A darkly comic recollection of a country that no longer exists, and a lyrical examination of the importance of taking a stand when it counts. Set against a backdrop of horrific world events, this is narrative non-fiction at its best. To a young boy growing up poor but happy in an industrial town in Serbia, politics means many national holidays that result in parades, piglets roasting on a spit, and getting to see both his hard-working parents at the same time. An observant child, Dragan Todorovic quickly learns the power of words. Even before he can read or write, he is mesmerized by the squiggles made by the grownups around him and diligently recreates them in the notebooks he carries with him always. He also learns that reciting naughty limericks usually yields some chocolate. This love of words eventually takes Dragan to Belgrade, as editor for a cultural magazine. He hopes to inspire and support the young and innovative artists of the time, but soon discovers that naughty articles do not yield the same results as limericks, and he finds himself constantly clashing with the system. His many questions get only one answer: he is drafted into the army. Dragan survives his tour of duty, but his return to Belgrade is unsettling. Everything is changing, rapidly. Friendships are collapsing, conversations are guarded, nothing is as it seems. Bit by bit, the country he knows and loves is being torn apart. Filled with great characters and poignant and often hilarious stories, The Book of Revenge is a superb duet of a citizen and his country, a universal exploration of just what it is that inoculates the human spirit from dangerous ideologies and toxic nationalism.
Dragan Todorovic’s first book written in English won him a literary prize for non-fiction and predictions from readers that he was a novelist-in-the-making. The readers were right, as his exceptional first novel proves. Diary of Interrupted Days is playful, blazingly intelligent, occasionally erotic and ultimately tragic, unfurling from the cliffhanger scene that opens the book: a lone exile, returning to Belgrade for the first time since he fled to Canada in the mid-nineties, is stranded on the only bridge into the city that hasn’t been destroyed by NATO bombers as air raid sirens sound. He should be focused on getting off the bridge, but he seems unable to calculate the risk . . . The war that dismembered his country still haunts him, but what has him frozen is that the disruptions of war allowed him to steal happiness for himself from his best friend, with the likelihood that he would never be caught. But lies, even artful ones told by someone adept at incinerating the past, have a way of catching up to you. As the man on the bridge is about to find out.
A darkly comic recollection of a country that no longer exists, and a lyrical examination of the importance of taking a stand when it counts. Set against a backdrop of horrific world events, this is narrative non-fiction at its best. To a young boy growing up poor but happy in an industrial town in Serbia, politics means many national holidays that result in parades, piglets roasting on a spit, and getting to see both his hard-working parents at the same time. An observant child, Dragan Todorovic quickly learns the power of words. Even before he can read or write, he is mesmerized by the squiggles made by the grownups around him and diligently recreates them in the notebooks he carries with him always. He also learns that reciting naughty limericks usually yields some chocolate. This love of words eventually takes Dragan to Belgrade, as editor for a cultural magazine. He hopes to inspire and support the young and innovative artists of the time, but soon discovers that naughty articles do not yield the same results as limericks, and he finds himself constantly clashing with the system. His many questions get only one answer: he is drafted into the army. Dragan survives his tour of duty, but his return to Belgrade is unsettling. Everything is changing, rapidly. Friendships are collapsing, conversations are guarded, nothing is as it seems. Bit by bit, the country he knows and loves is being torn apart. Filled with great characters and poignant and often hilarious stories, The Book of Revenge is a superb duet of a citizen and his country, a universal exploration of just what it is that inoculates the human spirit from dangerous ideologies and toxic nationalism.
A darkly comic recollection of a country that no longer exists, and a lyrical examination of the importance of taking a stand when it counts. Set against a backdrop of horrific world events, this is narrative non-fiction at its best. To a young boy growing up poor but happy in an industrial town in Serbia, politics means many national holidays that result in parades, piglets roasting on a spit, and getting to see both his hard-working parents at the same time. An observant child, Dragan Todorovic quickly learns the power of words. Even before he can read or write, he is mesmerized by the squiggles made by the grownups around him and diligently recreates them in the notebooks he carries with him always. He also learns that reciting naughty limericks usually yields some chocolate. This love of words eventually takes Dragan to Belgrade, as editor for a cultural magazine. He hopes to inspire and support the young and innovative artists of the time, but soon discovers that naughty articles do not yield the same results as limericks, and he finds himself constantly clashing with the system. His many questions get only one answer: he is drafted into the army. Dragan survives his tour of duty, but his return to Belgrade is unsettling. Everything is changing, rapidly. Friendships are collapsing, conversations are guarded, nothing is as it seems. Bit by bit, the country he knows and loves is being torn apart. Filled with great characters and poignant and often hilarious stories, The Book of Revenge is a superb duet of a citizen and his country, a universal exploration of just what it is that inoculates the human spirit from dangerous ideologies and toxic nationalism.
