions emerge from an epic research agenda.... Before the Movement presents an original and provocative account of how civil law was experienced by Black citizens and how their 'legal lives' changed over time . . . [an] ambitious, stimulating, and provocative book." —Eric Foner, New York Review of Books Shortlisted for the Cundill History Prize Winner of the Merle Curti Social History Award from the Organization of American Historians Winner of the Ellis W. Hawley Prize from the Organization of American Historians Winner of the David J. Langum, Sr. Prize in American Legal History Winner of the James Willard Hurst Prize Winner of the Scribes Book Award (American Society of Legal Writers) A prize-winning scholar draws on astonishing new research to demonstrate how Black people used the law to their advantage long before the Civil Rights Movement. The familiar story of civil rights goes like this: once, America’s legal system shut Black people out and refused to recognize their rights, their basic human dignity, or even their very lives. When lynch mobs gathered, police and judges often closed their eyes, if they didn’t join in. For Black people, law was a hostile, fearsome power to be avoided whenever possible. Then, starting in the 1940s, a few brave lawyers ventured south, bent on changing the law. Soon, ordinary African Americans, awakened by Supreme Court victories and galvanized by racial justice activists, launched the civil rights movement. In Before the Movement, acclaimed historian Dylan C. Penningroth brilliantly revises the conventional story. Drawing on long-forgotten sources found in the basements of county courthouses across the nation, Penningroth reveals that African Americans, far from being ignorant about law until the middle of the twentieth century, have thought about, talked about, and used it going as far back as even the era of slavery. They dealt constantly with the laws of property, contract, inheritance, marriage and divorce, of associations (like churches and businesses and activist groups), and more. By exercising these “rights of everyday use,” Penningroth demonstrates, they made Black rights seem unremarkable. And in innumerable subtle ways, they helped shape the law itself—the laws all of us live under today. Penningroth’s narrative, which stretches from the last decades of slavery to the 1970s, partly traces the history of his own family. Challenging accepted understandings of Black history framed by relations with white people, he puts Black people at the center of the story—their loves and anger and loneliness, their efforts to stay afloat, their mistakes and embarrassments, their fights, their ideas, their hopes and disappointments, in all their messy humanness. Before the Movement is an account of Black legal lives that looks beyond the Constitution and the criminal justice system to recover a rich, broader vision of Black life—a vision allied with, yet distinct from, “the freedom struggle.”
Imagine being able to fly. Walk through walls. Shape-shift. Breathe underwater. Conjure loved ones—or total strangers—out of thin air. Imagine experiencing your nighttime dreams with the same awareness you possess right now—fully functioning memory, imagination, and self-awareness. Imagine being able to use this power to be more creative, solve problems, and discover a deep sense of well-being. This is lucid dreaming—the ability to know you are dreaming while you are in a dream, and then consciously explore and change the elements of the dream. A Field Guide to Lucid Dreaming, with its evocative retro illustrations, shows exactly how to do it. Written by three avid, experienced lucid dreamers, this manual for the dream world takes the reader from step one—learning how to reconnect with his or her dreams— through the myriad possibilities of what can happen once the dreamer is lucid and an accomplished oneironaut (a word that comes from the Greek oneira, meaning dreams, and nautis, meaning sailor). Readers will learn about the powerful REM sleep stage—a window into lucid dreams. Improve dream recall by keeping a journal. The importance of reality checks, such as “The Finger”—during the day, try to pass your finger through your palm; then, when you actually do it successfully, you’ll know that you’re dreaming. And once you become lucid, how to make the most of it. Every time you dream, you are washing up on the shores of your own inner landscape. Learn to explore a strange and thrilling world with A Field Guide to Lucid Dreaming.
The first history of the Joint Intelligence Bureau - an organisation designed to preserve and advance British capability in military intelligence for the Cold War - shedding light on the largely unknown world of military and economic intelligence after 1945, and how this intelligence influenced British policies throughout the 1950s and 1960s.
The politics, art and culture of Perth's Workers Art Guildare detailed in this comprehensive history, as well as the personal andprofessional lives of some of the movement's key figures.The Workers' Art Guild was a left-leaning political force andinfluential cultural movement of the 1930s and 1940s in Perth. Policeand intelligence arms kept close tabs on the Guild and its members,jailing some and intimidating many others prior to and during theperiod of the banning of the Communist Party in Australia.The book covers the personal and professional lives of key figuressuch as writer Katharine Susannah Prichard and theatre maverickKeith George, while charting the influence of the Communist Party onWestern Australian artists.
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