Fast-paced and fact-packed, this compendium revels in Carmarthenshire's rich heritage and what makes it special in areas such as culture, landscape, wildlife, food and sport. This whistle-stop tour through the 'Garden of Wales' covers both celebrated characters and murky pasts, taking in the county's breathtaking castles, nature reserves and famous landmarks along the way. From the county gaol and asylum to school strikes and industrial riots, this is a book you won't want to put down.
Big Ideas in Education: What Every Teacher Should Know by Dr Russell Grigg provides an accessible and easily understood introductory guide to the big ideas that really matter in education. The teaching profession is saturated with ideas. Unfortunately, some of these are half-baked or fundamentally flawed. Dr Russell Grigg moves beyond the unhelpful supposed dichotomies that pervade current educational thinking child-centred versus teacher-centred, traditional versus progressive. Throughout the book, readers are invited to question assumptions and popular rhetoric and reflect on their own experiences. Big Ideas in Education aims to equip teachers with a good understanding of current thinking in a diverse, fluid and dynamic field. Each of the big ideas is discussed within the framework of four questions: what is the big idea, who is behind it, why is it important and what can you do? Big ideas are important, distinctive, empowering, adaptable and simple to understand. Dr Russell Grigg provides readers with a concise and reliable introduction to twelve such ideas, which are at the core of educational practice. The ideas chosen are general rather than subject-specific in nature. In turn, they invite the reader to look at teaching in wider society, address elements of learning which teachers actively promote, raise questions about why, how and what to teach and, finally, look at ways of improving the quality of education. The twelve big ideas under discussion are: (1.) Education education goes beyond the school gates and is a lifelong experience. (2.) Childhood children need time and space to explore, enjoy learning and develop as children rather than miniature adults. (3.) Knowledge knowledge is the foundation for learning. (4.) Skills learners need to develop a broad range of skills in real-life, relevant contexts. (5.) Dispositions effective learning depends upon cultivating positive dispositions. (6.) Ethics teachers' conduct should be guided by a moral purpose. (7.) Instruction direct instruction is a tried-and-tested means of effective teaching. (8.) Curriculum the curriculum is all the learning and assessment activities in school, both planned and unintentional, that contribute to agreed educational goals. (9.) Feedback providing personalised, accurate, specific and timely feedback is one of the keys to improving learning. (10.) Reflective practice good teachers critically analyse their practice with a view to improving what they do. (11.) Research research has a central role to play in the professional development of teachers. (12.) Professional leadership effective school leadership operates at all levels and is about shared vision, support and securing improvement. An ideal book for busy teachers who need to be kept up to speed with the latest thinking in education, this comprehensive guide provides the essential knowledge to keep you fully informed, whether leading staff discussions, submitting assignments or preparing for interviews. Suitable for teachers in any setting, from trainees and NQTs to more experienced practitioners looking to reflect on their practice, the book will also appeal to school leaders and teacher training providers.
Written by Helen Lewis and Russell Grigg, Tails from the Classroom: Learning and teaching through animal-assisted interventions (AAIs) is a fascinating exploration of the use of AAIs in educational settings and how they can inspire and support learners' all-round development. There is growing interest in the idea of bringing animals into the classroom, but it is only recently that researchers have gathered clear data to show the impact of AAIs on the behavioural, emotional, physical and cognitive development of children and young people. Tails from the Classroom brings together this research in a highly accessible way, illustrated with real-life case studies from a range of classroom contexts. It also includes lots of practical guidance on how to set up, manage and evaluate a project, ensuring that the welfare of all participants, including the animals, is a priority. Helen and Russell discuss how AAIs can contribute towards learning in different subject areas and across the curriculum, sharing a wide range of examples to illustrate possible starting points for teachers in a range of subject and thematic contexts - even in less obvious areas such as the arts, literature, and religious and moral codes. They also provide a historical overview of human-animal interactions, highlighting how animals have played a central part in humans' social, spiritual and cultural development. This then underpins the authors' exploration into animals' potential role in enhancing particular dimensions of children's social, emotional, intellectual and physical development and well-being. This groundbreaking book is not just for animal-loving educators, however. It is for anyone who is serious about inspiring learners of all ages and prepared to explore new ways of doing so. Suitable for educators working with learners of all ages.
