This heartfelt, deeply personal memoir explores how a celebrated filmmaker and activist and his conservative Mormon mother built bridges across today’s great divides—and how our stories hold the power to heal. • Adapted as an HBO documentary now streaming on HBO Max. “A beautifully written, utterly compelling account of growing up poor and gay with a thrice married, physically disabled, deeply religious Mormon mother, and the imprint this irrepressible woman made on the character of Dustin Lance Black.” —Jon Krakauer, bestselling author of Missoula and Under the Banner of Heaven Dustin Lance Black wrote the Oscar-winning screenplay for Milk and helped overturn California’s anti–gay marriage Proposition 8, but as an LGBTQ activist he has unlikely origins—a conservative Mormon household outside San Antonio, Texas. There he was raised by a single mother who, as a survivor of childhood polio, endured brutal surgeries as well as braces and crutches for life. Despite the abuse and violence of two questionably devised Mormon marriages, she imbued Lance with her inner strength and irrepressible optimism. When Lance came out to his mother at age twenty-one, she initially derided his sexuality as a sinful choice. It may seem like theirs was a house destined to be divided—and at times it was. But in the end, they did not let their differences define them or the relationship that had inspired two remarkable lives. This heartfelt, deeply personal memoir explores how a mother and son built bridges across great cultural divides—and how our stories hold the power to heal.
For the first time, Award winning author Dustin Feyder brings you the complete God of Hunger story ark is gathered in two volumes . Volume one contains: “A Dawning of Power” Dr. Marks Karingson gives life to a living computer, but knowing his colleagues have ulterior motives contacts a shadow government to steel hand hide his creation. A decision that cost him his life. “Long Distance Runners” A man called “N” is hired to rob a military R&D lab. Wherein he discovers Dr. Marks Karingson has returned from the dead. “Worldwalkers” After surviving his first encounter Cravixs, Charlie Belmond resolves to chase the God of Hunger back to his home and slay the beast its sleep. As beasts from outside time-space is invading our reality. Mighty heroes gather from across the cosmos. Angels, Demons, Androids, Gods, Men and Monsters. All are called to do battle. Welcome to Red Twilight. “...I know what you are thinking, let me help you vocalize your thoughts. ‘I don’t understand, I did everything right, my souls is on fire, my heart overflows with indignation, a hundred generation my fathers paved the road that would lead me here, and not even am I allowed to look on to your lovely face?’ Let me help you understand. You are strong, you are brave, but you are mortal, you are flawed. Never where you worthy to stand eye to eye with me. Never where you meant to win this fight, you are nothing more than a sacrifice to my divinity. Belmond son of Belmond the last of the keys of salvation are almost within my reach, and once I have them no king or god will ever be my equal again, and you have made that possible.” -Cravixs-
When college students Elliot Fleming and Vesta Lloyd agree to join English Professor Rydar Colson’s production of Shakespeare’s Henry IV Part 1 and Part 2, they do not know what to expect. Sacred Shadows and Latent Light follows Elliot and Vesta as they prepare for what they assume will be little more than an enriching extracurricular challenge. However, when student reporter Ermine Jackson goes beyond his journalism professor’s instruction to lobby the university for a second director, he initiates a campaign to cancel the plays and remove Shakespeare from the university curriculum—and Colson from campus. Between Colson’s production and Jackson’s crusade, the campus steadily divides, leading to unexpected allegiances, betrayals, questionable accusations, and threats of physical violence. Throughout their time admiring, questioning, resenting, and defending Colson and his production, the characters discover when and how to stand up for their convictions, all the while examining different views on the extent of free speech, the place of the canon in higher academia, the safety and representation of women in society, the growth of “cancel culture” on a changing university campus, and how much is truly involved in what and how one reads.
