Spectacular Posthumanism examines the ways in which VFX imagery fantasizes about digital disembodiment while simultaneously reasserting the importance of the lived body. Analyzing a wide range of case studies-including the films of David Cronenberg and Stanley Kubrick, image technologies such as performance capture and crowd simulation, Game of Thrones, Terminator: Genisys, Planet Earth, and 300-Ayers builds on Miriam Hansen's concept of vernacular modernism to argue that the vernacular posthumanism of these media objects has a phenomenological impact on viewers. As classical Hollywood cinema initiated viewers into the experience of modernism, so too does the VFX image initiate viewers into digital, posthuman modes of thinking and being. Ayers's innovative close-reading of popular, mass-market media objects reveals the complex ways that these popular media struggle to make sense of humanity's place within the contemporary world. Spectacular Posthumanism argues that special and visual effects images produce a digital, posthuman vernacular, one which generates competing fantasies about the utopian and dystopian potential of a nonhuman future. As humanity grapples with such heady issues as catastrophic climate change, threats of anonymous cyber warfare, an increasing reliance on autonomous computing systems, genetic manipulation of both humans and nonhumans, and the promise of technologically enhanced bodies, the anxieties related to these issues register in popular culture. Through the process of compositing humans and nonhumans into a seemingly seamless whole, digital images visualize a utopian fantasy in which flesh and information might easily coexist and cohabitate with each other. These images, however, also exhibit the dystopic anxieties that develop around this fantasy. Relevant to our contemporary moment, Spectacular Posthumanism both diagnoses and offers a critique of this fantasy, arguing that this posthuman imagination overlooks the importance of embodiment and lived experience.
Annotated Bibliographies of Mineral Deposits in Africa, Asia (Exclusive of the USSR) and Australasia brings together annotated bibliographies of mineral deposits in Africa, Asia (with the exception of the USSR), and Australasia. Each bibliography is followed by notes to show the deposit's location; geological framework; age and type; structural and stratigraphic relations; conditions of formation; and position in the modified Lindgren classification. Comprised of 25 chapters, this volume begins with an introduction to the more important sources of references in the bibliographies, set down in alphabetical order with the number of references provided by each source. The distribution of deposits by continent and country follows. The deposits include molybdenum, nickel, copper, lead, and tin. Eruptive rocks, the metamorphic cycle, and the mineralization process are addressed, along with liquid immiscibility between silicate magmas and sulfide melts; the geology, mineralogy, and petrology of ore deposits in various mines; and the significance of mineralized breccia pipes. This book will be of value to mineralogists, geologists, and earth and mineral scientists as well as students interested in ore deposits.
NATIONAL BESTSELLER • NATIONAL BOOK AWARD FINALIST • An "extraordinary ... profoundly moving" history (The New York Times Book Review) of the American Civil War that reveals the ways that death on such a scale changed not only individual lives but the life of the nation. An estiated 750,000 soldiers lost their lives in the American Civil War. An equivalent proportion of today's population would be seven and a half million. In This Republic of Suffering, Drew Gilpin Faust describes how the survivors managed on a practical level and how a deeply religious culture struggled to reconcile the unprecedented carnage with its belief in a benevolent God. Throughout, the voices of soldiers and their families, of statesmen, generals, preachers, poets, surgeons, nurses, northerners and southerners come together to give us a vivid understanding of the Civil War's most fundamental and widely shared reality. With a new introduction by the author, and a new foreword by Mike Mullen, 17th Chairman of the Joint Chiefs of Staff.
Spanning the birth of the industry to its first few decades, this book has approximately 100 full-color portraits of the legends of American comic books―publishers, editors, and artists. Its subjects are popular and obscure, men and women, and it includes several pioneering artists of color.
Artificial intelligence has already enabled pivotal advances in diverse fields, yet its impact on computer architecture has only just begun. In particular, recent work has explored broader application to the design, optimization, and simulation of computer architecture. Notably, machine-learning-based strategies often surpass prior state-of-the-art analytical, heuristic, and human-expert approaches. This book reviews the application of machine learning in system-wide simulation and run-time optimization, and in many individual components such as caches/memories, branch predictors, networks-on-chip, and GPUs. The book further analyzes current practice to highlight useful design strategies and identify areas for future work, based on optimized implementation strategies, opportune extensions to existing work, and ambitious long term possibilities. Taken together, these strategies and techniques present a promising future for increasingly automated computer architecture designs.
Living in other countries provided me with an insight to what really goes on in the world and to discover what people really think. Most of the countries I lived in have barren or hostile environments but I saw the beauty that these countries offered. I just had to look for it. Not everyone is free to live their lives the way they want and not every country is democratic but is it all that bad living in those countries that see the world different to us? Is what we read or see in the media a true picture of how people live and what they think? For forty years, I lived and worked in the Middle East, the jungles of Borneo and the Special Economic Zones (SEZs) in China. Most people in the west would not visit far less work and live in these places. My travels changed my perception of the world. Possibly reading about it will change yours.
