The Border War saw the biggest armoured battles in Africa since World War II. Starting as a counter-insurgency operation by the South African Defence Force (SADF) against the South West Africa People's Organisation, South Africa became embroiled in the complex Angolan Civil War, where they came up against enemies well supplied with equipment and armoured vehicles from the Soviet Union. With the aid of stunning illustrations and photographs, this study details the characteristics, capabilities and performance of the wide variety of armoured vehicles deployed by the SADF, from the Eland armoured car to the Ratel infantry combat vehicle and the Olifant tank. Designed for the unique conditions of the region, South Africa's armour was distinctive and innovative, and has influenced the design of counterinsurgency armoured vehicles around the world. Frequently requested by Osprey readers, and written by two renowned experts on armoured vehicles, this will appeal to all those interested in modern armour and the Cold War proxy wars.
This is the first western book on the subject of wartime Soviet schooling. Its theme is set against the background of Soviet educational history and the events preceding and characterising the Great Patriotic War of 1941-45. It considers how the war affected the already problematic organisation of schools and their formal curriculum content, and examines their enhanced role as socialising agents. It will appeal to historians, educationists and all interested in the impact of war on civilian populations.
This book provides the first comprehensive examination of Karl Barth’s view of beauty. For over fifty years, scholars have assumed Barth recovered traditional belief in God’s beauty but refused to entertain any relationship between this and more familiar natural and artistic beauties. Hans Urs von Balthasar was the first to offer this interpretation, and his conclusion has been echoed ever since, rendering Barth’s view of beauty irrelevant to work in theological aesthetics. This volume continues the late-twentieth-century revision of Balthasar’s interpretation of Barth by arguing that this too is a significant misunderstanding of his theology. Andrew Dunstan demonstrates that, through an encounter with fatalistic forms of Reformed theology, Brunner’s charges that his dogmatics were irrelevant and medieval thought, Barth gradually developed an analogy of divine, ecclesial and worldly beauty with all the theological, christocentric and actualistic hallmarks of his previous forms of analogy. This not only yields valuable new insight into Barth’s view of analogy but also provides a much-needed foundation for a distinctively Protestant and post-Barthian approach to theological aesthetics.
John Hammond's life is a gripping story of music, money, fame, and racial conflict, played out in the nightclubs and recording studios. A pioneering producer and talent spotter, Hammond discovered Billie Holliday, Count Basie, Charlie Christian, Benny Goodman, Bob Dylan, Aretha Franklin, Bruce Springsteen, and Stevie Ray Vaughan.
This directory is a guide to religious life in the Anglican church throughout the world. The illustrated volume provides a vivid and varied portrait of contemporary religious life, and features a range of articles.
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