Since the publication of Georg Simmel’s Philosophy of Money more than a century ago, social science has primarily considered money a medium of exchange. This new book treats money as a more inclusive social concept that has profoundly influenced the emergence of modern society. Money is also a moral and political category. It communicates prices and thus embodies innumerable evaluations and judgments of objects and services, of social relationships and associations. At the same time, modern societies are undergoing fundamental transformations in which money assumes an ever-important role, while banking and financial services constitute the new primary sector of modern service economies. In this book, the authors trace the transformational scope of monetarization and financialization along the four classical productive forces—land, capital, labor, and knowledge—and evaluate the consequences of an irrepressible urge to quantify and monetarize almost everything social. What happens to a society in which the tangible products of the real economy lose their preeminent status, and everything is judged purely according to its economic value? The authors identify an increasing disconnect between market prices and social values with serious social, political, economic, and environmental consequences.
This book deals with changing conditions and conceptions of authorship in the long eighteenth century, a period often said to have witnessed the birth of the modern author. It focuses not on authorial self-presentation or self-revelation but on an author’s interactions with booksellers, collaborators, rivals, correspondents, patrons, and audiences. Challenging older accounts of the development of authorship in the period as well as newer claims about the “public sphere” and the “professional writer,” it engages with recent work on print culture and the history of the book. Methodologically eclectic, it moves from close readings to strategic contextualization. The book is organized both chronologically and topically. Early chapters deal with writers – notably Milton and Dryden – at the beginning of the long eighteenth century, and later chapters focus more on writers — among them Johnson, Gray, and Gibbon — toward its end. Looking beyond the traditional canon, it considers a number of little-known or little-studied writers, including Richard Bentley, Thomas Birch, William Oldys, James Ralph, and Thomas Ruddiman. Some of the essays are organized around a single writer, but most deal with a broad topic – literary collaboration, literary careers, the republic of letters, the alleged rise of the “professional writer,” and the rather different figure of the “author by profession.” Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
When Alex woke up from the Renaissance nightmare, the Mystical Pencil was nowhere to be found. Until he gets to school that is! There he discovers Sara has found the pencil and is using it to draw costumes and sets for the school play. She doesn't believe Alex's warnings until it is too late! Can Alex and Sara work together to take the farm out of the school and back onstage? Aligned to Common Core Standards and correlated to state standards. Graphic Planet is an imprint of Magic Wagon, a division of ABDO.
This book contains a mere collection of poetry, letters, and other works that have been compiled over time. The author has written over time based on circumstance and feeling. You will find that some of the pieces of works are dated and others are not; never fear, all that means is that the time was never recorded or simply the original was lost and I found a copy. If there are any other dated pieces of works that are especially vague, that just means that it was not labeled, but I knew the general date when I wrote it. Please keep in mind that the names have been changed to protect both myself and who they are written to, for, or about. You may find some opinionated text about certain parties, but such is the nature of the text that it is in. There is not much else to say, but the fact that as you read this book, I hope you enjoy my life, my thoughts, my feelings, but most of all I hope you enjoy the beautiful art of creative writing.
A series of my short stories, also known as a little window into my mind. 1) Age is Wasted on the Old-- Drama about youth rights (or lack therof). 2) Allegory-- One-act play using animals to send a message. 3) Day of Terror-- How the events of 9-11 bring two children together for life. 4) Adagio- A telepath loses control. 5) Out-- Gay high-school student faces coming out. 6) Racer's Dream-- The night Dane Miller's life comes to a crashing halt. 7) Reality of Your Choice-- A high-school student is thrown between three alternate realities. 8) What Comes After the End-- A US counter-terror operative begins a melodramatic chase towards a dangerous group.
The poetry of the mid- and late-eighteenth century has long been regarded as primarily private and apolitical; in this wide-ranging study Dustin Griffin argues that in fact the poets of the period were addressing the great issues of national life--rebellion at home, imperial wars abroad, an expanding commercial empire, an emerging new British national identity. Taking up the topic of patriotic verse, Griffin shows that poets such as Thomas Gray, Christopher Smart, Oliver Goldsmith, and William Cowper were engaged in the century-long debate about the nature of true patriotism.