Drew A. Swanson has written an “environmental” history about a crop of great historical and economic significance: American tobacco. A preferred agricultural product for much of the South, the tobacco plant would ultimately degrade the land that nurtured it, but as the author provocatively argues, the choice of crop initially made perfect agrarian as well as financial sense for southern planters. Swanson, who brings to his narrative the experience of having grown up on a working Virginia tobacco farm, explores how one attempt at agricultural permanence went seriously awry. He weaves together social, agricultural, and cultural history of the Piedmont region and illustrates how ideas about race and landscape management became entangled under slavery and afterward. Challenging long-held perceptions, this innovative study examines not only the material relationships that connected crop, land, and people but also the justifications that encouraged tobacco farming in the region.
This is a genealogical study of the families of Russell Faulkner (ca.1775-1840s) of Edgefield District, SC; his son Elijah Faulkner (1813-1896), and his grandson Eligah Melvin Faulkner (1858-1941). It includes death and marriage records, obituaries, deeds, grave inscriptions and over 230 census records. It covers over 237 years of the Faulkner family in Edgefield, Greenwood, McCormick, and Aiken Counties, South Carolina
For most of three decades, Drew Pearson was the most well-known journalist in the United States. In his daily newspaper column—the most widely syndicated in the nation—and on radio and television broadcasts, he chronicled the political and public policy news of the nation. At the same time, he worked his way into the inner circles of policy makers in the White House and Congress, lobbying for issues he believed would promote better government and world peace. Pearson, however, still found time to record his thoughts and observations in his personal diary. Published here for the first time, Washington Merry-Go-Round presents Pearson’s private impressions of life inside the Beltway from 1960 to 1969, revealing how he held the confidence of presidents—especially Lyndon B. Johnson—congressional leaders, media moguls, political insiders, and dozens of otherwise unknown sources of information. His direct interactions with the DC glitterati, including Bobby Kennedy and Douglas MacArthur, are featured throughout his diary, drawing the reader into the compelling political intrigues of 1960s Washington and providing the mysterious backstory on the famous and the notorious of the era.
In 20 Jazz Funk Greats Drew Daniel (of the experimental band Matmos) creates-through both his own insights and exclusive interviews with the band-an exploded view of the album's multiple agendas: a series of close readings of each song, shot through with a sequence of thematic entries on key concepts, strategies, and contexts (noise, leisure, process, the abject, information, and repetition). This is a smart and unusual book about a pioneering band.
Pack a Peanut Butter Sandwich is a soul journey. These are stories about the kinds of events that change one's life. They tell what it's like to make life decisions informed by spirit-trusting that each event has something to teach, a gift that contributes to our personal growth. Above all, this is a book about sharing and the strength to stand alone. The author shares her personal journey through entertaining world adventures. The experiences she reveals here offer universal themes, of what it means to be open to the creative self. From Klamath Falls, Oregon to Europe, Asia and the American Southwest, then back again full circle, this is the story of one woman's inner healing and a calling that tells us what it means to come home to courage and joy. "What courage Linda uses! I am inspired. Her book is a great read giving me a new chuckling reverence for life's turns." -Veronica Entwistle, Radio Personality KNRY and Lightfolkus.org "Linda has experienced more in this incarnation than most people in ten.and she is not done yet. These stories are hugely entertaining and subtly enlightening." -Laurelee Rourk, co-author of It's Not About Food
This book examines the career and publications of the French architect Julien-David Leroy (1724–1803) and his impact on architectural theory and pedagogy. Despite not leaving any built work, Leroy is a major international figure of eighteenth-century architectural theory and culture. Considering the place that Leroy occupied in various intellectual circles of the Enlightenment and Revolutionary period, this book examines the sources for his ideas about architectural history and theory and defines his impact on subsequent architectural thought. This book will be of key interest to graduate students and scholars of Enlightenment-era architectural history.
Stories were collective, as in the case of the antebellum proslavery argument or Confederate discourses about women. Sometimes they were personal, as in the private writings of figures such as Lizzie Neblett, Mary Chesnut, Thornton Stringfellow, or James Henry Hammond. These men and women regularly employed their pens to create coherence and order amid the tangled circumstances of their particular lives and within a context of social prescriptions and expectations.