What does it mean to think of Western Art music - and the Austro-German contribution to that repertory - as a tradition? How are men and masculinities implicated in the shaping of that tradition? And how is the writing of the history (or histories) of that tradition shaped by men and masculinities? This book seeks to answer these and other questions by drawing both on a wide range of German-language writings on music, sound and listening from the so-called long nineteenth century (circa 1800-1918), and a range of critical-theoretical texts from the post-war continental philosophical and psychoanalytic traditions, including Lacan, Žižek, Serres, Derrida and Kittler. The book is focussed in particular on bringing the object of historical writing itself into scrutiny by engaging in what Žižek has called a 'historicity' or a way of writing about the past that not merely acknowledges the ahistorical kernel of historical writing, but brings that kernel into the light of day, takes account of it and puts it into play. The book is thus committed to a kind of historical writing that is open-ended - though not ideologically naïve - and that does not fix or stabilize the nature of the relationship between so-called 'primary' and 'secondary' texts. The book consists of an introduction, which places the study of classical music and the Austro-German tradition within broader debates about the value of that tradition, and four extensive case studies: an analysis of the cultural-historical category of listening around 1800; a close reading of A. B. Marx's Beethoven monograph of 1859; a consideration of Heinrich Schenker's attitudes to the mob and the vernacular more broadly and an examination, through Franz Kafka, of the figure of Mahler's body.
Twenty-somethings once faithfully attended church. What made them stop? While most said they still believe that the Bible is God's Word, they also said that the idea that the earth is millions of years old was one thing that caused them to doubt the bible? The crumbling foundation of the church takes a devastating toll on future generations. Therefore, churches must reclaim the historical truth found in Genesis and apply the Bible's authority to every area of life." -Ken Ham, President Answers in Genesis As the modern Church struggles to find a place of relevancy for a new generation that already has massive demands on its time and attention, more and more young people raised in the Church are leaving it - failing to find the answers to their questions of faith and life, beset with doubts raised by issues that the Church chooses not to address. Opting to skirt the controversy of Genesis as literal history, the biblical authority of the Holy Word is called into question and reduced to a collection of mere stories. More popularly considered an issue for schools or in the public realm, the conflicting views on the age of the earth also remain a pivotal issue within the Church - as it has for over two centuries. Was the Creation week literally six days? Does science really point to an old earth? Does the issue really matter for Christians? Should this issue even be discussed within the Church? Join authors Dr. Jason Lisle and Tim Chaffey as they put forth a case against an old-earth interpretation of Scripture. A comprehensive biblical, theological, and scientific critique of old-earth creationism, the book presents its compelling testimony in layman's terms to create a powerful debate that leads to unquestionable truth.
Have you ever wondered as a Christian whether Adam and Eve really were the first two humans living? Or, where did Cain get his wife? Is the earth really 4.6 billion years old? Are humans related to apes? Why is there death in the world? Was Noah's Flood worldwide? Where did languages come from? What about cave men? What about distant starlight? Did Jesus really rise from the dead? This book will give you the answers to these questions. Written in a down-to-earth style that bridges the gap between the academic and the popular, you will will find it very readable and enjoyable.
Why did Ptolemy's theory cause problems for the church? What is the big secret concerning the "?Age" of the earth? Why do many scientists reject the use of design in explaining origins? The seemingly absurd idea that all matter, energy, space, and time once exploded from a point of extreme density has captured the imagination of scientists and laypersons for decades. The big bang has provided a central teaching for the eons of time of "cosmic evolution", undermining the history and cosmology of the Bible. It is a theory that fails, even violating the very physical laws on which it is purportedly based. In this easy-to-read format, authors Alex Williams and John Hartnett explode this naturalistic explanation for the universe, and show that the biblical model provides a far better explanation of our origins. This fully indexed, illustrated analysis of the big bang theory is an invaluable help in understanding and countering a world view that is as chaotic and destructive as its name implies.
To my mind, scientific findings and biblical affirmations are inseparable. It is a tragic fact of history that these two approaches have diverged and become separated." -From the Introduction Did you know that there are 200 billion stars in our galaxy alone? And that according to current data, there are at least 100 million galaxies in existence? The sheer number of stars in the universe attests to the awesomeness of God's creation. The purpose and features of stars are discussed in this exciting and fascinating book by Dr. Werner Gitt. Learn about topics such as: How are stars different from each other? How big is the universe? Why did God create the stars? Surprising facts about the sun and moon. How and when do solar eclipses happen?