Literary Research and the Anglo-Saxon and Medieval Eras: Strategies and Sources is a guide to scholarly research in the field of medieval English literature covering the period 450 CE to 1500 CE. Graduate students and scholars researching this period face many challenges: working in two distinct literary traditions, comprehending multiple languages (Old English, Middle English, Latin, Anglo-Norman, and French), knowing the manuscript tradition for a particular title and the research methodologies for discovering and locating primary sources in the print and digital realms, and the awareness of the overlap and assimilation of literary themes with religious, historical, cultural, and political perspectives. The volume presents the best practices for building a foundation of sound scholarship practices in the field of medieval English literature. This volume explores primary and secondary resources, including general literary research guides; types of library catalogs; print and online bibliographies and indexes; scholarly journals and series; manuscripts, archives, and digital collections; genres; tools for understanding Old and Middle English such as dictionaries, lexicons, thesauri, glosses, etymologies, palaeographies, and text mining tools; and Web resources. The final chapter researches the shifting reputation of the poet, Thomas Hoccleve. Given the interdisciplinary nature of medieval studies, an appendix of additional readings in art, history, music, philosophy, religion, science, social sciences, and theater is provided.
Desperately Seeking Women Readers delves into the history of U.S. newspapers to examine the construction of female readership. Pages designed specifically for women transformed over time as the newspaper industry looked for ways to capture women readers. Harp investigates the creation and collapse of these pages before considering contemporary case studies to explore the recent revival of sex-specific pages. Interviews with professional journalists reveal the difficulties with defining news for women and the problems inherent in constructing newspapers in a sex-specific way. With a clear and descriptive style, Harp offers a fresh, original topic in communication scholarship. Desperately Seeking Women Readers is ideal for undergraduate and graduate coursework, as well as for curious readers of U.S. newspapers or historical and contemporary women's issues.
This book contends the text of the Noachian deluge narrative categorically underscores all God did to preserve life in spite of the disaster. Despite the picture of devastation that the narrative depicts, the prominent emphasis of the text is on deliverance and redemption, i.e., salvation, not judgment. The focus of the Genesis flood is acutely bent towards God’s salvific rather than punitive purposes. The arc of salvation within the flood narrative can be broken down into two main ideas. Firstly, God’s intention for creation is not thwarted, and, secondly, God commits himself to his intentions of creation. God’s intention for creation can be stated thus: the establishment of order via covenant showing the sanctity of human life and the upholding of all life. This involves, in particular, humanity as his image bearers, including the lex talionis (life-for-life) principle.
Islam in the Post-Secular Society: Religion, Secularity and the Antagonism of Recalcitrant Faith critically examines the unique challenges facing Muslims in Europe and North America. From the philosophical perspective of the Frankfurt School’s Critical Theory, this book attempts not only to diagnose the current problems stemming from a marginalization of Islam in the secular West, but also to offer a proposal for a Habermasian discourse between the religious and the secular. By highlighting historical examples of Islamic and western rapprochement, and rejecting the ‘clash of civilization’ thesis, the author attempts to find a ‘common language’ between the religious and the secular, which can serve as a vehicle for a future reconciliation.
Megan thought she had read every book in her grandfather's extensive collection of fiction, until stumbling upon an unfamiliar title. Curious, she delves into the book, realizing that her own relationship with her boyfriend of four years parallels the story she is reading of Ambrose and Sebastian. Can a story of love between two men provide the answers to salvage her floundering relationship?This unusual tale is actually a period story wrapped inside of a contemporary storyline. The interior story includes actual places and events of 1890 Victorian London. One story follows the relationship of two men in Britain, the other story follows Megan and Chandler in upstate New York, USA. Not specifically defined as a romance novella, since this manuscript crosses genre specific lines: gay / hetero, period / contemporary, and even includes an alternate ending. Definitely not the traditional run-of-the-mill read, but a journey into alternative fiction.
