This book contains a mere collection of poetry, letters, and other works that have been compiled over time. The author has written over time based on circumstance and feeling. You will find that some of the pieces of works are dated and others are not; never fear, all that means is that the time was never recorded or simply the original was lost and I found a copy. If there are any other dated pieces of works that are especially vague, that just means that it was not labeled, but I knew the general date when I wrote it. Please keep in mind that the names have been changed to protect both myself and who they are written to, for, or about. You may find some opinionated text about certain parties, but such is the nature of the text that it is in. There is not much else to say, but the fact that as you read this book, I hope you enjoy my life, my thoughts, my feelings, but most of all I hope you enjoy the beautiful art of creative writing.
This book contains a mere collection of poetry, letters, and other works that have been compiled over time. The author has written over time based on circumstance and feeling. You will find that some of the pieces of works are dated and others are not; never fear, all that means is that the time was never recorded or simply the original was lost and I found a copy. If there are any other dated pieces of works that are especially vague, that just means that it was not labeled, but I knew the general date when I wrote it. Please keep in mind that the names have been changed to protect both myself and who they are written to, for, or about. You may find some opinionated text about certain parties, but such is the nature of the text that it is in. There is not much else to say, but the fact that as you read this book, I hope you enjoy my life, my thoughts, my feelings, but most of all I hope you enjoy the beautiful art of creative writing.
Desperately Seeking Women Readers delves into the history of U.S. newspapers to examine the construction of female readership. Pages designed specifically for women transformed over time as the newspaper industry looked for ways to capture women readers. Harp investigates the creation and collapse of these pages before considering contemporary case studies to explore the recent revival of sex-specific pages. Interviews with professional journalists reveal the difficulties with defining news for women and the problems inherent in constructing newspapers in a sex-specific way. With a clear and descriptive style, Harp offers a fresh, original topic in communication scholarship. Desperately Seeking Women Readers is ideal for undergraduate and graduate coursework, as well as for curious readers of U.S. newspapers or historical and contemporary women's issues.
This biography of Thomas Jefferson's Notes on the State of Virginia, his only published book, challenges conventional wisdom by demonstrating its core political thought as well as the political aspirations behind its composition, publication and initial dissemination. Building upon a close reading of the book's contents, Jefferson's correspondence and the first comprehensive examination of both its composition and publication history, the authors argue that Jefferson intended his Notes to be read by a wide audience, especially in America, in order to help shape constitutional debates in the critical period of the 1780s. Jefferson, through his determined publication and distribution of his Notes even while serving as American ambassador in Paris, thus brought his own constitutional and political thought into the public sphere - and at times into conflict with the writings of John Adams and James Madison, stimulating a debate over the proper form of Republican constitutionalism that still reverberates in American political thought.
In January 2019, a U.S. Census Bureau survey reported that 11 percent of respondents indicated symptoms of anxiety or depression. Just twenty-two months later in December 2020, the percentage nearly quadrupled to more than 42 percent. As believers, we are the ones called to truly “see” the lonely and hurting among us. What if instead of getting caught up in our own busy calendars and daily stressors, we dialed into the needs of those around us, listening with bold intentionality and responding to them with extravagant thoughtfulness and outrageous kindness? Jesus offered us the ultimate example of how to serve and minister to others by meeting people right where they were. Through us, neighbors, coworkers, classmates, and family members should experience that same grace, kindness, and loving attention. Author Dustin Schadt offers a biblical and theological basis for seeing people, outlines practical ways that individuals, families, schools, nonprofits, small groups, churches, and other organizations can collectively value, focus on, and respond to the world around us. Our care builds a bridge of trust strong enough to bear the weight of our gospel conversations. Kindness has become a precious commodity. We are fast-paced, busy, and often distracted. In a world marked by skepticism, loneliness, and anxiety, Christ-followers must be the ones who live beyond differences and distractions to see the people God places in our lives. Jesus saw us, drew closer, and gave Himself up to make a way for us to come to Him. He is calling us to do the same—to love people the way Jesus loved people, ears open and eyes widen to the beauty of the love of Christ shown in His gospel.
