DuBose Heyward (1885-1940) was a central figure in both the Charleston and the Southern Renaissance. His influence extended to the Harlem Renaissance as well. However, Heyward is often remembered simply as the author of Porgy, the 1925 novel about the poorest black residents of Charleston, South Carolina. Porgy--the novel and its stage versions--has probably done more to shape views worldwide of African American life in the South than any twentieth-century work besides Gone with the Wind. This volume acquaints readers with writings by Heyward that have been overshadowed by Porgy, and it also plumbs the complex sensibilities of the man behind that popular and enduring creation. James M. Hutchisson's introduction relates aspects of Heyward's life to his creative growth and his gradual shift from staunch social conservatism to a liberal (though never revolutionary) advocacy of black rights. The reader collects ten essays by Heyward on topics ranging from an aesthetics of African American art to the history of Charleston. Heyward's poetry is represented by eighteen pieces from the collections Carolina Chansons, Skylines and Horizons, and Jasbo Brown and Selected Poems. Also included are three song lyrics Heyward wrote for the opera Porgy and Bess. The sampling of Heyward's fiction includes the stories "The Brute" and The Half Pint Flask and excerpts from the novels Porgy, Mamba's Daughters, and Peter Ashley. Here is an ideal introduction to a figure whose inner conflicts were closely tied to those of his beloved South: struggles between privilege and poverty, black and white, and art for the few versus art for the masses.
DuBose Heyward (1885-1940) was a central figure in both the Charleston and the Southern Renaissance. His influence extended to the Harlem Renaissance as well. However, Heyward is often remembered simply as the author of Porgy, the 1925 novel about the poorest black residents of Charleston, South Carolina. Porgy--the novel and its stage versions--has probably done more to shape views worldwide of African American life in the South than any twentieth-century work besides Gone with the Wind. This volume acquaints readers with writings by Heyward that have been overshadowed by Porgy, and it also plumbs the complex sensibilities of the man behind that popular and enduring creation. James M. Hutchisson's introduction relates aspects of Heyward's life to his creative growth and his gradual shift from staunch social conservatism to a liberal (though never revolutionary) advocacy of black rights. The reader collects ten essays by Heyward on topics ranging from an aesthetics of African American art to the history of Charleston. Heyward's poetry is represented by eighteen pieces from the collections Carolina Chansons, Skylines and Horizons, and Jasbo Brown and Selected Poems. Also included are three song lyrics Heyward wrote for the opera Porgy and Bess. The sampling of Heyward's fiction includes the stories "The Brute" and The Half Pint Flask and excerpts from the novels Porgy, Mamba's Daughters, and Peter Ashley. Here is an ideal introduction to a figure whose inner conflicts were closely tied to those of his beloved South: struggles between privilege and poverty, black and white, and art for the few versus art for the masses.
The unbeatable Gershwin melodies and rhythms provide great rewards for duo pianists! This arrangement by Percy Grainger sends one great tune flying to another and another, creating a fantasy-like medley. This is a full-bodied work for accomplished pianists, and a wonderful treat for discriminating performers and audiences.
This showstopper for alto sax and piano features the best of Gershwin and is ideal for pop concerts and recitals. Titles: * Strike Up the Band! * Summertime * Oh, Lady Be Good! * Fascinating Rhythm * It Ain't Necessarily So * Rhapsody in Blue * I Got Rhythm
DuBose Heyward (1885 -1940) was an American author best known for his 1924 novel Porgy. This novel was the basis for the opera Porgy and Bess. Heyward worked in real estate and insurance. When he was financially secure he left business to start a writing career. Carolina Chansons: Legends of the Low Country was first published in 1922. The Low Country was originally settled by Frenchman, Spaniards, and Englishman, each leaving their own legends. Heyward describes this volume as poetry rather than history. Poems include Seance at Sunrise, Silences, Presences, The Pirates, The Sewees of Sewee Bay, La Fayette Lands, Legend of Theodosia Burr, The Priest and the Pirate, Palmetto Town, Carolina Spring Song, The First Submarine, The Last Crew, a collection of Negro poems, Cooper River Legends, and more.
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