When seven murder victims are found in a small town, the homicide investigation shakes a small-town sheriff to her core in James Patterson's tense thriller. Once a luxurious southern getaway on a rustic lake, then reduced to a dilapidated crash pad, the Summer House is now the grisly scene of a nighttime mass murder. Eyewitnesses point to four Army Rangers—known as the Night Ninjas—recently returned from Afghanistan. To ensure that justice is done, the Army sends Major Jeremiah Cook, a veteran and former NYPD cop, to investigate. But the major and his elite team arrive in sweltering Georgia with no idea their grim jobs will be made exponentially more challenging by local law enforcement, who resists the Army's intrusion and stonewall them at every turn. As Cook and his squad struggle to uncover the truth behind the condemning evidence, the pieces just won't fit—and forces are rallying to make certain damning secrets die alongside the victims in the murder house. With his own people in the cross-hairs, Cook takes a desperate gamble to find answers—even if it means returning to a hell of his own worst nightmares . . .
From the New York Times bestselling author of The President Is Missing, America has elected its most brilliant president ever, but he’s also a psychopath—and about to start a world war with our most dangerous enemy. US President Keegan Barrett has swept into office on his success as Director of the CIA. Six months into his first term, he devises a clandestine power grab with deadly consequences. Barrett personally orders CIA agents Liam Grey and Noa Himel to execute his plan, but their loyalties are divided. The CIA serves at the pleasure of the president, yet they’ve sworn to support and defend the Constitution of the United States against all enemies, foreign and domestic. When the threat comes directly from the Oval Office, that’s where the blowback begins. “Pure Patterson… Blowback asks us to imagine what would happen if a narcissistic psychopath were elected to the White House [and] to experience the terror of the world hanging in the balance at a moment when only a handful of determined patriots can save us.” –Ron Charles, Washington Post
#1 NEW YORK TIMES BESTSELLER • Alex Cross is gravely injured. Only his partner and friend John Sampson can keep him safe . . . and get justice. For the first time, John Sampson is on his own. The brilliant crime-solving duo of Washington, DC’s, Metro PD and the FBI has a proven MO: Detective Alex Cross makes his own rules. Detective John Sampson enforces them. When military-style attacks erupt, brutally sidelining Cross, Sampson is sent reeling. The patterns are too random—Sampson’s friend, his partner, his brother—have told him. Don’t trust anyone. As a shadow force advances on the nation’s capital, Sampson alone must protect the Cross family, his own young daughter, and every American, including the president.
The banjo has been called by many names over its history, but they all refer to the same sound—strings humming over skin—that has eased souls and electrified crowds for centuries. The Banjo invites us to hear that sound afresh in a biography of one of America’s iconic folk instruments. Attuned to a rich heritage spanning continents and cultures, Laurent Dubois traces the banjo from humble origins, revealing how it became one of the great stars of American musical life. In the seventeenth century, enslaved people in the Caribbean and North America drew on their memories of varied African musical traditions to construct instruments from carved-out gourds covered with animal skin. Providing a much-needed sense of rootedness, solidarity, and consolation, banjo picking became an essential part of black plantation life. White musicians took up the banjo in the nineteenth century, when it became the foundation of the minstrel show and began to be produced industrially on a large scale. Even as this instrument found its way into rural white communities, however, the banjo remained central to African American musical performance. Twentieth-century musicians incorporated the instrument into styles ranging from ragtime and jazz to Dixieland, bluegrass, reggae, and pop. Versatile and enduring, the banjo combines rhythm and melody into a single unmistakable sound that resonates with strength and purpose. From the earliest days of American history, the banjo’s sound has allowed folk musicians to create community and joy even while protesting oppression and injustice.
Considers how ancient Greek comedy offers a model for present-day politics. With Democratic Swarms, Page duBois revisits the role of Greek comedy in ancient politics, considering how it has been overlooked as a political medium by modern theorists and critics. Moving beyond the popular readings of ancient Greece through the lens of tragedy, she calls for a revitalized look at Greek comedy. Rather than revisiting the sufferings of Oedipus and his family or tragedy’s relationship to questions of sovereignty, this book calls for comedy—its laughter, its free speech, its wild swarming animal choruses, and its rebellious women—to inform another model of democracy. Ancient comedy has been underplayed in the study of Greek drama. Yet, with the irrepressible energy of the comic swarm, it provides a unique perspective on everyday life, gender and sexuality, and the utopian politics of the classical period of Athenian democracy. Using the concepts of swarm intelligence and nomadic theory, duBois augments tragic thought with the resistant, utopian, libidinous, and often joyous communal legacy of comedy, and she connects the lively anti-authoritarianism of the ancient comic chorus with the social justice movements of today.