There is a long tradition in Western political thought suggesting that violence is necessary to defend freedom. But nonviolence and civil disobedience have played an equally long and critical role in establishing democratic institutions. Freedom Without Violence explores the long history of political practice and thought that connects freedom to violence in the West, from Athenian democracy and the Roman republic to the Age of Revolutions and the rise of totalitarianism. It is the first comprehensive examination of the idea that violence is necessary to obtain, defend, and exercise freedom. The book also brings to the fore the opposing theme of nonviolent freedom, which can be found both within the Western tradition and among critics of that tradition. Since the plebs first vacated Rome to refuse military service and win concessions from the patricians in 494 B.C., nonviolence and civil disobedience have played a critical role in republics and democracies. Abolitionists, feminists and anti-colonial activists all adopted and innovated the methods of nonviolence. With the advent of the Velvet Revolutions, the end of apartheid in South Africa and, most recently, the Arab Spring, nonviolence has garnered renewed interest in both scholarly publications and the popular imagination. In this book, Dustin Ells Howes traces the intellectual history of freedom as it relates to the concepts and practices of violence and nonviolence. Through a critique and reappraisal of the Western political tradition, Freedom Without Violence constructs a conception of nonviolent freedom. The book argues that cultivating and practicing this brand of freedom is the sine qua non of a vibrant democracy that resists authoritarianism, imperialism and oligarchy.
* Winner of the 2003 Barbara Savage Miles from Nowhere Award * A blend of romance, humor, and adventure on the Pacific Crest Trail * Written in "he said/she said" alternating chapters, this young couple each tell their own story They're not sure which came first -- falling in love with each other or falling in love with the idea of hiking the Pacific Crest Trail (the length of California, Oregon, and Washington). At the trailhead, the young couple was warned that there would be tears, that each would have to find their own separate pace, and that at times the tent would seem awfully small for the two of them. They were told that their biggest obstacles to success would be . . . each other. Their first surprise: freeze-dried meals do funny things to your GI- tract. Their first fight: when Angela noticed that Duffy's long legs propel him along the trail faster than she can muster. But on they pressed -- encountering snakes, bears, and fellow thru-hikers with trail names like Crazy Legs and Catch 23. They baked in the deserts of Southern California, gazed awestruck at the snowy, serrated peaks of the High Sierra, and attempted to hide from Northern Washington's seemingly incessant rain. One hundred thirty two days of Pacific Crest Trail later, they made it -- blisters and all.
This book contends the text of the Noachian deluge narrative categorically underscores all God did to preserve life in spite of the disaster. Despite the picture of devastation that the narrative depicts, the prominent emphasis of the text is on deliverance and redemption, i.e., salvation, not judgment. The focus of the Genesis flood is acutely bent towards God’s salvific rather than punitive purposes. The arc of salvation within the flood narrative can be broken down into two main ideas. Firstly, God’s intention for creation is not thwarted, and, secondly, God commits himself to his intentions of creation. God’s intention for creation can be stated thus: the establishment of order via covenant showing the sanctity of human life and the upholding of all life. This involves, in particular, humanity as his image bearers, including the lex talionis (life-for-life) principle.
The relationship between creativity, Christian theology, and experiences of growth after trauma may open pathways towards transformation for individuals and communities. An integrated theory based upon the psychological theories of D. W. Winnicott, the pneumatology of Jürgen Moltmann, and the current science of trauma and creativity is proposed to investigate how playful, creative expression with the world may foster experiences of positive psychological change. This theory suggests that creative action, rooted in a rediscovery of play, might allow for experiences of reorganization and growth after traumatic upheaval. Stewarding creative action after trauma is one way in which the afflicted can collaborate with the Holy Spirit, even in the midst of tragic pain, to honor our wholeness and dignity as beings made in the image of God. Accessing our created, God-given purpose and identity, from a perspective of playful co-creation, is offered as a path to psychological healing and transformation. This approach may have wide-ranging implications for faith-based clinicians, the church, and communities walking through traumatic, desert-like landscapes of the heart.
