A very funny show about some unlikely subjects, including a one-legged actor applying for the role of Tarzan, an in-depth interview with an unimpressed shepherd who witnessed the Nativity, and a French singer who misunderstands an Anglo-Saxon vulgarity and composes a song around it.
This book focuses on three important British travellers to Crete during the 18th and 19th centuries to establish whether or not they made any significant contribution to the field of research with regard to the archaeological heritage of Bronze Age Crete. It is an attempt to bring these ‘lost pioneers’ of antiquity to the fore and to recognize their efforts as part of the foundation of the discovery of the island’s Bronze Age archaeology prior to the ground-breaking excavations of Sir Arthur Evans. The three travellers examined here are Richard Pococke (1704–65), Robert Pashley (1805–59) and Thomas Spratt (1811–88). Having dealt with the terms that these travellers used in describing ancient remains, the book looks briefly at the background to Bronze Age Crete itself. Thereafter the development from antiquarianism into archaeology is followed to establish the motives behind these travellers’ wanderings in Crete. This also involves a discussion of other British travellers to Crete and problems they may have encountered with an island in the throes of Ottoman turbulence. Using their published journals, the author has followed the footsteps of Pococke, Pashley and Spratt to see what they may have discovered, and compared their written accounts with what is physically there today. The results are most intriguing.
Although many books focus on the fascinating story of Heinrich Schliemann, little has been written on Mycenae before his excavations. This book, therefore, fills this gap. It looks at the English-speaking pioneers who visited the citadel at Mycenae before Schliemann, providing additional biographic references in the footnotes (and bibliography and associated sources). The book’s primary purpose is to bring back to life the thoughts of these pioneers on Mycenae. It is also a reflection on dating theories of the site during the nineteenth century. At that time, the general consensus concerning the beginning of the ‘Greek world’ was the classical civilisation of the fifth century BC. This was not the view of many of these travellers. The ancients too had a fascination with Mycenae. The Homeric tales of Agamemnon, King of Mycenae, led to popular sixth and fifth century BC plays from the likes of Aeschylus, Sophocles and Euripides. But what did these ancient writers and later travellers, such as Pausanias, actually see? Finally, there is a need to be reminded of some of the ‘pioneer’ travellers to Mycenae and their descriptions of the Lion Gate citadel and the ‘Treasury of Atreus’, as they are of particular historical interest. Not only that, but some of these observations are pure poetry and a delight to read.
From the 1940s through the 1960s, Dudley Huppler (1917-1988) moved in the brightest literary and artistic circles in New York, Chicago, Boulder, and his native Wisconsin, counting among his friends John Wilde, Sylvia Fein, Harry Partch, George Platt Lynes, Paul Cadmus, Marianne Moore, Glenway Wescott, Tobias Schneebaum, Andy Warhol, and others. Moving between the commercial and fine art worlds, he created windows for Bonwit Teller and advertising art for Parker Pen and Henri Bendel but also exhibited in galleries; was featured in Art News, Flair, and Art Digest; and won fellowships for his art and writing. His work is marked by an unusual, meticulous technique, forming sensual and whimsical images of animals, nature, and the human body from tiny gradations of tonal dots. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison
Since the 1960s digital signal processing (DSP) has been one of the most intensive fields of study in electronics. However, little has been produced specifically on linear non-adaptive time-variant digital filters.
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