Frascari is best-known for his extraordinary texts, which explore the intellectual, theoretical and practical substance of the architectural discipline. Throughout his academic career, he continued to work on numerous architectural projects, including exhibitions, competition entries, and designs for approximately 35 buildings. Sam Ridgway draws on a wide selection of Frascari’s texts, including his richly poetic book Monsters of Architecture, to explore the themes of representation, demonstration, and anthropomorphism. Three of Frascari’s delightful buildings are then brought to light and interpreted, revealing a sophisticated and interwoven relationship between texts and buildings.
Speed, acceleration and rapid change characterize our world, and as we design and construct buildings that are to last at least a few decades and sometimes even centuries, how can architecture continue to act as an important cultural signifier? Focusing on how an important nineteenth-century architect addressed the already shifting relation between architecture, time and history, this book offers insights on issues still relevant today-the struggle between imitation and innovation, the definition (or rejection) of aesthetic experience, the grounds of architectural judgment (who decides and how), or fundamentally, how to act (i.e. build) when there is no longer a single grand narrative but a plurality of possible histories. Six drawings provide the foundation of an itinerary through Charles Robert Cockerell’s conception of architecture, and into the depths of drawings and buildings. Born in England in 1788, Cockerell sketched as a Grand Tourist, he charted architectural history as Royal Academy Professor, he drew to build, to exhibit, to understand the past and to learn from it, publishing his last work in 1860, three years before his death. Under our scrutiny, his drawings become thresholds into the nineteenth century, windows into the architect’s conception of architecture and time, complex documents of past and projected constructions, great examples that reveal a kinetic approach to ornamentation, and the depth of architectural representation.
Focusing on top civilian and military advisors within the national security establishment, this significant book looks at four case studies with a focus on civil-military relations within the US Department of Defense. It investigates whether balanced approaches produce more effective policies and outcomes than dominating structures. The culmination of Gibson's treatise is the advancement of the 'Madisonian approach' to civilian control of the military, a normative framework designed to replace Samuel Huntington's 'Objective Control' model and also the 'Subjective Control' model, initially practised by Defense Secretary Robert McNamara and most recently by Defense Secretary Donald Rumsfeld. The Madisonian approach calls for changes in US law and new norms to guide the interactions of key participants who populate the civil-military nexus. This book is destined to influence US strategic thinking and should be added to the syllabus of courses in civil-military relations, strategic studies and military history. Given the struggling US policy in Iraq, the time is right for a critical review of US civil-military relations and this book provides the departure point for analysis and a potential way forward.
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