Over several decades, many U.S. states abandoned the practice of selecting their judges by direct popular election and adopted the Missouri Plan of judicial selection. In From Ballot to Bench, Philip L. Dubois subjects the various criticisms raised against judicial elections to a more searching scrutiny than previously has been attempted. Dubois carefully reviews the three central counts on which judicial elections have been faulted: for lowering the quality of the bench, for impairing judicial independence, and for failing to secure judicial accountability. After concluding that the potential for judicial elections to hold judges popularly accountable is what might commend them over alternative selection methods, Dubois concentrates on the analysis of empirical evidence to evaluate judicial elections as mechanisms of accountability. The study examines all the statewide partisan and nonpartisan elections for state supreme court justices in non-southern states from 1948 to 1974. Included is a detailed examination of voter participation, electoral competition, the behavior of judicial electorates, and the patterns of gubernatorial vacancy appointments. An analysis of decision making on eight state supreme courts also tests the relationship between different selection systems and judicial behavior. Dubois finds that partisan elections maximize voter participation, meaningfully structure voter choices, minimize accession to the bench by appointment, and allow popular control over gubernatorial appointments. Additional evidence on the extent of partisan voting by judges selected under different methods leads Dubois to conclude that partisan elections are superior to both nonpartisan elections and nonelective selection methods as instruments of accountability. The importance of the questions addressed, the breadth of the data collected, and the unorthodox conclusions offered make this a significant book for political scientists, judges, lawyers, and public officials.
Welcome to Black Cat Weekly #44. This is an amazing issue, with quite the all-star lineup. First off, private detective Frank Wolf and his grandson Joel return to our pages with a new short novel by Saul Golubcow, The Dorm Murder (published simultaneously with Golubcow’s collection, The Cost of Living and Other Mysteries). This is one of my favorite series in recent years, and I highly recommend you start with The Dorm Murder. You won’t be disappointed. Black Cat’s acquiring editors have been busy, too—Michael Bracken, Barb Goffman, Cynthia Ward, and Darrell Schweitzer all have contributions this issue. Michael and Barb found great mysteries by Mary Dutta and Brendan Dubois, Cindy has a neo-classic science fiction tale by David Marusek, and Darrell has unearned a “paleo-interview” from 1988 with fantasist Nancy Springer. It’s fascinating. And we have classics by Fritz Leiber, Robert Silverberg, George O. Smith, Henry Kuttner, and a Nick Carter mystery novel. Plus, of course, a solve-it-yourself mystery from Hal Charles (the writing team of Hal Blythe and Charlie Sweet). Here's the lineup: Mysteries / Suspense / Adventure: The Dorm Murder, by Saul Golubcow [short novel] “The Wonderworker” by Mary Dutta [Michael Bracken Presents short story] “An Eggcellent Equation” by Hal Charles [Solve-It-Yourself Mystery] “The Lake Tenant” by Brendan DuBois [Barb Goffman Presents short story] The Blue Veil, by Nicholas Carter [novel] Non-Fiction: “Speaking with Nancy Springer” [Interview with Darrell Schweitzer] Science Fiction & Fantasy: “Getting To Know You” by David Marusek [Cynthia Ward Presents short story] “Friends and Enemies," by Fritz Leiber [short story] “Lair of the Dragonbird," by Robert Silverberg [short story] “Meddler’s Moon,” by George O. Smith [short story] Avengers of Space, by Henry Kuttner [short novel]
Welcome to Black Cat Weekly #49. This is another strong issue, and we lead off with an original tale by celebrated mystery author Brendan Dubois (courtesy of acquiring editor Michael Bracken). We also have a powerful crime story by Y.S. Lee (courtsey of acquiring editor Barb Goffman), and a pair of novels by Edgar Wallace and Nicholas Carter. And, of course, no issue would be complete without a solve-it-yourself mystery from Hal Charles. On the science fiction side, acquiring editor Cynthia Ward has selected a great story by Linda D. Addison—plus we have more from George O. Smith, Poul Anderson, C. Shook, and Robert Moore Williams. Good stuff! Here’s the complete lineup: Mysteries / Suspense / Adventure: “Obsession” by Brendan DuBois “Ghost of a Chance” by Hal Charles “In Plain Sight” by Y. S. Lee The Fellowship of the Frog, by Edgar Wallace Driven from Cover, by Nicholas Carter Science Fiction / Fantasy: “The Power” by Linda D. Addison “Rat Race,” by George O. Smith “The Temple of Earth, ” by Poul Anderson “The Band Played On,” by C. Shook “The Impossible Invention” by Robert Moore Williams
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