Cinematic Comanches engages in a description and critical appraisal of Indigenous hype, visual representation, and audience reception of Comanche culture and history through the 2013 Disney film The Lone Ranger.
Here is the ideal introduction to satire for the student and, for the experienced scholar, an occasion to reconsider the uses, problems, and pleasures of satire in light of contemporary theory. Satire is a staple of the literary classroom. Dustin Griffin moves away from the prevailing moral-didactic approach established thirty some years ago to a more open view and reintegrates the Menippean tradition with the tradition of formal verse satire. Exploring texts from Aristophanes to the moderns, with special emphasis on the eighteenth century, Griffin uses a dozen figures—Horace, Juvenal, Persius, Lucian, More, Rabelais, Donne, Dryden, Pope, Swift, Blake, and Byron—as primary examples. Because satire often operates as a mode or procedure rather than as a genre, Griffin offers not a comprehensive theory but a set of critical perspectives. Some of his topics are traditional in satire criticism: the role of satire as moralist, the nature of satiric rhetoric, the impact of satire on the political order. Others are new: the problems of satire and closure, the pleasure it affords readers and writers, and the socioeconomic status of the satirist. Griffin concludes that satire is problematic, open-ended, essayistic, and ambiguous in its relationship to history, uncertain in its political effect, resistant to formal closure, more inclined to ask questions than provide answers, and ambivalent about the pleasures it offers.
Containing photographs, sketches, and paintings along with poetry, stories, and blurbs created in 2008 forward, Benson brings together the final pieces of unintentional works, ranging from romance to betrayal and dark imagination.
Can we come to know what is good and evil, right and wrong in our age of science? In The Socratic Turn, Dustin Sebell looks to Socrates, the founder of political philosophy, for guidance.
Today there is no place on Earth that does not harbour invasive exotic species. Invasive plants and animals can be found on every continent, including Antarctica, and within all waterbodies, including all oceans. In our increasingly connected world, with speedy commercial and recreational travel and the global movement of biological matter for food, invasive species are showing up at such a fast rate that there is no way to accurately count how many currently exist or how many are likely to emerge in the coming decades. Monitoring these species and controlling their spread is essential, as we increasingly understand the negative impacts they pose: their threat to our health; the toll they take on our commercial production; and the threat they pose to native ecosystems. This Very Short Introduction provides a clear definition of an invasive species, and considers the myriad ways they are moved around the globe, and the ecological, social, and economic impacts they often impose. Exploring the way Earth's biodiversity is being affected by global change, Julie Lockwood also discusses policy and management approaches to combating the ill-effects of invasive species, and how invasive species fit within the broader context of environmental change. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Volume 2 is a continuation from Hindsight Volume 1. This volume will build off the foundation set in volume 1, thus furthering the challenge and perspective already set forth. This is a journey that will dive deeper into core values and enhanced perception. Your experiences matter and so does how you interact with people in life. In a time where life is changing due to the Covid-19 pandemic, we are all forced to adjust whether we like it or not. Social distancing has challenged us. Economic instability threatens peace of mind. Face masks, plexiglass and people counting how many shoppers enter a building makes us feel like aliens in our own communities. This book is a great tool to help you remember to be human. Social interaction may have been taken for granted for several generations. While we have technology to aid us during these trying times, it is still no substitute for those that are considered “essential personnel”. In the chapter about Duty, know that my words apply to you as well. Any and all medical personnel, any and all first responders, food and agriculture workers, energy personnel (electric, petroleum, and gas), water staff (clean and waste), logistic personnel (including all transportation), all public works, anyone affiliated with communications, members of government (on all applicable levels), critical manufacturing, hazardous material workers, chemical personnel, financial services, defense personnel, commercial and professional services and anyone who brings our mail to us, thank you. If you are contributing to someone’s sanity or even maintaining your own by staying productive, I thank you as well. It’s not really a description about the book, but it is certainly a piece of what you can extract from it by honoring those that fulfill their duty in society. Read more to find out.