Who has the right to decide how nature is used, and in what ways? Recovering an overlooked thread of seventeenth- and eighteenth-century environmental thought, Erin Drew shows that English writers of the period commonly believed that human beings had only the "usufruct" of the earth—the "right of temporary possession, use, or enjoyment of the advantages of property belonging to another, so far as may be had without causing damage or prejudice." The belief that human beings had only temporary and accountable possession of the world, which Drew labels the "usufructuary ethos," had profound ethical implications for the ways in which the English conceived of the ethics of power and use. Drew’s book traces the usufructuary ethos from the religious and legal writings of the seventeenth century through mid-eighteenth-century poems of colonial commerce, attending to the particular political, economic, and environmental pressures that shaped, transformed, and ultimately sidelined it. Although a study of past ideas, The Usufructuary Ethos resonates with contemporary debates about our human responsibilities to the natural world in the face of climate change and mass extinction.
Route 66 Adventure Handbook is your personal guide to the vanishing American roadside, with all of its exuberance, splendor, and absurdity. For this updated and expanded fourth edition, Drew Knowles has included it all: magnificent architecture, natural wonders, Art Deco masterpieces, vintage motels and cafes, unique museums, offbeat attractions, fascinating artifacts and icons, and kitschy tourist traps. The addition of city maps, showing the multiple paths of Route 66 and displaying the exact locations of points of interest, is a major improvement over the already critically acclaimed third edition of the book. The fourth edition also includes hundreds of beautiful new photographs and the addition of dozens of new attractions. Filled with wonderfully quirky side trips and fun bits of trivia, Route 66 Adventure Handbook is the most authoritative resource for anyone looking to explore the Mother Road. Fasten your seatbelts!
Matt Bradley, former street gang teen, now a tough operator with an elite mountain rescue team. His wife Amanda vanishes in plain sight. There are no clues, no obvious motive. With the team leader stranded in a plane crash, he must lose his emotions and focus. His mission to find her pits him against criminal thugs working with a shadowy offshore network of killers. Where is she and why was she targeted? To save her, he must ‘fly blind’ against the clock in steep, remote wilderness.
The Fifth Edition of the Handbook of Research on Teachingis an essential resource for students and scholars dedicated to the study of teaching and learning. This volume offers a vast array of topics ranging from the history of teaching to technological and literacy issues. In each authoritative chapter, the authors summarize the state of the field while providing conceptual overviews of critical topics related to research on teaching. Each of the volume's 23 chapters is a canonical piece that will serve as a reference tool for the field. The Handbook provides readers with an unaparalleled view of the current state of research on teaching across its multiple facets and related fields.
Well into the new millennium, the analog cassette tape continues to claw its way back from obsolescence. New cassette labels emerge from hipster enclaves while the cassette’s likeness pops up on T-shirts, coffee mugs, belt buckles, and cell phone cases. In Unspooled, Rob Drew traces how a lowly, hissy format that began life in office dictation machines and cheap portable players came to be regarded as a token of intimate expression through music and a source of cultural capital. Drawing on sources ranging from obscure music zines to transcripts of Congressional hearings, Drew examines a moment in the early 1980s when music industry representatives argued that the cassette encouraged piracy. At the same time, 1980s indie rock culture used the cassette as a symbol to define itself as an outsider community. Indie’s love affair with the cassette culminated in the mixtape, which advanced indie’s image as a gift economy. By telling the cassette’s long and winding history, Drew demonstrates that sharing cassettes became an acceptable and meaningful mode of communication that initiated rituals of independent music recording, re-recording, and gifting.
Spectacular Posthumanism examines the ways in which VFX imagery fantasizes about digital disembodiment while simultaneously reasserting the importance of the lived body. Analyzing a wide range of case studies-including the films of David Cronenberg and Stanley Kubrick, image technologies such as performance capture and crowd simulation, Game of Thrones, Terminator: Genisys, Planet Earth, and 300-Ayers builds on Miriam Hansen's concept of “vernacular modernism” to argue that the “vernacular posthumanism” of these media objects has a phenomenological impact on viewers. As classical Hollywood cinema initiated viewers into the experience of modernism, so too does the VFX image initiate viewers into digital, posthuman modes of thinking and being. Ayers's innovative close-reading of popular, mass-market media objects reveals the complex ways that these popular media struggle to make sense of humanity's place within the contemporary world. Spectacular Posthumanism argues that special and visual effects images produce a digital, posthuman vernacular, one which generates competing fantasies about the utopian and dystopian potential of a nonhuman future. As humanity grapples with such heady issues as catastrophic climate change, threats of anonymous cyber warfare, an increasing reliance on autonomous computing systems, genetic manipulation of both humans and nonhumans, and the promise of technologically enhanced bodies, the anxieties related to these issues register in popular culture. Through the process of compositing humans and nonhumans into a seemingly seamless whole, digital images visualize a utopian fantasy in which flesh and information might easily coexist and cohabitate with each other. These images, however, also exhibit the dystopic anxieties that develop around this fantasy. Relevant to our contemporary moment, Spectacular Posthumanism both diagnoses and offers a critique of this fantasy, arguing that this posthuman imagination overlooks the importance of embodiment and lived experience.
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