In 20 Jazz Funk Greats Drew Daniel (of the experimental band Matmos) creates-through both his own insights and exclusive interviews with the band-an exploded view of the album's multiple agendas: a series of close readings of each song, shot through with a sequence of thematic entries on key concepts, strategies, and contexts (noise, leisure, process, the abject, information, and repetition). This is a smart and unusual book about a pioneering band.
Consulting an extensive archive of early modern literature, Joy of the Worm asserts that voluntary death in literature is not always a matter of tragedy. In this study, Drew Daniel identifies a surprisingly common aesthetic attitude that he calls “joy of the worm,” after Cleopatra’s embrace of the deadly asp in Shakespeare’s play—a pattern where voluntary death is imagined as an occasion for humor, mirth, ecstatic pleasure, even joy and celebration. Daniel draws both a historical and a conceptual distinction between “self-killing” and “suicide.” Standard intellectual histories of suicide in the early modern period have understandably emphasized attitudes of abhorrence, scorn, and severity toward voluntary death. Daniel reads an archive of literary scenes and passages, dating from 1534 to 1713, that complicate this picture. In their own distinct responses to the surrounding attitude of censure, writers including Shakespeare, Donne, Milton, and Addison imagine death not as sin or sickness, but instead as a heroic gift, sexual release, elemental return, amorous fusion, or political self-rescue. “Joy of the worm” emerges here as an aesthetic mode that shades into schadenfreude, sadistic cruelty, and deliberate “trolling,” but can also underwrite powerful feelings of belonging, devotion, and love.
Tilting the English Renaissance against the present moment, The Melancholy Assemblage examines how the interpretive experience of emotion produces social bonds. Placing readings of early modern painting and literature in conversation with psychoanalytic theory and assemblage theory, this book argues that, far from isolating its sufferers, melancholy brings people together.
Undercover billionaire and ex-playboy Drummond brother is seeking love undercover and under the covers in New York City. Young, sexy, insanely rich and posing as a penniless barista. Can he find the girl of his dreams? Alison Myers. Struggling to get by waiting tables and serving coffee in the Big Apple. All she wants is a nice guy who won't lie to her and a chance to get out from under. Her friends are determined she find and marry the right man; an achiever, a successful man, no more charming rolling stones who can't pay the bills. He's determined to find a woman who will love him even if he didn't have a dime to his name. Can true love triumph in this battle of wills between the incognito billionaire and Alison's fiercely protective girlfriends? The story of the Drummond brothers continues in this big city tale of true love and the eternal battle of the sexes.
Leisure, Plantations, and the Making of New South investigates the social, architectural, and environmental history of sporting plantations in the South Carolina lowcountry and the Red Hills region of southeast Georgia and northern Florida. Although plantations figure prominently in histories of the post-emancipation South, historians have paid little attention to the redevelopment of plantations for non-agricultural use. By examining the two largest concentrations of sporting plantations on the south Atlantic coast, this collection explores questions about historical memory of slavery, race relations, material culture, and the environment during the first half of the twentieth century.
This book considers melancholy as an "assemblage," as a network of dynamic, interpretive relationships between persons, bodies, texts, spaces, structures, and things. In doing so, it parts ways with past interpretations of melancholy. Tilting the English Renaissance against the present moment, Daniel argues that the basic disciplinary tension between medicine and philosophy persists within contemporary debates about emotional embodiment. To make this case, the book binds together the paintings of Nicholas Hilliard and Isaac Oliver, the drama of Shakespeare, the prose of Burton, and the poetry of Milton. Crossing borders and periods, Daniel combines recent theories which have--until now--been regarded as incongruous by their respective advocates. Asking fundamental questions about how the experience of emotion produces community, the book will be of interest to scholars of early modern literature, psychoanalysis, the affective turn, and continental philosophy"--
* An essential resource for visual learners-approximately forty percent of the population-who want an intermediate-to-advanced reference on the new Panther version of Mac OS X * Helps the nine million Mac OS X users navigate changes to the interface, harness the latest utilities and bundled applications, customize their Mac, make the most of Mac multimedia (iTunes, iPhoto, iDVD, iMovie), work on a remote or local network, and troubleshoot problems * Offers hundreds of step-by-step screenshots to provide readers with ultimate topic coverage * An ideal reference for aspiring power users who are looking for a visual reference that lets them read less and learn more
Taking its title from a 1987 Smith's song, Drew Pettifer's I keep mine hidden is a book of intimate photographs of the artist's friends and lovers taken over the past two years. These previously unseen images form something of a diary cum queer family album as the willing subjects make themselves available for the camera's gaze. The camera lingers - in bedrooms, bathrooms and often watery external environments - over the naked and semi-naked bodies of young men as they are caught in moments of self-admiration and introspection. Writing in the foreword to I keep mine hidden, Daniel Palmer observes: "While we might remark the prevalence of mirrors and liquids - hinting at the vulnerabilities and fluidity of a certain kind of youthful male sexuality - above all, it seems, these are simply images of pretty young men who have been persuaded to pose by a friend who likes to look... This is photography as a desiring machine and a tool to become other, reminding us that as much as photography concerns identity (from the family archive to the mug shot) it functions even more effectively as fantasy." Indeed Drew Pettifer himself, has stated "... this series focuses on the relationship between masculinity and vulnerability. As a queer man photographing mostly straight male subjects there is a strong element of sexual desire within these works. Much of the subsequent 'impersonation' of identity therefore revolves around the performance of masculinity and homosociality in response to the queer gaze".
RAND researchers review the motivations for adaptive basing, describe a footprint model used for estimating its implications for Agile Combat Support (ACS), and discuss recommendations for the ACS community and the U.S. Air Force at large.
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