Dragan Todorovic’s first book written in English won him a literary prize for non-fiction and predictions from readers that he was a novelist-in-the-making. The readers were right, as his exceptional first novel proves. Diary of Interrupted Days is playful, blazingly intelligent, occasionally erotic and ultimately tragic, unfurling from the cliffhanger scene that opens the book: a lone exile, returning to Belgrade for the first time since he fled to Canada in the mid-nineties, is stranded on the only bridge into the city that hasn’t been destroyed by NATO bombers as air raid sirens sound. He should be focused on getting off the bridge, but he seems unable to calculate the risk . . . The war that dismembered his country still haunts him, but what has him frozen is that the disruptions of war allowed him to steal happiness for himself from his best friend, with the likelihood that he would never be caught. But lies, even artful ones told by someone adept at incinerating the past, have a way of catching up to you. As the man on the bridge is about to find out.
Two unaccompanied children travel across the Mediterranean in an overcrowded boat that has been designed to only make it halfway across… A 63-year-old man is woken one morning by border officers ‘acting on a tip-off’ and, despite having paid taxes for 28 years, is suddenly cast into the detention system with no obvious means of escape… An orphan whose entire life has been spent in slavery – first on a Ghanaian farm, then as a victim of trafficking – writes to the Home Office for help, only to be rewarded with a jail sentence and indefinite detention… These are not fictions. Nor are they testimonies from some distant, brutal past, but the frighteningly common experiences of Europe’s new underclass – its refugees. While those with ‘citizenship’ enjoy basic human rights (like the right not to be detained without charge for more than 14 days), people seeking asylum can be suspended for years in Kafka-esque uncertainty. Here, poets and novelists retell the stories of individuals who have direct experience of Britain’s policy of indefinite immigration detention. Presenting their accounts anonymously, as modern day counterparts to the pilgrims’ stories in Chaucer’s Canterbury Tales, this book offers rare, intimate glimpses into otherwise untold suffering.
Due to problems associated with the design and manufacturing of composite materials, there is a need to introduce computational and intelligent systems engineering methodology in materials engineering. Soft Computing in the Design and Manufacturing of Composite Material offers an intelligent approach to advance material engineering, and significantly improves the process of designing and manufacturing a new material. This title includes chapters covering topics such as soft computing techniques, composite materials engineering, design and manufacturing of composite materials, numerical modeling, prediction, and optimization of the composite materials performance, development of the hybrid models, and control of the composite material performance. Introduction of soft computing in the composite materials engineering Includes accurate and detailed analysis of the current state of the art in the field Development of the intelligent models for design and manufacturing of composite material Details composite material performance prediction Optimization of the manufacturing process of composite materials
Danubian Europe presented constant and serious security risks for European peace and stability and, for that reason, contrary to conventional wisdom, it commanded the attention of British diplomacy with a view to appeasing local conflicts. Britain and Interwar Danubian Europe examines the manner in which the Foreign Office perceived and treated the antagonism between the Little Entente, comprised of Czechoslovakia, Yugoslavia and Romania, and Hungary, on the one hand, and revisionist Bulgaria and her neighbours in the Balkans, on the other, and the impact that these local conflicts had in connection with Franco-Italian rivalry in Central/South-Eastern Europe. With Hitler's accession to power, Danubian Europe was viewed in Whitehall in relation to its place in the prospective policy for preserving Austrian independence and containing German aggression. Dragan Bakic argues that the British approach to security problems in Danubian Europe had certain permanent features which stemmed from the general British outlook on the new successor states -the members of the Little Entente- founded on the ruins of the Habsburg monarchy. This book shows that it was the lack of confidence in their stability and permanence, as well as the misperceptions about the motives and intentions of the policies pursued by other Powers towards Central/South-Eastern Europe, which accounted for the apparent sluggishness and ineffectiveness of the Foreign Office's dealings with security challenges. Based on extensive, original archival research, this is a fascinating volume for any historian keen to know more about the 20th-century history of East-Central Europe or British foreign policy in the interwar years.
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