A single man stands behind the greatest deception in history. Charles Darwin's ideas still penetrate every aspect of our culture, including science, religion, and education. And while much has been made of his contribution to the evolutionary hypothesis, little has been publicized about the dark side of the man himself and how this may have impacted the quality and legitimacy of his research. This daring and compelling book takes its readers behind the popular facade of a man revered worldwide as a scientific pioneer, and unveils what kind of person Darwin really was. The book reveals disturbing facts that will help you: Perceive Darwin firsthand through the eyes of family and friends, and his own correspondence Discern this darkly troubled man, struggling with physical and mental health issues Uncover his views on eugenics and racism, and his belief that women were less evolved than men Thoroughly documented, this book reveals Darwin's less-than-above board methods of attempting to prove his so-called scientific beliefs, and his plot to "murder God" by challenging the then-dominant biblical worldview.
Blackface minstrelsy, the nineteenth-century performance practice in which ideas and images of blackness were constructed and theatricalized by and for whites, continues to permeate contemporary popular music and its audience. Harriet J. Manning argues that this legacy is nowhere more evident than with Michael Jackson in whom minstrelsy’s gestures and tropes are embedded. During the nineteenth century, blackface minstrelsy held together a multitude of meanings and when black entertainers took to the stage this complexity was compounded: minstrelsy became an arena in which black stereotypes were at once enforced and critiqued. This body of contradiction behind the blackface mask provides an effective approach to try and understand Jackson, a cultural figure about whom more questions than answers have been generated. Symbolized by his own whiteface mask, Jackson was at once ‘raced’ and raceless and this ambiguity allowed him to serve a whole host of others’ needs - a function of the mask that has run long and deep through its tortuous history. Indeed, Manning argues that minstrelsy’s assumptions and uses have been fundamental to the troubles and controversies with which Jackson was beset.
Utilizing Lacan's psychoanalytic theory and Žižek's philosophical adaption of it, this book brings into dialogue a series of modernist and postmodernist literary works, films, and critical theory that are concerned with defining America. Ahmed Elbeshlawy demonstrates that how America is perceived in certain texts reveals not only the idealization or condemnation of it, but an imago, or constructed image of the perceiver as well. In turn, texts which particularly focus on demonstrating how other texts about America communicate an untrustworthy message themselves communicate an unreliable message, inventing and reinventing a series of imagos of America. These imagos refer to both idealized and deformed images of America constructed by the perceivers of America. The first part of this book is concerned with modernist perceptions of America, and includes discussion of Adorno, Benjamin, Kafka, D. H. Lawrence, as well as Emerson and Seymour Martin Lipset. The second part is dedicated to postmodernist representations of America, focusing on texts by Edward Said, Ihab Hassan, Susan Sontag, David Shambaugh and Charles W. Brooks, and films including Lars von Trier's Dogville and D.W. Griffith's Birth of a Nation.
By the 1850s, the expansion of printing and distribution technologies provided writers with more readers and literary outlets than ever before, while the ever-changing political contexts occasioned by the revolutions of 1830 and 1848 brought about differing degrees of political, social, and literary censure and pressure. Seth Whidden examines crises of literary authority in nineteenth-century French literature, both in response to the attempts of the Second Empire (1852–1870) to restore the unquestioned imperial authority that had been established by Napoleon I and in the aftermath of the bloody Paris Commune of 1871. In each of his chapters, Whidden offers a representative case study highlighting one of several phenomena-literary collaboration, parody, destabilized poetic form, the substitution of one poetic or narrative voice with that of the man-that enabled challenges to the traditional status of the writer and, by extension, the political authority that it reflected. Whidden focuses on the play Le Supplice d’une femme (1865); the Cercle Zutiste, a group of writers, musicians, and artists who met regularly in the fall of 1871, only months after the fall of the Second Empire; Arthur Rimbaud’s Commune-era poems; and Jules Verne’s 1851 ‘Un voyage en ballon,’ later reprinted as ‘Un drame dans les airs’ in 1874. Whidden concludes with a futuristic look at authority and auctority as it pertains to midcentury writers taking stock of the weakened authority still possible in a post-Second Empire France and envisioning what kind of auctority is still to come.