In The American Puritans , Dustin Benge and Nate Pickowicz tell the story of the first hundred years of Reformed Protestantism in New England through the lives of nine key figures: William Bradford, John Winthrop, John Cotton, Thomas Hooker, Thomas Shepard, Anne Bradstreet, John Eliot, Samuel Willard, and Cotton Mather. Here is sympathetic yet informed history, a book that corrects many myths and half-truths told about the American Puritans while inspiring a current generation of Christians to let their light shine before men. Table of Contents: Introduction: Who Are the American Puritans? 1. William Bradford 2. John Winthrop 3. John Cotton 4. Thomas Hooker 5. Thomas Shepard 6. Anne Bradstreet 7. John Eliot 8. Samuel Willard 9. Cotton Mather
Transitional justice is the dominant lens through which the world grapples with legacies of mass atrocity, and yet it has rarely reflected the diversity of peace and justice traditions around the world. Hewing to a largely western and legalist script, truth commissions and war crimes tribunals have become the default means of 'doing justice'. Rethinking Transitional Justice for the Twenty-First Century puts the blind spots and assumptions of transitional justice under the microscope, and asks whether the field might be re-imagined to better suit the diversity and realities of the twenty-first century. At the core of this re-imagining is an examination of the broader field of post-conflict peace building and associated critical theory, from which both caution and inspiration can be drawn. By using this lens, Dustin N. Sharp shows how we might begin to generate a more cosmopolitan and mosaic theory, and imagine more creative and context-sensitive approaches to building peace with justice.
What is the precise relation between the "Pope" of the poems and the Pope of history? Seeking to clarify the nature of the intimate link between the historical self and the idealized self of the poetry, Dustin Griffin examines the various ways in which Pope's poems may be said to be self-expressive. He brings a sensitive critical reading of the texts and an impressive knowledge of the poet's life and writings to his discussion of poems from the entire range of the poet's career. The author argues that Pope is present in his poems as a private person whose special imaginative and psychological concerns emerge because they are expressed publicly. In some poems, Pope confronts quite openly his fervent moral idealism with his powerful aggressive feelings, and he explores his conflicting impulses toward retirement and engagement. In others, he reveals impulses and attractions that he would not admit to full consciousness in his letters. Pope is also present as poet-protagonist, self-consciously attempting to present and master a body of poetic material. Professor Griffin's study recovers some of the personal energy that invigorates Pope's greatest poems and makes them strikingly self-expressive products of an imagination intrigued and often at odds with itself and, yet more sharply, with the world. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Human beings are in contact with the world through their minds. One can make sensory perceptual contact with the world: One sees the tree and hears its leaves flutter. And one makes cognitive contact with the world: One forms beliefs about the tree, memories of how it was in the past, and expectations of how it will be in the future. Can the first, perception, be influenced in important ways by the second, cognition? Do cognitive states such as memories, beliefs, and expectations affect what one perceives through the senses? And what is the importance of these possible relations to how we theorize and understand the human mind? Possible cognitive influence on perception (sometimes called "cognitive penetration of perception") has been long debated in philosophy of mind and cognitive science: Some argue that such influence occurs, while others argue that it does not or cannot. In this excellent introduction and overview of the problem, Dustin Stokes examines the following: The philosophical and scientific background to cognition and perception Contemporary ways of distinguishing cognition and perception Questions about the representational content of perception versus cognition Distinct theories of mental architecture: modularity versus malleability Consequences for epistemology, philosophy of science, and aesthetics Philosophical and scientific research on perceptual attention Perceptual skill, learning, and expertise Perceptual content, objectivity, and cultural bias. Additional features, such as chapter summaries, suggestions for further reading, and a glossary, make Thinking and Perceiving an ideal resource for students of philosophy of mind and psychology, cognitive psychology, and cognitive science.