Chapters in this volume include: Chapter 1: American Government 101 Schools are supposed to teach this subject, but schools never teach what actually goes on at the local, state, and national levels. If they did, students would be mightily entertained Chapter 2: Our Weird, Weird World You would not believe how the behavior police want you to act while backpacking in the wilderness and other weirdness. Chapter 3: We Muse on the News So why don't rich people pay more in taxes, how to sell air, and other interesting stuff. Chapter 4: Sports There are only two sports that remain where one can drink while one is playing the sport and other observations. Chapter 5: Dog Tales I live in a town where dogs are so admired that we may give them the right to vote. Chapter 6: Space and Science The next gold rush will occur in outer space, where a single asteroid could be worth $100 trillion. Chapter 7: The Gopher Relays I can't help it. This happens every spring. You almost have to witness this activity to appreciate it. Chapter 8: Useful History What did they do about pirates back in the eighteenth century? Who actually won the Crusades? And honestly, a school forgot about Christmas? Chapter 9: Government Finances If this chapter doesn't frost your eyebrows, you probably don't pay taxes. Chapter 10: We Get Mail A big part of the fun of owning a newspaper is opening the mail. I mean, really. Chapter 11: Diving Us Crazy The days of Route 66 may be ending, and why I don't go abroad. Ever.
This book deals with changing conditions and conceptions of authorship in the long eighteenth century, a period often said to have witnessed the birth of the modern author. It focuses not on authorial self-presentation or self-revelation but on an author’s interactions with booksellers, collaborators, rivals, correspondents, patrons, and audiences. Challenging older accounts of the development of authorship in the period as well as newer claims about the “public sphere” and the “professional writer,” it engages with recent work on print culture and the history of the book. Methodologically eclectic, it moves from close readings to strategic contextualization. The book is organized both chronologically and topically. Early chapters deal with writers – notably Milton and Dryden – at the beginning of the long eighteenth century, and later chapters focus more on writers — among them Johnson, Gray, and Gibbon — toward its end. Looking beyond the traditional canon, it considers a number of little-known or little-studied writers, including Richard Bentley, Thomas Birch, William Oldys, James Ralph, and Thomas Ruddiman. Some of the essays are organized around a single writer, but most deal with a broad topic – literary collaboration, literary careers, the republic of letters, the alleged rise of the “professional writer,” and the rather different figure of the “author by profession.” Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
A straightforward entry to understanding crucial components of phonological literacy, this essential text explains the theoretical and practical rationale for teaching connected speech (CS) and offers useful pedagogical applications. Brown and Crowther describe the basic phonemes (including consonants, vowels, and diphthongs) of spoken North American English and examine word stress, utterance stress, and timing, as they are related to CS. With accessible, non-technical language, the authors show how phoneme variations, simple transitions, dropping sounds, inserting sounds, and changing sounds operate, and how CS is integral to English language teaching, especially for developing non-native users’ oral English communicative ability. Each chapter features explicit discussions of pedagogical ideas targeting L2 learners, further resources, and CS-oriented exercises that are accessible and easy to implement for L2 teachers. These exercises are accompanied when relevant with recorded audio examples of CS production at www.routledge.com/9780367697570.
Utilizing each chapter to present core topical and timely examples, Pop Culture Freaks highlights the tension between inclusion and individuality that lies beneath mass media and commercial culture, using this tension as a point of entry to an otherwise expansive topic. He systematically considers several dimensions of identity—race, class, gender, sexuality, disability—to provide a broad overview of the field that encompasses classical and contemporary theory, original data, topical and timely examples, and a strong pedagogical focus on methods. Pop Culture Freaks encourages students to develop further research questions and projects from the material. Both quantitative and qualitative analyses are brought to bear in Kidd's examination of the labor force for cultural production, the representations of identity in cultural objects, and the surprising differences in how various audiences consume and use mass culture in their everyday lives. This new, revised edition includes update examples and date to reflect a constantly changing pop culture landscape.
A secret transmission from the far reaches of the galaxy falls into the hands of SETI radio astronomer Dr. Stephen Browning. His world begins to unravel as he discovers the cryptic message includes information of advanced technology and a dire warning from the future. Seeking the aid of brilliant-yet-impetuous playboy, Dr. Aston Wise, the two set off on an epic journey to discover the meaning of the transmission, only to discover that they are pawns in a much bigger game. Humanity hangs in the balance as powerful forces vie for control of the future, with only Wise and Browning to stop them.