Powerful evidence for the existence of a personal God! Information is the cornerstone of life, yet it is something people don't often think about. In his fascinating new book, In the Beginning Was Information, Dr. Werner Gitt helps the reader see how the very presence of information reveals a Designer: Do we take for granted the presence of information that organizes every part of the human body, from hair color to the way internal organs work? What is the origin of all our complicated data? How is it that information in our ordered universe is organized and processed? Gitt explains the necessity of information - and more importantly, the need for an Organizer and Originator of that information. The huge amount of information present in just a small amount of DNA alone refutes the possibility of a non-intelligent beginning for life. It all points to a Being who not only organizes biological data, but also cares for the creation.
Examining both familiar and underappreciated texts, Hassan Melehy foregrounds the relationships that early modern French and English writers conceived with both their classical predecessors and authors from flourishing literary traditions in neighboring countries. In order to present their own avowedly national literatures as successfully surpassing others, they engaged in a paradoxical strategy of presenting other traditions as both inspiring and dead. Each of the book's four sections focuses on one early modern author: Joachim Du Bellay, Edmund Spenser, Michel de Montaigne, and William Shakespeare. Melehy details the elaborate strategies that each author uses to rewrite and overcome the work of predecessors. His book touches on issues highly pertinent to current early modern studies: among these are translation, the relationship between classicism and writing in the vernacular, the role of literature in the consolidation of the state, attitudes toward colonial expansion and the "New World," and definitions of modernity and the past.
Is the earth billions of years old, or just thousands? Does it Matter? Did God create our world in six literal days, or did it evolve on its own over countless eons of time? The age of the earth - a key question in the creation/evolution debate - has been portrayed as an issue of science versus religion, but is it really that simple? The answers to these questions are vital to understanding not just earth science, but also the biblical record. Dr. John Morris - The Young Earth scientifically examines the evidence to see what the earth actually reveals about itself. This classic and definitive work, newly revised and expanded, demonstrates that the Bible can be trusted in questions of science and history. The Young Earth offers both compelling scientific analysis and effective biblical exposition. A powerful resource, it also includes a CD with PowerPoint presentations that illustrate such key concepts as salt levels in the oceans, the age of the atmosphere, the accumulation of ocean sediments, and much more. Great for presentations and personal study Organized for teaching to groups of all sizes Illustrated slides illuminate important points Scientifically, irrefutably, the truth of God's world proclaims the truth of God's Word.
If animals could tell us about themselves, using our scientific knowledge, if they could tell us about the way they live, the special way they are made and many details about their individual design - what they would say would be unique praise to the Creator. Did you know that while in flight, the sparrow's heart can beat up to 760 times per minute? Or that a baby blue whale grows at a rate of 7.28 pounds an hour while it's nursing, a grand total of 17 tons by the end of the nursing stage? How about that glow worms have a light output efficiency of 100% as compared to only 4% for our incandescent bulbs? Dr. Werner Gitt, one of the foremost creationist speakers in the world, uses his scientific expertise in this book to show the unique design features of some of God's most captivating creations. All people, young and old, layperson or expert, will be able to understand and enjoy this straightforward book. Told from the perspective of the animals being described, If Animals Could Talk clearly shows the impossibility of life without design. Dr. Gitt uses simple language to provoke a sense of wonder and awe at the marvelous design of the Creator.
The Little Book of Pembrokeshire is a highly readable guide to the history, culture and landscape of a very special place. Dr Russell Grigg traces Pembrokeshire's enduring appeal, including its rich maritime heritage and diverse culture, from the folk tales of The Mabinogion to the modern surf and music festivals. The reader is taken on a tour of Pembrokeshire National Park (the UK's only coastal park) and its remarkable topography, from enchanting islands such as Caldey and Skomer to the ancient Preseli hills that put the 'stone' in Stonehenge. Also explored is the darker side to Pembrokeshire's tapestry, including castle kidnappings, smuggling, piracy and food riots. Meticulously researched, The Little Book of Pembrokeshire is a sensory delight for both natives and visitors.
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