In a departure from the darkly emotional Volume 1, this work is slightly more upbeat and highlights the beauty of humanity. Moments of raw humanity are not absent, but scattered throughout the collection. As a whole, the spirit is much more light and inviting. Individual poems examine social interaction, personal introversion, political observation, and random thoughts from waking up at two in the morning. Something in this book will absolutely make you upset, cry, or laugh. Most importantly, something will absolutely make you think.
“One part The Da Vinci Code, one part The Name of the Rose and one part A Separate Peace . . . a smart, swift, multitextured tale that both entertains and informs.”—San Francisco Chronicle NEW YORK TIMES BESTSELLER Princeton. Good Friday, 1999. On the eve of graduation, two friends are a hairsbreadth from solving the mysteries of the Hypnerotomachia Poliphili, a Renaissance text that has baffled scholars for centuries. Famous for its hypnotic power over those who study it, the five-hundred-year-old Hypnerotomachia may finally reveal its secrets—to Tom Sullivan, whose father was obsessed with the book, and Paul Harris, whose future depends on it. As the deadline looms, research has stalled—until a vital clue is unearthed: a long-lost diary that may prove to be the key to deciphering the ancient text. But when a longtime student of the book is murdered just hours later, a chilling cycle of deaths and revelations begins—one that will force Tom and Paul into a fiery drama, spun from a book whose power and meaning have long been misunderstood. BONUS: This edition includes an excerpt from Dustin Thomason's 12.21. “Profoundly erudite . . . the ultimate puzzle-book.”—The New York Times Book Review
Alex has decided to create a graphic novel to complete his fourth grade assignment on the Renaissance. His pencil is nearly worn out when his father returns from an archaeological dig and suggests Alex get a replacement pencil from his bag to complete the assignment. Alex uses the borrowed pencil to draw a monster that a knight must put a stop in order to save the village and its inhabitants. When he wakes up the next morning, the paper is blank and the monster is staring at him! Can he figure out a way to get things back to normal? Aligned to Common Core Standards and correlated to state standards. Graphic Planet is an imprint of Magic Wagon, a division of ABDO.
Everything you know about alcohol is a lie. Dustin Dunbar had it all. A beautiful wife, two sweet baby girls, a degree in psychology, and properties around the world—the building blocks of a nascent real estate empire. All the while, he happily believed every lie alcohol told him: “Real men drink.” “One drink won’t kill you.” “You’re the life of the party.” “You can’t stop.” He believed these lies and many others until it was too late. Because of his addiction, he risked everything he valued most and nearly lost everyone he cared for—until he started to figure out that most of what we experience with alcohol is completely fabricated, a big lie packaged with bright lights and big names to distract us from the truth. Dunbar calls this non-reality “the alcohol matrix,” and it took him years to break out of it and finally start enjoying a life free of alcohol addiction. Just as Holly Whitaker offered women a radical path to sobriety in her New York Times bestselling Quit Like a Woman, Dunbar combines his own experiences with his extensive background in psychology to expose the lies we all too willingly accept about alcohol and interrogates the part culture plays in reinforcing these lies, particularly for men—and shows readers how they too can break free from alcohol addiction. An inspiring, hilarious, and much-needed approach to addiction and self-acceptance, You’re Doing Great!: Debunks the myth that alcohol washes away the pain.Explains the toll alcohol takes on our emotional, physical, and spiritual well-being.Illustrates the steps to deal with our problems head-on.Exposes the practices used by advertisers and marketers to entrap us to drink.Proves that AA isn’t the only option for battling alcohol addiction.Teaches readers to activate skills of self-empowerment.Shows us how to enjoy an alcohol-free consciousness and an exciting new chapter in our lives. Filled with entertaining true-life tales, hard-earned wisdom, and easy-to-follow advice for recognizing the truth about alcohol, You’re Doing Great! is a powerful invitation to discover the real you that thrives on the other side of addiction.
