Was love invented by European poets in the Middle Ages or is it part of human nature? Will winning the lottery really make you happy? Is it possible to build robots that have feelings? In this Very Sort Introduction Dylan Evans explores these and many other intriguing questions in this guide to the latest thinking about the emotions. Drawing on a wide range of scientific research, from anthropology and psychology to neuroscience and artificial intelligence, Evans takes the reader on a fascinating journey into the human heart, discussing the evolution of emotions and their biological basis, the science of happiness, and the role that emotions play in memory and decision making. Greeted by critics as a pop science classic when it was first published in 2001, the book has now been thoroughly revised and updated to incorporate new developments in our understanding of emotions, including new sections addressing the neural basis of empathy and the emotional impact of films. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
We must make judgments all the time when we can't be certain of the risks. Should we have that elective surgery? Trust the advice of our financial adviser? Take that new job we've been offered? How worried should we be about terrorist attacks? In this lively and groundbreaking book, pioneering researcher Dylan Evans introduces a newly discovered kind of intelligence for assessing risks, demonstrating how vital this risk intelligence is in our lives and how we can all raise our RQs in order to make better decisions every day. Evans has spearheaded the study of risk intelligence, devising a simple test to measure a person's RQ which when posted online sparked a storm of interest and was taken by tens of thousands of people. His research has revealed that risk intelligence is quite different from IQ, and that the vast majority of us have quite poor risk intelligence. However, he did find some people who have very high RQs. So what makes the difference? Introducing a wealth of fascinating research findings, Evans identifies a key set of common errors in our thinking that most of us fall victim to and that undermine our risk intelligence, such as "ambiguity aversion," overconfidence in our knowledge, the fallacy of mind reading, and our attraction to worst-case scenarios. We are also regularly led astray by the ways in which information is provided to us. Citing a wide range of real-life examples--from the brilliant risk assessment skills of horse race handicappers to the tragically flawed evaluations of risk that caused the financial crisis--Evans illustrates that sometimes our most trusted advisors, including the experts and analysts at the top of their disciplines, don't always give us the best advice when it comes to risk evaluation. Presenting his revolutionary test that allows readers to evaluate their own RQs, Evans introduces a number of simple techniques we can use to build our risk assessment powers and reports on the striking results he's seen in training people to develop their RQs. Both highly engaging and truly mind-changing, Risk Intelligence will fascinate all of those who are interested in how we can improve our thinking in order to enhance our lives.
From Darwin to "Star Trek", Evans offers a lively look at the science of emotions and finds that whether we live in the shadow of Times Square or in the depths of the rain forest, all humans feel disgust, joy, surprise, anger, fear, and distress. 20 halftones.
As read on BBC Radio 4's Book of the Week. Imagine you have survived an apocalypse. Civilization as you knew it is no more. What will life be like and how will you cope? In 2006, Dylan Evans set out to answer these questions. He left his job in a high-tech robotics lab, moved to the Scottish Highlands and founded a community called The Utopia Experiment. There, together with an eclectic assortment of volunteers, he tried to live out a scenario of global collapse, free from modern technology and comforts. Within a year, Evans found himself detained in a psychiatric hospital, shattered and depressed, trying to figure out what had gone wrong. In The Utopia Experiment he tells his own extraordinary story: his frenzied early enthusiasm for this unusual project, the many challenges of post-apocalyptic living, his descent into madness and his gradual recovery. In the process, he learns some hard lessons about himself and about life, and comes to see the modern world he abandoned in a new light. 'A gripping, slow-motion car crash. You can't take your eyes off it' Julian Baggini, Financial Times 'It radiates an intense intelligence and a candour that is never less than touching and, sometimes, downright heartrending' Daily Mail 'Extraordinary . . . both frightening and compelling' GQ
Can we really cure ourselves of disease by the power of thought alone? Faith healers and alternative therapists are convinced that we can, but what does science say? Contrary to public perception, orthodox medical opinion is remarkably confident about the healing powers of the mind. For the past fifty years, doctors have been taught that placebos such as sugar pills and water injections can relieve virtually any kind of medical condition. Yet placebos only work if you believe they work, so the medical confidence in the power of the placebo effect has provided scientific legitimacy to popular claims about the healing power of the mind. In this intriguing exploration, Dylan Evans exposes the flaws in the scientific research into the placebo effect and reveals the limits of what can and cannot be cured by thought alone. Drawing on new ideas in immunology and evolutionary biology, Evans proposes a new theory about how placebos work, and asks some searching questions about our concepts of health and disease
A new look at the concepts of natural selection and the "selfish gene" draws on the latest research in genetics, ecology, and animal behavior to lend strong support to the theory of evolution. Original.
