Affect Theory, Genre, and the Example of Tragedy employs Silvan Tomkins’ Affect-Script theory of human psychology to explore the largely unacknowledged emotions of disgust and shame in tragedy. The book begins with an overview of Tomkins’ relationship to both traditional psychoanalysis and theories of human motivation and emotion, before considering tragedy via case studies of Oedipus, Hamlet, and Death of a Salesman. Aligning Affect-Script theory with literary genre studies, this text explores what motivates fictional characters within the closed conditions of their imagined worlds and how we as an audience relate to and understand fictional characters as motivated humans.
Affect Theory, Genre, and the Example of Tragedy employs Silvan Tomkins’ Affect-Script theory of human psychology to explore the largely unacknowledged emotions of disgust and shame in tragedy. The book begins with an overview of Tomkins’ relationship to both traditional psychoanalysis and theories of human motivation and emotion, before considering tragedy via case studies of Oedipus, Hamlet, and Death of a Salesman. Aligning Affect-Script theory with literary genre studies, this text explores what motivates fictional characters within the closed conditions of their imagined worlds and how we as an audience relate to and understand fictional characters as motivated humans.
From 1921 until 1948, Paul J. Sachs (1878–1965) offered a yearlong program in art museum training, “Museum Work and Museum Problems,” through Harvard University’s Fine Arts Department. Known simply as the Museum Course, the program was responsible for shaping a professional field—museum curatorship and management—that, in turn, defined the organizational structure and values of an institution through which the American public came to know art. Conceived at a time of great museum expansion and public interest in the United States, the Museum Course debated curatorial priorities and put theory into practice through the placement of graduates in museums big and small across the land. In this book, authors Sally Anne Duncan and Andrew McClellan examine the role that Sachs and his program played in shaping the character of art museums in the United States in the formative decades of the twentieth century. The Art of Curating is essential reading for museum studies scholars, curators, and historians.
Duncan Du Bois provides a detailed and fascinating history of a hitherto much-neglected part of what was the colony of Natal. Based primarily on original archival research, he traces the southward advance of the white settler frontier and its sugar-based economy from Isipingo to the Mzimkulu river and, without the sugar engine, to the Mtamvuna.
The fraternal society of the Masonic Order, steeped in mystery for over 600 years, is brought to light in a fascinating volume that serves as a guide for neophytes as well as a reference for the initiated. Duncan's Ritual of Freemasonry reveals the spiritual paths taken by inductees as they move through each initiated degree of enlightmentment: Mark Master, Past Master, Most Excellent Master, and the Royal Arch. The Freemasons' rituals, arcane symbols and mystical doctrines are also probed, and accurate explanations of gestures, tools and terms are accompanied by more than 100 illustrations and original engravings. The work is a fascinating exploration of the theories and practices of the world's most enduring secret society.
This book introduces to a larger audience the work of a group of Mexican writers whose work reflects the stimulus of the "boom" of the 1960s, especially in the experimental nueva novella.Duncan views the work of six writers in the context of more well known writers of the period (Ruflo, Fuentes, and Del Paso), and concludes with a chapter on other recent innovators in Mexican literature. Despite their diversity, these texts share many common features, and unlike social realism, the works are not openly political, but at the same time they question assumptions about reality itself-and the relation of fiction to truth.
What size and shapes are raindrops? Where do they come from? What happens when sea and air meet? These and many other questions take readers into the realms of meteorology, oceanography, physics, chemistry, and volcanology. "Packed with interesting and significant information." ? Florida Scientist. 57 photographs and illustrations.
El origen esencial del mal y del pecado humano es en verdad una pregunta profunda; pero sólo cuando la enfrentamos nos sentimos capacitados para encargarnos del pecado y del mal, y encontrar un camino de victoria. Culpar de todo a un Diablo personal con cuernos, cola y tridente me parece que es una forma de escapismo, de evadir el asunto, recurriendo rápidamente a una respuesta simplista, pero equivocada. Especialmente cuando se ha entendido que realmente esta idea del Diablo no se halla en ningún pasaje de la Biblia, sino que es más bien una acumulación de siglos de especulación y adaptación de mitos paganos. En el capítulo 1, procuro demostrar que esto es en verdad lo que ha sucedido. En todo ese capítulo y en los que siguen, procuro demostrar cómo el pueblo de Dios lamentablemente aceptó muchos de los mitos circundantes acerca de una figura de Satanás; pero los escritores de la Biblia procuraron activamente deconstruir los mitos por medio de aludir a ellos y dejar al descubierto su falacia.
This volume contains papers presented at the conference "Computational Prespectives on Number Theory" held at the University of Illinois at Chicago in honor of the retirement of A. O. L. Atkin. In keeping with Atkin's interests and work, the papers cover a range of topics, including algebraic number theory, p-adic modular forms and modular curves. Many of the paers reflect Atkin's particular interest in computational and algorithmic questions.
A history of the Baptists in Missouri: embracing an Account of the Organization and Growth of Baptist Churches and Associations: Biographical Sketches of Ministers of the Gospel and Other Prominent Members of the Denomination: The Founding of the Baptist institutions, periodicals,&c.
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