The term ‘Circular Economy’ is becoming familiar to an increasing number of businesses. It expresses an aspiration to get more value from resources and waste less, especially as resources come under a variety of pressures – price-driven, political and environmental. Delivering the circular economy can bring direct costs savings to businesses, reduce risk and offer reputational advantages, and can therefore be a market differentiator -- but working out what counts as ‘circular’ activity for an individual business, as against the entire economy or individual products, is not straightforward. This guide to the circular economy gives examples of what this new business model looks like in practice, and showcases businesses opportunities around circular activity. It also: *explores the debate around circular economy metrics and indicators and helps you assess your current level of circularity, set priorities and measure success; * equips readers to make the links between their own company’s initiatives and those of others, making those activities count by influencing actors across the supply chain * Outlines the conditions that have enabled other companies to change the system in which they operate. Finally, this expert short work sets the Circular Economy in a political and business context, so you understand where it has come from and where it is going.
Find out about the fast and furious growth and evolution of video games (including how they are quickly taking over the world!) by looking at some of the most popular, innovative, and influential games ever, from Pong, the very first arcade game ever, to modern hits like Uncharted. Learn about the creators and inspiration (Mario was named after Nintendo’s landlord after he barged into a staff meeting demanding rent), discover historical trivia and Easter eggs (The developers of Halo 2 drank over 24,000 gallons of soda while making the game), and explore the innovations that make each game special (The ghosts in Pac-Man are the first example of AI in a video game). Whether you consider yourself a hard-core gamer or are just curious to see what everyone is talking about, Game On! is the book for you!
Bebop and Rocksteady stumble across a time-travel scepter, kickstarting the craziest, most destructive adventure yet! Then, when a mysterious new mutant targets Baxter Stockman, it will be up to the TMNT to reluctantly save him, but little does anyone know that a larger trap is being laid by a new arch-foe. Plus, Donatello reboots a new and improved Metalhead only to find that the robot no longer functions entirely as designed. Collects the Bebop & Rocksteady Destroy Everything mini-series, Teenage Mutant Ninja Turtles Universe issues #1-8, and Teenage Mutant Ninja Turtles issues #65-66.
Can One Great Presentation Make You Rich? The answer is YES. Packed with battle-tested strategies and formulas to craft audience-retaining powerful presentations, this No B.S. guide is designed to turn any ordinary business into an extraordinary sell. Millionaire maker Dan S. Kennedy and public speaking expert Dustin Mathews teach you their blueprint for creating life-changing presentations and prove that your success is not just determined by what you're presenting—but also why you're presenting, how you're presenting it, and who you're presenting to. Kennedy and Mathews cover: The 12-Step Speaker's Formula A Blueprint for Creating Irresistible Offers The 4 Secrets of Mass Persuasion The 7-Minute Rule of Audience Engagement How to Automate Your Webinars and Your Profits How to Double Your Sales with a Multimedia Follow-up System Discover the battle-tested, carefully-crafted, revenue-generating tools to creating, delivering, and marketing presentations that can change everything.
The third volume in the New York Times bestselling and Eisner Award-winning series, Mouse Guard: Legends of the Guard Volume Three features tales written and illustrated by a collection of award-winning and critically acclaimed storytellers personally selected by series creator David Petersen. Once again, patrons at the June Alley Inn are challenged to tell the best Mouse Guard tale, with the winner getting their tab cleared! "...a fun ride." - Comic Book Resources
Alyssa Ryan has the perfect Southern California life. She’s the top of her class, has a cute boyfriend, and surfs in her spare time. When her parents decide to send her to Seoul, South Korea to spend her senior year as a special foreign admissions student at a private school in the Gangnam neighborhood, Alyssa’s perfect world crumbles. Feeling diminished from this turn of events, Alyssa secretly disguises her identity at her new school much to the consternation of Cha Jun Seo and Kim Hyun Jun two handsome Korean boys whose worlds start to orbit her own. Just when Alyssa thinks she has her life comfortably figured out, a tragic past shared by the two boys threatens to upend Alyssa’s first love and future. @myamericankdrama
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