This issue of Underground Nation Magazine is Packed full of Exclusive interviews and New content Including interviews from Boondox, Joyus Wolf, Project Born, Bloodshot, Madd Maxxx, Scythe Gang 666, Damius, and much more...
Follow a young orphan named Damien as he tries to survive the harsh and dangerous streets of New York City. As if the city itself wasn't cruel enough Damien gets involved with one of the most feared gangs in the entire city. Now every waking hour is a challenge not to get shot. Damien soon makes a name for himself and everyone learns not to mess with The Street Devil. This little nickname was given to him by the media. The bad thing for Damien is that he is now stuck in between a brutal gang war. On his side the Red Dragons and on the other the Cobras. As if things couldn't get any worse, Damien meets up with something out of this world. A cold hearted vampire takes a liking to Damien and shows him to a whole new world. However, still in the heart of the newly turned Street Devil lies the scared little boy without a home. Non stop action that revolves around the age-old war between good and evil. In this inevitable showdown, sparks are going to fly!
In Ghost Words and Invisible Giants, Lheisa Dustin engages psychoanalytic theory to describe the “language of suffering” of iconic modernist authors H.D. and Djuna Barnes, tracing disconnection, psychic splitting, and virulent thought patterns in creative works that have usually been read as intentionally enigmatic. Dustin imbricates Barnes and H.D.’s sense of tenuous psychic boundaries with others – parent figures, otherworldly and divine beings, and ambivalent or malignant love objects – in their creative brilliance, suggesting that the writers’ works stage – and also help manage – their psychic suffering in language in which signifier (the sound or image of the word) and signified (what it means) are radically disconnected. The cryptic and ineffable styles of these texts thus involve attempts to embody the meanings that cannot be expressed through language. Dustin reads two of H.D.’s later works as examples of language that does not differentiate words, thoughts, and people from one another, and instead tries to include everything in its formulations of meaning. However, H.D., she argues, also seeks an end to this mental proliferation– an end that she associates with the hallucinatory return of difference as such. In contrast, Dustin reads two novels by Barnes as invoking and denying childhood secrets through the use of fetishized words. To supplement her psychoanalytic readings, Dustin considers the authors’ familial and romantic histories and their broader social involvements or noninvolvement (for instance, H.D.’s Occultist practices and psychoanalytic sessions, Barnes’s fascination with spectacle and her later reclusion), rendering a detailed and compelling analysis of the forces at play beneath enigmatic, “difficult” modernist literary works. Read in this light, the spectral and otherworldly figures and strange patterns of expression appearing in H.D.’s and Barnes’s writing, and perhaps much or our writing, signal the traumatic content that it tries to negate.
Colorful bracelets, funky brooches, and beautiful handmade beads: young crafters learn to make all these and much more with this fantastic step-by-step guide. In 12 exciting projects with simple steps and detailed instructions, budding fashionistas create their own stylish accessories to give as gifts or add a touch of personal flair to any ensemble. Following the successful "Art Smart" series, "Craft Smart" presents a fresh, fun approach to four creative skills: knitting, jewelry-making, papercrafting, and crafting with recycled objects. Each book contains 12 original projects to make, using a range of readily available materials. There are projects for boys and girls, carefully chosen to appeal to readers of all abilities. A special "techniques and materials" section encourages young crafters to try out their own ideas while learning valuable practical skills.
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