Although they entered the world as pure science fiction, robots are now very much a fact of everyday life. Whether a space-age cyborg, a chess-playing automaton, or simply the smartphone in our pocket, robots have long been a symbol of the fraught and fearful relationship between ourselves and our creations. Though we tend to think of them as products of twentieth-century technology—the word “robot” itself dates to only 1921—as a concept, they have colored US society and culture for far longer, as Dustin A. Abnet shows to dazzling effect in The American Robot. In tracing the history of the idea of robots in US culture, Abnet draws on intellectual history, religion, literature, film, and television. He explores how robots and their many kin have not only conceptually connected but literally embodied some of the most critical questions in modern culture. He also investigates how the discourse around robots has reinforced social and economic inequalities, as well as fantasies of mass domination—chilling thoughts that the recent increase in job automation has done little to quell. The American Robot argues that the deep history of robots has abetted both the literal replacement of humans by machines and the figurative transformation of humans into machines, connecting advances in technology and capitalism to individual and societal change. Look beneath the fears that fracture our society, Abnet tells us, and you’re likely to find a robot lurking there.
Colorful bracelets, funky brooches, and beautiful handmade beads: young crafters learn to make all these and much more with this fantastic step-by-step guide. In 12 exciting projects with simple steps and detailed instructions, budding fashionistas create their own stylish accessories to give as gifts or add a touch of personal flair to any ensemble. Following the successful "Art Smart" series, "Craft Smart" presents a fresh, fun approach to four creative skills: knitting, jewelry-making, papercrafting, and crafting with recycled objects. Each book contains 12 original projects to make, using a range of readily available materials. There are projects for boys and girls, carefully chosen to appeal to readers of all abilities. A special "techniques and materials" section encourages young crafters to try out their own ideas while learning valuable practical skills.
Here is the ideal introduction to satire for the student and, for the experienced scholar, an occasion to reconsider the uses, problems, and pleasures of satire in light of contemporary theory. Satire is a staple of the literary classroom. Dustin Griffin moves away from the prevailing moral-didactic approach established thirty some years ago to a more open view and reintegrates the Menippean tradition with the tradition of formal verse satire. Exploring texts from Aristophanes to the moderns, with special emphasis on the eighteenth century, Griffin uses a dozen figures -- Horace, Juvenal, Persius, Lucian, More, Rabelais, Donne, Dryden, Pope, Swift, Blake, and Byron -- as primary examples. Because satire often operates as a mode or procedure rather than as a genre, Griffin offers not a comprehensive theory but a set of critical perspectives. Some of his topics are traditional in satire criticism: the role of satire as moralist, the nature of satiric rhetoric, the impact of satire on the political order. Others are new: the problems of satire and closure, the pleasure it affords readers and writers, and the socioeconomic status of the satirist. Griffin concludes that satire is problematic, open-ended, essayistic, and ambiguous in its relationship to history, uncertain in its political effect, resistant to formal closure, more inclined to ask questions than provide answers, and ambivalent about the pleasures it offers.
Violence and carnage rage across the city as Shredder’s master plan unfolds. When tragedy strikes the Turtles, the brothers will have to hold the line against an attack from within, but with allegiances shifting they must formulate a plan to fight back against their deadliest enemy. Volume 3 collects issues #21–28 of the Teenage Mutant Ninja Turtles ongoing series and the Old Hob, Alopex, Karai, Hun, Bebop and Rocksteady, and Shredder Micro-Series one-shots, plus the 2012 Annual.
The author of this remarkably comprehensive review, PIERRE DUSTIN, has performed an invaluable service in bringing to gether in one volume the observations and theory on micro tubules that have accumulated over the last fifteen years. He has understood the magnitude of the task from the beginning and has met it thoroughly and, I must say, courageously. From here on, and for many years to come, young investiga tors, and some not so young, will have a ready reference as they seek to discover what has been done and remains to be done in achieving a better understanding of these important cell components. Since the early 1960's when it became clear that the fila ments (micro tubules) making up the 9 + 2 complex of cilia and flagella were to be found very widely in cells, microtub ules have attracted an ever-increasing amount of attention. Now it is known, as reviewed in this volume, that they influ ence the morphogenesis of anisometry in the shapes of cells and cell extensions; that they function as frames for the intra cellular movement of granules and chromosomes; that they are subject to control in their assembly and disassembly by externally applied substances such as colchicine and cyclic AMP; and that they display abnormalities in their numbers and orientations in transformed (malignant) cells, to mention only a few of their several functions.
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