Why are more and more people believing that there is no god? It sometimes feels that much of the western world is now post-religious. But now the initial charge of Richard Dawkins and the new atheists has past, what does atheism really mean? That is the question that Dylan Evans addresses in this thoughtful and engaging atheist manifesto. Discover what values atheists share with believers. Explore how can a belief that something doesn't exist can still be a belief. And find out whether modern atheism is new or just a new form of an old system of values. Building on the work of atheist philosophers and psychologists, Dylan Evans shows how the history of atheist thought has developed and offers fresh ideas for how life has meaning from an atheist perspective.
In 1859, Charles Darwin shocked the world with a radical theory - evolution by natural selection. One hundred and fifty years later, his theory still challenges some of our most precious beliefs. "Introducing Evolution" provides a step-by-step guide to 'Darwin's dangerous idea' and takes a fresh look at the often misunderstood concepts of natural selection and the selfish gene. Drawing on the latest findings from genetics, ecology and animal behaviour - as well as the work of best-selling science writers such as Richard Dawkins and Steven Pinker - a string of brilliant examples, superbly illustrated by Howard Selina, reveals how the evidence in favour of evolutionary theory is stronger than ever. With wit and clarity, Dylan Evans addresses many puzzling issues: Did life first evolve on other planets? What's the advantage of having sex? Why do your parents look after you? And what good to a bird is half a wing? From the death of the dinosaurs to the development of digital organisms, "Introducing Evolution" brings Darwin up-to-date with the latest scientific discoveries. This is the ideal guide to the most important idea ever to appear in the history of science.
How did the mind evolve? How does the human mind differ from the minds of our ancestors, and from the minds of our nearest relatives, the apes? What are the universal features of the human mind, and why are they designed the way they are? If our minds are built by selfish genes, why are we so cooperative? Can the differences between male and female psychology be explained in evolutionary terms? These questions are at the centre of a rapidly growing research programme called evolutionary psychology.
We live with the idea of sin every day – from the greatest transgressions to the tiniest misdemeanours. But surely the concept was invented for an age where divine retribution and eternal punishment dominated the collective consciousness? In this lively collection of new writing, Nicola Barker, Dylan Evans, David Flusfeder, Todd McEwen, Martin Rowson, John Sutherland and Ali Smith go head to head with the capital vices to explore what we really mean when we talk about sin. The resulting mixture of erudite and playful essays and startling new fiction might not make you a better person, but it will certainly give you pause for thought when you’ re next laying the law down or – heaven forfend – about to do something beyond the pale yourself.
This gathering of all Dylan Thomas's stories, ranging chronologically from the dark, almost surrealistic tales of Thomas's youth to such gloriously rumbustious celebrations of life as A Child's Christmas in Wales and Adventures in the Skin Trade, charts the progress of "The Rimbaud of Cwmdonkin Drive" toward his mastery of the comic idiom.
Using comic-book style illustration combined with accessible but authoritative text, the Introducing Graphic Guide series is a uniquely brilliant way to get your head around some of humankind's most thrilling ideas.In 1859, Charles Darwin shocked the world with a radical theory - evolution by natural selection. One hundred and fifty years later, his theory still challenges some of our most precious beliefs. Introducing Evolution: A Graphic Guide, on 'Darwin's dangerous idea', takes a fresh look at the often misunderstood concepts of natural selection and the selfish gene.Introducing Darwin: A Graphic Guide the difficult progress from pre-Darwinian thinking to modern genetics, and the devastatingly important impact of one man on our fundamental understanding of biology, life and ourselves.Introducing Genetics: A Graphic Guide takes readers on a journey through this new science to the discovery of DNA and the heart of the human gene map. In everyday life, many of us increasingly have to make moral decisions where genetics plays a part. This Graphic Guide gives us the information to do so.
