The Newest Screenwriting Secrets What do an erstwhile stripper, an ex–gambling addict, and a stoned Canadian teenager have in common? They wrote your favorite movies, and they're not who you'd expect. Diablo Cody (Juno), Darren Aronofsky (The Wrestler), and Seth Rogan (Superbad) are among the scribes interviewed in Script Tease, your main line to the most current screenwriting wisdom. Their funny, even touching tales of how they made it despite the odds will give you a revealing look into what it really takes to get into the industry. With the guidance of recent greats like Aaron Sorkin (The Social Network) and the Coen Brothers (True Grit), you will learn how to hone your craft and make it in an industry where only the best succeed.
The Newest Screenwriting Secrets What do an erstwhile stripper, an ex–gambling addict, and a stoned Canadian teenager have in common? They wrote your favorite movies, and they're not who you'd expect. Diablo Cody (Juno), Darren Aronofsky (The Wrestler), and Seth Rogan (Superbad) are among the scribes interviewed in Script Tease, your main line to the most current screenwriting wisdom. Their funny, even touching tales of how they made it despite the odds will give you a revealing look into what it really takes to get into the industry. With the guidance of recent greats like Aaron Sorkin (The Social Network) and the Coen Brothers (True Grit), you will learn how to hone your craft and make it in an industry where only the best succeed.
A story collection full of a fantastic and whimsical assortment of odd characters only Dylan Thomas could have conceived. This collection of the poet Dylan Thomas's fiction––and what an extraordinary storyteller he was!––holds special interest because it ranges from the early stories such as "The School for Witches" and "The Burning Baby," with their powerful inheritance of Welsh mythology and wild imagination, to the chapters he completed before his death of the alas unfinished novel Adventures in the Skin Trade. Adventures is the story, written in a shrewd, sly, deadpan vein of picaresque comedy, of young Samuel Bennet, who runs away from his home in Wales to seek his fortune in London.
Dylan Thomas’s magisterial stories all in one volume, available in a beautiful new paperback edition. This gathering of all Dylan Thomas’s stories—ranging chronologically from the dark, almost surrealistic tales of Thomas’s youth to such gloriously rumbustious celebrations of life as “A Child’s Christmas in Wales” and “Adventures in the Skin Trade”—charts the progress of “The Rimbaud of Cwmdonkin Drive” toward his mastery of the comic idiom. Here, too, are stories originally written for radio and television and, in a short appendix, the schoolboy pieces first published in the Swansea Grammar School Magazine. A high point of the collection is Thomas’s “Portrait of the Artist as a Young Dog,” a vivid collage of memories from his Swansea childhood that combines the lyricism of his poetry with the sparkle and sly humor of Under Milk Wood. Also here is the fiction from Quite Early One Morning, a collection planned by Thomas shortly before his death. Altogether there are more than forty stories, providing a rich and varied literary feast and showing Dylan Thomas in all his intriguing variety–somber fantasist, joyous word-spinner, and irrepressible comedian of smalltown Wales.
Dramatic changes in society, technology and culture have transformed the relationship between political parties, the media, and the individual voter over the last fifty years. The leading researchers gathered in this volume offer a comprehensive analysis of the evolution of British political communication since 1945. They explore the competition for coverage between political parties and media organizations, the ongoing rivalry between politicians and the press, and the implications for the quality of British democracy.
Jack the Ripper was a serial killer active in the Whitechapel district of London in 1888. There were five 'canonical' murders of an unusually brutal nature. What makes the grisly saga of Jack the Ripper so enduringly famous and fascinating is that the case was never solved. To this day people are still coming up with new suspects and trying to solve this most famous of cases. The Ripper was not only lethal but remarkably clever or lucky at remaining undetected. This killer was definitely not someone you would wish to meet on a dark and misty Whitechapel night. In the book that follows we'll take a look at Ripper suspects and attempt to gauge who is credible and who isn't to see if we can make any sense of this most puzzling (not to mention harrowing) unsolved true crime case.
David Bowie. Culture Club. Wham!. Soft Cell. Duran Duran. Sade. Adam Ant. Spandau Ballet. The Eurythmics. ' Excellent' Guardian ' Hugely enjoyable' Irish Times ' Dazzling' LRB 'Fascinating' New Statesman 'An absolute must-read' GQ One of the most creative entrepreneurial periods since the Sixties, the era of the New Romantics grew out of the remnants of post-punk and developed quickly alongside club culture, ska, electronica, and goth. The scene had a huge influence on the growth of print and broadcast media, and was arguably one of the most bohemian environments of the late twentieth century. Not only did it visually define the decade, it was the catalyst for the Second British Invasion, when the US charts would be colonised by British pop music - making it one of the most powerful cultural exports since the Beatles. In Sweet Dreams, Dylan Jones charts the rise of the New Romantics through testimony from the people who lived it. For a while, Sweet Dreams were made of this.
Penningroth's conclusions emerge from an epic research agenda.... Before the Movement presents an original and provocative account of how civil law was experienced by Black citizens and how their 'legal lives' changed over time . . . [an] ambitious, stimulating, and provocative book." —Eric Foner, New York Review of Books Shortlisted for the Cundill History Prize Winner of the Merle Curti Social History Award from the Organization of American Historians Winner of the Ellis W. Hawley Prize from the Organization of American Historians Winner of the David J. Langum, Sr. Prize in American Legal History Winner of the James Willard Hurst Prize Winner of the Scribes Book Award (American Society of Legal Writers) A prize-winning scholar draws on astonishing new research to demonstrate how Black people used the law to their advantage long before the Civil Rights Movement. The familiar story of civil rights goes like this: once, America’s legal system shut Black people out and refused to recognize their rights, their basic human dignity, or even their very lives. When lynch mobs gathered, police and judges often closed their eyes, if they didn’t join in. For Black people, law was a hostile, fearsome power to be avoided whenever possible. Then, starting in the 1940s, a few brave lawyers ventured south, bent on changing the law. Soon, ordinary African Americans, awakened by Supreme Court victories and galvanized by racial justice activists, launched the civil rights movement. In Before the Movement, acclaimed historian Dylan C. Penningroth brilliantly revises the conventional story. Drawing on long-forgotten sources found in the basements of county courthouses across the nation, Penningroth reveals that African Americans, far from being ignorant about law until the middle of the twentieth century, have thought about, talked about, and used it going as far back as even the era of slavery. They dealt constantly with the laws of property, contract, inheritance, marriage and divorce, of associations (like churches and businesses and activist groups), and more. By exercising these “rights of everyday use,” Penningroth demonstrates, they made Black rights seem unremarkable. And in innumerable subtle ways, they helped shape the law itself—the laws all of us live under today. Penningroth’s narrative, which stretches from the last decades of slavery to the 1970s, partly traces the history of his own family. Challenging accepted understandings of Black history framed by relations with white people, he puts Black people at the center of the story—their loves and anger and loneliness, their efforts to stay afloat, their mistakes and embarrassments, their fights, their ideas, their hopes and disappointments, in all their messy humanness. Before the Movement is an account of Black legal lives that looks beyond the Constitution and the criminal justice system to recover a rich, broader vision of Black life—a vision allied with, yet distinct from, “the freedom struggle.”
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