We are not wholly bad or good, who live our lives under Milk Wood. 'Dazzling' New York Times 'A tour de force' Guardian 'Blazing' New Yorker Under Milk Wood is Dylan Thomas's best-known and best-loved work, his radio play completed in 1953 at the very end of his life. It tells the story of a seaside village during one spring day, populated by a cast of curious characters who we meet while still asleep, having wild dreams. Then as dusk and darkness fall at the end of the day, we say 'Goodnight', tucking them back into bed, to sleep once more. Lyrical, funny and moving, Under Milk Wood creates a rich modern pastoral, a tapestry of dreams and reality which has captured the imaginations of generations of readers. A Welsh epic, a work of poetic genius, a modern classic.
Dylan Thomas’s magisterial stories all in one volume, available in a beautiful new paperback edition. This gathering of all Dylan Thomas’s stories—ranging chronologically from the dark, almost surrealistic tales of Thomas’s youth to such gloriously rumbustious celebrations of life as “A Child’s Christmas in Wales” and “Adventures in the Skin Trade”—charts the progress of “The Rimbaud of Cwmdonkin Drive” toward his mastery of the comic idiom. Here, too, are stories originally written for radio and television and, in a short appendix, the schoolboy pieces first published in the Swansea Grammar School Magazine. A high point of the collection is Thomas’s “Portrait of the Artist as a Young Dog,” a vivid collage of memories from his Swansea childhood that combines the lyricism of his poetry with the sparkle and sly humor of Under Milk Wood. Also here is the fiction from Quite Early One Morning, a collection planned by Thomas shortly before his death. Altogether there are more than forty stories, providing a rich and varied literary feast and showing Dylan Thomas in all his intriguing variety–somber fantasist, joyous word-spinner, and irrepressible comedian of smalltown Wales.
Mae Owen yn artist dawnus, sy'n creu lluniau graffiti ar un o waliau'r dre yn y dirgel, ganol nos. Ond mae 'na gysylltiad rhwng y lluniau a phobl ddieithr sy'n cyrraedd yr ysgol ...
Mexican Americans/Chicana/os/Chicanx form a majority of the overall Latino population in the United States. In this collection, established and emerging Chicanx researchers diverge from the discipline’s traditional Southwest focus to offer academic and non-academic perspectives specifically on the Pacific Northwest and the Midwest. Their multidisciplinary papers address colonialism, gender, history, immigration, labor, literature, sociology, education, and religion, setting El Movimiento (the Chicanx movement) and the Chicanx experience beyond customary scholarship and illuminating how Chicanxs have challenged racialization, marginalization, and isolation in the northern borderlands. Contributors to We Are Aztlan! include Norma Cardenas (Eastern Washington University), Oscar Rosales Castaneda (activist, writer), Josue Q. Estrada (University of Washington), Theresa Melendez (Michigan State University, emeritus), the late Carlos Maldonado, Rachel Maldonado (Eastern Washington University, retired), Dylan Miner (Michigan State University), Ernesto Todd Mireles (Prescott College), and Dionicio Valdes (Michigan State University). Winner of a CHOICE Outstanding Academic Title.
Suspended Apocalypse is a rich and provocative meditation on the emergence of the Filipino American as a subject of history. Culling from historical, popular, and ethnographic archives, Dylan Rodríguez provides a sophisticated analysis of the Filipino presence in the American imaginary. Radically critiquing current conceptions of Filipino American identity, community, and history, he puts forth a genealogy of Filipino genocide, rooted in the early twentieth-century military, political, and cultural subjugation of the Philippines by the United States. Suspended Apocalypse critically addresses what Rodríguez calls "Filipino American communion," interrogating redemptive and romantic notions of Filipino migration and settlement in the United States in relation to larger histories of race, colonial conquest, and white supremacy. Contemporary popular and scholarly discussions of the Filipino American are, he asserts, inseparable from their origins in the violent racist regimes of the United States and its historical successor, liberal multiculturalism. Rodríguez deftly contrasts the colonization of the Philippines with present-day disasters such as Hurricane Katrina and Mount Pinatubo to show how the global subjection of Philippine, black, and indigenous peoples create a linked history of genocide. But in these juxtapositions, Rodríguez finds moments and spaces of radical opportunity. Engaging the violence and disruption of the Filipino condition sets the stage, he argues, for the possibility of a transformation of the political lens through which contemporary empire might be analyzed, understood, and perhaps even overcome.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.